Hardcover. Paris, Maison Alred Mame, 1st thus, 1929, Book: Very Good, Dust Jacket: None, 160 pages, illustrated in color and b&w by JOB, featuring 16 gorgeous color plates. Blue cloth spine, color illustrated boards. French text. Previous owner's signature on front fly leaf, otherwise clean, very good.
Hardcover. Oxford, Clarendon Press, 1st , 1982, Book: Good, Dust Jacket: Good, Hardcover, 284 pages. Previous owner's signature on front fly leaf. Slight foxing to top edge. Dust jacket has price clipped from front flap. Dust jacket also shows minor shelf wear and fading to spine. Otherwise, tight clean copy.
Softcover. Paris, Musee de la Vie Romantique, 1st, 2001, Book: Very Good, Dust Jacket: None, 143 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Black and white photographs throughout. French text.
Hardcover. NY, Farrar Straus & Giroux, 1st US, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 588 pages, several color plates. Before Picasso became Picasso-the iconic artist now celebrated as one of France's leading figures-he was constantly surveilled by the French police. Amid political tensions in the spring of 1901, he was flagged as an anarchist by the security services-the first of many entries in an extensive case file. Though he soon emerged as the leader of the cubist avant-garde, and became increasingly wealthy as his reputation grew worldwide, Picasso's art was largely excluded from public collections in France for the next four decades. The genius who conceived Guernica in 1937 as a visceral statement against fascism was even denied French citizenship three years later, on the eve of the Nazi occupation. In a country where the police and the conservative Academie des Beaux-Arts represented two major pillars of the establishment at the time, Picasso faced a triple stigma-as a foreigner, a political radical, and an avant-garde artist. Picasso the Foreigner approaches the artist's career and art from an entirely new angle, making extensive use of fascinating and long-overlooked archival sources. In this groundbreaking narrative, Picasso emerges as an artist ahead of his time not only aesthetically but politically, one who ignored national modes in favor of contemporary cosmopolitan forms. Remainder dot to top edge, otherwise a bright, clean copy.
Hardcover. NY, Macmillan Company, 1st US, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 461 pages. Laval began his career as a socialist, but over time drifted far to the right. Following France's defeat and armistice with Germany in 1940, he served in prominent roles in Philippe Petain's Vichy Regime, first as the vice-president of the Council of Ministers from 11 July 1940 to 13 December 1940, and later as the head of government from 18 April 1942 to 20 August 1944. After the liberation of France in 1944, Laval was arrested by the French government under General Charles de Gaulle. In what was widely regarded as a flawed trial, Laval was found guilty of plotting against the security of the State and collaboration with the enemy, and after a thwarted suicide attempt, he was executed by firing squad. His manifold political activities left a complicated and controversial legacy, resulting in more than a dozen conflicting biographies of him. Name on front fly leaf, otherwise a bright, clean copy.
Hardcover. New York, Assouline Publishing, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. Whenever the rich and famous are in Paris, they head for the city's most beautiful square, the Place Vendome. This evocatively written volume traces the square's history from its beginnings in the time of Louis XIV to its life in the twentieth century as Paris's center of fashion, jewelry, high finance, and art. From designers Chanel and Schiaparelli to European high society, Russian grand dukes, Indian maharajas, and celebrities from Lillie Langtry to Ernest Hemingway, a cast of extraordinary personalities have lent the Place Vendome an ineffable aura.
Hardcover. Princeton, Princeton University Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, 575 pages. Hardcover. Illustrated with black & white photographs. Fading to dust jacket spine. Clean, tight copy.
Softcover. Oxford UK, Blackwell, reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 630 pages. This is an account of 110 years of turbulence and change. At the offset there were not one, but two revolutions: by intent the first was egalitarian, the second - Bonaparte's - authoritarian. The tension between the two characterized the period and shaped the Republic that in the end emerged from the ruins of the Ancien Regime. Clean copy.
Hardcover. New York, Harry N. Abrams, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover in the dust jacket , 263 page book with color and black & white photo illustrations. Written in collaboration with Bernard Matussiere. Translated from the French by Nicholas Elliot. Focuses on Capa's Paris studio, which he used as a global platform for his work; and explores both his professional and personal adventures.
Hardcover. New York, Harry N. Abrams, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover in the dust jacket , 263 page book with color and black & white photo illustrations. Written in collaboration with Bernard Matussiere. Translated from the French by Nicholas Elliot. Focuses on Capa's Paris studio, which he used as a global platform for his work; and explores both his professional and personal adventures.
Paperback. Albany, NY, Education Department, Albany Institute of History and Art., revised, 1984, Book: Very Good, Dust Jacket: None, Softcover, 201 pages. Very little wear to cover. Inside is bright and clean with many b&w illustrations throughout.
Softcover. New York , Random House, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 279 pages, b&w photos. Clean, unmarked copy with only minor wear to wrappers. This book exposes Chanel's anti-Semitism and her long affair with 'Spatz' Baron von Dincklage, a Nazi spy who ran an intelligence ring and reported to Goebbels. It explains how she became a German intelligence operative, how she lived in exile, how Winston Churchill supported her and how she reinvented herself in the early 1950s.
Softcover. London, Frank Cass, reprint, 2006, Book: Very Good, Dust Jacket: None, Softcover, 526 pages, b&w illustrations. An Account of the Work of the British Special Operations Executive in France 1940-1944. Maps, appends., sources, index, Updated edition of the HMSO Official History Volume. Originally withdrawn shortly after publication due to threats of legal action by Peter Churchill, then re-released with emendations, Clean copy.
Hardcover. Harrisburg, Stackpole Company, 1st, 1961, Book: Good, Dust Jacket: None, 322 pages. Hardcover. Features 16 pages of black & white photographs. Notations in red pencil on 2 maps - pages 92 and 97. Light wear to yellow cloth covers. No dust jacket.
Softcover. NY, W. W. Norton & Company, reprint, 1985, Book: Very Good, Dust Jacket: None, Softcover, 447 pages, b&w illustrations. Sylvia Beach ran a bookshop in Paris in the 1920s and 30s and was at the heart of the literary world there which also included Hemingway, Pound, Flanner, Gide, and of course Joyce whose novel "Ulysses" she published. Clean, bright copy.
Softcover. NY, Vintage, 1st pbk, 2008, Book: Very Good, Dust Jacket: None, Softcover, pages. That Sweet Enemy brings both British wit (Robert Tombs is a British historian) and French panache (Isabelle Tombs is a French historian) to bear on three centuries of the history of Britain and France. From Waterloo to Chirac's slandering of British cooking, the authors chart this cross-channel entanglement and the unparalleled breadth of cultural, economic, and political influence it has wrought on both sides, illuminating the complex and sometimes contradictory aspects of this relationship--rivalry, enmity, and misapprehension mixed with envy, admiration, and genuine affection--and the myriad ways it has shaped the modern world. Clean copy.
Softcover. London, C Hurst & Co, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. An analysis of the background to the current crisis in Algeria, placing in perspective the threats to the state posed by Islamic fundamentalism and economic mismanagement. It looks at the role of the National Liberation Front (FLN), international relations, the economy, and more. Clean copy.
Hardcover. NY/London, Verso, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dustjacket. The violence that has ravaged Algeria has often defied explanation. Regularly invoked in debates about political Islam, transitions to democracy, globalization, and the right of humanitarian interference, Algeria's tragedy has been reduced to a clash of stereotypes: Islamists vs.a secular state, terrorists vs. innocent civilians, or generals vs. a defenseless society. The prevalence of such simplistic representations has disabled public opinion inside as well as outside the country and contributed to the intractability of the conflict. This collection of essays offers a radical corrective to Western misconceptions. Rejecting essentialist and determinist approaches, Hugh Roberts explores the outlook and evolution of the various internal forces as they emerged--the Islamists, the Berberists, the factions within the army, and the regime in general--and he looks at external interests and actors. Clean copy.
Hardcover. Belgium, Brepols , 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 696 pages, 34 b/w illustrations.The rise of modern science and European colonial and imperial expansion are indisputably two defining elements of modern world history. James E. McClellan III and Francois Regourd explore these two world-historical forces and their interactions in this comprehensive and in-depth history of the French case in the Old Regime presented here for the first time. The case is key because no other state matched Old-Regime France as a center for organized science and because contemporary France closely rivaled Britain as a colonial power, as well as leading all other nations in commodity production and participating in the slave trade. Based on extensive archival research and vast primary and secondary literatures and sharply reframing the historiography of the field, this landmark volume traces the development and significance for early-modern history of the Colonial Machine of Old-Regime France, an unparalleled agglomeration of institutions geared to the success of the French colonial enterprise, including the Royal Navy, the Academie Royale des Sciences, the Jardin du Roi, and a host of related specialist institutions working together at home and overseas. Mainly supported by the French state, the Colonial Machine reveals itself through its actions from the time of Colbert and Louis XIV as it grappled with fundamental problems facing contemporary European colonialism. SIGNED LETTER from co-author McClelland laid in. Clean copy.
Softcover. Ithaca NY, Cornell University Press, 1st pbk, 1973, Book: Very Good, Dust Jacket: None, Softcover, 180 pages. The spirit of an event consecrated in anarchist legend is captured in these documents. Eyewitness reports, accounts of participants, and archival documents are used by Dr Edwards to illustrate the many facets of the seventy-three-day Paris Commune of 1871, the largest urban insurrection in modern history. Each section of the book is preceded by an explanatory note, and footnotes clarify contemporary references The introduction to the documents provides a general survey of the origins and events of the Commune. Bright, clean copy.
Softcover. Middletown CT, Wesleyan University Press, 1st, 1974, Book: Very Good, Dust Jacket: None, Softcover, 225 pages. First published in 1930 and untranslated until now, this is one of the minor classics of French historical literature. The author relates the bizarre beginnings of the Third Republic during the presidency of Adolphe Thiers (1871-1873), when an assembly dominated by monarchists groped uncertainly toward the establishment of a republican government.
Hardcover. NY, Pantheon, 1st,, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 234 pages. This major work, graphically describes the panic, paranoia, and social chaos that sparked the Revolution. One of France's great historians analyzes the causes of the mass hysteria that overcame rural France during the summer of 1789, as hungry villagers flocked into towns to look for work or to beg for charity, and as vagrants and beggars choked the rural roads, threatening reprisals against householders who refused to give them shelter or a crust of bread. Name on front fly leaf, otherwise clean.
Softcover. Honolulu HA, University Press of the Pacific, reprint, 2002, Book: Very Good, Dust Jacket: None, Softcover. First published in 1874, 448 pages with index. Clean, bright copy.
Hardcover. NY, Pegasus Books, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Chronicling two-hundred years of glamour, intrigue, and hedonism, this rich and vivid history of the French Riviera features a vast cast of characters, from Pablo Picasso and Coco Chanel to Andre Matisse and James Baldwin. In 1835, Lord Brougham founded Cannes, introducing bathing and the manicured lawn to the wilds of the Mediterranean coast. Today, much of that shore has become a concrete mass from which escape is an exclusive dream. In the 185 years between, the stretch of seaboard from the red mountains of the Esterel to the Italian border hosted a cultural phenomenon well in excess of its tiny size. A mere handful of towns and resorts created by foreign visitors - notably English, Russian and American - attracted the talented, rich and famous as well as those who wanted to be. For nearly two centuries of creativity, luxury, excess, scandal, war and corruption, the dark and sparkling world of the Riviera was a temptation for everybody who was anybody. Clean copy.
Hardcover. NY, Farrar, Straus and Giroux, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Paris, the City of Light, the city of fine dining and seductive couture and intellectual hauteur, was until fairly recently always accompanied by its shadow: the city of the poor, the outcast, the criminal, the eccentric, the willfully nonconforming. In The Other Paris, Luc Sante gives us a panoramic view of that second metropolis, which has nearly vanished but whose traces are in the bricks and stones of the contemporary city, in the culture of France itself, and, by extension, throughout the world.Drawing on testimony from a great range of witnesses-from Balzac and Hugo to assorted boulevardiers, rabble-rousers, and tramps-Sante, whose thorough research is matched only by the vividness of his narration, takes the reader on a whirlwind tour. Richly illustrated with more than three hundred images, The Other Paris scuttles through the knotted streets of pre-Haussmann Paris, through the improvised accommodations of the original bohemians, through the whorehouses and dance halls and hobo shelters of the old city. A lively survey of labor conditions, prostitution, drinking, crime, and popular entertainment, and of the reporters, realiste singers, pamphleteers, and poets who chronicled their evolution, The Other Paris is a book meant to upend the story of the French capital, to reclaim the city from the bons vivants and the speculators, and to hold a light to the works and lives of those expunged from its center by the forces of profit.
Hardcover. New Haven CT, Yale University Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 354 pages, b&w illustrations. An illustrated study brings to life the atmosphere and personalities of pre-revolutionary Paris, traces their influence on the American envoy, and recounts his participation in the life of the city and its intrigues at court. Clean copy.
Hardcover. NY, Knopf, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a nice, unclipped dust jacket with light tanning to spine. 290 pages plus index. Clean copy. THE ENLIGHTENMENT has long been the victim of uninformed or hostile criticisms. Even so respected a source as the Shorter Oxford English Dictionary defines the Enlightenment as "shallow and pretentious intellectualism, unreasonable contempt for authority and tradition," thus collecting in one sentence most of our current prejudices. In this provocative book--at once a scholarly study and a vigorous polemic--Peter Gay sets out to shatter old myths, to sort out illusion from reality, and to restore the men of the Enlightenment--Voltaire, Rousseau, Diderot--to the esteem they deserve.
Hardcover. NY, Walker & Company, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. chronicles the Roman Catholic Church's crusade against--and ultimate annihilation of--the Albigenses, or Cathars, a group of heretical Christians who thrived in what is now the Languedoc region of Southern France. The Cathars held revolutionary beliefs that threatened the authority of the church. The world, they maintained, was not created by a benevolent God. Rather, it was the creation of a force of darkness, immanent in all things. They considered worldly authority a fraud, and authority based on some divine sanction, such as claimed by the church, outright hypocrisy. Innocent III, resolved to eradicate the Cathar threat to church authority, recruited the military powers of France, eager to expand their territory to the south. Together, they systematically exterminated the Cathars and their supporters in a series of crusades between 1209 and 1229. The Dominican-led Inquisition that ensued built upon this momentum of intolerance and tormented Europe for centuries to come. 333 pages, endpapers map.
Hardcover. Greenwich CT, New York Graphic Society, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, dark red cloth/dark red DJ. 144 pp. 108 bw plates. All of Falconet's major works and attributions are illustrated in gravure, with many details. Includes a translation from the French of Falconet's Reflections sur la sculpture by Eda Mezer Levitine.
Hardcover. NY, Farrar Straus & Giroux, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 441 pages, index, notes, glossary, chronology, b&w illustrations. A dramatic new interpretation of the French Revolution that draws troubling parallels with today's politic and religious fundamentalism.
Hardcover. NY, Random House, 1st, 1964, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket with some fading, 461 pages. History of the six-year period between the fall of Robespierre and the rise of Napoleon Bonaparte. Bookplate on inside front cover, otherwise clean.
Hardcover. NY, E. P. Dutton, 2nd pr., 1931, Book: Good, Dust Jacket: None, Hardcover, red cloth covers with gilt lettering (now partially faded). 320 pages, b&w plates. Chapters include: The Scientific detective; Human Monsters; Famous bandits; Crimes of the insane; Political crime; Some famous women criminals; The case of a spy - Mata Hari; The Death Penalty. Spine faded, otherwise, clean copy.
Hardcover. NY, Random House, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 487 pages, b&w illustrations. Napoleon's colorful but disastrous Russian campaign has been strangely neglected by American publishers. Bridging the gap between popular and scholarly history, historian Cate has written a thoroughly detailed and researched account that should also appeal to the lay reader. His writing is deliberately paced but dramatic and does far more justice to the extremely complex political and military situation of 1812 than Philippe de Segur's Napoleon's Russian Campaign (1965), the only other work available in the United States. Clean copy.
Hardcover. NY, Museum of Modern Art , 1st, 1982, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, price-clipped dust jacket. Volume Two Only. First Edition. Photographs by Eugene Atget. Essay and notes to the plates by Maria Morris Hambourg. Appendixes include Berenice Abbott's typewritten copy of Andre Calmette's handwritten letter to her (late 1928). Maroon cloth with debossed title blind-stamped on cover and in gilt on spine, with dust jacket. 192 pp. with 116 plates and 84 black and white reference illustrations. Printed by The Meriden Gravure Company from halftone negatives made by Richard Benson. Clean, tight copy.
Hardcover. NY, Museum of Modern Art , 1st, 1983, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, price-clipped dust jacket. Volume Three Only. First Edition. 188 pages, 120 plates. Fore-edge of dust jacket has chipping, edgewear. Otherwise a clean, VG copy.
Hardcover. NY, Museum of Modern Art , 1st, 1985, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, price-clipped dust jacket. Volume Four Only. First Edition. Photographs by Eugene Atget. Essay and notes to the plates by Maria Morris Hambourg. 182 pages, 117 bw photographic plates and several text illustrations. A nice, bright copy.
Hardcover. NY, Museum of Modern Art , 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. Volume One Only. First Edition. 180 pages,121 plates with 83 b&w photo illustrations, slight edgewear to jacket, else a very nice, clean copy. Atget was a groundbreaking photographer, documenting three decades of rapid urban transition in Paris from the late 19th to early 20th centuries. His works depict the architecture, streets, gardens, and people of the city.
France, Michelin & Co., 1st, 1931, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. Guide book to WW1 battlefield, illust. with black & white photos, maps (color two-page of Verdun). End-pages with ads. Previous owner's signature front endpaper. Dust jacket in excellent condition.
Softcover. UK, Antony Rowe, reprint, nd, Book: Very Good, Dust Jacket: None, Softcover, 112 pages, b&w illustrations. 178 b/w photos. The great German assault on Verdun opened on 21 February 1916 and the battle went on with furious attacks and counterattacks till it finally petered out on 18 December, ten months later, some two and a half months longer than the British offensives of the Somme and Third Ypres combined. After describing the origins and conduct of the battle with maps and illustrations the book takes us on a tour of the town and of various parts of the battlefield with its numerous forts. Originally published in 1919 by Michelin. Clean copy.
Hardcover. New York, Harry N. Abrams, 1st English, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages, b&w photographs throughout. A very clean, tight copy.
Softcover. Bloomington, IN, Indiana University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 232 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Black and white photographs throughout. The center of the art world before the war, Paris fired the Nazis' greed. The discovery of more than 1,500 prized paintings and drawings in a private Munich residence, as well as a recent movie about Allied attempts to recover European works of art, have brought Nazi plundering back into the headlines, but the thievery was far from being limited to works of art. From 1942 onwards, ordinary Parisian Jews-mostly poor families and recent immigrants from Eastern Europe-were robbed, not of sculptures or paintings, but of toys, saucepans, furniture, and sheets. Witnessing the Robbing of the Jews tells how this vast enterprise of plunder was implemented in the streets of Paris by analyzing images from an album of photographs found in the Federal Archives of Koblenz. Brought from Paris in 1945, the photographs were cataloged by the staff of the Munich Central Collecting Point. Beyond bearing witness to the petty acts of larceny, these images provide crucial information on how the Germans saw their work. They enable us to grasp the "Nazi gaze" and to confront the issue of the relation between greed and mass destruction.
Softcover. Cambridge University Press, reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover, 282 pages, b&w illustrations. Bryson analyses the evolution of narrative styles (rather than the successive artistic styles of baroque, rococo and neo-classical) and concludes that there is an 'inner evolution in the image as a pattern of information'. He analyses the work of LeBrun, Watteau, Greuze, David etc. Clean copy.
Hardcover. New York, W. W. Norton & Company, 1st, 2010, Book: Very Good, Dust Jacket: Good, 160 pages. Hardcover with dust jacket. Clean, unmarked copy with minor wear to dust jacket. Also small tear with piece missing from dust jacket bottom fore edge front. The photographer Pierre Yves-Petit, who called himself "Yvon," wandered the streets of Paris between the world wars looking for the moment when the shifting light and clouds would perfectly reveal the city?s ephemeral, iconic beauty. The dramatic images of the city and its people that he made during those years would become the most popular postcards in France. Yvon?s Paris reproduces more than one hundred of his loveliest images, many made from recently discovered glass negatives.