Softcover. Tucson, AZ, Southwest Parks , 1st, 1999, Book: Very Good, Dust Jacket: None, 88 pages. Softcover. Yellowing to front and back covers. An otherwise clean, unmarked copy with minor edgewear. Color photographs throughout.
Hardcover. Norman OK, University of Oklahoma Press, 1st , 1950, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dustjacket. Ground plans of the Indian villages of New Mexico and Arizona with aerial photos & scale drawings.
Hardcover. New York, Crown Publishers, 1st Thus, 1971, Book: Very Good, Dust Jacket: Very Good, 239 pages. Hardcover. Black & white illustrations. Dust jacket in protective clear plastic cover. Clean, unmarked text.
Hardcover. Exeter NH, J & B Williams, Reprint, 1834, Book: Very Good, Dust Jacket: None, Hardcover, 360 pages. Illustrated with black & white plate at frontis. Previous owners name at top of front endpaper. Foxing to pages. Corners and edges of leather cover show wear and rubbing. Title in gilt on spine. Text block tight.
Softcover. Seattle, University of Washington Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover. Like new in publishers shrink-wrap. Chief Joseph's exhausted words of surrender, 'Hear me, my chiefs, I am tired; my heart is sick and sad. From where the sun now stands, I will fight no more forever', are the accepted end of the Nez Perce War of 1877, in which several bands of Nez Perce attempting to find a new home outside their diminished Idaho reservation clashed with the U.S. military (and occasionally other Indians) along the Clearwater and Big Hole Rivers, and finally at the foot of the Bear Paw Mountains. However, a number of Nez Perce escaped transportation to Indian Territory with Joseph and continued their flight to Canada, with perhaps a hundred eventually joining Sitting Bull's Lakota."I Will Tell of My War Story" reproduces, describes, and discusses a remarkable series of drawings by an anonymous Indian artist who fought with Chief Joseph and later reached Canada. The drawings, in red, blue, and black pencil, include portraits of principal participants in the war, battle scenes, and views of Nez Perce camp life and celebrations during the war and after. The drawings are preserved in a small pocket ledger labeled 'Cash Book' on the front, which was acquired by Indian Agent Charles D. Warner in the 1880s. It was willed by him to a family living in northern Idaho, and is now in the collection of the Idaho State Historical Society. Scott Thompson worked closely both with the owners and with members of the Nez Perce community in preparing his manuscript. Thompson's detective work and research methods to identify Nez Perce and other parties pictured in the Cash Book make fascinating reading. He is careful to point out what is speculation and what has been documented or attested to by experts on dress, weapons, ceremony, and other aspects of Native culture. The Cash Book drawings are unique in several ways. They are one of very few firsthand pictorial records of the Nez Perce War, representing an even scarcer record of this war as seen from the Indian viewpoint. They contain invaluable historical and ethnographic information not only explicit in the form of military and Native dress, regalia, and quite graphic battle scenes, but also implicit. The drawings reveal an important stage of cultural adaptation as shown by the mixture of white and Native goods combined in Nez Perce material culture during the 1870s and 1880s, and by the artist's assimilation of white/European drawing techniques such as texture and perspective. The artist combined these drawing techniques with Native art traditions to make exceptionally effective pictorial communications. Scott M. Thompson is an art teacher at Chase Middle School in Spokane, Washington.
Softcover. Seattle WA, University of Washington Press, 1st, 2000-06-01, Book: Very Good, Dust Jacket: None, Softcover, 122 pages. Like new in publishers shrink-wrap.
Hardcover. New York, George Braziller, 1st, 1974, Book: Very Good, Dust Jacket: Good, 189 pages. Hardcover. Black & white illustrations. Dust jacket with spine fading, light wear at corners, edges. Clean, tight copy.
Hardcover. Fort Worth, TCU Press, Reprint, 1981, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes,. Volume 1 - 164 pages. Ceremonial Dance, Ritual and Song. Full color and black & white illustrations. Dust jacket in clear plastic protective cover. Clean, tight copy. Volume 2 - 323 pages. Myths, Legends and Folktales. Full color and black & white illustrations. Dust jacket in clear protective cover. Clean, tight copy.
Hardcover. US, Combined Books, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 312 pages, b&w illustrations. Light shelf-wear to dust jacket, else a clean, tight copy. The destruction of George Armstrong Custer's command at Little Bighorn by the Sioux and Northern Cheyenne on 25 June, 1876 has been etched in the national memory and has remained one of America's longest lingering controversies. The Little Bighorn Campaign penetrates the mysteries of Custer's disaster as well as the broader context of the 1876 campaign against the Sioux.
Hardcover. New York, Harper Collins, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good dust jacket. Non-paginated. SIGNED BY ILLUSTRATOR WENDELL MINOR ON TITLE PAGE. Full color illustrations. Clean, bright copy.
Hardcover. Washington, Government Printing Office, 1st, 1893, Book: Good, Dust Jacket: None, 822 pages, b&w illustrations, several color plates. Olive green cloth covers w/ gilt lettering on spine, gilt design of Native American bust on front cover. Clear plastic dust jacket. Light wear to edges and corners; rubbing to rear cover. Rear hinge cracked and separating. Foxing to edges. Else pages clean and tight.
Hardcover. New York, William Morrow & Co, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Very clean, unmarked copy with some minor shelfwear to dust jacket. This beautiful book is a spectacular overview of McCarthy's exciting Western work, presenting colorful paintings from his fine art career. Color illustrations throughout.
Hardcover. Boston, Bradbury Soden & Co., 1st thus, 1844, Book: Good, Dust Jacket: None, Hardcover, 336 pages, frontispiece engraving with tissue guard, extra engraved title page, many b&w text illustrations. Brown cloth with black leather spine stamped in gilt. Pages with tanning to edges, light water stain to bottom corners of most pages, affecting text and images, but not horrible. Covers show mottling, discoloration to foredges, front and rear. Interior clean, binding tight.
