Softcover. New York, Dell Publishing Company, 1st, 1943, 240 pages. Paperback. Dell Mystery Book #356. Cover art from the movie "Shadow on the Wall".Pencil notations and numbers on first pages. Light creasing to paper wrappers.Map on rear wrapper. Moderate creasing and wear to wrappers.
Hardcover. NY, Armchair Detective Library, reprint , 1991, Book: Very Good, Dust Jacket: Very Good, Pseudonym of Gore Vidal. 1st published in 1952. with a new introduction by him.
Hardcover. Los Angeles, Sherbourne Press, 1st, 1968, Book: Very Good, Dust Jacket: Good, Hardcover, 192 pages. An exotic dancer gets murdered and hard-boiled P.I. Bart Challis is on the case. Very good in a lightly soiled dust jacket.
Hardcover. London, Bloomsbury, 1st UK, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 249 pages, SIGNED BY AUTHOR on title page. Very clean and tight copy.
Hardcover. NY, Scribners, 1st US, 1981, Book: Very Good, Dust Jacket: Very Good, Review copy w/slip laid-in. Very good in a bright, unclipped dust jacket.
Hardcover. NY, Doubleday & Company, 1st, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover, in a lightly worn dust jacket. 189 pages, a Tommy Hambledon mystery, some fading to dust jacket. Clean.
Hardcover. Roslyn NY, Walter J. Black, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. Three complete unabridged mysteries in one volume. Detective Book Club Edition. Clean, bright copy.
Hardcover. New York , Boni & Liveright, Limited, 1925, Book: Good, Dust Jacket: None, 2 volume set. Translated by John Payne, illustrated by Clara Tice. Edition limited to 2000 copies. This is number 85. 374 + 355 pages. Light wear and sun-fade to black cloth covers. Binding on both volumes is a little shaken but still intact. There is a small hole close to the fore-edge on rear cover of volume 2. Overall a nice set in good condition.
Hardcover. London, John Leighton, 1st, 1845, Book: Very Good, Dust Jacket: None, 579 pages. Brown cloth covers w/ gilt lettering and design on spine. Edge wear, rubbing to covers; spine faded. End papers wrinkled. Hinges starting to crack. Else a clean, tight copy.
Hardcover. NY, Viking, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 216 pages. Interesting novel by this award-winning writer, the story of a woman, a "biographer of modest accomplishments" who is asked to write the authorized biography of a World War I flying ace who became an influential British politician until his rather mysterious death in an automobile accident during World War II. Clean copy.
Hardcover. New York , Viking Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 261 pages. Ivory covers with green band on spine. Minor flaw on front of cover. Dust jacket pristine. Comes with an acrylic cover for jacket. Very good condition.
Hardcover. Portway, Bath UK, Cedric Chivers Ltd., reprint, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Originally published in 1936, a novel about coal mining in Lancashire, England. INSCRIBED BY HODGKISS in 1975 on the front fly leaf. Clean copy.
Hardcover. NY, Limited Editions Club, 1st thus, 1961, Book: Very Good, Dust Jacket: None, Very good in slipcase. This limited edition, one of 1500 copies hand numbered and signed by illustrator Edward A. Wilson at colophon, contains b/w and color illustrations in gravure throughout. The Deerslayer, or The First War-Path (1841) was the last of James Fenimore Cooper's Leatherstocking Tales to be written. Its 1740-1745 time period makes it the first installment chronologically and in the lifetime of the hero of the Leatherstocking tales, Natty Bumppo.
Hardcover. Portand, ME, Thomas B. Mosher, 1st Edition, 1903, Book: Very Good, Dust Jacket: None, 103 pages. Hardcover (soft cardboard) with foreedge overhang to protect edge (see image). "This First Edition on Van Gelder paper consists of 925 copies". Untrimmed foreedge. Tan covers, brown title on spine and front cover board with design. Tanning throughout from age. Clean, tight copy in very good condition.
Hardcover. Philadelphia, J.B. Lippincott Co., 1st US, 1898, Book: Very Good, Dust Jacket: None, 277 pages plus publisher's ads, light blue cloth with 3-color decoration, 32 b&w plates by Sidney Paget. Light flecking to cloth in small areas, otherwise very good.
Hardcover. New York, Harper & Brothers, 1st, 1919, Book: Good, Dust Jacket: None, 377 pages. Hardcover with no dust jacket. Green cloth cover boards with gilt reverse lettering on front and spine. Corners bumped, rear board has moderate soiling, spine shows heavy rubbing and wear. Illutrations by W.H.D. Koerner. Spine slightly cocked, but tight copy.
Hardcover. NY, Viking Press, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, unclipped. Front flap creased. Clean.
Hardcover. Roslyn NY, Walter J. Black, Book Club Ed., 1982, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Three mystery novels in one volume. Detective Book Club Series. Clean, bright copy. No markings.
Hardcover. New York, Knopf, 2nd Printing, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 273 pages, INSCRIBED BY AUTHOR on half-title page. Very clean and tight copy.
Hardcover. NY, Atheneum, 1st, 1990, Hardcover in a bright, unclipped dust jacket. The author's first novel, set in Berlin, in early 1933 as the Nazi regime is gaining power, and Jews, radicals, and other undesirables are leaving the city. Based on film director Fritz Lang and his wife Thea. Praise from Thomas Pychon, among others, who called it "daringly imagined and darkly romantic - a moral thriller." Clean, bright copy.
Hardcover. New York, Arcade, 1st US, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 248 pages. A very clean, tight copy. Christopher Burton, the protagonist of this masterful novel, is one of Britain's foremost foreign correspondents, the acknowledged world expert on Italian affairs. Three months after returning to London with his Italian wife for an extended stay, Burton receives a phone call at the reception desk of his hotel informing him that his teenage son has committed suicide. Why, upon receiving this terrible news, does he immediately conclude that his marriage of almost thirty years is over? And why is grief so slow in coming?