Hardcover. Tokyo, Sophia University, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, 210 pages, b&w illustrations. Beige cloth spine with patterned boards and a bright dust jacket with a glassine wrapper.

Paperback. Norfolk, Virginia, The Donning Company, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 254 pages. Oversized, cover has light wear to corners and edges. Inside is bright and clean. Color and b&w illustrations throughout. A nice copy. Provides plot summaries for more than eighty episodes of a Japanese animated science fiction series and shares drawings and profiles of the main characters.

Softcover. Tokyo, Shinbaku Books, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 112 pages, illustrated in color. The modern era of underground doll-making in Japan began in the late 1960s, with the experiments of Simon Yotsuya and Nori Doi. Directly inspired by the Surrealist Doll constructed by Hans Bellmer in 1932, Simon Yotsuya created a series of ball-jointed, life-sized dolls which featured in his ground-breaking "Eve In The Past And The Future" exhibition in Tokyo, in 1973. Simon Yotsuya's work inspired a new wave of avant-garde Japanese doll-making, headed by artists such as Ryo Yoshida and Katan Amano, which has continued to flourish to the present day. SECRET DOLLeEUR^UNDERGROUND, presented by Yuichi Konno, features dolls by fifteen artists, from Simon Yotsuya onwards, with over 80 full-sized colour photographs never before published outside Japan. It also includes Konno's introductory history of the underground doll in Japan.

Softcover. NY, Burns Archive Press, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 106 pages, color plates throughout. SIGNED/INSCRIBED BY STANLEY BURNS on the title page. Japan, an island nation isolated until the mid-nineteenth century, opened its doors to foreign photographers in the 1860s. These photographers presented a visual cultural kaleidoscope of Japanese life to an eager outside world. The 160 photographs in this volume are curated from tourist albums and presented in the typical sequence. The modern reader will experience Meiji Japan in the way of a nineteenth century armchair traveler. While photographers in other countries were marketing sepia-toned prints, photographers in Japan took advantage of local artists and had their prints exquisitely painted. As with all hand-rendered artworks, quality varied; many photographs were executed so well as to challenge modern color photography. Photographers were limited by government restrictions and many scenes were set in studios rather than in real life. Despite the limitations, tourists visiting the country could purchase albums filled with colorful renditions of Japan's peoples and places. The carefully staged and approved photographs promoted an idealized and romanticized vision of Meiji Japan. Modernization and industrialization changed the country dramatically and the last vestiges of the disappearing feudal culture are captured by the camera. These intriguing photographs are beautiful multi-media artworks representing a vanished world. Clean copy.

Hardcover. NY, W. W. Norton, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This stimulating and comprehensive collection of original essays on twentieth-century Japan's history and culture provides a unique mix of American and Japanese perspectives on Showa. With an important, substantial Introduction by Carol Gluck, the volume explores the strengths of the Japanese economy, the issue of democracy and Japan's political culture, Japan's achievements in technology and the arts, and its relations with other Asian nations and the United States. Name on front fly leaf, otherwise clean.

Softcover. Santa Monica, The Lapis Press, First Edition, 1987, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover with french flaps & light wear to edges. Previous owner's signature to front flyleaf. Pen marking to several pages in commentary sections. Poetry is clean & unmarked throughout. Black printed illustrations.

Hardcover. New York, Houghton Mifflin, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 32 pages. Color illustrations by Say. Minor edgewear to dust jacket. Clean, attractive copy. One morning eight-year-old Martin looks in the mirror and sees a stranger. Overnight, he has changed. His parents take him to one doctor after another, only to be told that there is nothing wrong with their son. At school his teacher asks, "What have we here, trick or treat?" His classmates will not play with him. At home his family tries to treat him as if he were the same child. But things now are different. Martin has grown very old in the space of one day. His world will never be the same again.

Hardcover. New York, Monacelli Press, Inc., 1st US, 2003, Book: Very Good, Dust Jacket: Good, 276 pages. Hardcover. Illustrated with full color photographs. Dust jacket with fading along spine and edges. Light wear. Clean, tight copy.

New York, Harcourt, Brace, and Company, 1st, 1958, Book: Very Good, Dust Jacket: Very Good, 127 pages, including glossary of Japanese terms. B&w drawings by William Hutchinson. Ex-library copy. Blue dust jacket with faded spine; small tear to top left front cover. Otherwise very good.

Tokyo, Japan, Charles E. Tuttle Co., 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover, 101 pages, black and white Illustrations by Yoshie Noguchi. Dust jacket with small rips, tears and creases, otherwise in good condition.

Hardcover. NY, Dodd Mead, reprint, 1957, Book: Very Good, Dust Jacket: Good, Hardcover, 275 pages. Black & white illustrations by Kurt Wiese. Slight chipping to top and bottom spine, front corners. Price clipped.

Hardcover. NY, Charles Scribner's Sons, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The teenage character of this story is taken to Japan after his father gets a job. Getting used to his new life in Japan is hard for him due to the fact that he had to leave his team behind and after the death of his mother. The move to Japan was supposed to be a fresh start for this whole family yet, he doesn't truly find happiness there until the discover of the baseball team at the high school. Clean copy.

Hardcover. NY/Boston, Japan Society/Houghton Mifflin, 1st, 1934, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with white design of broom on front cover, white lettering on spine, 124 pages. Clean copy of a scarce title.

Hardcover. Stanford CA, Stanford University Press, reprint, 1976, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth covers, black lettering to spine, 288 pages. About 1307 a remarkable woman in Japan sat down to complete the story of her life. The result was an autobiographical narrative, a tale of thirty-six years (1271-1306) in the life of Lady Nijo, starting when she became the concubine of a retired emperor in Kyoto at the age of fourteen and ending, several love affairs later, with an account of her new life as a wandering Buddhist nun. Through the vagaries of history, however, the glory of Lady Nijo's story has taken six and half centuries to arrive. The Confessions of Lady Nijo or Towazugatari in Japanese, was not widely circulated after it was written, perhaps because of the dynastic quarrel that soon split the imperial family, or perhaps because of Lady Nijo's intimate portrait of a very human emperor. Whatever the cause, the book was neglected, then forgotten completely, and only a single manuscript survived. This was finally discovered in 1940, but would not be published until after World War II in 1950. This translation and its annotations draw on multiple Japanese editions, but borrow most heavily from the interpretations offered by Tsugita Kasumi. No dust jacket. Name on front fly leaf, otherwise a bright, clean copy.

Hardcover. NY, Orion/Crown, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Recaptures the World War II bombing raid over Tokyo under the command of Lt. Col. "Jimmy" Doolittle and the incredible seek-and-destroy mission that he and other American pilots endured after the bombing.

Hardcover. NY, St. Martin's Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket with light fading to spine, 487 pages. In this book Ryoshin Minami studies the last hundred years of Japan's remarkable economic growth from the Meiji period up to the present day. First, he reveals the factors which account for Japan's successful economic take-off during the Meiji period. Second, he explains why Japan achieved a more rapid rate of economic growth than other developed countries. This forms the major part of the book and will interest those in the developed countries who have felt the full force of Japan's export drive and whose own industries are consequently in decline. Finally, the author evaluates the results of Japan's economic growth and makes predictions for its future. The book makes a comprehensive survey of the Japanese experience in the pre- and post-war periods and points out lessons not only for developed countries but also for developing countries. Name on front fly leaf, otherwise clean.

Hardcover. NY, Random House, 1st, 1954, Book: Very Good, Dust Jacket: Good, 403 pages. Hardcover. 65 illustrations, 40 in full color. Price clipped dust jacket worn with tape repairs, fading - jacket now protected with clear plastic cover. "An account of the life and death of an art, of the men who made it and of the lusty age in which they flourished. 65 illustrations, including 40 in full color." Index, glossary, bibliography, appendices, artist biographies, chronology. Clean, tight copy.

Hardcover. NY, New York University Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, pages. The GI War Against Japan recounts the harrowing experiences of American soldiers in Asia and the Pacific. Based on countless diaries and letters, it sweeps across the battlefields, from the early desperate stand at Guadalcanal to the tragic sinking of the U.S.S. Indianapolis at war's very end. From the daunting spaces of the China-India theater to the fortress islands of Iwo Jima and Okinawa, Schrijvers brings to life the GIs' struggle with suffocating wilderness, devastating diseases, and Japanese soldiers who preferred death over life. Amidst the frustration and despair of this war, American soldiers abandoned themselves to an escalating rage that presaged Hiroshima and Nagasaki.

Hardcover. NY, Oxford University Press, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 364 pages. The Second World War's Pacific conflict was one of the most complex in history. It embrioled peoples from opposite sides of the globe; it was fought in China, across the expanses of the Pacific, and in the jungles of Southeast Asia; and it was devastating in its consequences for civilians and servicemen alike. It saw the first use of atomic weapons, hastened the end of the Western empires in Asia, and marked America's rise to the position of the most powerful nation in the world.Christopher Thorne, whose previous studies of the war in the Pacific have become landmarks in the field, here weaves together both the entire network of international relations surrounding the war and the impact the war had on all the societies involved--Indian as well as American; Australian and New Zealand as well as Japanese; Korean, Chinese, and Southeast Asian as well as British, French, and Dutch. The Issue of War draws on material gathered over many years in the Far East, Western Europe, and the U.S.--material including wartime films, broadcasts, and newspapers,as well as countless private and offical papers. Representing a synthesis of military, diplomatic, economic, intellectual, and social history, it not only places the war in the context of developments before 1941, but illuminates various patterns that cut across the familiar distinctions between Asia and the West or between Japan and the Allies. Name on front fly leaf, otherwise clean.

Hardcover. Tokyo, Fuzanbo Publishing, reprint, 1909, Book: Good, Dust Jacket: None, Hardcover, brown cloth covers with a decorative gilt design to front cover, spine with Japanese lettering. 139 pages. Nine small b&w line drawings. Small volume, contains 5 stories from the London edition published in 1903 by Constable. Wear to spine, clean.

Hardcover. Rutland, VT, Charles E. Tuttle Company, 1st Edition, 1964, Book: Very Good, Dust Jacket: Good, 495 pages. Hardcover. B/w illustrations throughout. Previous owner's name and info on front flyleaf. Gray, decorated cover boards with blind stamped design on front cover board. Pages and edges have a touch of tanning from age. Binding good. Spine straight. Dust jacket unclipped, has some damage to front flap and agewear. Abundantly illustrated with his own photographs and many of his own drawings, Mr. Engel asserts his creative imagination as a designer, his analytical mind as a scholar, and his intuitive insight as a teacher and a writer. DOMESTIC SHIPPING ONLY.

Hardcover. Rutland VT, Charles E. Tuttle , 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 283 pages. Fold-out map of the region on light blue paper. Name on front fly leaf, otherwise clean.

Hardcover. Pinceton NJ, Princeton University Press, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 315 pages. The Western ideal of individualism had a pervasive influence on the culture of the Meiji period in Japan (1868-1912). Janet Walker argues that this ideal also had an important influence on the development of the modern Japanese novel. Focusing on the work of four late Meiji writers, she analyzes their contribution to the development of a type of novel whose aim was the depiction of the modern Japanese individual. Professor Walker suggests that Meiji novels of the individual provided their readers with mirrors in which to confront their new-found sense of individuality. Her treatment of these novels as confessions allows her to discuss the development of modern Japanese literature and "the modern literary self" both in themselves and as they compare their prototypes and analogues in European literature. The author begins by examining the evolution of a literary concept of the inner self in Futabatei Shimei's novel Ukigumo (The Floating Clouds), Kitamura Tokoku's essays on the inner life, and Tayama Katai's I-novel Futon (The Quilt). She devotes the second half of her book to Shimazaki Toson, the Meiji novelist who was most influenced by the ideal of individualism. Here she traces Toson's development of a personal ideal of selfhood and analyzes in detail two examples of the lengthy confessional novel form that he created as a vehicle for its expression.

Hardcover. NY, James Pott & Co., 1st, 1905, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with bright gilt design to cover, gilt lettering on spine, 127 pages. Introduction by George Meredith. Bookplate/name on inside front cover. Otherwise a clean, bright copy.

Hardcover. Hoboken NJ, Wiley Publishing, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The Last Samurai traces Saigo's life from his early days as a tax clerk in far southwestern Japan, through his rise to national prominence as a fierce imperial loyalist. Saigo was twice exiled for his political activities - sent to Japan's remote southwestern islands where he fully expected to die. But exile only increased his reputation for loyalty, and in 1864 he was brought back to the capital to help his lord fight for the restoration of the emperor.

Hardcover. NY, Harry N. Abrams, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 271 pages. Journey into the mind and creative process of one of the most celebrated anime directors working today with The Man Who Leapt Through Film: The Art of Mamoru Hosoda. Written by renowned animation critic and historian Charles Solomon (The Art of WolfWalkers) and featuring exclusive interviews alongside hundreds of never-before-seen sketches, storyboards, background paintings, character designs, and concept art, this is the ultimate companion piece to Hosoda's work. Writer/director/animator Mamoru Hosoda's work includes Belle (2021), the Academy Award-nominated Mirai (2018); The Boy and the Beast (2015); Wolf Children (2012); Summer Wars (2009); and The Girl Who Leapt Through Time (2006). He is the cofounder of Studio Chizu, one of Japan's premier animation studios. Clean, bright copy.

Hardcover. Boston, David R. Godine, 3rd pr., 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Tojiro, a nine-year-old orphan, sells rice cakes on the streets of 19th-century Edo, the bustling city we now call Tokyo. One of his customers is the grumpy, eccentric octogenarian Hokusai. The old man takes a liking to Tojiro, and soon employs him as his assistant. The boy's ignorance provides a convenient vehicle for introducing the artist's life and work. Much of the dialogue and action is written for the purpose of conveying information about Hokusai, as well as the technique of woodblock printing and the social customs of Edo. The book's greatest strength is not the text, but the art that enlivens every page. A combination of the author's watercolors and reproductions of Hokusai's drawings and woodblock prints, the illustrations are arranged in enticing and varied page designs.

Hardcover. NY, W. W. Norton & Company, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 430 pages illustrated in b&w and color by Yee. "Customs and rituals, dress and language, poetry and drama, painting and sculpture, kites and carp, trees and flowers, everything is revealed to us in Mr. Yee's inimitable text and delightful drawings. Familiar centers and out-of-the-way corners of Japan all come under the Silent Traveller's scrutiny -- Tokyo's Ginza, a Shinto dance at Ise, Kyoto's Phoenix Hall, cormorant-fishing in Gifu, Mt. Fuji, an Ainu village, the five hundred arhats, the beardless hippies of Tokyo, the perennial towel-bearing bathers at a resort hotel, the phenomenon of the marimos, red-crested cranes -- and much more. Clean copy.

Hardcover. London, John Murray, 1st, 1905, Book: Very Good, Dust Jacket: None, 552 pages. Green cloth boards with gilt title on spine and cover. Moisture stain in upper right corner of front endpaper. Fold-out map of Japan shows light foxing. Endpapers age faded. Light soiling to front and back covers.

Hardcover. Scarsdale NY, Bradbury Press, 1st, 1974, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth stamped in black. Folklore about a Japanese farmer who digs up a huge imo (yam). Ed Young style pencil drawings by Japanese artist Mitsu Yashima. No dust jacket. Clean copy.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1979, Hardcover in a nice dust jacket with mild fading to spine, 347 pages. This work is the autobiography of Arai Hakuseki, the celebrated Confucian scholar who holds a prominent position in Japanese history as the influential adviser to Shogun Tokugawa Ienobu and his successor Ietsugu. Hakuseki's administrative reforms, his voluminous writings, and his advice on a multitude of topics--coinage, foreign trade, taxation, diplomatic protocol, justice, the samurai code and benevolent government, for example. governed most of the policies implemented during Ienobu's rule and influenced many of those of his successors. The book contains notes, biographical notes, appendices, a chronology, maps, and an index. Name on front flyleaf, otherwise a clean, tight copy.

Hardcover. Westport CT, Greenwood Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth covers stamped in silver, 242 pages. Previous owner's inscription on front fly leaf, otherwise clean. Over the course of the American Occupation of Japan, the U.S. attitude toward the Japanese Communist Party (JCP) gradually shifted from one of friendly cooperation to one of mutual opposition. This new study examines the initial approach toward communism in Japan; internal and external factors that affected American attitudes; the various phases of the relationship; and how Japan ultimately became a democratic nation. Oinas-Kukkonen investigates American information gathering techniques used at the time to determine possible links with the Soviet Union. He also discusses the possibility that Nosaka Sanzo, one of the main leaders of the JCP, was an American spy. Using previously secret records of General MacArthur's intelligence staff and plentiful archival materials on the Occupation, this study explores how the United States originally sought to utilize the JCP to assist in the democratization process. It identifies the perceived threat of a revolution in March 1947 as a key turning point in U.S. attitudes. Involved in a delicate balancing act with multiple Japanese interests, some American officials feared that elements of the extreme left might even evolve into extreme right-wing terrorists. In this comprehensive account, Oinas-Kukkonen includes information on the indirect role of the Europeans in this affair, as well as the roles of outsider groups such as the outcaste burakumin and the Koreans residing in Japan.

Softcover. Berkeley CA, University of California Press, 2nd pr., 2004, Book: Very Good, Dust Jacket: None, Softcover, 421 pages, b&w illustrations. Located only blocks from Tokyo's glittering Ginza, Tsukiji-the world's largest marketplace for seafood-is a prominent landmark, well known but little understood by most Tokyoites: a supplier for countless fishmongers and sushi chefs, and a popular and fascinating destination for foreign tourists. Early every morning, the worlds of hi-tech and pre-tech trade noisily converge as tens of thousands of tons of seafood from every ocean of the world quickly change hands. Clean, bright copy.

Softcover. NY, Japan Society, Inc, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 215 pages. With a preface by Maryell Semal and photographs by Michikazu Sakai. 8 color plates, numerous b&w photos. Clean, bright copy.

Hardcover. London, England, Hammond, Hammond & Co. Ltd., 1st Edition, 1953, Book: Very Good, Dust Jacket: Very Good, 2 Volume Set, DOMESTIC SHIPPING ONLY. 1560 total pages. Hardcovers. Black cover boards, gilt title on spine. Light tanning from age to pages. Bindings good. Spines straight. A record of one of America's most distinguished diplomatic careers.

Hardcover. New York, Gallery Books, 1st US, 1991, Book: Very Good, Dust Jacket: Very Good, 390 pages, illustrated throughout in color. INSCRIBED BY YOSHIDA on half title page. Large, very heavy book. Light shelf-wear to dust jacket. Clean, tight copy.

Hardcover. NY, Hobart Company, 1st, 1904, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in orange and black. Three introductory pages of text; balance of book consists entirely of 77 black and white photographs with descriptive captions. Plates showing temples, traditional Japanese residences and businesses, Japanese people at work and at play, a karuma carriage, Yokohama Bay, etc. Clean, bright copy.

Hardcover. Lewiston NY, Edwin Mellen Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with b&w decoration to front cover, 295 pages. INSCRIBED BY AUTHOR on front fly leaf, possibly to the publisher Edwin Mellen. (the name has been corrected and is difficult to read.)

Hardcover. Philadelphia , Lippincott, 1st, 1917, Book: Very Good, Dust Jacket: None, Hardcover, 286 pages, color frontispiece, fold-out map of Tokyo Bay, cream colored cloth with Japanese characters on front. Previous owner's signature on front fly leaf otherwise clean, tight copy.