Hardcover. New York, Viking Press, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, 276 pages. Hardcover in a bright dust jacket. Clean, tight copy.
Chicago, Ivan Dee, 1st US, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages, in a bright, unclipped dust jacket. Author of The Moonstone and The Woman in White, Wilkie Collins has been hailed as "the father of the detective story." His own life story has a similar mysterious ring to it. When Collins died in 1899 he shocked Victorians by dividing his estate equally between two mistresses. He also acknowledged the three children of one of the mistresses as his own. In The Secret Life of Wilkie Collins, William Clarke has pieced together the truth behind this menage a trois, uncovering and exploring, with insight and sympathy, the private relationships of a fascinating writer who was a contemporary of Dickens, Constable, Wordsworth, Coleridge, Blake, and Rossetti. "A literary coup ... casts a fresh beam of light on the great, dark seam of Victorian sexual mores."--The Observer.
Softcover. Santa Rosa CA, Black Sparrow Press, 1st pbk, 1997, Book: Very Good, Dust Jacket: None, Softcover, 340 pages. The majority of the letters in this collection pertain to Reznikoff's personal life, addressed chiefly to his wife, Marie Syrkin, and his lifelong friend and sometime employer in Hollywood, Albert Lewin.
Hardcover. NY, Farrar, Straus and Young, 1st, 1953, Book: Very Good, Dust Jacket: None, Hardcover, burgundy cloth, 281 pages. Translated and edited with an introduction by Francis Steegmuller. Light fading to spine, name on front fly leaf, otherwise tight and clean copy.
Hardcover. NY, Random House, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 867 pages. Over the course of a nearly sixty-year career, Norman Mailer wrote more than 30 novels, essay collections, and nonfiction books. Yet nowhere was he more prolific or more exposed than in his letters. All told, Mailer crafted more than 45,000 pieces of correspondence (approximately 20 million words), many of them deeply personal, keeping a copy of almost every one. Now the best of these are published most for the first time in one remarkable volume that spans seven decades and, it seems, several lifetimes. Together they form a stunning autobiographical portrait of one of the most original, provocative, and outspoken public intellectuals of the twentieth century. Compiled by Mailer s authorized biographer, J. Michael Lennon, and organized by decade, Selected Letters of Norman Mailer features the most fascinating of Mailer s missives from 1940 to 2007 letters to his family and friends, to fans and fellow writers (including Truman Capote, James Baldwin, and Philip Roth), to political figures from Henry Kissinger to Bill and Hillary Clinton, and to such cultural icons as John Lennon, Marlon Brando, and even Monica Lewinsky.
Hardcover. London , Macmillan, 1st, 1933, Book: Very Good, Dust Jacket: None, Hardcover, 268 pages, illustrated with facsimile drawings and 8 collotype plates. Previous owner's inscription on front fly leaf. Blue cloth spine faded.
NY, Coward-McCann, 1st, 1983, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt title on spine, 383 pages. INSCRIBED BY ROREM on front fly leaf. Clean copy, lacks dust jacket.
Hardcover. NY, Knopf, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 436 pages. Interviews with: Pablo Neruda, Jorge Luis Borges, Miguel Angel Asturias, Octavio Paz, Julio Cortazar, Gabriel Garcia Marquez, and Guillermo Cabera Infante. B&w illustrations. Clean copy.
Hardcover. New York, Random House, 1st, April 30, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 274 pages. Clean, unmarked copy with only minor wear to dust jacket. In The Shadow Man, the bestselling author of Final Payments and The Company of Women elevates the memoir into an uncompromising and unforgettable art form as she seeks to learn the truth about her lost father. 20 photos.
Hardcover. New York, Duffield & Company, reprint, 1909, Book: Very Good, Dust Jacket: None, Hardcover, 557 pages, originally compiled by C. M. Ingleby, L. Toulmin Smith and Dr. F. F. Furnivall. Gilt top edge and title on green cloth board. Minor foxing on fore edge, light edge wear and slight spine cock, otherwise, very clean and bright.
Hardcover. New Haven CT, Yale University Press, 1st, 1968, Book: Very Good, Dust Jacket: Fair, Hardcover in a chipped, tape repaired dust jacket. Maroon cloth with gilt lettering on spine. 266 pages. INSCRIBED BY SIPE on the front fly leaf to fellow professor Roger Mitchell. English majors are used to being told that Shakespeare frequently broke the rules of iambic pentameter, and that as he matured artistically, his usage became bolder and freer. Well, it isn't true. Shakespeare's iambics turn out to be extremely orthodox (which just makes all the more impressive the variations he was able to create within the rules). In 1968 Dorothy Sipe went to the remarkable labor of demonstrating this objectively through a painstaking analysis of over 13,000 lines of verse. She also supplied information I've never found anywhere else on the prosodic rules taught by poets to poets in Shakespeare's day. All this said, including a five star rating for the perfect achievement of its goal, the book is definitely not for everyone interested in Shakespeare's verse and methods. It is devoted to proving a highly specific case by means of many, many examples that non-specialists are likely to find tedious. But if you are deeply interested in some subjects -- Shakespeare's iambics, his coinages, and the history of English iambic technique -- it is well worth your time. Dust jacket tanned, otherwise a clean, tight copy.
Hardcover. New Haven, Yale University Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Readers of Shakespeare's greatest tragedies have long noted the absence of readily explainable motivations for some of Shakespeare's greatest characters: Why does Hamlet delay his revenge for so long? Why does King Lear choose to renounce his power? Why is Othello so vulnerable to Iago's malice? But while many critics have chosen to overlook these omissions or explain them away, Millicent Bell demonstrates that they are essential elements of Shakespeare's philosophy of doubt. Examining Hamlet, Othello, King Lear, Macbeth, Julius Caesar, and Antony and Cleopatra, Millicent Bell reveals the persistent strain of philosophical skepticism that runs throughout Shakespeare's plays. Like his contemporary Montaigne, Shakespeare repeatedly calls attention to the essential unknowability of our world. Clean copy.
Hardcover. New York, Hill and Wang, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover, 276 pages, translated from the Russian by Joyce Vinging. Dust jacket with minor edge wear and bump, otherwise, very clean and tight copy.
Hardcover. NY, Simon & Schuster, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, A sociological look at the influence of Shakespeare's Shylock on world mythology describes the character's creation and his evolution on the stage, and presents writing about him by Proust, James, T. S. Eliot, and others. Amazingly, Shylock is in only five scenes in the Merchant of Venice. Yet, as pointed out by Gross, the theater critic for the London Sunday Telegraph , his impact and significance transcend his physical presence, so much so that his name and "pound of flesh" idea are almost universally known. In the first part of this character/cultural study, Gross examines the antecedents of Shylock and the play, and his development within the play. The second part considers "interpretations" both theatrical and literary in England and America until World War II; the third part considers Shylock more broadly as a touchstone (e.g., how his "type" is used by the Victorians--Trollope's Lopez, Dickens's Riah, Ruskin's use of him in Munera Pulveris ). Clean copy.
Softcover. San Francisco, Last Gasp, reprint, 2001-06-01, Book: Near Fine, Dust Jacket: None, Softcover, unpaginated. Like new in publishers shrink-wrap. A first hand account of the 60s and 70s counterculture seen through the eyes of pioneering photographer Charles Gatewood and legendary writer Williams S. Burroughs.
Hardcover. Chicago, University of Chicago Press, 1st, 1941, Book: Very Good, Dust Jacket: Very Good, Hardcovrt in a lightly worn dust jacket, 141 pages. Frontis photo of Pinero. Sir Arthur Wing Pinero (24 May 1855 - 23 November 1934) was an English actor and later an important dramatist and stage director. He became a prolific and successful playwright, authoring fifty-nine plays. These include serious social dramas, some dealing with social hypocrisy surrounding attitudes to women in second marriages. 'Pinero's talent was stagecraft. He knew how to organize material for effective presentation on the stage. He understood the mass psychology, the emotional reaction of the group in the theater, and thought little of the individual reader. As a result, the dialogue in his plays is right for the actor and the audience, but disconcerting to the readers. But in particular, Pinero was the master of suspense, motivating the turns in his plot sequence with unerring skill. For he understood stage business, the timinng of motion and sound, and, above all, the reactions of an audience to the physical properties on the stage itself. ' Clean copy.
Hardcover. Philadelphia, PA, J.B. Lippincott & Co., 1st Thus, 1882, Book: Good, Dust Jacket: None, 437 total pages, two volumes. Hardcovers. Domestic shipping only. B/w illustrations throughout (tipped in plates). Gilt top edges. Half leather bound, marble gilt boards, gilt title on leather spine with raised bands (gilt slightly faded). As is with agewear: Volume 1 has front cover board completely detached and cover board of Volume 2 is partially detached, pages unmarked with tanning from age. Previous owner attached (via old style paperclip) a relevant document within. "Edition De Luxe. 500 Copies Printed, of Which This is No. 204". Collection of 34 essays and short stories written by the American author Washington Irving under pseudonym Geoffrey Crayon, Gent. DOMESTIC SHIPPING ONLY.
Hardcover. London, Geoffrey Bles, 1st, 1943, Book: Very Good, Dust Jacket: Fair, Hardcover, black cloth with gilt title on spine, 268 pages. In an edgeworn dust jacket with a crease lengthwise. Copy of literary critic and historian Roger Shattuck with his pencil signature and "Mindoro, Philippines 1945" (presumed where he served in WW2) on the front fly leaf. Some pencil markings and notations in text.
Softcover. Willamette, Willamette Week, 1st wraps, 1990, Book: Very Good, Dust Jacket: None, Softcover. Columns from her early column in the Willamette Week newspaper. SIGNED BY DUNN.
Hardcover. New York , Lyons Press, 1st, 1999, Book: Very Good, Dust Jacket: None, Limited to 250 copies SIGNED by McGuane and publisher Nick Lyons. Slipcased. B&w illustrations by Buckeye Blake.
Hardcover. New York, Random House, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 255 pages. A very clean, tight copy.
Hardcover. New York, Macmillan, 1st, 1917, Book: Very Good, Dust Jacket: None, Hardcover, 467 pages. SIGNED BY AUTHOR - ("SPECIAL AUTOGRAPHED EDITION"). Previous owners notes and related clippings adhered to inside front cover and front endpaper. Illustrations by Alice Barber Stephens. Covers show light wear, with some rubbing to cloth at top and bottom of spine. Clean, unmarked text.
Hardcover. Boston, Le Roy Phillips, 1st, 1912, Book: Very Good, Dust Jacket: None, 652 pages. Hardcover. Brown cloth covers with titles in gilt. Top edge gilt. Illustrated with 46 full color tipped-in plates. Pages featuring illustrations show some age darkening. Clean, tight copy.
Hardcover. Bloomington IN, Indiana University Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped with gilt lettering and design. artfully explains the initial spirit and modern understanding of Tamil bhakti poetry. His fluent translations make the poems -- songs of the experience of God -- live for us as they did for their first audience nearly fifteen centuries ago. Clean, bright copy.
Softcover. Paris, Sotheby's, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 336 pages, color plates throughout. FRENCH TEXT. Sotheby's catalog for Sale No. PF7014 held in Paris on November 29, 2007. 298 lots. Illustrated in color. Text in French.. The volume is in perfect, pristine condition; unmarked, tight, square, and clean.
Hardcover. NY, McGraw Hill, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 230 pages. Cultural commentary and autobiography of life in Alabama. The euthor's second book.
Hardcover. London, William Pickering, 1st, 1835, Book: Good, Dust Jacket: None, Hardcover, 298 pages. Black leather covers with gilt rules, faded gilt title on ribbed spine. All edges gilt. Covers with edgewear and the top 6th of the spine leather is gone. Marbled endpapers with bookplate inside front cover. Rear flyleaf with a chunk cut out. Interior is very good. Medieval and Renaissance French poetry, translated into English by an acclaimed poet, travel writer, historian, and painter. Louisa Costello (1799-1870), was an accomplished Anglo-Irish artist and prolific poet and author. She was also a fine miniature painter, and her illustrations show her exquisite sensibility. 4 beautifully hand-colored lithograph plates by the author. Not all copies contain these plates.
Hardcover. Austin TX, University of Texas Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket with a touch of fading to edges, 177 pages. Essays, literary and philosophical, on the state of the humanities and the implications of conceiving dialogue as the root condition of human being. Translated from the Russian by Vern W. McGee. Clean copy of the hardcover edition. Book review laid-in.
Softcover. Minneapolis, Milkweed Editions, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover. SIGNED BY AUTHOR. 107 pages, b&w engravings by Steven Sorman. Light edge wear to wrappers. Else a very clean, tight copy.
Hardcover. London, Cassell, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, 157 pages Hardcover with dust jacket. clean, tight copy. Black and white pictures in center. Dust jacket has light rubbing on fore edge.
Hardcover. NY, ZE Books, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with white lettering. No dust jacket issued. With Stay, acclaimed poet, artist, and bestselling memoirist Nick Flynn presents a self-portrait via a constellation of topics that have circled his work. Ranging from the impact of suicide and homelessness to addiction, political engagement, and the vital power of artistic friendships, Stay is a mixed-media retrospective that shows nothing is created in isolation. Mirroring Flynn's life, this work of visual and literary memoir is populated by examples of his collaborations since the 1980s with such luminaries as the photographers Amy Arbus and Catherine Opie, composer Guy Barash, actor Robert De Niro, cartoonist Josh Neufeld, author Sarah Sentilles, filmmaker Paul Weitz, and artists John Baldessari, Marilyn Minter, and Bill Shuck. In Flynn's refusal to conform to narrative or the safety of his own perspective, Stay grasps for an essential truth, an answer to what art, in the end, can and cannot reflect. Illustrated in color, b&w.
Hardcover. Middlebury, VT, Paul Eriksson, 1st collected ed., 1979, Book: Very Good, Dust Jacket: Good, Hardcover in a nice dust jacket. The relationship between the novelist and his editor Pascal Covici. Some fade, light wear to dj. Steinbeck and Covici is a major contribution to the literature about John Steinbeck. "Steinbeck Quarterly" magazine wrote, "Thomas Fensch offers the first comprehensive account of one of John Steinbeck's most enduring, intimate, and important relationships: his association with his editor, Pascal Covici. The results are revealing, and broaden the dimension of Steinbeck studies." This book was first published in l979 and received not one, but two separate reviews in "The New York Times." It was also widely reviewed elsewhere and won the Book of the Year Award in Biogaphy from the Ohioana Library Association, in l980.
Softcover. Middlebury VT, Paul S. Eriksson, 1st pbk, 1979, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. 248 pages. Appendix, bibliography and notes. A study of the relationship between John Steinbeck, the Nobel Prize-winning novelist, and his editor, Pascal Covici, based upon their correspondence. Clean copy.
Hardcover. New York, Random House , 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 402 pages. Cloth boards in a bright dust jacket. Clean, tight copy. The subjects of Salman Rushdie's collection of non-fiction range from The Wizard of Oz, U2, India and Indian writing, the death of Princess Diana, and football, to twentieth-century writers including Angela Carter, Arthur Miller, Edward Said, J. M. Coetzee and Arundhati Roy. In a central section, 'Messages from the Plague Years', Rushdie focuses on the fight against the Iranian fatwa, presenting texts both personal and political, which show for the first time how it was to live through those days. Rushdie's columns for the New York Times confront current issues - Kashmir, Northern Ireland, Kosovo, Islam and the West - as well as lighter topics such as reality TV, sport and sleaze. The book ends with the lectures that give it its title - Rushdie's exploration of the theme of frontiers: crossing them, breaking taboos, and - in the light of September 11 - the world of permeable frontiers in which we all live.
Hardcover. NY, Random House, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 416 pages. The essays, speeches, and opinion pieces assembled in Step Across This Line, written over ten years, cover an astonishing range of subjects. The collection chronicles Rushdie's intellectual odyssey and is also an especially personal look into the writer's psyche. With the same fierce intelligence, uncanny social commentary, and very strong opinions that distinguish his fiction, Rushdie writes about his fascination with The Wizard of Oz, his obsession with soccer, and the state of the novel, among many other topics. Most notably, delving into his unique personal experience fighting the Iranian fatwa, he addresses the subject of militant Islam in a series of challenging and deeply felt responses to the terrorist attacks of September 11, 2001. The book ends with the eponymous "Step Across This Line," a lecture Rushdie delivered at Yale in the spring of 2002, which has never been published before and is sure to prompt discussion.
Hardcover. NY, Oxford University Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 627 pages, b&w illustrations. The literary, political, and artistic interests of poet and cultural icon Stephen Spender (1909-1995) are illuminated in this narrative based on his private papers, tracing his rise to success as a poet in the 1930s through his later years as cultural statesman of the twentieth century, and examining his relationships with such luminaries as Dylan Thomas, Sylvia Plath, T. S. Eliot, and Virgina Woolf. Clean copy.
Hardcover. Franklin Center PA, Franklin Library, Ltd. Ed., 1985, Book: Very Good, Dust Jacket: None, Hardcover, full red leather binding with 3 raised bands on the spine. Gilt stamped boards and page edges. Includes the Franklin Library supplement sheet.
Softcover. Washington, Library of Congress, 1st thus, 1988, Book: Very Good, Dust Jacket: None, Softcover, 139 pages, illustrations in b&w. Clean, unmarked copy with only minor wear to wrappers.
Hardcover. London, Faber & Faber, 1st, 2008, Hardcover, 524 pages, b&w illustrations. SIGNED BY BOTH HEANEY & O'DRISCOLL on title page. Widely regarded as the finest poet of his generation, Seamus Heaney is the subject of numerous critical studies; but no book-length portrait has appeared until now. Through his own lively and eloquent reminiscences, Stepping Stones retraces the poet's steps from his early works, through to his receipt of the 1995 Nobel Prize for Literature and his post-Nobel life. It is supplemented with a large number of photographs, many from the Heaney family album and published here for the first time.
Softcover. Oakland CA, PM Press, 1st, 2019, Book: Very Good, Dust Jacket: None, Softcover, 336 pages. Sticking It to the Man tracks the ways in which the changing politics and culture of the 1950s, '60s, and '70s were reflected in pulp and popular fiction in the United States, the UK, and Australia. Featuring more than three hundred full-color covers, the book includes in-depth author interviews, illustrated biographies, articles, and reviews from more than two dozen popular culture critics and scholars. Among the works explored, celebrated, and analyzed are books by street-level hustlers turned best-selling black writers Iceberg Slim, Nathan Heard, and Donald Goines; crime heavyweights Chester Himes, Ernest Tidyman, and Brian Garfield; Yippies Anita Hoffman and Ed Sanders; best-selling authors such as Alice Walker, Patricia Nell Warren, and Rita Mae Brown; and a myriad of lesser-known novelists ripe for rediscovery.
Softcover. NY/London, Routledge, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 198 pages. Stigmata collects some of Helene Cixous' most intriguing meditations. A unique book, it is a testimony to an extraordinary writer. B&w illustrations. Clean copy.
Hardcover. NY, Dial Books, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 300 pages, b&w illustrations. The children's book author has won the Newberry Medal and National Book Award. Now in these fascinating stories from her life, she reveal the origins of her book characters from events in her life; from China with missionary parents to single life in Japan to life in Maryland with four children. Filled with personal photos and letters. Clean copy.
Hardcover. Phillips ME, John Wade, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 375 pages, b&w illustrations. 'Storyteller' is a full portrait of the writer of 'Tobacco Road' and 'God's Little Acre.' The book tells of Caldwell's unpredictability, harsh mood swings and extramarital affairs; also of his warmth, gentleness and generosity. Clean copy.
Softcover. Mancheser, U.K., Manchester University, Reprint, 1995, Book: Very Good, Dust Jacket: Very Good, Softcover, 221 pages. Foreword by George Melly. Highlighting on two pages. B&W photos and illustrations. Street Noises combines the diverse materials of mass culture with literary and archival sources, to produce an innovative and critical re-reading of twentieth-century Paris as the city of the people and of cultural modernity. It concentrates on popular song and opera, cultural theory and records of police surveillance (such as the unpublished archives concerning the sexual mores of sailors in Toulon), sensational weekly magazines (including the weekly Detective Magazine with its remarkable photomontage) and writers of the Academie Goncourt. The author picks out their common realisation of the experience of the city, also showing how the faits divers and the entertainment industries frame the writing of a Benjamin, a Colette or a Genet. Rifkin reworks modern critical theory through these sources, reflecting on its relation to the production of mass cultures.
Hardcover. NY, Charles Scribner's Sons, 1st, 1963, Book: Very Good, Dust Jacket: Fair, Hardcover in a rubbed and edgeworn dust jacket. 433 pages, b&w illustrations. McClure was the father of the muckraking movement and brought about a revolution in American journalism in the days of Theodore Roosevelt and Woodrow Wilson. His journalistic contributors included Lincoln Steffens and Ida Tarbell, and he introduced authors such as O. Henry, Booth Tarkington, Willa Cather, Stephen Crane and Jack London to the American public. Name on front fly leaf, otherwise clean.
 "Selected Letters of Charles Reznikoff: 1917-1976by: Charles Reznikoff, Milton Hindus (Editor)")
 "Shakespeare Allusion Book, The: A Collection of Allusions to Shakespeare from 1591 to 1700 by: Munro (Editor), John")
 "Sidetrippingby: Gatewood, Charles and William S. Burroughs")
 "Sketch Book of Geoffrey Crayon, Gent (Washington irving (Two Volumes)by: Crayon, Geoffrey (Washington Irving")
 "Slice, The - Information With An Attitude (SIGNED COPY)by: Dunn, Katherine")
 "Some Horses (SIGNED COPY)by: McGuane, Thomas")
 "Songs & Poems of Robert Burns, Theby: Burns, Robert")
 "Songs of Experience. The Poetics of Tamil Devotion by: Cutler, Norman")
 "Sotheby's Livres et Manuscrits: Novembre 29 2007by: Sotheby's")
 "South to a Very Old Placeby: Murray, Albert")
 "SPECIMENS OF THE EARLY POETRY OF FRANCE, from the Time of the Troubadours and Trouveres to the Reign of Henry Quatre by: Costello, Louisa Stuart")
 "Spillville (SIGNED COPY)by: Hampl, Patricia")
 "Steinbeck and Covici - The Story of a Friendshipby: Fensch, Thomas")
 "Step Across This Line - Collected Nonfiction 1992-2002by: Rushdie, Salman")
 "Stepping away from tradition : children's books of the twenties and thirties : papers from a symposiumby: Jagusch, Sybille A.")
 "Stepping Stones - Interviews with Seamus Heaney (SIGNED COPY)by: O'Driscoll, Dennis; Heaney, Seamus")
 "Sticking It to the Man: Revolution and Counterculture in Pulp and Popular Fiction, 1950 to 1980by: Andrew Nette and Iain McIntyre")
