Hardcover. New Haven CT, Yale University Press, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket, 391 pages. "The two aims of this vast work are to present for the first time a catalogue raisonne of the Pope portraits and to tell the story of his life as a valued friend, constant associate, and willing subject of the artists of his day." More than 200 illustrations, over 45 published here for the first time. Clean copy.

Cambridge MA, Harvard University Press, 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover, original blue cloth-backed boards. Quarto. 17 pages & 8 plates. From a limited printing of 385 copies under the direction of Bruce Rogers. Also laid in :2 color photos and one b&w photo of the medallion. Clean copy.

Hardcover. London, Methuen, reprint, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 256 pages illustrated in color and b&w. Ernest Howard Shepard was an English artist and book illustrator, best remembered for his charming illustrations of the beloved anthropomorphic animals in The Wind in the Willows and Winnie-the-Pooh. This fascinating study of Shepard, detailing his childhood, education and artistic development, is richly illustrated throughout with his works. Clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 376 pages, color and b&w illustrations. The marriage of William Michael Rossetti and Lucy Madox Brown united two of the most resonant Pre-Raphaelite family names. Their passionate and ultimately tragic relationship provides a fresh perspective on 19th-century marriage and on the private lives of eminent Victorians.

Hardcover. NY, The New Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket, 234 pages, b&w plates. Witness Against the Beast is a groundbreaking interdisciplinary study in which the renowned social historian E.P. Thompson contends that most of the assumptions scholars have made about William Blake are misleading and unfounded. Brilliantly reexamining Blake's cultural milieu and intellectual background, Thompson detects in Blake's poetry a repeated call to resist the usury and commercialism of the ?Antichrist "embodied by contemporary society?to ?witness against the beast." Clean copy.