Softcover. Beverly Hills CA, MGM/Brooksfilms, N/A, 1981, Book: Very Good, Dust Jacket: None, Orange title wrappers, rubber-stamped copy No. 99, dated September 4, 1981, with credits for screenwriter Steinberg and director Benjamin, and producer Michael Gruskoff. Title page present, dated September 4, 1981, noted as REV. FINAL DRAFT, with a credit for screenwriter Steinberg. 110 leaves, photographically reproduced, with the last leaf of text numbered 110. Pages and wrapper Near Fine, bound with two gold brads. Shot on location in New York City. O'Toole received an Oscar nomination for his role.

Softcover. Culver City CA, Metro-Goldwyn-Mayer / Brooksfilms, , N/A, 1981, Book: Good, Dust Jacket: None, Softcover, pale blue wrappers with die-cut window for title, 120 pages, three-hole punched pages held by 2 brads. Title page dated April 9. 1981 indicating an early version. The 1982 film, directed by Richard Benjamin, earned Peter O'Toole an Oscar nomination for his lead role as Alan Swann. Title lettered on bottom edge, otherwise clean copy.

Softcover. Culver City CA, Metro-Goldwyn-Mayer / Brooksfilms, , N/A, 1981, Book: Good, Dust Jacket: None, Softcover, pale blue wrappers, 120 pages, three-hole punched pages held by 2 brads. Stamped copy # 137. Title page dated April 9. 1981 indicating an early version. The 1982 film, directed by Richard Benjamin, earned Peter O'Toole an Oscar nomination for his lead role as Alan Swann. Title lettered on bottom edge, light spotting to rear cover, otherwise clean copy.

Softcover. Los Angeles, Robert Chatoff-Irwin Winkler Productions, N/A, 1975, Book: Very Good, Dust Jacket: None, Softcover, 132 leaves printed in a variety of different photomechanical methods on rectos only, plus additional revisions on different color paper, some dated as late as February, 1976. Title page is dated December 8, 1975. Bradbound unprinted red wrappers. Now bound in a binder with black boards. Nickelodeon was directed by Bogdanovich, and starred Ryan O'Neal, Burt Reynolds and Tatum O'Neal. According to Bogdanovich, the film was based on true stories told to him by silent movie directors Allan Dwan and Raoul Walsh. It was entered into the 27th Berlin International Film Festival. Although Richter name appears as co-writer, his original script called Stardust Memories was junked by Bogdanovich and completely rewritten by him.

Hardcover. Los Angeles CA, Twentieth Century-Fox, N/A, 1979, Book: Very Good, Dust Jacket: None, Softcover, yellow wraps, 135 pages, three-hole punched screenplay, dated November 14 1979 and designated as The Numbered Script (this copy with #37 inside front cover). Final draft was dated December 12, 1979. The 1980 movie that starred Jane Fonda, Dolly Parton and Lilly Tomlin. This draft doesn't mention Patricia Resnick who was given credit as co-screenwriter, Higgins directed. Title lettered on bottom edge, otherwise clean, bright copy.

Softcover. NY, Viking Press , 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 148 pages. Lehman's Oscar nominated screenplay for Hitchcock's great 1959 film. Illustrated with 25 b&w stills. Name on front fly leaf otherwise clean, sharp copy.

Hardcover. NY, Charles Scribner's Sons, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear. Introduction by Richard Burton. An in depth look at the career and films of Joseph Mankiewicz whose career spanned nearly half a century. His credits include such classics as The Philadelphia Story; A Letter to Three Wives; All About Eve, and Five Fingers. 443 pages, b&w photos. Clean copy.

Softcover. np, np, N/A, Book: Very Good, Dust Jacket: None, Softcover in plain sand color wrappers. Title page present, dated 11/14/83, 2nd draft, with credits for screenwriters Polanski and Brach. 123 leaves, mechanically reproduced. Pages and wrapper near fine, bound with three gold brads. Title lettered on bottom edge. otherwise clean. The film was released in 1986, delayed by Polanski's legal problems in Los Angeles. He fled the country after Paramount dropped out of the project and the movie was made in Paris and Tunisia.

Hardcover. Los Angeles, Really Great Books, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 265 pages.From the co-creator of "Mr. Magoo," and screenwriter for "Gun Crazy" (1950, front for Dalton Trumbo), "Unknown World" (1951), "Bad Day at Black Rock" (1955), and "Klansman" (1974), Millard expands on the craft of screenwriting. Clean copy.

Softcover. Culver City CA, MGM Film Co., N/A, 1981, Book: Very Good, Dust Jacket: None, Softcover, blank pale green wraps, 119 pages, three-hole punched photo-copied screenplay, title page dated February 1981 (with #63 by MGM logo at top), second title page with writer credits dated June 19 1981, revised pages with various dates - most early 1981. Title lettered on bottom edge otherwise a clean, sharp copy. Bound by two brads.

Hardcover. NY, Thunder's Mouth Press; Nation Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 464 pages, b&w photos. In a bright, unclipped dust jacket. As the McCarthyite witch hunt gathered momentum in the postwar years, screenwriter Norma Barzman and her husband were driven from Hollywood into an emotionally difficult thirty-year exile in France. The Red and the Blacklist is a unique record of the political tempests of the time, marked by the author's dazzling power of reflection and insight, and animated by a larger-than-life cast of supporting characters including Pablo Picasso, Harold Robbins, Sophia Loren, Charlton Heston, Ingrid Bergman, Joseph Losey, John Wayne, Anthony Quinn, Groucho Marx and--in a delightful cameo--a very young Marilyn Monroe.

Softcover. NY, Miramax/ Hyperion, 1st, 1995, Book: Very Good, Dust Jacket: None, 290 pages. Illustrated with black & white photographs. Preface by Wayne Wang. Clean, tight copy.

Softcover. Monterey Park, O.S.P. Publishing, 1st, 1994, Book: Very Good, Dust Jacket: None, 104 pages. Paperback. Illustrated with 8 pages of film stills. Small wrinkle/tear on front cover window. Otherwise clean, tight copy.

Softcover. NY, Ballantine Books, 1st pbk., 2002, Book: Very Good, Dust Jacket: None, Softcover, 224 pages illustrated in color. A pictorial celebration of the art that went into creating the second prequel to Star Wars, Attack of the Clones. With hundreds of sketches, storyboards, matte paintings, blueprints, costume designs and more. Includes the script for the film written by director George Lucas and Jonathan Hales.

Softcover. NY, E.P. Dutton, 1st, 1973, Book: Good, Dust Jacket: None, Softcover, unpaginated, b&w plates. Illustrated with stills from the 1924 film. compiled and annotated with a foreword by Herman Weinberg. Probably Stroheim"s best remembered work as a director is Greed, a detailed filming of the novel McTeague by Frank Norris. Previous owner's name inside front cover, otherwise clean. Light soiling to wrappers, shelfwear.

Hardcover. NY, Pantheon , 1st US, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 123 pages, b&w photos.

Hardcover. NY, Pantheon , 1st US, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 123 pages, b&w photos.

Hardcover. NY, Abrams, 1st, 2021, Book: Very Good, Dust Jacket: None, Two large hardcovers in a slipcase, 512 pages. The Story of Marvel Studios is the first-ever, fully authorized, all-access history of Marvel Studios' creation of the Marvel Cinematic Universe, as told by the producers, writers, directors, concept artists, VFX artists, cast, and crew who brought it to life. Year-by-year, project-by-project, the studio's founding and meteoric growth are described through detailed personal stories, anecdotes, and remembrances of noteworthy challenges, breakthrough milestones, and history-making successes. Featuring archival materials, concept art, film stills, memorabilia from cast and crew, and rare promotional art, these volumes will take fans on a journey through Marvel Studios' creative challenges, breakthroughs, and successes of the past decade. These visuals are joined by exclusive interviews with key producers, studio heads, and core cast members such as Kevin Feige, Robert Downey Jr., Scarlett Johansson, Samuel L. Jackson, Chris Evans, and more. Clean, bright set.

Softcover. New York, Mirage Enterprises, N/A, 1982, Book: Very Good, Dust Jacket: None, Paper wrappers, screenplay xeroxed on 3-hole punched paper and bound with metal brads. No draft mentioned but dated March 8 1982, 145 pages. The copied title page has the signature of Jessica Lange (NOT THE ORIGINAL). The orange paper cover has "Tootsie" written in pen. Possible name covered by "white-out" on top corner of title page. Otherwise, clean, very good.

Hardcover. Franklin Center PA, Franklin Library, 1st, 2000, Book: Very Good, Dust Jacket: None, This is a memoir from the acclaimed author of "The Princess Bride" and numerous other books and screenplays. Includes a special message from Goldman not present in the trade edition. A fine copy in decorated full leather binding with all page edges gilt and a bound in silk book marker. SIGNED BY GOLDMAN. Something odd, if predictable, became of screenwriter William Goldman after he wrote the touchstone tell-all book on filmmaking, Adventures in the Screen Trade (1983), he became a Hollywood leper. Goldman opens his long-awaited sequel by writing about his years of exile before he found himself--again--as a valuable writer in Hollywood. Fans of the two-time Oscar-winning writer ( Butch Cassidy and the Sundance Kid , All the President's Men ) have anxiously waited for this follow-up since his career serpentined into a variety of big hits and critical bombs in the '80s and '90s. Here Goldman scoops on The Princess Bride (his own favorite), Misery , Maverick , Absolute Power , and others. Goldman's conversational style makes him easy to read for the film novice but meaty enough for the detail-oriented pro. His tendency to ramble into other subjects may be maddening (he suddenly switches from being on set with Eastwood to anecdotes about Newman and Garbo), but we can excuse him because of one fact he is so darn entertaining. An as new copy and still in the publisher's shrinkwrap.

Softcover. Hollywood CA, Paramount Pictures, N/A, 1981, Book: Very Good, Dust Jacket: None, Softcover, 117 pages plus additional revised pages in pink and blue at rear. Three-hole punched with two brads, plain yellow wrappers. Title page date is March 20, 1981, the revised pages dated 3/24/81 and 4/13/81. Print shop requisition for script dated 4/15/81 and signed for approval by Jeff Katzenberg. Light soil to wrappers otherwise clean, very good. The film was completed in 1981 and only had limited exposure in the U.S. because of it's controversial nature but was distributed in 1983 in Europe. Criterion released the DVD in 2008 in it's original uncut version.

Softcover. NY, Applause Books, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 492 pages, each with an accompanying essay by Goldman. Bright, clean copy.

Softcover. NY, Applause, 1st thus, 1997, Book: Very Good, Dust Jacket: None, Softcover, 492 pages. Marathon Man, Butch Cassidy and the Sundance Kid, The Princess Bride, Misery. Sticker residue on back cover otherwise clean.

Hardcover. NY, Scribner, 2nd pr., 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 475 pages, b&w photos, in a bright, unclipped dust jacket. Remainder line on bottom edge. A biography of Frances Marion, one of the earliest--and for many years the most successful--screenwriters in Hollywood. Cari Beauchamp masterfully combines biography with social and cultural history to examine the lives of Frances Marion and her many female colleagues who shaped filmmaking from 1912 through the 1940s.