Hardcover. Chicago, Henry Regnery Company, 1st, 1950, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket. Map endpapers, 176 pages, b&w photos. The first book by a German general published in America after the war, a German account of the D-Day & Normandy 'invasion' by Allied forces; the author was Rommel's Chief-of-Staff and therefore had an inside view of Rommel's efforts to get Hitler to negotiate a peace in the face of overwhelming Allied superiority. Speidel was a career military officer and trained historian; a German nationalist, he disagreed with racist Nazi policies, was involved in the 20 July plot to kill Hitler, and was important in rebuilding Germany's army after the war. Clean copy.
Hardcover. Cambridge MA, MIT, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. The story of how hysterics were "invented" in 19th-century Paris is a fascinating one. All the more so because the staged performances that Freud witnessed at the famous Salpetriere asylum were to form the basis of his theory of hysteria, a theory which had a lasting impact on both psychiatry and medicine. Photography played an important role in the way doctors learned about so-called hysteria, often under the guise of objectivity.
Hardcover. NY, Harcourt, Brace & World, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover, 117 pages, in a worn, chipped dust jacket. Many B/W photos, Preface by Simone De Beauvoir, Index. White boards w/green cloth spine. Lightly bumped corners. This volume offers a glowing record of a great writer, of a city he loved, and of a literary epoch that came to an end with the outbreak of World War II. In a sequence of photographs taken in 1938 by distinguished French photographer Gisele Freund, interspersed with views of Paris taken in the thirties, and portraits of Joyce's friends and contemporaries, a man and his milieu come vividly alive.
Hardcover. Paris, Hachette, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with minor edgewear to rear panel. Beautifully illustrated volume on the extraordinary gardens of Paris, past and present. FRENCH TEXT. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. Lexington KY, University Press of Kentucky, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 289 pages, b&w illustrations. The son of music hall performers, the Paris-born actor grew up in the entertainment business. His onscreen debut in the 1930's marked the beginning of many memorable roles in films such as La Grande Illusion (1937) and Emile Zola's La Bete Humaine (1938). His performances would earn him international recognition and establish his reputation as one of the greatest stars of film noir. Pausing his performances on screen, Gabin joined the Allied struggle of WWII. Serving under General Charles De Gaulle in the Free French Forces as a tank commander, Gabin was awarded several medals for his service. Upon his return to acting after the war, he became the embodiment of the uniquely French spirit a persona that would define his future roles. In Jean Gabin: The Actor Who Was France, Joseph Harriss tells the story of this French icon. This well-researched biography documents Gabin's life from his start as a reluctant singer and dancer in Parisian music halls to his rise to film superstardom. Clean copy.
Softcover. Philadelphia, Ratpac/Running Press, 1st US, 2016, Book: Very Good, Dust Jacket: None, Softcover, 942 pages, b&w photos. Clean, bright copy. Renoir made more than forty films from the silent era to the late '60s and today he is revered by filmmakers and seen by many as one of the greatest of all time. Previously unknown information including Renoir's close affiliation with Communism in the '30s is detailed in this definitive biography.
Hardcover. Paris, France, E. Plon, Nourrit , unk, nd, Book: Good, Dust Jacket: None, Hardcover. 47 pages. Color illustrations by the author. Red top edge. Yellow covers with green and gold decoration. Corners and spine rubbed. Light soiling to covers. Spine a bit loose.
Hardcover. Paris, Maeght Editeur, 1st Ltd. Ed., 1977, Book: Very Good, Dust Jacket: Very Good, 217 pages, #647 of 5000, off-white cloth covers with black lettering on spine. Color and b&w illustrations including 5 original lithographic plates and lithographic wrap-around dust jacket. Dust jacket with minor edgewear, acetate wrapper chipped, worn.
New York, Grosset & Dunlap, 1st, 1933, Book: Very Good, Dust Jacket: Good, Hardcover, pictorial boards, 60 pages, illustrated in color by O.D.V. Guillonnet. Large format in a edgeworn, lightly chipped dust jacket.
Hardcover. Philadelphia, David McKay, reprint, 1918, Book: Good, Dust Jacket: None, Oblong hardcover, 28 unnumbered pages. Previous owner's name and date on front end paper, binding cracked. Stamped cloth covers with dark blue lettering. Illustrated cover. Illustrated by author. Reduced in size from the French and Century Co. editions with fewer illustrations. This edition with 10 pages in full color.
Hardcover. New York , DK Publishing/Dorling Kindersley, 1st US, 1998, Book: Very Good, Dust Jacket: Very Good, 128 pages, illustrated throughout in color by Burningham. Clean hardcover in a bright, unclipped dust jacket. SIGNED BY BURNINGHAM on a bookplate pasted to the front fly leaf.
Hardcover. NY, Harry N Abrams, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 264 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. "A lavish, information-packed look at the people and places of an important, exciting era in art history. "?Publishers Weekly.From 1900 to 1930, Montparnasse was the center of artistic life for the whole world. A major contribution to the social and cultural history of the period? with its informative text and hundreds of photographs?. As The Washington Post said, Kiki's Paris "celebrates the people who made the modern movement in art, music and literature, most of whom were friends or lovers of Kiki, the woman Hemingway called 'The Queen of Montparnasse.'"
Hardcover. NY, W. W. Norton, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 290 pages, color and b&w illustrations. Kiki was once the symbol of bohemian Paris. But if she is remembered today, it is only for posing for several now-celebrated male artists, including Amedeo Modigliani and Alexander Calder, and especially photographer Man Ray. Why has Man Ray's legacy endured while Kiki has become a footnote? Kiki and Man Ray met in 1921 during a chance encounter at a cafe. What followed was an explosive decade-long connection, both professional and romantic, during which the couple grew and experimented as artists, competed for fame, and created many of the shocking images that cemented Man Rays reputation as one of the great artists of the modern era. Remainder dot to top edge, otherwise clean.
Hardcover. NY, Abrams, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 264 pages, profusely illustrated with vintage photos. A great trip through time to visit the Paris of the turn of the century and see the artists and writers of the time as they entered the life of this fascinating woman, Alice Prin, better known as Kiki of Montparnasse, model to all the great artists.
Softcover. Paris, Beaux Arts Magazine, 1st, 1994, Book: Very Good, Dust Jacket: None, 65 pages, illustrated throughout in color and b&w. Text in French. Light edgewear to wrappers, else a clean, tight copy.
Hardcover. New Haven CT, Yale University Press, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 292 pages. No dj issued. An insightful look at the dynamic relationship between modern art and modern urban life in 1920s Paris through the lens of Fernand Léger's masterpiece The City. With his landmark 1919 painting The City, Fernand Léger (1881-1955) inaugurated a vitally experimental decade during which he and others redefined the practice of painting in confrontation with the forms of cultural production that were central to urban life, ranging from graphic and advertising design to theater, dance, film, and architecture. This catalogue casts new light on the painting (reproducing all of its studies together for the first time), the avant-garde use of print media, and Léger's fascination with cinema and architecture, and contextualizes a network of international avant-gardes--including Blaise Cendrars, Le Corbusier, Jean Epstein, Piet Mondrian, Amédée Ozenfant, Francis Picabia, and Theo van Doesburg--in relation to Léger. Featuring nearly 250 images of paintings, architectural designs, models, posters, set designs, and film stills and an anthology of relevant historical texts not previously published in English, this handsome volume conveys the spirit of experimentation of the 1920s. Scholars in the fields of art, architecture, and film history offer a deeper understanding of the relationship between art and the modern urban experience that defined this significant chapter in the history of modern art.
Hardcover. Jersey FR, Charles Le Feuvre, 1st thus, 1881, Book: Very Good, Dust Jacket: None, 420 pages, Green cloth binding with black stamping. Reimpression editee avec de legeres annotations. French text. Previous owner's bookplate, otherwise clean and tight copy.
Hardcover. Los Angeles, Calif., Harry N. Abrams, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover with a dust jacket. This copy is still shrink-wrapped in plastic. Many b&w and color illustrations throughout. Accompanied an exhibit at the Los Angeles County Museum of Art in 2001. Examines more than seventy-five paintings and other artworks, representing the Purist movement in twentieth-century modernist art, featuring the works of Le Corbusier, AmTdTe Ozenfant, and Fernand LTger as well as a complete translation of the classic work AprFs le cubisme.
Hardcover. Paris, Arthur Hubschmid, 1st French, 1978, Book: Very Good, Dust Jacket: None, 2 volumes. French text. 1287 pages total, b&w cartoons. Cream cloth covers. Small smudge on Volumes 1, previous owner's signature on front fly leaf of Volume 2. Else very clean, tight copies.
Softcover. Paris, Jose Corti, 1st, 1996, Book: Very Good, Dust Jacket: None, 215 pages, b&w illustrations. INSCRIBED BY AUTHOR on half title page. French text. Wraparound red band with light wrinkle, wear. Otherwise very good.
Hardcover. Paris, E. Plon, Nourrit et C., unknown, n/a, Book: Good, Dust Jacket: None, Hardcover. French text, 48 color pages, illustrated by M. B. de Monvel. Cover edge wear and light soiling, and spine cracked at front fly leaf, and page 17 but all pages intact. Overall, clean. Covered in plastic protecter that is torn on bottom.
Softcover. Paris, Des Deux Coqs D'or , 1st thus, 1967, Book: Very Good, Dust Jacket: None, Softcover, 12 pages stapled, illustrated in color by Richard Scarry. A French language edition (edited) of My Little Golden Book of Manners published in the U.S. in 1962. Clean copy.
Hardcover. NY, Aperture, reprint, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Originally published in French by La Guilde du Livre (Lausanne, Switzerland, 1952) and here reissued by the Aperture Foundation in a first English-language edition, this a profile of life in mid-century rural France by the great American photographer Strand (1890-1976). Following World War II, Strand moved to France and documented its rural areas in photographs. These close-up, seemingly candid images of the people, the countryside, and the architectural structures contain Strand's characteristic style of realism, depth of detail, and innate sensitivity to the environment. To supplement these exquisite pictures, French poet Roy, who knew Strand personally, provides a delightfully lyrical potpourri of poems, commentary, and collages assembled from bits of small-town newspapers. The timeless spirit of the Gallic legacy captured in the photos and words will be savored by Francophiles. Strand's importance in 20th-century photography makes this a highly recommended addition for public libraries and special photography collections.