Hardcover. NY, Knopf, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 592 pages, b&w illustrations. Samuel Fuller, independent director-producer extraordinaire, tells the story of his life, a life that spanned most of the twentieth century. His twenty-nine tough, gritty pictures made from 1949 to 1989 set out to capture the truth of war, racism, and human frailties, and incorporate some of his own experiences. He writes of his years in the newspaper business--selling papers as a boy on the streets of New York, working for Hearst's New York Journal American, first as a copyboy, then as personal runner for the famous Hearst editor in chief Arthur Brisbane. His film Park Row was inspired by his years as a reporter for the New York Evening Graphic, where his beat included murders, suicides, state executions, and race riots--he scooped every other New York paper with his coverage of the death by drug overdose of the legendary Jeanne Eagels. Fuller talks about directing his first picture (he also wrote the script), I Shot Jesse James . . . and how, as a result, he was sought after by every major studio, choosing to work for Darryl Zanuck of Twentieth Century Fox. We see him becoming one of the most prolific, independent-minded writer-directors, turning out seven pictures in six years, among them Pickup on South Street, House of Bamboo, and China Gate. He writes about making Underworld U.S.A., a movie that shows how gangsters in the 1960s were no longer seen as thugs but as "respected" tax-paying executives . . . about the making of the movie Shock Corridor--about a journalist trying to solve a murder in a lunatic asylum--which exposed the conditions in mental institutions . . . and about White Dog (written in collaboration with Curtis Hanson), a film so controversial that Paramount's then studio heads, Jeffrey Katzenberg and Michael Eisner, refused to release it. Clean copy.

Softcover. Burbank CA, Mirage Productions, 1st, 1980, Book: Good, Dust Jacket: None, Softcover, 134 pages, printed on 3-hole punched paper and bound with one brass brad and reinforced with tape on the spine. Plain blue paper wraps with title hand-printed on front, on spine tape and bottom edge. No indicated draft but dated September 15, 1980. This was copy #16 distributed, as lettered on title page in corner. The 1981 film was directed by Sydney Pollack and starred Paul Newman and Sally Field. Luedtke won an Academy Award nomination for screenplay written directly for the screenplay.

Hardcover. Berkeley CA, University of California, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 310 pages, b&w photos. In a bright, unclipped dust jacket.

Softcover. Los Angeles, Paul Monash, N/A, Book: Good, Dust Jacket: None, 141 pages, 3-hole punched pages but blue cover gone, back present. Two brads holding pages. Title page states: ADAPTED from the NOVEL by STEVEN KING (note that STEPHEN KING" is misspelled in this First Draft as "STEVEN KING"). This is an ORIGINAL FIRST DRAFT SCREENPLAY. At this point the film, Carrie, was in early development. This was, perhaps, a spec script under the umbrella of Producer Paul Monash. Stamped with logo and address of the Ziegler Ross Agency.

Softcover. Los Angeles, Paul Monash Productions, N/A, Book: Good, Dust Jacket: None, 138 pages, pale blue paper wraps with die-cut screen revealing title, 3-hole punched pages with two brads holding pages, top of rear cover loose from brad. Title page states: adapted from the novel by STEVEN KING (note that STEPHEN KING" is misspelled in this First Draft as "STEVEN KING"). This is an ORIGINAL REVISED FIRST DRAFT SCREENPLAY. At this point the film, Carrie, was in early development. This was, perhaps, a spec script under the umbrella of Producer Paul Monash. Stamped with logo and address of the Ziegler Ross Agency. This draft has handwritten notations, crossed-out sections, some pages initialed (unreadable) - in xeroxed image, not original. Light overall wear.

Softcover. Los Angeles, Paul Monash Productions, N/A, Book: Good, Dust Jacket: None, 138 pages, pale blue paper wraps with die-cut screen revealing title, 3-hole punched pages with two brads holding pages. Title page states: adapted from the novel by STEVEN KING (note that STEPHEN KING" is misspelled in this First Draft as "STEVEN KING"). This is an ORIGINAL REVISED FIRST DRAFT SCREENPLAY. At this point the film, Carrie, was in early development. This was, perhaps, a spec script under the umbrella of Producer Paul Monash. Stamped with logo and address of the Ziegler Ross Agency. This draft has handwritten notations, crossed-out sections, some pages initialed (unreadable) - in xeroxed image, not original. Light overall wear. Number 12 in pencil in corner of title page.

Hardcover. Woodstock, NY, Overlook Press, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, 223 pages. Hardcover with dust jacket. Clean, tight copy. Light wear to dust jacket. Includes fifteen famous stills from the film. Released in December 1942, "Casablanca" is the classic of all classic films, the enduring triumph of Hollywood's golden age. This volume contains the complete screenplay as well as a behind-the-scenes look at how the Oscar-winning movie was made.

Hardcover. New Brunswick, Rutgers, 1st, 1988, Book: Very Good, Dust Jacket: None, Hardcover, 340 pages. Illustrated with black & white stills. 1 of 500 copies in Hardcover. No dust jacket. Clean, bright copy.

Softcover. reprint, Book: Very Good, Dust Jacket: None, Unknown publisher. Pink paper wrappers, 8 1/2 by 11", 137 pages, xeroxed pages, 3-hole punched and bound with metal brads. No date but code on top of pages reads #PF-134. Clean.

Softcover. Republic of Macedonia, Slovo, 2nd, 1995, Book: Very Good, Dust Jacket: None, 309 pages, SIGNED BY AUTHOR on title page, bilingual English/Russian text. Light edge wear, otherwise, very clean and bright.

Hardcover. Lexington KY, University Press of Kentucky, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A Hollywood screenwriting and movie-making icon, Ernest Lehman penned some of the most memorable scenes to ever grace the silver screen. Hailed by Vanity Fair as "perhaps the greatest screenwriter in history," Lehman's work on films such as North by Northwest, The King and I, Sabrina, West Side Story, and The Sound of Music helped define a generation of movie making. But while his talent took center stage, the public knew little of Lehman himself, a native of Manhattan's Upper West Side and the Five Towns of Long Island devoted to his wife of 50 years. His relentless perfectionism, hypochondria and all-night writing sessions fueled by tequila and grilled cheese sandwiches were some of the quirks that made Lehman a legend in the Hollywood community.

Softcover. New York, Hartwest Productions, N/A, 1979, Book: Very Good, Dust Jacket: None, Softcover, blue plastic covers. three-hole punched screenplay with brad binding, 125 pages. Early television movie script by the award-winning screenwriter (The Dresser, The Pianist, The Diving Bell and the Butterfly, among others). The 1981 biopic starred Faye Dunaway, James Farentino and was based on books by Nicholas Fraser and John Barnes and aired on NBC. Clean copy.

Hardcover. NY, Doubleday, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 369 pages, b&w photos. In a bright, unclipped dust jacket. The author presents a memoir of her father the well-known playwright, producer, director and screenwriter of such Hollywood classics as The Desert Fox, How to Marry a Millionaire, The Man in the Gray Flannel Suit, The Three Faces of Eve, The Dirty Dozen and many others.

Softcover. New York, Warner Brothers, N/A, n/a, Book: Very Good, Dust Jacket: None, Paper wrappers, screenplay xeroxed on 3-hole punched paper and bound with metal brads. No draft mentioned, no date, 146 pages. Probably a pirated copy. Clean, very good.

Hardcover. NY, McGraw-HIll Books, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 412 pages with index, b&w photos. A chronicle of the Hollywood that was, a mythic playground where cinema of both enduring and dubious value was created. .Into this world of illusion and disillusion came some of the greatest literary figures in our history. This is their story, from the 1930's and the early days of sound to the House Un-American Activities Committee. Clean copy.

Hardcover. University Press of Kentucky, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 279 pages, b&w photos. With a career that spanned from the silent era to the 1990s, British screenwriter Charles Bennett (1899-1995) lived an extraordinary life. His experiences as an actor, director, playwright, film and television writer, and novelist in both England and Hollywood left him with many amusing anecdotes, opinions about his craft, and impressions of the many famous people he knew. Among other things, Bennett was a decorated WWI hero, an eminent Shakespearean actor, and an Allied spy and propagandist during WWII, but he is best remembered for his commercially and critically acclaimed collaborations with directors Sir Alfred Hitchcock and Cecil B. DeMille. The fruitful partnership began after Hitchcock adapted Bennett's play Blackmail (1929) as the first British sound film. Their partnership produced six thrillers: The Man Who Knew Too Much (1934), The 39 Steps (1935), Sabotage (1936), Secret Agent (1936), Young and Innocent (1937), and Foreign Correspondent (1940). In this witty and intriguing book, Bennett discusses how their collaboration created such famous motifs as the "wrong man accused" device and the MacGuffin. He also takes readers behind the scenes with the Master of Suspense, offering his thoughts on the director's work, sense of humor, and personal life.

Hardcover. New York, Grove Weidenfeld, reprint, 1992, Book: Very Good, Dust Jacket: None, Hardcover, laminated boards, 126 pages. Very clean and tight copy.

NY, Villard/Random House, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket with light fading to spine. The author of "Adventures in the Screen Trade" provides an inside look at the Cannes Film Festivals and the Miss America Pageant from his unique perspective as a judge, offering anecdotes about the judging process. Clean copy.

Hardcover. NY, Villard Books, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 306 pages. The author of "Adventures in the Screen Trade" provides an inside look at the Cannes Film Festivals and the Miss America Pageant from his unique perspective as a judge, offering anecdotes about the judging process. Clean copy.

Softcover. New Brunswick NJ, Rutgers University Press, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 346 pages. Illustrated with black and white photographs of scenes from the film. This volume includes the complete continuity script of the film, critical commentary and published reviews, interviews with the director, and a filmography and bibliography. It also includes an excellent introduction by Lucy Fischer. Light fading to spine, otherwise clean.

Softcover. London, Pelagian Press, 1st UK, 1991, Book: Very Good, Dust Jacket: None, Softcover, 80 pages, b&w illustrations. English text. Clean copy.

Softcover. Beverly Hills CA, EMI Films, N/A, 1979, Book: Very Good, Dust Jacket: None, Softcover, 139 pages, three-hole punched photocopied screenplay for the 1980 movie starring Angela Lansbury and Edward Fox, directed by Guy Hamilton. Title page states 2nd Draft and is dated September 1979. The final screenwriter credit added Barry Sandler. Dark blue plastic cover with title lettered on bottom edge and on tape stuck to spine. Otherwise very clean.

Softcover. New York, Simon and Schuster, 1st, 1969, Book: Very Good, Dust Jacket: None, 188 pages. Softcover. Illustrated with black & white photographs. Darkening to spine, light wear. Clean, unmarked text.

Softcover. Beverly Hills CA, MGM/Brooksfilms, N/A, 1981, Book: Very Good, Dust Jacket: None, Orange title wrappers, rubber-stamped copy No. 199, dated August 3, 1981, with credits for screenwriter Steinberg and director Benjamin, and producer Michael Gruskoff. Title page present, dated August 3, 1981, noted as FINAL DRAFT, with a credit for screenwriter Steinberg. 119 leaves, photographically reproduced, with the last leaf of text numbered 117. Pages and wrapper Near Fine, bound with two gold brads. Shot on location in New York City. O'Toole received an Oscar nomination for his role.

Softcover. Beverly Hills CA, MGM/Brooksfilms, N/A, 1981, Book: Very Good, Dust Jacket: None, Orange title wrappers, rubber-stamped copy No. 99, dated September 4, 1981, with credits for screenwriter Steinberg and director Benjamin, and producer Michael Gruskoff. Title page present, dated September 4, 1981, noted as REV. FINAL DRAFT, with a credit for screenwriter Steinberg. 110 leaves, photographically reproduced, with the last leaf of text numbered 110. Pages and wrapper Near Fine, bound with two gold brads. Shot on location in New York City. O'Toole received an Oscar nomination for his role.

Softcover. Culver City CA, Metro-Goldwyn-Mayer / Brooksfilms, , N/A, 1981, Book: Good, Dust Jacket: None, Softcover, pale blue wrappers with die-cut window for title, 120 pages, three-hole punched pages held by 2 brads. Title page dated April 9. 1981 indicating an early version. The 1982 film, directed by Richard Benjamin, earned Peter O'Toole an Oscar nomination for his lead role as Alan Swann. Title lettered on bottom edge, otherwise clean copy.

Softcover. Culver City CA, Metro-Goldwyn-Mayer / Brooksfilms, , N/A, 1981, Book: Good, Dust Jacket: None, Softcover, pale blue wrappers, 120 pages, three-hole punched pages held by 2 brads. Stamped copy # 137. Title page dated April 9. 1981 indicating an early version. The 1982 film, directed by Richard Benjamin, earned Peter O'Toole an Oscar nomination for his lead role as Alan Swann. Title lettered on bottom edge, light spotting to rear cover, otherwise clean copy.

Hardcover. Los Angeles CA, Twentieth Century-Fox, N/A, 1979, Book: Very Good, Dust Jacket: None, Softcover, yellow wraps, 135 pages, three-hole punched screenplay, dated November 14 1979 and designated as The Numbered Script (this copy with #37 inside front cover). Final draft was dated December 12, 1979. The 1980 movie that starred Jane Fonda, Dolly Parton and Lilly Tomlin. This draft doesn't mention Patricia Resnick who was given credit as co-screenwriter, Higgins directed. Title lettered on bottom edge, otherwise clean, bright copy.

Softcover. NY, Viking Press , 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 148 pages. Lehman's Oscar nominated screenplay for Hitchcock's great 1959 film. Illustrated with 25 b&w stills. Name on front fly leaf otherwise clean, sharp copy.

Hardcover. NY, Charles Scribner's Sons, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear. Introduction by Richard Burton. An in depth look at the career and films of Joseph Mankiewicz whose career spanned nearly half a century. His credits include such classics as The Philadelphia Story; A Letter to Three Wives; All About Eve, and Five Fingers. 443 pages, b&w photos. Clean copy.

Hardcover. Los Angeles, Really Great Books, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 265 pages.From the co-creator of "Mr. Magoo," and screenwriter for "Gun Crazy" (1950, front for Dalton Trumbo), "Unknown World" (1951), "Bad Day at Black Rock" (1955), and "Klansman" (1974), Millard expands on the craft of screenwriting. Clean copy.

Softcover. Culver City CA, MGM Film Co., N/A, 1981, Book: Very Good, Dust Jacket: None, Softcover, blank pale green wraps, 119 pages, three-hole punched photo-copied screenplay, title page dated February 1981 (with #63 by MGM logo at top), second title page with writer credits dated June 19 1981, revised pages with various dates - most early 1981. Title lettered on bottom edge otherwise a clean, sharp copy. Bound by two brads.

Hardcover. NY, Thunder's Mouth Press; Nation Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 464 pages, b&w photos. In a bright, unclipped dust jacket. As the McCarthyite witch hunt gathered momentum in the postwar years, screenwriter Norma Barzman and her husband were driven from Hollywood into an emotionally difficult thirty-year exile in France. The Red and the Blacklist is a unique record of the political tempests of the time, marked by the author's dazzling power of reflection and insight, and animated by a larger-than-life cast of supporting characters including Pablo Picasso, Harold Robbins, Sophia Loren, Charlton Heston, Ingrid Bergman, Joseph Losey, John Wayne, Anthony Quinn, Groucho Marx and--in a delightful cameo--a very young Marilyn Monroe.

Softcover. NY, Miramax/ Hyperion, 1st, 1995, Book: Very Good, Dust Jacket: None, 290 pages. Illustrated with black & white photographs. Preface by Wayne Wang. Clean, tight copy.

Softcover. Monterey Park, O.S.P. Publishing, 1st, 1994, Book: Very Good, Dust Jacket: None, 104 pages. Paperback. Illustrated with 8 pages of film stills. Small wrinkle/tear on front cover window. Otherwise clean, tight copy.

Softcover. NY, E.P. Dutton, 1st, 1973, Book: Good, Dust Jacket: None, Softcover, unpaginated, b&w plates. Illustrated with stills from the 1924 film. compiled and annotated with a foreword by Herman Weinberg. Probably Stroheim"s best remembered work as a director is Greed, a detailed filming of the novel McTeague by Frank Norris. Previous owner's name inside front cover, otherwise clean. Light soiling to wrappers, shelfwear.

Hardcover. NY, Pantheon , 1st US, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 123 pages, b&w photos.

Hardcover. NY, Pantheon , 1st US, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 123 pages, b&w photos.

Hardcover. NY, Abrams, 1st, 2021, Book: Very Good, Dust Jacket: None, Two large hardcovers in a slipcase, 512 pages. The Story of Marvel Studios is the first-ever, fully authorized, all-access history of Marvel Studios' creation of the Marvel Cinematic Universe, as told by the producers, writers, directors, concept artists, VFX artists, cast, and crew who brought it to life. Year-by-year, project-by-project, the studio's founding and meteoric growth are described through detailed personal stories, anecdotes, and remembrances of noteworthy challenges, breakthrough milestones, and history-making successes. Featuring archival materials, concept art, film stills, memorabilia from cast and crew, and rare promotional art, these volumes will take fans on a journey through Marvel Studios' creative challenges, breakthroughs, and successes of the past decade. These visuals are joined by exclusive interviews with key producers, studio heads, and core cast members such as Kevin Feige, Robert Downey Jr., Scarlett Johansson, Samuel L. Jackson, Chris Evans, and more. Clean, bright set.

Softcover. New York, Mirage Enterprises, N/A, 1982, Book: Very Good, Dust Jacket: None, Paper wrappers, screenplay xeroxed on 3-hole punched paper and bound with metal brads. No draft mentioned but dated March 8 1982, 145 pages. The copied title page has the signature of Jessica Lange (NOT THE ORIGINAL). The orange paper cover has "Tootsie" written in pen. Possible name covered by "white-out" on top corner of title page. Otherwise, clean, very good.

Hardcover. NY, Pantheon, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. If you want to know why a no-name like Kathy Bates was cast in Misery, it's in here. Or why Linda Hunt's brilliant work in Maverick didn't make the final cut, William Goldman gives you the straight truth. Why Clint Eastwood loves working with Gene Hackman and how MTV has changed movies for the worse, William Goldman, one of the most successful screenwriters in Hollywood today, tells all he knows. Devastatingly eye-opening and endlessly entertaining. Clean copy.

Softcover. NY, Applause Books, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 492 pages, each with an accompanying essay by Goldman. Bright, clean copy.

Softcover. NY, Applause, 1st thus, 1997, Book: Very Good, Dust Jacket: None, Softcover, 492 pages. Marathon Man, Butch Cassidy and the Sundance Kid, The Princess Bride, Misery. Sticker residue on back cover otherwise clean.

Hardcover. NY, Scribner, 2nd pr., 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 475 pages, b&w photos, in a bright, unclipped dust jacket. Remainder line on bottom edge. A biography of Frances Marion, one of the earliest--and for many years the most successful--screenwriters in Hollywood. Cari Beauchamp masterfully combines biography with social and cultural history to examine the lives of Frances Marion and her many female colleagues who shaped filmmaking from 1912 through the 1940s.

Hardcover. London, Heinemann, 1st UK, 1991, Book: Very Good, Dust Jacket: Very Good, 251 pages. Hardcover. Clean, tight copy. The Previously Unpublished Introduction, Commentary and Script for the Film VIVA ZAPATA! Clean copy.

Hardcover. London, Heinemann, 1st US, 1991, Book: Very Good, Dust Jacket: Very Good, 251 pages. Hardcover. Clean, tight copy.