Softcover. New Haven CT, Yale University Press, reprint, 1990, Book: Very Good, Dust Jacket: None, 271 pages, paperback. Cultural criticism regarding the Weimar Republic. With many color and black-and-white illustrations throughout. Unmarked. Bright and clean; a tight copy. Examines intellectual life in the Weimar Republic, looks at paintings, caricatures, dance, architecture, and films, and discusses the Nazi rise to power.
Hardcover. London, Grub Street, First Edition , 1994, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover SIGNED BY AUTHOR to title page. 50th Anniversary Edition. Red cloth boards with gilt titles to spine. Black & white illustrations throughout. Dust jacket, bright & in very good condition. Clean, unmarked text.
Hardcover. NY, Norton, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 352 pages. Shock waves from the fall of the Berlin Wall in November 1989 continue to pulse through German society. As the difficult process of reunification continues, it is worth recalling the revolutionary moment when immense crowds took to the streets of Leipzig and Berlin under the banner "We Are the People" and brought down one of the world's most oppressive dictatorships. Robert Darnton's eyewitness account of those historic days "is direct and vivid. His prose conveys the immediacy of the drama." He gives us a memorable cast of characters, from two experts on the repair of broken-down Trabis to the environmental councilor for the polluted city of Bitterfeld, and Isaak Behar, a Jew who managed to survive the Holocaust while hiding in wartime Berlin. With wit and insight Darnton takes us behind the scenes to meet "ordinary people grappling with great change, humanizing history."
Softcover. Corte Madera, CA, Gingko Press, 1st Wraps, 1998, Book: Very Good, Dust Jacket: None, Softcover, black & white photograph, 96 pages. "This book is a remarkable collection of photographs that will take you on a fascinating journey back to Berlin of the 1920s and early 1930s". A bright, clean copy.
Hardcover. US, Schirmer/Mosel, 1st, 2010-02-15, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Text in German. English language booklet included. Text by Kurt Forster. Color photos of Berlin's unseen corners.
Hardcover. London, Frederick Muller Limited, 1st, 1963, Book: Very Good, Dust Jacket: Good, 256 pages. Hardcover. B/w illustrations throughout. Gilt title on spine. Dust jacket unclipped, shows a little age wear, but in good condition. Covers bound in black, excellent. Pages unmarked and clean. Top edge dyed. In very good condition.
Hardcover. Berkeey, University of California, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 305 pages, nearly 150 b&w photos accompany the text. A survey of photography in East Germany; from 1945 to 1989. In a very good dust jacket with light fade to spine. "Behind the Iron Curtain, against all odds, photography flourished as an art in the German Democratic Republic. The many images in this volume amply demonstrate that fact while also providing an illustrated social history of people 'caught' in the conflicting dictates of ideology, artistic oppression, a troubled national past, and basic human desires."
Hardcover. New York, Algonquin Books, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 183 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy.
Hardcover. Munchen GR%, C. Bertelsmann, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 255 pages, profusely illustrated with b&w photographs. GERMAN TEXT.
Hardcover. Amsterdam, Schetern & Giltay, 1st, 1915, Book: Very Good, Dust Jacket: None, Hardcover, color illustrated boards, 190 pages. A collection of b&w (a few 2-color) political cartoons preceding WW I. Dutch text. Scarce.
Hardcover. Hamburg, Cigaretten Bilderdienst, 1st, 1933, Book: Good, Dust Jacket: None, Hardcover, tan cloth with embossed gilt design on front cover. 150 pages with 225 mounted black and white and color images. German text. There is a frontispiece portrait of Hitler and a few other similar panels. A monumental propaganda work on Herr Hitler, Der Fuhrer, 9" x 12", The quality of the photographs is excellent, but one giant picture at the end, which opens out to 6 solid pages all joined together showing "Standartenweihe im Luitpoldhain1933" A vast sea of Hitler's armed forces in a giant arena. All photographs were taken and carefully selected by Heinrich Hoffmann, Adolf Hitler's official photographer. Hoffmann's photography was used. A chilling piece of German history and a fascinating example of the NSDAP's propaganda machine. Volume shows some shelf wear, name on half-title page, good plus overall.
Hardcover. Gottingen GR, Steidl, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 237 pages, b&w plates throughout. Hoppe traveled throughout Germany between 1925 and 1938, photographing movie stars, workers and peasants, the birth of the Autobahn, and the explosion of industrial building. This collection includes parts of his 1930 book "Deutsche Arbeit" and many photos never previously seen. Clean copy in a dust jacket.
Hardcover. Munchen GR%, C. Bertelsmann, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 255 pages, profusely illustrated with b&w photographs, text illustrations., maps, bibliog., Foreword by Lew Kopelew. GERMAN TEXT. Highly pictorial account of the disastrous German campaign 1942-43. Cllean copy.
Softcover. West Lafayette IN, Purdue University Press , 1st, 2020, Book: Very Good, Dust Jacket: None, Softcover, 529 pages, b&w illustrations. Eva and Otto is a true story about German opposition and resistance to Hitler as revealed through the early lives of Eva Lewinski Pfister (1910-1991) and Otto Pfister (1900-1985). It is an intimate and epic account of two Germans-Eva born Jewish, Otto born Catholic-who worked with a little-known German political group that resisted and fought against Hitler in Germany before 1933 and then in exile in Paris before the German invasion of France in May 1940. After their improbable escapes from separate internment and imprisonment in Europe, Eva obtained refuge in America in October 1940 where she worked to rescue other endangered political refugees, including Otto, with the help of Eleanor Roosevelt. As revealed in recently declassified records, Eva and Otto later engaged in different secret assignments with the US Office of Strategic Services (OSS) in support of the Allied war effort. Despite their vastly different backgrounds, Eva and Otto gave each other hope and strength as they acted upon what they understood to be an ethical duty to help others threatened by fascism. The book provides a sobering insight into the personal risks and costs of a commitment to that duty. Their unusually beautiful writing-directed to each other in diaries and correspondence during two long periods of wartime separation-also reveals an unlikely and inspiring love story.
Hardcover. New York , Charles Scribner's Sons, 1st, 1972, Book: Very Good, Dust Jacket: Good, 176 pages, illustrated throughout in b&w. Dust jacket price clipped with slight rubbing, wear, sunning to edges and spine. Internally very good.
Hardcover. Philadelphia, PA, J. B. Lippincott Company, First Edition, 1890, Book: Good, Dust Jacket: None, 184 pages. Hardcover. Gilt top edge. Light foxing to a few pages and endpapers, crack to gutter pp. 49, 65, 80 & 145. Cover boards show small spots of fraying & rubbing. Nice design with gilt compartment lines to cover & floral cloth.
Hardcover. Princeton University Press , 1st, 1967, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth-covered boards, gilt titles to spine on black ground, 350 pages., illustrated with tables. The book sets out to "describe the inception, organisation, and administration of the Nazi foreign labor program and the relationship of the program to the Nazi war economy and government". It uses captured documents as well as material published during the war. Spine slightly cocked, clean copy.
Hardcover. New York , George H. Doran, unknown, ND, Book: Very Good, Dust Jacket: None, Hardcover, red cloth, 249 pages. Faint foxing to edges, Previous owner's inscription on front end paper, else a clean, tight copy.
Hardcover. New York, State University of New York Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 233 pages. Hardcover. Dust jacket with light wear. Clean unmarked text.
Hardcover. New York, Horizon Press, 1st American, 1960, Book: Good, Dust Jacket: Fair, 256 pages. Hardcover. B/w illustrations throughout. Dust jacket unclipped, in protective brodart. Gilt title on spine. Spine slightly cocked. Dust jacket shows some age wear: yellowing, small rips along the edges (patched discreetly with tape from underside), foxing. Just a touch of foxing to top edge and a bit of age-yellow to pages, otherwise clean inside.
Hardcover. NY, Knopf, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 400 pages. The definitive biography of Leni Riefenstahl, the woman best known as "Hitler's filmmaker," one of the most fascinating and controversial personalities of the twentieth century. It is the story of huge talent and huger ambition, one that probes the sometimes blurred borders dividing art and beauty from truth and humanity. Relying on new sources--including interviews with her colleagues and intimate friends, as well as on previously unknown recordings of Riefenstahl herself--Bach gives us an exceptional work of historical investigation that untangles the past and is also an objective but unsparing appraisal of a woman of spectacular gifts corrupted by ruthless personal ambition.
Softcover. NY, Arco Publishing , reprint, 1964, Book: Very Good, Dust Jacket: None, Softcover, stapled booklet, 52 pages. Famous Aircraft Series. "This book contains: - . a history of airships - . a description of a typical "voyage" in the mighty "Hindenburg" - . 51 photographs - . 16 scale drawings - the actual Flight Handbook issued to German airship commanders". Small notation on copyright page, otherwise clean.
Hardcover. New York, St. Martin's Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 272 pages. Hardcover. B/w illustrations throughout. Gilt title on spine. Dust jacket unclipped. Binding tight. Clean inside and out. In very good condition.
Hardcover. Cambridge, Mass., The Belknap Press of Harvard University Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 442 pages, b&w illustrations. In the beginning, they rallied behind Hitler in the national interest of Germany; in the end, they sacrificed their lives to assassinate him. A history of German resistance to Hitler in high places, this book offers a glimpse into one of the most intractable mysteries. Why did high-ranking army officers, civil servants, and religious leaders support Hitler? Why did they ultimately turn against him? What transformed these unlikely men, most of them elitist, militaristic, and fiercely nationalistic, into martyrs to a universal ideal?
Hardcover. NY, Holt Rinehart & Winston, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with minor edgewear, 294 pages. Depicts the German occupation of Paris during World War II from the perspectives of both the defeated Parisians and the victorius Germans, accompanied by 116 contemporary photographs in b&w, some color. Clean copy.
Hardcover. Kerber, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. In 1953, Peter Keetman spent a week at the Volkswagen plant in Wolfsburg. The result was a series of exceptionally clear, almost abstractly detailed photographs that document the entire production process of the VW Beetle. Storage stacks of shiny metal bumpers look like so many Modernist sculptures; car bodies hovering above the assembly line retrospectively form a surreal Pop art montage. This oversize publication reproduces the Volkswagenwerk series in full, in their original size, together with texts that refer both to this series and to Keetman's greater oeuvre. Keetman was known throughout his career as photographer of systemically conceived picture series on themes that included close-ups of water and oil drops, a style of working he developed as a member of Fotoform. Fotoform, a German movement of the 1950s of which Keetman was a primary proponent, was critical in the development of German photography as it is today: the group's "subjective photography" combined scientific objectivity with abstraction.
Hardcover. Casemate, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dustjacket, 264 pages. Following the Allied breakout from the Normandy beachhead in July 1944, the vaunted German Army seemed on the verge of collapse. As British and US forces fanned out across northwestern France, enemy resistance unexpectedly dissolved into a headlong retreat to the German and Belgian borders. In early September an elated Allied High Command had every expectation of continuing their momentum to cripple the enemy's warmaking capability, by capturing the Ruhr industrial complex and plunging into the heart of Germany. After a brief pause to allow for resupply, Courtney Hodge's First Army prepared to punch through the ominous but largely outdated Westwall (Siegfried Line) surrounding Aachen. Drawing on primary Wehrmacht and US sources, including battle analysis and daily situation and after-action reports, The Roer River Battles provides insight into the desperate German efforts to keep a conquering enemy at the borders of their homeland. Tactical maps down to battalion level help clarify the very fluid nature of the combat. Combined, they serve to explain not just how, but why decisions were made and events unfolded, and how reality often differed from doctrine in one of the longest US campaigns of World War II.
Hardcover. NY, Thames & Hudson, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher's shrink wrap. Celebrates the height of Weimar cinema through images and commentaries on more than seventy of its finest films Between the First and Second World Wars, Germany under the Weimar Republic was the scene of one of the most creative periods in film history. Through the silent era to the early years of sound, the visual flair and technical innovation of its filmmakers set an international standard for the powerful possibilities of cinema as an art form, with movies such as The Cabinet of Dr. Caligari, Nosferatu, Metropolis, and M building a legacy that shaped the world of film. Here is a showcase of more than seventy films, selected to give a wide-ranging overview of Weimar cinema at its finest. Every genre is represented, from escapist comedies and musicals to gritty depictions of contemporary city life, from period dramas to fantastical visions of the future, with themes such as sexuality and social issues tackled by iconic stars like Marlene Dietrich and Louise Brooks. A wealth of film stills captures the bold vision of great directors like Fritz Lang and Ernst Lubitsch, while the text sets the historical scene and gives intriguing insights into what the films meant to the society that created them.
Hardcover. Chicago, University of Chicago Press, 1st thus, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 87 pages. Foreword, black and white photographs, and colophon. A description of the Allied bombing campaign from the perspective of the German survivors.
Softcover. Berkeley CA, California University Press, reprint, 2018, Book: Very Good, Dust Jacket: None, Softcover, 308 pages. The German Enlightenment and the Rise of Historicism traces the thought of a large and neglected group of German thinkers and their encounter with the ideas and ideal of the Enlightenment from 1740 to 1790. Concentrating on the nature of their historical consciousness, Peter Hanns Reill addresses two basic issues in the interpretation of the Enlightenment: to what degree can one speak of the unity of the Enlightenment and to what extent can the Enlightenment be characterized as "modern"? Reill attempts to revise the traditional interpretation of the Enlightenment as an age insensitive to the postulates of modern historical thought and to dissolve the alleged opposition of the Enlightenment to later intellectual developments such as Idealism. He argues that German Enlightened thinkers generated the general presuppositions upon which modern historical thought is founded. Bright, clean copy.
Hardcover. NY, Random House, 1st, 1974, Book: Very Good, Dust Jacket: Good, Hardcover, 373 pages. Color and b&w photographs. Water stain on back cover. Dust jacket has some small tears. A pictorial record, with accompanying text, of German society, culture, and politics, from the Weimar Republic to Hitler's last public appearence, detailing the rise of Nazism and Hitler's public and private lives.
Hardcover. Princeton, NJ, Princeton University Press , 2nd pr., 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 380 pages. Black & white illustrations. Clean, tight copy. Author of an earlier groundbreaking work on Nazi medical horrors, Proctor began this book after discovering documents showing that the Nazis conducted the most aggressive antismoking campaign in modern history. Further research revealed that Hitler's government passed a wide range of public health measures, including restrictions on asbestos, radiation, pesticides, and food dyes. Nazi health officials introduced strict occupational health and safety standards, and promoted such foods as whole-grain bread and soybeans. These policies went hand in hand with health propaganda that, for example, idealized the Fuhrer's body and his nonsmoking, vegetarian lifestyle. Proctor shows that cancer also became an important social metaphor, as the Nazis portrayed Jews and other "enemies of the Volk" as tumors that must be eliminated from the German body politic.
Hardcover. NY, Norton, 1st US, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 192 pages. The photos are breathtaking not necessarily for their quality - many are washed out and most of the subject matter is routine day to day military stuff - but for their rarity. While the Germans seem to have been at least as far advanced in the use of color photography as the Americans, there is still a paucity of color photography in the public record. That is being addressed by the various nations who took large amounts of color film in an official capacity, including the US, UK, Germany and Canada. The book's captions are adequate to the task, and there are good historical sections, as well as an introduction by Max Hastings as well as commentary by an actual German war correspondent. The strength of the book is in its ability to bring the participants of the subject campaign - the German invasion of Russia up to and including Stalingrad - to life. The use of a large format allows one to note small details of the photos, and relate to the subject matter on a personal level. Despite the lack of "action" shots, there is much to see in facial expressions, uniform details, and especially geography as the Russian steppe is shown in summer and winter, as well as the famous Russian mud (Rasputitsa) about which so much has been written.
Hardcover. NY, Simon & Schuster, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In The Third Reich, Thomas Childers shows how the young Hitler became passionately political and anti-Semitic as he lived on the margins of society. Fueled by outrage at the punitive terms of the Versailles Treaty that ended the Great War, he found his voice and drew a following. As his views developed, Hitler attracted like-minded colleagues who formed the nucleus of the nascent Nazi party. The failed Munich putsch of 1923 and subsequent trial gave Hitler a platform for his views, which he skillfully exploited. Clean copy.
Softcover. Cambridge MA, Harvard University Press, reprint, 2011, Book: Very Good, Dust Jacket: None, Softcover, 997 pages, color and b&w illustrations. A deadly continental struggle, the Thirty Years War devastated seventeenth-century Europe, killing nearly a quarter of all Germans and laying waste to towns and countryside alike. Peter Wilson offers the first new history in a generation of a horrifying conflict that transformed the map of the modern world. When defiant Bohemians tossed the Habsburg emperor's envoys from the castle windows in Prague in 1618, the Holy Roman Empire struck back with a vengeance. Bohemia was ravaged by mercenary troops in the first battle of a conflagration that would engulf Europe from Spain to Sweden. The sweeping narrative encompasses dramatic events and unforgettable individuals-the sack of Magdeburg; the Dutch revolt; the Swedish militant king Gustavus Adolphus; the imperial generals, opportunistic Wallenstein and pious Tilly; and crafty diplomat Cardinal Richelieu. In a major reassessment, Wilson argues that religion was not the catalyst, but one element in a lethal stew of political, social, and dynastic forces that fed the conflict. By war's end a recognizably modern Europe had been created, but at what price? The Thirty Years War condemned the Germans to two centuries of internal division and international impotence and became a benchmark of brutality for centuries. As late as the 1960s, Germans placed it ahead of both world wars and the Black Death as their country's greatest disaster. Clean, bright copy.
Hardcover. NY, E. P. Dutton, reprint, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. David Irving's The Trail of the Fox is the best work on Rommel ever written. The circumstances around Rommel's involvement with the attempt on Hitler's life, which is the most speculated aspect of Rommel's life, and how the Gestapo came to believe Rommel was involved, have not been made clear in most of the historiography on Rommel. Irving pieces together what really happened most effectively. There are so many strengths of this book, of which the greatest is probably the fact Irving had access to Rommel's dairy and many of his letters, which he got permission from the family to view. Other items he found in collections in the United States, England, and Germany. Since he worked on this in the 1970's he also was able to interview a number of German officers who were still alive that knew and served with Rommel. The whole work is the way historical research should be done; totally reliant on primary source material, and ignores secondary sources that often use conjecture or just repeat incorrect narratives from earlier books. Every source is from people who fought the war; Germans, Italians, British, French and American officers who were in these campaigns and had either first hand observation of Rommel or were major participants like Eisenhower, Churchill, Goebbels, etc. Clean copy.
Hardcover. Boston, MA, Houghton Mifflin Company, 1st England Edition, 1947, Book: Good, Dust Jacket: None, 632 pages. Hardcover. Cover boards bound in tan cloth, black title on spine and front cover board. Top edge dyed red, slightly faded toward spine. Binding tight, spine straight. Some slight tanning to edges and pages from age, otherwise clean. No dust jacket. This brilliant informal history of the Third Reich traces the path which led from the flaming Reichstag to Germany in cinders.
Hardcover. GR, DZA Verlag fur Kultur und Wissenschaft, 1st, 1994, Book: Very Good, Dust Jacket: None, Hardcover, 161 pages, no dust jacket, pictorial boards. A collection of essays and photographs on the city of Dresden, ending in it's destruction at the end of WWII. Foreward by Herbert Wagner.
Softcover. New York, Abbeville Press, 1st US, 1984, Book: Very Good, Dust Jacket: None, 160 pages, illustrated throughout in b&w. Previous owner's sticker on front end paper, light edgewear and soil to wrappers. Clean, tight copy. The pictures assembled here show how this artistic culture originated in the aftermath of the First World War and the unsettled early years of the Weimar Republic, uneasily balanced between revolutionary pretensions and the desire for order. The montage of images--photographs, paintings, drawings, collages, books, and film stills--evokes the period with shocking vividness.
Hardcover. Chicago, University Of Chicago Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. In When Buildings Speak,Anthony Alofsin explores the rich yet often overlooked architecture of the late Austro-Hungarian Empire and its successor states. He shows that several different styles emerged in this milieu during the late nineteenth and early twentieth centuries. Moreover, he contends that each of these styles communicates to us in a manner resembling language and its particular means of expression. Covering a wide range of buildings--from national theaters to crematoria, apartment buildings to warehouses, and sanatoria to postal savings banks--Alofsin proposes a new way of interpreting this language. He calls on viewers to read buildings in two ways: through their formal elements and through their political, social, and cultural contexts. By looking through Alofsin's eyes, readers can see how myriad nations sought to express their autonomy by tapping into the limitless possibilities of art and architectural styles. And such architecture can still speak very powerfully to us today about the contradictory issues affecting parts of the former Habsburg Empire.
Hardcover. Munchen GR, Hugendubel, reprint, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, Over 250 historical photos featuring public buildings, storefronts, cafes and other gathering spaces in the city. GERMAN TEXT. Clean, bright copy in a similar dust jacket. Appears to be a reprint of a book first published in 1990.
 "\"Golden\" Twenties, The: Art and Literature in the Weimar Republicby: Schrader, Barbel and Jurgen Schebera")
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