Hardcover. NY, Random House, 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, hundreds of b&w cartoons from the magazine's golden age. Tan cloth spine with blue boards. No lettering on spine. Clean copy, no dust jacket.

Hardcover. Boston, Little, Brown, and Company, reprint, 1934, Book: Good, Hardcover, light gray boards decorated in red and black.120 pages.. Features 6 black & white plates by Harrison Cady. Clean, bright copy.

Hardcover. NY, Flying Dolphin Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The acclaimed entertainer and bestselling author Steve Martin and the wildly clever New Yorker cartoonist Roz Chast team up in a weird, wonderful excursion through the alphabet. Clean copy.

Hardcover. NY, Flying Dolphin Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color drawings by New Yorker cartoonist Roz Chast. Clean copy.

Hardcover. US, Archie Comics, 1st, 2013, Book: Very Good, Dust Jacket: None, 157 pages, illustrated throughout in color. Light shelf-wear to boards with slight bump to lower edge of spine. Clean, tight copy. A beautifully designed celebration of over 70 years of comic book covers featuring America's reigning cartoon high school icons: Archie, Betty, Veronica and friends. Featuring beautiful full-color artwork by fan favorite artists Dan DeCarlo, Harry Lucey, Bob Montana, Dan Parent and many more in a deluxe, oversize hardcover edition, The Art of Archie: The Covers goes behind the scenes on the all-time best comic book covers in Archie's history with an insider's look at their inspiration, creation and ongoing cultural legacy.

Hardcover. NY, Abrams, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Harvey Kurtzman discovered Robert Crumb and gave Gloria Steinem her first job in publishing when he hired her as his assistant. Terry Gilliam also started at his side, met an unknown John Cleese in the process, and the genesis of Monty Python was formed. Art Spiegelman has stated on record that he owes his career to him. And he's one of Playboy publisher Hugh Hefner's favorite artists.Harvey Kurtzman had a Midas touch for talent, but was himself an astonishingly talented and influential artist, writer, editor, and satirist. The creator of MAD and Playboy's "Little Annie Fanny" was called, "One of the most important figures in postwar America" by the New York Times. Kurtzman's groundbreaking "realistic" war comics of the early '50s and various satirical publications (MAD, Trump, Humbug, and Help!) had an immense impact on popular culture, inspiring a generation of underground cartoonists. Without Kurtzman, it's unlikely we'd have had Airplane, SNL, or National Lampoon.The Art of Harvey Kurtzman is the first and only authorized celebration of this "Master of American Comics." This definitive book includes hundreds of never-before-seen illustrations, paintings, pencil sketches, newly discovered lost E.C. Comics layouts, color compositions, illustrated correspondence, and vintage photos from the rich Kurtzman archives

Softcover. Mount Vernon WA, Erratic Press, 1st, 2025, Book: Very Good, Dust Jacket: None, Softcover, 192 pages, illustrated in b&w. In 1923, while re-establishing himself on the staff of The New York World, Milt Gross quietly broke into the slick weekly humor magazines--and produced dozens of superb, densely-packed, wildly inventive pages for Judge. During this period, he set himself a bold challenge: mastering the demanding craft of pantomime comics. As Paul C. Tumey argues in the accompanying essay, "Gradually, Milt Gross," this short but explosive era played a crucial role in Gross's evolution and paved the way for his breakthrough hits just a few years later. Before Nize Baby, before Count Screwloose, before He Done Her Wrong--Milt Gross was already revolutionizing humor on the printed page. Many of his funniest ideas first appeared in these Judge pages, only to be re-imagined later in his newspaper work and key sequences of his celebrated 1930 graphic novel.

Hardcover. NY, Crowell-Collier Press, 1st, 1962, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth boards. 64 pages illustrated with b&w cartoon-like drawings by Robert Jones. Mild soil to covers, name on front fly leaf, otherwise clean.

Hardcover. NY, Houghton Mifflin Harcourt, 1st, 2013, Book: Very Good, Hardcover, 400 pages. The Best American Comics showcases the work of both established and up-and-coming contributors. Editor Jeff Smith--creator of the classic comic Bone, a comedy/adventure about three lost cousins from Boneville--has culled the best stories from graphic novels, pamphlet comics, newspapers, magazines, mini-comics, and web comics to create this cutting-edge collection.

Hardcover. London, The Bodley Head, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a in a bright dust jacket except for a sliver of fading to fore-edge, oblong format, unpaginated, illustrated with 52 full color cartoons. Foreword by Mark Boxer. Small owner's stamp on front fly leaf with bottom corner clipped. Uncommon in hardcover.

Softcover. NY, Holt Rinhart Winston, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 190 pages. Cartoonist Al Capp presents 26 of his favorite sequences from his cartoon strip.

Hardcover. NY, Exposition Press, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn jacket with fading to spine. B&w drawings by the author. Clean copy.

NY, G.P. Putnam's Sons, 2nd pr., 1904, Book: Very Good, Dust Jacket: None, Hardccover, red cloth binding, with stamped titles and decoration to upper board and spine, and pastedown illustration in corner of upper board. Color frontis. and 8 b&w plates by Peter Newell. Eight tales of a man and his relationship with various animals. Hinges cracked, binding solid. No markings.

Softcover. NY, Dover, reprint, 1969, Book: Very Good, Dust Jacket: None, Softcover, Bright purple cover. A collection of cartoon stories, reproduced unabridged from an original 1892 publication. Plus seven picture stories from issues of Life Magazine, 1921-22. Clean copy.

Hardcover. NY, Charles Scribners Sons, reprint, Book: Very Good, Dust Jacket: None, Oblong hardcover, green boards, 118 pages, 10 stories, each told by a series of cartoon sketches by Frost. Light shelf wear.

Hardcover. NY, Doubleday, 1st, 1952, Book: Very Good, Dust Jacket: Very Good, Hardcover, 94 pages. B&w cartoon illustrations by Gluyas Williams. In a dust jacket with light edgewear.

Hardcover. NY, Simon & Schuster, 1st thus, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 64 pages. New Yorker cartoonist (and creator of the altogether ooky Addams Family characters) Charles Addams tampers with tradition to great effect in The Charles Addams Mother Goose, first published in 1967, and now reissued as a deluxe edition. While Ms. Goose's original nursery rhymes remain unchanged, Addams casts his spell on a selected few poems with new visual twists. A less wholesome, more anemic Mistress Mary has never been seen, and her bare-lightbulb-lit basement garden of mushrooms and heads of "pretty maids all in a row" is quite unsettling. Jack Sprat and his wife are, of course, cannibals. Nine-day-old porridge is disgusting... so naturally a witch is the porridge preparer, and goblins are the only ones who would like it "nine days old." Humpty Dumpty's story, on the other hand, feels a little cheerier than the original: rather than leaving the egg irreparably broken, the illustrator shows a dinosaur hatching! Tee Addams, Charles Addams's wife, writes an insightful introduction for this lovely, oversized edition, and the book closes with a scrapbook of family photos and pictures of Addams's earlier work. Kids familiar with Mother Goose's rhymes will be delighted (and perhaps only slightly terrified) by Addams's playful interpretations.

Hardcover. Boston, Houghton Mifflin, 1st illust., 1929, Book: Very Good, Dust Jacket: None, Hardcover, red embossed covers with gilt decoration of two children in profile. One volume from the publisher's 10 volume series, 508 pages. Notable for the full color plates by H.I. Bacharach, 16 in all. Illustrated endpapers of young children in field of flowers (by another artist). Interior clean, very good.

Hardcover. Boston, Houghton Mifflin, 1st illust., 1929, Book: Very Good, Dust Jacket: None, Hardcover, red embossed covers with gilt decoration of two children in profile. One volume from the publisher's 10 volume series, 442 pages. Notable for the full color plates by H.I. Bacharach, 16 in all. Illustrated endpapers of young children in field of flowers (by another artist). Owner's name on front fly leaf, otherwise interior clean, very good.

Hardcover. Cleveland, World Publishing Company, 1st, 1966, Book: Very Good, Dust Jacket: Good, 336 pages. Hardcover. Previous owners name on front endpaper. Includes cartoonists: John Held, Jr., Charles Keene, George Herriman, A. B. Frost, Peter Arno, Saul Steinberg, Charles Addams, Virgil Partch, William Steig, Gerald Scarfe, Shel Silverstein, Tomi Ungerer, and more. Black & white illustrations. Dust jacket with chipping along edges. Clean, unmarked pages.

London, Published at the Punch Office, 1st thus, 1846, Book: Very Good, Dust Jacket: None, Hardcover, 252 pages of text. Full tan leather binding with elaborate decorative gilt tooling on spine and gilt ruling on edges of boards. Maroon leather spine labels. Original purple publisher's cloth is bound in at the rear (front cover and spine only). Title page is printed in red and black. Frontis portrait and title page engraving by Cruikshank. The first one volume edition. The classic parody of the Commentaries, it went through numerous English and American editions. Cruikshank was the leading English illustrator and caricaturist of his day. He is best known for work for William Hone and Charles Dickens. Lovely copy.

Hardcover. NY, Benjamin Blom, 1st, 1964, Book: Very Good, Dust Jacket: None, Hardcover, light orange cloth with brown titles on spine. Traces the history of the time-honored farce, featuring Pulcinella, Harlequin, Pierrot, Pantaleone, and other traditionsl characters, from Roman comedy to Cruikshank's Punch & Judy. Originally published in 1912, this new edition adds 46 pages of illustrations and a folding color frontispiece. Clean copy, no dust jacket.

Hardcover. Seattle, Fantagraphics, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 344 pages. As the 1970s wind down, the last two recurring Peanuts characters have fallen into place: Snoopy's brother Spike and the youngest Van Pelt sibling, Rerun. But that doesn't mean Schulz's creativity has diminished. For instance, in an epic five-week sequence, when Charlie Brown, found guilty by the EPA of biting the Kite-Eating tree, he goes on the lam and ends up coaching the "Goose Eggs," a group of diminutive baseball players, Austin, Ruby, Leland, and -did you know there was a second Black Peanuts character, aside from Franklin?-Milo. Also: a tennis-playing Snoopy ends up reluctantly teamed with the extreme Type "A" athlete Molly Volley... who then reappears later in the book, nowfacing off against her nemesis, "Crybaby" Boobie. All in addition to the usual cast of beloved characters.

Hardcover. NY, Wings Books, reprint, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, contains Without Feathers, Getting Even, and Side Effects. 473 pages. Clean copy.