Hardcover. New Haven CT, Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 482 pages with index. The first sustained analysis of the cult of the legendary Italian hero Giuseppe Garibaldi, the Italian revolutionary leader and popular hero, was among the best-known figures of the nineteenth century. This book seeks to examine his life and the making of his cult, to assess its impact, and understand its surprising success. For thirty years Garibaldi was involved in every combative event in Italy. His greatest moment came in 1860, when he defended a revolution in Sicily and provoked the collapse of the Bourbon monarchy, the overthrow of papal power in central Italy, and the creation of the Italian nation state. It made him a global icon, representing strength, bravery, manliness, saintliness, and a spirit of adventure. Handsome, flamboyant, and sexually attractive, he was worshiped in life and became a cult figure after his death in 1882. Lucy Riall shows that the emerging cult of Garibaldi was initially conceived by revolutionaries intent on overthrowing the status quo, that it was also the result of a collaborative effort involving writers, artists, actors, and publishers, and that it became genuinely and enduringly popular among a broad public. 33 b&w illustrations.
Softcover. US, Yale University Press, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 60 pages. Like new in publishers shrink-wrap. A canonical figure in American painting, George Inness (1825-1894) is widely admired as the pioneer of the landscape aesthetic known as Tonalism, which is distinguished by soft focus and diaphanous layers of paint. This is the first book about the artist's two Italian sojourns (1851-52 and 1870-74) and their formative impact on his work. Italy--its art and its landscape--offered Inness a font of inspiration as he developed his unique artistic vision. This handsome book presents ten oil paintings surveying Inness's Italian subjects dating from 1850 to 1879, including the Philadelphia Museum of Art's recently restored Twilight on the Campagna, which has not been on view since 1952. This was the first of Inness's works completed in Italy, and its reemergence offers a unique opportunity to reconsider the career of a leading American artist.
Hardcover. NY, George Braziller, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Illustrated with b/w and color images throughout. 119 pages. Oblong format. The Scrovegno Chapel is reknown for a fresco cycle by Giotto, completed around 1305 and an important masterpiece of Western art. In 2021, the chapel was declared part of the UNESCO World Heritage Site of 14th-century fresco cycles composed of 8 historical buildings in Padua city centre. The Scrovegni Chapel contains the most important frescoes that marked the beginning of a revolution in mural painting and influenced fresco technique, style, and content for a whole century. Short inscription on front fly leaf. Dust jacket with minor wear. Clean copy.
Softcover. NY, The Metropolitan Museum of Art, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 48 pages illustrated in color and b&w. Clean copy.
Hardcover. New York, Weybright and Talley, 1st US, 1969, Book: Very Good, Dust Jacket: Very Good, 248 pages. Hardcover. Illustrated with 370 black & white plates and a color frontispiece. Introduction by Henry Moore. Photographs by Ilario Bessi in collaboration with Henry Moore. Brown canvas, spine lettered in gilt, upper cover blocked in gilt with publishers' device, Dust jacket with light surface wear to back cover. Clean, tight copy.
Softcover. New York, Farrar Straus Giroux, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 137 pages, light blue wrappers. An uncorrected proof. The subtle portrait of a great but difficult man and a legendary island. When friends die, one's own credentials change: one becomes a survivor. Graham Greene has already had biographers, one of whom has served him mightily. Yet I hope that there is room for the remembrance of a friend who knew him-not wisely, perhaps, but fairly well-on an island that was "not his kind of place," but where he came season after season, year after year; and where he, too, will be subsumed into the capacious story.
Hardcover. NY, Doubleday, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations, map by Letizia Galli. A beautiful gown forms the focus of activity for the zany characters that introduce young readers to the Commedia del l'arte and the history of comic theater, along with a map, a list of stock characters, and historical notes.
Hardcover. NY, Macmillan Company, 1st, 1932, Book: Very Good, Dust Jacket: None, Hardcover, brick-red cloth with bright gilt lettering on cover and spine. Illustrated with 56 reproductions of etchings, aquatints, and drawings by John Taylor Arms, each with a captioned tissue-guard.. A delightful travelogue with exquisite artwork of John Taylor Arms. He specialized in portraying the gothic architecture of France and Italy. Traveling the back roads and visiting the then out-of-the-way towns of northern Italy by car, he visually captures the look and feel as his wife provides a charming travelog. Clean, bright copy.
Hardcover. New York, Harper & Brothers, 1st, 1880, Book: Good, Dust Jacket: None, 331 pages, with gilt top edge and titles. Minor corner and edge wear, light crack along spine but no loose pages, overall, clean and tight copy.
Hardcover. Cambridge MA, Harvard University Press, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages, maroon cloth with a lightly worn dust jacket. Previous owner's signature, pencil notes on front end paper. Otherwise clean. These studies concern the development in the Renaissance of a new perspective on the past, a new method for interpreting the meaning of the documents of the past, and a reformulation of traditional doctrine that history was philosophy teaching by example.
Hardcover. Venice, Marsilio, 1st, 1986, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly sunned dust jacket. Lovely retrospective of Italian fashion. 151 pages, 277 illustrations, many in color. ITALIAN TEXT. Small sticker, pencil marking to front endpapers, otherwise clean. DOMESTIC SHIPPING ONLY.
Hardcover. NY, Thomas Dunne Books/St. Martin's, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In this investigation into the criminal underworld of the cities and villages of the Italian South, David Lane provides an unrivaled expose of the operations of the Mafia today From Naples, home of Mafia-controlled mozzarella and toxic waste, through the no less rotten Calabria, to Sicily, cradle of Cosa Nostra, the hold of the Mafia on Southern Italy is as strong as ever. Following a multi-decade career as a journalist in Italy, David Lane uses his extensive contacts into the world of organized crime to demonstrate how globalization has transformed the Mafia into more than simply a global phenomenon. In painful detail, Into the Heart of the Mafia describes the unceasing mafia pressure endured by priests and politicians, businessmen, trade unionists, and ordinary citizens, and the risks undertaken by the policemen, judges, and politicians who fight to weaken the Mafia's influence. A travelogue with the most deadly of implications, Into the Heart of the Mafia stands as a guide like no other into the darkest side of Italy.
Hardcover. Chapel Hill NC, University of North Carolina Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 277 pages, illustrated in b&w and color. The putto (often portrayed as a mischievous baby) appears frequently in the art and literature of Renaissance Italy. The "spiritelli" embody a minor species of demon, neither good nor bad. This book discusses the manifestations of the putto-spiritello in 15th-century art and literature. It offers parallel interpretations of two works: Botticelli's "Mars and Venus", a painting in which infant Satyr-putti appear as the panic-inducing spirits of the nightmare, and Politian's "Stanze", a poem in which masked cupids appear to the hero in a deceiving dream. The text concludes with an examination of the functions of such masks in the poetry and public masquerades sponsored by Lorenzo de'Medici and in Michelangelo's scheme for the decoration of the Medici Chapel. Clean copy.
Hardcover. NY, Clarkson Potter, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 287 pages, color plates. 120 go-to Italian American favorites for all the red-sauced, pan-fried, crispy-cornered, baked-until-bubbly comforting classics youll want to eat every night. Food Network star Alex Guarnaschelli may be a French-trained chef, an Iron Chef, and a short-order-chef to her daughter, Ava, but at her core, she is an Italian American home cook. Her moms heritage was Sicilian and her dads people were from Bari; she pledged allegiance to her fathers marinara on weekdays and to her moms on the weekend and grew up eating at many of the red-checked-tablecloth trattorias throughout New York City. She still stops in to chitchat with the shop owners in Little Italy, where she buys the milkiest fresh mozz, the most thinly sliced prosciutto, and the crunchiest biscotti. These are the recipes that are favorites for so many of us, whether your family is from Italy or not. Clean, bright copy.
Hardcover. NY, Gourmet , 1st, 1958, Hardcover, cream colored buckram with Italian crest to front and spine; gilt title to spine. 593 pages with b&w photographs and illustrations by the author. SIGNED BY CHAMBERLAIN on the front fly leaf. Recipes translated from the Italian and adapted by Narcissa Chamberlain. Samuel V. Chamberlain (1895-1975) was an author, illustrator, photographer and artist who occasionally wrote under the pseudonym Phineas Beck. His works include books on historical architecture, interiors, fashion illustration, and cookbooks. White cloth covers soiled, Interior clean.
Hardcover. Greenwich CT, New York Graphic Society, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, edgeworn dust jacket. 322 pages. 100 B&W and color plates and 56 B&W illustrations. Pictorial dust jacket with edgewear. Light brown cloth. Auction stamp on front pastedown. Otherwise, a clean, tight copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. New York, Museum of Modern Art, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 152 pages, illustrated throughout in color. Spotless and tight copy. 128 Italian film posters that are a rich array of both Italian films and the international cinema. Includes text and notes on each poster. Arranged by genre from the 30's to the late 50's.
Hardcover. London, Phaidon, 1st, 1963, Book: Good, Dust Jacket: Fair, Part III of Pope-Hennessy's Introduction to Italian Sculpture. 3 Volumes - Plate Volume - non-paginated. Illustrated with black & white plates. Bump at top of spine. Dust jacket age darkened, wear along edges. Clean, tight copy. Text Volume - 126 pages. Black & white illustrations. Bottom right corner bumped. Dust jacket age darkened, wear along edges. Clean, tight copy. Catalogue Volume - 183 pages. Dust jacket age darkened, wear along edges. Clean, tight copy.
Hardcover. NY, Harry N. Abrams, 1st, 1954, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, cardboard slipcase. 214 pages with 75 mounted color plates, and 100 in-text illustrations. An important study, in which Salmi has gathered works of all schools of miniature painting, much of which had never been published before. Clean copy. Slipcase with minor tape repair. DOMESTIC SHIPPING ONLY.
Hardcover. London, Phaidon Press, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, 222 pages of text, 1478 b&w plates, 39 index pages. Two volume set, textured cloth covers, clean dustjackets, set shows little wear. Cardboard slipcase with paper chipping to edges.
Hardcover. Philadelphia, Philadelphia Museum Of Art, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, illustrated throughout with 112 color plates and 55 b&w reproductions. Light shelf-wear to dust jacket. Clean, tight copy. A catalogue to accompany an exhibition at the Philadelphia Museum of Art. A beautiful publication examining Italian Maiolica. An essential reference work for historians, collectors, and anyone with an interest in ceramics.