Hardcover. Paris, Denoel, reprint, 1977, Book: Very Good, Dust Jacket: None, Hardcover, 123 pages of b&w cartoons by Sempe, originally published in 1964. Green cloth covers with fading to spine. previous owner's signature on front fly leaf. Otherwise clean, very good. French language but most of his cartoons are wordless.

Hardcover. New Haven/New York, Yale University Press/Metropolitan Museum of Art, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 340 pages, 223 color, 92 b&w plates. Still in publisher's shrinkwrap. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Paris, S.N.E.P., 1st, 1952, Book: Very Good, Dust Jacket: None, Softcover. very good. 116 tipped-in color plates, folio, printed beige boards. Paris: Editions SNEP, (1952). Very good (+). The evolution of painting in Europe, from the Middle Ages to the 18th century. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Curt Valentin, 1st, 1947, Book: Very Good, Dust Jacket: None, Hardcover, textured beige boards with a green cloth spine. 94 pages of text and 58 black & white plates. Limited to 1,000 copies. Clean copy.

Softcover. Los Angeles, Getty Research Institute, 1st, 2024, Book: Very Good, Dust Jacket: None, Softcover, 199 pages illustrated in color. This book provides a new way of thinking about eighteenth-century French art and visual culture by prioritizing production over reception. Abandoning the ideologically driven discourse that distinguished fine from decorative art between the 1690s and 1770s, The Mobile Image reveals how the two have been inextricably bound from the earliest stages of artistic instruction through the daily life of painters' workshops. In this study, author David Pullins defines artisanal and artistic means of learning, seeing, and making through a system of "mobile images": motifs that were effectively engineered for mobility and designed never to be definitive, always awaiting replication and circulation. He examines the careers of Antoine Watteau, Jean-Baptiste Oudry, and Francois Boucher, situating them against a much broader cast of actors--such as printmakers, publishers, anonymous studio assistants, and architects, among others--to place eighteenth-century painting within a wider context of media and making. clean, bright copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. The meaning of a painted portrait and even its subject may be far more complex than expected, Tamar Garb reveals in this book. She charts for the first time the history of French female portraiture from its heyday in the early nineteenth century to its demise in the early twentieth century, showing how these paintings illuminate evolving social attitudes and aesthetic concerns in France over the course of the century.

Hardcover. Greenwich CT, New York Graphic Society, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, dark red cloth/dark red DJ. 144 pp. 108 bw plates. All of Falconet's major works and attributions are illustrated in gravure, with many details. Includes a translation from the French of Falconet's Reflections sur la sculpture by Eda Mezer Levitine.

Hardcover. Princeton, Princeton University Press, 1st, 1972, Book: Very Good, Dust Jacket: None, Hardcover, 226 pages of text followed by section of corresponding black & white photographic illustrations. Hardcover. Clean, tight copy. No dust jacket.

Hardcover. New York, Abrams, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover, 368 pages plus fold-out list of plates. Hardcover. 54 full color plates plus hundreds of black & white works by Toulouse-Lautrec. Dust jacket protected with clear plastic cover. Clean, tight copy. Complete coverage of works in lithography and drypoint including fine prints, posters, illustrations, book jackets, sheet music, etc.

Hardcover. New York, Harry N. Abrams, 1st English, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages, b&w photographs throughout. A very clean, tight copy.

Softcover. Worcester MA, Worcester Art Museum, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 285 pages. 148 plates including 9 in color. Includes notes, bibliography, and catalogue. Minor edgewear to wrappers, clean copy.

Softcover. New York, Guggenheim Museum, 1st, 1997, Book: Very Good, Dust Jacket: None, 147 pages. Softcover. Full color illustrations. Light bump to top right corner. Clean, unmarked copy.

Hardcover. London, Dewi Lewis Publishing, 1st, 2000, Book: Very Good, Dust Jacket: None, Nonpaginated. Hardcover. Color illustrations throughout. Clean inside and out. From the back cover: "The images in Vital Signs, Harvey Benge's fourth book of photographs, have been made in Paris, London, Prague, Hong Kong and beyond. They engage both the eye and the mind, inviting viewers to examine their own experience of urban life and what that means to them."

Softcover. NY, Grolier Club, 1st, 2017, Softcover, oblong format, 136 pages. A fascinating overview of the Golden Age of social and political satire in nineteenth-century France, Vive Les Satiristes! focuses on controversial and wildly popular journals like La Caricature and Le Charivari, and such great illustrators as Daumier and Grandville, who captured in their pages the foibles of those around them with unmatched humor, skill, and style. Published in conjunction with a Grolier Club exhibition, and beautifully illustrated, it includes a collector's statement, an introduction, and an essay by Josephine Lea Iselin. Still in publisher'e shrinkwrap.

Rome, Franca May, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Black cardboard slip-case is VG with some wear. This is a written essay by the Italian author, Soavi of the art and world of Jean-Michel Folon. There are many full page full-color plates of the artist's paintings and serigraphs. This is also a visual essay (via color photos) of the farm in Burcy, near Paris, where the artist has his home and atelier. In all, twenty-eight of the artist's works are reproduced, most either taking up a full page, and some as two-page spreads.

Hardcover. Santa Fe, Arena Editions, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 168 pages. Hardcover. Bright purple fabric covered covers with gilt title on spine. B/w illustrations throughout. Mylar covered dust jacket in good shape. Very clean inside. Former bookseller price tag on front flap. "Out of print". From the front flap: "This definitive retrospective monograph encompasses the period 1972 though 1997, and includes images from every genre Cratsley has pursued."

Softcover. Cambridge University Press, reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover, 282 pages, b&w illustrations. Bryson analyses the evolution of narrative styles (rather than the successive artistic styles of baroque, rococo and neo-classical) and concludes that there is an 'inner evolution in the image as a pattern of information'. He analyses the work of LeBrun, Watteau, Greuze, David etc. Clean copy.

Hardcover. NY, Skira, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 168 pages. Yves Clerc, a French painter born in 1947, has ammassed a body of work of over 240 very large and colorful canvases. This publication presents about 100 of them, mostly dedicated to the interpretation of well-known portraits, but also to flowers in vases, "fashion accessories" such as handbags and shoes, nudes, stuffed animals, and adorned women with enormous gowns.

Hardcover. NY, Skira, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 168 pages. Yves Clerc, a French painter born in 1947, has ammassed a body of work of over 240 very large and colorful canvases. This publication presents about 100 of them, mostly dedicated to the interpretation of well-known portraits, but also to flowers in vases, "fashion accessories" such as handbags and shoes, nudes, stuffed animals, and adorned women with enormous gowns.