Hardcover. Brooklyn NY, Melville House, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This is the original 30,000 word article Agee wrote for Fortune magazine in 1936 that was never published. Accompanied by 30 Walker Evans photos. Clean copy.

Hardcover. NY, Viking Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This copy has been SIGNED by Shirley Hazzard on the title page. The author, who worked at the United Nations for ten years, and who during Waldheim's tenure raised questions about his hidden past, discloses here the secret history of an institution that is supposed to safeguard the world's most cherished principles. Remainder line on bottom edge, otherwise clean.

Softcover. NY, Soft Skull Press, 1st, 2016, Book: Very Good, Dust Jacket: None, Softcover, 287 pages. It's 1983. Scott Savitt, one of the first American exchange students in Beijing, picks up his guitar and begins strumming Blackbird. He's soon surrounded by Chinese students who know every word to every Beatles song he plays. Scott stays on in Beijing, working as a reporter for Asiaweek Magazine. The city's first nightclubs open; rock 'n' roll promises democracy. Promoted to foreign correspondent for the Los Angeles Times then United Press International, Scott finds himself drawn into China's political heart.Later, at 25 years old, Scott is the youngest accredited foreign correspondent in China with an intimate knowledge of Beijing's backstreets. But as the seven week occupation of Tiananmen Square ends in bloodshed on June 4, 1989, his greatest asset is his flame-red 500 cc. Honda motorcycle--giving Scott the freedom to witness first-hand what the Chinese government still denies ever took place. After Tiananmen, Scott founds the first independent English language newspaper in China, Beijing Scene. He knows that it's only a matter of time before the authorities move in, and sure enough, in 2000 he's arrested, flung into solitary confinement and, after a month in jail, deported. Clean copy.

Hardcover. London, Reel Art Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, b&w and color photos by Glinn. One of the few books to capture the mayhem and idealism of the Cuban Revolution as it happened. All recorded in 10 days, it is photojournalism at it's best.

Hardcover. New York, Charles Scribner's Sons, 1st, 1898, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth covers stamped in blue and red, 360 pages. 116 b&w photos throughout, color maps in rear. In 1898 America intervened in the Cuban War of Independence, leading to conflict with Spain. This is a detailed account of this campaign, together with American military sea and land operations on the island of Puerto Rico during the Spanish American War. Cloth spine darkened otherwise clean, tight copy.

Hardcover. NY, Aperture, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, first edition, first printing. 9.5 x 13 inches. 192 pages with 113 duo-toned b&w photographic images offering a 40-year retrospective of the Magnum photographer's front line work. Compelling war pictures.

Hardcover. NY, Aperture, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, first edition, first printing. 9.5 x 13 inches. 192 pages with 113 duo-toned b&w photographic images offering a 40-year retrospective of the Magnum photographer's front line work. Compelling war pictures.

Hardcover. NY, Harper and Row, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 244 pages. The author spent 6 weeks with a courageous and devoted group of black reporters from the Johannesburg Star. This book focuses on the dilemma of these men and women caught between the militant black community, the police who harass them mercilessly, and their white editors who, fearful of the truth and wary of government disapproval, sometimes refuse to print the stories the reporters risked their lives to get. Clean copy.

Hardcover. Hatje Cantz, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 84 pages. When David Goldblatt received the world-renowned Hasselblad Award in 2006, he had been making photographs of the South African landscape and culture for more than 50 years. Born in 1930 in a gold-mining town near Johannesburg, his parents were Jewish refugees from Lithuania, and they raised him with an emphasis on tolerance and antiracism. In 1975, at the height of apartheid, Goldblatt explored white nationalist culture in Some Afrikaners Photographed, and in the 80s he observed workers on the Kwandebele-Pretoria bus, many of whom traveled eight hours every day to work and back. His late-90s solo show at New York's Museum of Modern Art focused on architectural work, and showed off Goldblatt's uncanny ability to discover a society through its buildings and landscapes. His photographs of architectural structures revealed the ways that ideology had defined his home country's landscape. No dj issued.

Hardcover. Boston, Little, Brown, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 281 pages. A journalist reminisces about his freelancing days. A veteran of newspaper beats from Broadway to Hiroshima, from Costello's Bar to Toots Shor's, his assignments brought him in touch with notable politicians and celebrities. Clean copy.

Hardcover. University Press of Mississippi,, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 260 pages, b&w illustrations. Former New York Times correspondent John N. Herbers (1923-2017), who covered the civil rights movement for more than a decade, has produced Deep South Dispatch: Memoir of a Civil Rights Journalist, a compelling story of national and historical significance. Born in the South during a time of entrenched racial segregation, Herbers witnessed a succession of landmark civil rights uprisings that rocked the country, the world, and his own conscience. Herbers's retrospective is a timely and critical illumination on America's current racial dilemmas and ongoing quest for justice.Herbers's reporting began in 1951, when he covered the brutal execution of Willie McGee, a black man convicted for the rape of a white housewife, and the 1955 trial for the murder of Emmett Till, a black teenager killed for allegedly whistling at a white woman. Clean copy.

Hardcover. London, Trolley, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 303 pages. More than 200 color photos by Osodi document the damage done to the Niger Delta and it's people by economic exploitation. Small tear to rear edge of spine, else like new

Hardcover. New York, Umbrage Editions, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages. Illustrated throughout in b&w. Clean, unmarked copy with only minor wear to covers. Having worked as a photojournalist in the 1990s in Zaire, Sierra Leone and Angola, van Lohuizen had seen the effects of the diamond trade first hand, and in 2005, he went back to Africa to assess the situation under new peace agreements. His haunting black and white images follow diamonds from the mines in Africa to retail spaces in New York and parties in London.

Hardcover. New York, Umbrage Editions, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages. Illustrated throughout in b&w. Clean, unmarked copy with only minor wear to covers. Having worked as a photojournalist in the 1990s in Zaire, Sierra Leone and Angola, van Lohuizen had seen the effects of the diamond trade first hand, and in 2005, he went back to Africa to assess the situation under new peace agreements. His haunting black and white images follow diamonds from the mines in Africa to retail spaces in New York and parties in London.

Hardcover. New York, Umbrage Editions, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages. Illustrated throughout in b&w. Clean, unmarked copy with only minor wear to covers. Having worked as a photojournalist in the 1990s in Zaire, Sierra Leone and Angola, van Lohuizen had seen the effects of the diamond trade first hand, and in 2005, he went back to Africa to assess the situation under new peace agreements. His haunting black and white images follow diamonds from the mines in Africa to retail spaces in New York and parties in London.

Hardcover. NY, Simon & Schuster, 1st, 1960, Book: Very Good, Dust Jacket: Good, Hardcover in an unclipped dust jacket with spine faded. The author's first book. The book describes the experiences that "Gael Greene, girl reporter," encountered in writing her features for the New York Post. Clean copy.

Hardcover. Milano, Gruppo Editoriale Fabbri, 1st, 1982, Book: Very Good, Dust Jacket: None, Hardcover, 62 pages. Text in Italian with an essay by Mark Haworth-Booth. Includes numerous black and white images by British photographer McCullin. A clean near fine copy in photo-illustrated boards. No dust jacket as issued.

Hardcover. Boston, Bulfinch Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 264 pages, large format with 260 b&w plates. Like new in publisher's shrink wrap. Brings together definitive works by the noted documentary photojournalist who created "Migrant Mother," in a photographic collection that is culled from her archives at the Oakland Museum and highlights such subjects as the Great Depression, migrant workers, and sharecroppers. 10,000 first printing.

Hardcover. Boston, Bulfinch Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 264 pages, large format with 260 b&w plates. Like new in publisher's shrink wrap. Brings together definitive works by the noted documentary photojournalist who created "Migrant Mother," in a photographic collection that is culled from her archives at the Oakland Museum and highlights such subjects as the Great Depression, migrant workers, and sharecroppers. 10,000 first printing.

Hardcover. St. Paul MN, Minnesota Historical Society, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. 143 pages, b&w photos throughout. After serving in World War II, John Glanton returned home to Minnesota and began taking his camera around the streets, parks, clubs, restaurants, and private homes of Minneapolis, capturing the sights and scenes of everyday life for African Americans in the city. The images--from intimate portraits to public gatherings--reveal a dynamic and diverse community at a time when the nation was entering the postwar boom but before the civil rights movement had taken root. Glanton's photos offer a rare look into the lives and lifestyles of families and individuals often left out of histories of Minnesota's past, showing people at work and play, young and old, happy and sad. The images highlight black-owned businesses of the day, the music and club scene, and weddings and other family occasions to depict the experiences of African American people as presented through the lens of an African American photographer. Long forgotten in the garage of a family member, the photo negatives were recently rediscovered and digitized. A selection of 200 of the more than 800 images are featured here, along with commentary that further illuminates the lives and experiences of African Americans in postwar Minnesota.

Hardcover. NY, The New Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 280 pages. Dedicated readers and fans of Theodor Seuss Geisel, or Dr. Seuss, know of Seuss's fascinating, long-forgotten career as a political cartoonist for the New York daily newspaper PM during World War II. Dr. Seuss, however, was only one of a number of distinguished cartoonists whose work appeared in PM. In Dr. Seuss & Co. Go to War, we discover an astonishing treasure trove of over three hundred incisive political cartoons by Seuss as well as a cohort of other legendary cartoonists of the time, including Saul Steinberg, Al Hirschfeld, Arthur Szyk, Carl Rose, and Mischa Richter. These fascinating cartoons offer a totally different picture of the war, both at home and abroad. Sure to fascinate and surprise readers across the generations, Dr. Seuss & Co. Go to War lets readers ?time travel to a remarkable time when editorial cartoons really mattered". Clean copy.

Softcover. Madrid, La Fabrica, 1st, 2013, Book: Very Good, Dust Jacket: None, 256 pages. Softcover. Very clean, unmarked copy with minor wear to wrapper edges. Over 250 full page black and white photographs. Includes photographs of iconic figures such as, John and Jackie Kennedy, Nikita Khrushchev, Martin Luther King Jr., Muhammed Ali, Alfred Hitchcock, Joan Baez, and Salvador Dali.

Hardcover. Munich GR, Hirmer Verlag, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover, oblong format, in a bright dust jacket. No other photographer has caught the sensations, scandals and catastrophes of the 1930s and 1940s in New York City with his camera as captivatingly as Weegee. He was always directly on the spot when it happened and documented the events and the onlookers. All the works come from the N.E.A. agency archive, which was only rediscovered in 2012; most of the vintage prints are being published for the very first time in this volume. Weegee (1899-1968) was the first photographer to receive official permission in 1938 to listen in live to the New York police radio. From then onwards he sometimes even arrived at the trouble spot before the police and took countless photographs. From the hardened police officer to the loud-mouthed crook; from the midnight boozer to the dancing jazz musician; from a dramatic conflagration to the celebrations at the end of the Second World War: Weegee immortalized all these moments in unforgettable pictures. The volume also shows a hitherto unknown side of the famous photographer - happy people enjoying themselves. The works are complemented by the exciting story of the rediscovery of the archive, which was missing for decades. Still in publisher's shrinkwrap.

Hardcover. NY, Henry Holt and Co., 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 294 pages. Robert Capa and Gerda Taro were young Jewish refugees, idealistic and in love. As photographers in the 1930s, they set off to capture their generation's most important struggle-the fight against fascism. Among the first to depict modern warfare, Capa, Taro, and their friend Chim took powerful photographs of the Spanish Civil War that went straight from the action to news magazines. They brought a human face to war with their iconic shots of a loving couple resting, a wary orphan, and, always, more and more refugees-people driven from their homes by bombs, guns, and planes. Today, our screens are flooded with images from around the world. But Capa and Taro were pioneers, bringing home the crises and dramas of their time-and helping give birth to the idea of bearing witness through technology. With a cast of characters ranging from Langston Hughes and George Orwell to Pablo Picasso and Ernest Hemingway, and packed with dramatic photos, posters, and cinematic magazine layouts, here is Capa and Taro's riveting, tragic, and ultimately inspiring story. Clean copy.