Hardcover. NY, Viking, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 402 pages. Biography of American poet Sylvia Plath, author of the autobiographical "The Bell Jar" (1932-1963). Illustrated with black and white photographs. Clean, bright copy.

Hardcover. NY, Alfred A. Knopf, 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt stamping, 85 pages. First edition, first printing with date to title page matching that copyright page. Seven b&w plates by the author. A 1926 work by Lebanese-American poet Khalil Gibran. It contains eighty-five pages of aphorisms, poems, and parables that demonstrate Gibran's characteristic ability to masterfully encapsulate profound concepts in just two or three lines. Gilt lettering on spine faded. There is a previous owner's name in red ink on the front fly leaf, otherwise a clean copy.

Softcover. Los Angeles, The Augustan Reprint Society , reprint, 1984, Book: Very Good, Dust Jacket: None, Softcover, Introduction by Vincent Carrata plus 52 pages. Facsimile reprints. Clean copy.

Softcover. London, Between the Lines, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. A 17,000 word interview, with a career sketch, a comprehensive bibliography, and a representative list of quotations from Heaney's critics and reviewers. Also included is Heaney's poem, 'Known World'. Spine faded, clean copy.

Cambridge MA, Harvard University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 188 pages. Clean copy.

Hardcover. London, Cecil Woolf , 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 80 pages, b&w illustrations by Brigid Peppin

Hardcover. New Haven CT, Yale University Press, 1st, 1968, Book: Very Good, Dust Jacket: Fair, Hardcover in a chipped, tape repaired dust jacket. Maroon cloth with gilt lettering on spine. 266 pages. INSCRIBED BY SIPE on the front fly leaf to fellow professor Roger Mitchell. English majors are used to being told that Shakespeare frequently broke the rules of iambic pentameter, and that as he matured artistically, his usage became bolder and freer. Well, it isn't true. Shakespeare's iambics turn out to be extremely orthodox (which just makes all the more impressive the variations he was able to create within the rules). In 1968 Dorothy Sipe went to the remarkable labor of demonstrating this objectively through a painstaking analysis of over 13,000 lines of verse. She also supplied information I've never found anywhere else on the prosodic rules taught by poets to poets in Shakespeare's day. All this said, including a five star rating for the perfect achievement of its goal, the book is definitely not for everyone interested in Shakespeare's verse and methods. It is devoted to proving a highly specific case by means of many, many examples that non-specialists are likely to find tedious. But if you are deeply interested in some subjects -- Shakespeare's iambics, his coinages, and the history of English iambic technique -- it is well worth your time. Dust jacket tanned, otherwise a clean, tight copy.

Hardcover. Boston, Le Roy Phillips, 1st, 1912, Book: Very Good, Dust Jacket: None, 652 pages. Hardcover. Brown cloth covers with titles in gilt. Top edge gilt. Illustrated with 46 full color tipped-in plates. Pages featuring illustrations show some age darkening. Clean, tight copy.

Hardcover. Bloomington IN, Indiana University Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped with gilt lettering and design. artfully explains the initial spirit and modern understanding of Tamil bhakti poetry. His fluent translations make the poems -- songs of the experience of God -- live for us as they did for their first audience nearly fifteen centuries ago. Clean, bright copy.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 266 pages. In these eloquent essays on recent American, British, and Irish poetry, Helen Vendler shows us contemporary life and culture captured in lyric form by some of our most celebrated poets. An incomparable reader of poetry, Vendler explains its power; it is, she says, more often the voice of the soul than the socially marked self, speaking directly to us through the stylization of verse. 'Souls Says,' the title of a poem by Jorie Graham, is thus the name of this collection. In essays on Seamus Heaney, Donald Davie, Allen Ginsberg, John Ashbery, Rita Dove, Jorie Graham, and others, Vendler makes difficult poetry accessible and explores the force and beauty of contemporary lyric verse. Clean copy.

Hardcover. London, William Pickering, 1st, 1835, Book: Good, Dust Jacket: None, Hardcover, 298 pages. Black leather covers with gilt rules, faded gilt title on ribbed spine. All edges gilt. Covers with edgewear and the top 6th of the spine leather is gone. Marbled endpapers with bookplate inside front cover. Rear flyleaf with a chunk cut out. Interior is very good. Medieval and Renaissance French poetry, translated into English by an acclaimed poet, travel writer, historian, and painter. Louisa Costello (1799-1870), was an accomplished Anglo-Irish artist and prolific poet and author. She was also a fine miniature painter, and her illustrations show her exquisite sensibility. 4 beautifully hand-colored lithograph plates by the author. Not all copies contain these plates.

Hardcover. NY, Oxford University Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 627 pages, b&w illustrations. The literary, political, and artistic interests of poet and cultural icon Stephen Spender (1909-1995) are illuminated in this narrative based on his private papers, tracing his rise to success as a poet in the 1930s through his later years as cultural statesman of the twentieth century, and examining his relationships with such luminaries as Dylan Thomas, Sylvia Plath, T. S. Eliot, and Virgina Woolf. Clean copy.

Hardcover. London, Faber & Faber, 1st, 2008, Hardcover, 524 pages, b&w illustrations. SIGNED BY BOTH HEANEY & O'DRISCOLL on title page. Widely regarded as the finest poet of his generation, Seamus Heaney is the subject of numerous critical studies; but no book-length portrait has appeared until now. Through his own lively and eloquent reminiscences, Stepping Stones retraces the poet's steps from his early works, through to his receipt of the 1995 Nobel Prize for Literature and his post-Nobel life. It is supplemented with a large number of photographs, many from the Heaney family album and published here for the first time.

Hardcover. NY, W.W. Norton & Co , 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 331 pages, b&w illustrations. 'Born in Hull. But moved to London at the age of 3 and has lived in the same house ever since.', wrote Stevie Smith when asked by an editor for a biographical note. The lack of external events in her life is to many people the best known thing about her. Yet she was far from reclusive, as this new critical biography shows, and was actively involved in the social as well as intellectual life of literary London, with interruptions, from the early thirties. Clean copy.

Hardcover. NY, Horizon Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 264 pages with index. Carnevali, an Italian poet, came to the USA, suffered poverty and illness, and returned to Italy. Some of his poems are included here. Clean copy.

Hardcover. Carbondale IL, Southern Illinois University Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 267 pages. In this original contribution to Elizabeth Bishop studies, Marilyn May Lombardi uses previously unpublished materials (letters, diaries, notebooks, and unfinished poems) to shed new light on the poet's published work. She explores the ways Bishop's lesbianism, alcoholism, allergic illnesses, and fear of mental instability affected her poetry--the ways she translated her bodily experiences into poetic form. Clean copy.

Softcover. Chapel Hill, University of North Carolina , 1st, 1984, Book: Good, Dust Jacket: None, Softcover, cream paper covers with red and black titling, 137 pages. There is underlining and notations to text in red ink to about half the pages.

Hardcover. NY, Farrar Straus & Giroux, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A groundbreaking new biography of Ezra Pound, one of the most controversial poets of the twentieth century, told through the stories of his illustrious visitors at St Elizabeths Hospital, Washington, DC. An extraordinary book of real passionate research. In 1945, Ezra Pound was due to stand trial for treason for his broadcasts in Fascist Italy during the Second World War. But before the trial could take place Pound was pronounced insane. Escaping a potential death sentence he was shipped off to St Elizabeths Hospital near Washington, DC, where he was held for over a decade. At the hospital, Pound was at his most contradictory and most controversial- a genius writer - 'The most important living poet in the English language' according to T. S. Eliot - but also a traitor and now, seemingly, a madman. But he remained a magnetic figure. Eliot, Elizabeth Bishop, Robert Lowell and John Berryman all went to visit him at what was perhaps the world's most unorthodox literary salon- convened by a fascist and held in a lunatic asylum. Told through the eyes of his illustrious visitors, The Bughouse captures the essence of Pound - the artistic flair, the profound human flaws - whilst telling the grand story of politics and art in the twentieth century. Clean copy.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 435 pages. By a judicious use of psychoanalytic concepts, Richard Onorato interprets the Wordsworth revealed in the poem The Prelude and relates the problems of poetic autobiography to those of personality. Spine of dj darkened. Clean copy.

Hardcover. NY, Charles Scribner's Sons, 1st thus, 1882, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth with red, black, and gilt embossed spine title, cover title, and bright cover illustration and decoration. Boards have beveled edges. All edges gilt. 70 pages, tissue-guarded frontispiece, 30 full-page illustrations; artists include A.B. Frost. Howard Pyle. Fredericks, J. S. Davis and others. A ballad written in Paris in 1841 at the time of the second funeral of Napoleon and is a narrative of French military history. Slender piece of cloth chipped away on rear cover, otherwise clean, very good.

Hardcover. London, Oxford University Press, 1st, 1927, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with gilt lettering on spine, 274 pages. Nine lectures. Contents: Introductory; What is Meant by Tradition; The Molpe; Drama; Metre; Poetic Diction; Unity and Organic Construction; The Heroic Age; Hamlet and Orestes; Poetry; Index. Clean copy. Top of cloth spine frayed. Remnants of dust jacket laid in.

Hardcover. London, Gerald Duckworth & Co., Ltd. Ed., 1930, Book: Very Good, Dust Jacket: None, Hardcover, pale yellow buckram boards, gilt lettering to spine, deckled page edges, printed on handmade paper, frontispiece illustration by Pavel Tchelitchew with tissue guard. SIGNED BY SITWELL on the copyright page. #241 of 320 copies. 278 pages, clean, bright copy, errata slip tipped in. No dj or slipcase.

Hardcover. Stratford-on-Avon, Shakespeare Head Press, Ltd. Ed., 1908, Book: Very Good, Dust Jacket: None, Eight hardcover volumes. The complete set published in an edition of 1060 copies. This set bound in gray boards with green cloth spines. Black lettering to spines, title pages in red and black, untrimmed edges. Mild wear to boards, Vol. 6 with cracked hinges and some pencil marking, otherwise a clean set. PLEASE NOTE: DUE TO SIZE AND WEIGHT, This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Softcover. Louisville KY, Sarabande Books, 4th pr., 2011, Book: Very Good, Dust Jacket: None, Softcover, 40 pages, b&w photos. Lydia Davis is mathematician, philosopher, sculptor, jeweler, and scholar of the minute. Few writers map the process of thought as well as she, few perceive with such charged intelligence. The Cows is a close study of the three much-loved cows that live across the road from her. The piece, written with understated humor and empathy, is a series of detailed observations of the cows on different days and in different positions, moods, and times of the day. Clean copy.