Hardcover. Yokohama, unknown, 1st, 1909, Book: Good, Dust Jacket: None, 842 pages, gray cloth covers worn, spine cloth loose from spine backing, hinges cracked. Inside very good,clean, lacks title page which may never have been printed. A detailed collection of names, places, events, throughout Japanese history. English text. From a library in Japan with card and envelope inside rear cover and sticker on spine. Uncommon.
Hardcover. London, Simon and Schuster, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A very personal account of the life of one of Japan's most acclaimed Geishas, whose training began at the age of four and who left the life 26 years later at the peak of her career in 1980. B/w and color photos, 334 pages. Clean copy.
Hardcover. New York, Charles Scribner's Sons, 1st, 1891, Book: Good, Dust Jacket: None, 128 pages. Hardcover with decorated front cover. Covers have heavy wear on edges. Light soil and darkening to pages. Gutter lightly cracked.
Hardcover. Hoboken NJ, Wiley Publishing, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The Last Samurai traces Saigo's life from his early days as a tax clerk in far southwestern Japan, through his rise to national prominence as a fierce imperial loyalist. Saigo was twice exiled for his political activities - sent to Japan's remote southwestern islands where he fully expected to die. But exile only increased his reputation for loyalty, and in 1864 he was brought back to the capital to help his lord fight for the restoration of the emperor.
Hardcover. Boston, David R. Godine, 3rd pr., 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Tojiro, a nine-year-old orphan, sells rice cakes on the streets of 19th-century Edo, the bustling city we now call Tokyo. One of his customers is the grumpy, eccentric octogenarian Hokusai. The old man takes a liking to Tojiro, and soon employs him as his assistant. The boy's ignorance provides a convenient vehicle for introducing the artist's life and work. Much of the dialogue and action is written for the purpose of conveying information about Hokusai, as well as the technique of woodblock printing and the social customs of Edo. The book's greatest strength is not the text, but the art that enlivens every page. A combination of the author's watercolors and reproductions of Hokusai's drawings and woodblock prints, the illustrations are arranged in enticing and varied page designs.
