Hardcover. Chicago, The Lakeside Press, 1st, 1919, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth stamped in gilt, top edge gilt, 137 pages. Tight, attractive copy of this early "Lakeside Classic," the annual keepsake presented by this printer/publisher to friends and clients starting in 1903. Illustrated with two portraits of the author. So many pioneer stories were written at the request of a child or grandchild. What makes Christiana Tillson's humorous memoir different was her background. Tillson's story records the reactions produced upon a refined New England woman by an environment at once predominantly southern and wholly frontier. Her youth in 1822 and her parting from all that she had known in the East were common of many later Western migrants. But when she and her husband went out to try their fortunes, the "West" was what we today call the Midwest. It was still a wild, dangerous, and uncertain place to try to make a future. Clean, bright copy.

Softcover. Iowa City, University of Iowa Press, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 325 pages with index, b&w illustrations. Sarah Gillespie Huftalen led an unconventional life for a rural midwestern woman of her time. Born in 1865 near Manchester, Iowa, she was a farm girl who became a highly regarded country school and college teacher; she married a man older than either of her parents, received a college degree later in life, and was committed to both family and career. A gifted writer, she crafted essays, teacher-training guides, and poetry while continuing to write lengthy, introspective entries in her diary, which spans the years from 1873 to 1952. In addition, she gathered extensive information about the quietly tragic life of her mother, Emily, and worked to preserve Emily's own detailed diary. Taken together, Emily's and Sarah's extraordinary diaries span nearly a century and thus form a unique mother/daughter chronicle of daily work and thoughts, interactions with neighbors and friends and colleagues, and the destructive family dynamics that dominated the Gillespies. Sarah's consciousness of the abusive relationship between her mother and father haunts her diary, and this dramatic relationship is duplicated in Sarah's relationship with her brother, Henry, Suzanne Bunkers' skillful editing and analysis of Sarah's diary reveal the legacy of a caring, loving mother reflected in her daughter's work as family member, teacher, and citizen. Clean, bright copy.

Hardcover. NY, W. W. Norton & Company, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Like many who grew up during the spread of sprawl--with its predictable landscape of housing developments, shopping malls, interstate highways, and big-box construction--acclaimed photographer Jeff Brouws is drawn to places that still embody the vernacular past as well as to those that starkly portray the soulless, franchised American landscape. What began as cultural geography of Main Streets became a visual critique of the myth of upward mobility that created this car-centered, paved-over universe. Some images look outward to the edges of suburbia where sprawl is encroaching upon nature. Others turn inward, documenting the devastated inner cities. All the stunning color photographs reflect the complex beauty and desolation of visual life in our time. 100 color photographs.

Hardcover. New York , W. W. Norton & Company, 1st, 2006, Hardcover in a bright dust jacket. Like many who grew up during the spread of sprawl--with its predictable landscape of housing developments, shopping malls, interstate highways, and big-box construction--acclaimed photographer Jeff Brouws is drawn to places that still embody the vernacular past as well as to those that starkly portray the soulless, franchised American landscape. What began as cultural geography of Main Streets became a visual critique of the myth of upward mobility that created this car-centered, paved-over universe. Some images look outward to the edges of suburbia where sprawl is encroaching upon nature. Others turn inward, documenting the devastated inner cities. All the stunning color photographs reflect the complex beauty and desolation of visual life in our time. 100 color photographs.

Softcover. Cincinnati Historical Society, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, magazine format, 64 pages with b&w photos. Like new.

Hardcover. Honesdale, Boyds Mills Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 31 pages. Hardcover in a bright dust jacket. SIGNED BY ILLUSTRATOR BARRY MOSER ON TITLE PAGE. Full color illustrations. Clean, bright copy.

Hardcover. Chicago, University Of Chicago Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 320 pages. Light marking to several pages in margins, otherwise clean. In Blue Chicago, David Grazian takes us inside the world of contemporary urban blues clubs to uncover how such images are manufactured and sold to music fans and audiences. Drawing on countless nights in dozens of blues clubs throughout Chicago, Grazian shows how this quest for authenticity has transformed the very shape of the blues experience. He explores the ways in which professional and amateur musicians, club owners, and city boosters define authenticity and dish it out to tourists and bar regulars. He also tracks the changing relations between race and the blues over the past several decades, including the increased frustrations of black musicians forced to slog through the same set of overplayed blues standards for mainly white audiences night after night. In the end, Grazian finds that authenticity lies in the eye of the beholder: a nocturnal fantasy to some, an essential way of life to others, and a frustrating burden to the rest.

Hardcover. Charlevoix MI, Charles Francis Press, 1st, 1944, Book: Very Good, Dust Jacket: None, Hardcover, green cloth, 56 pages, b&w line drawings. History of a private resort area in Michigan. Bottom corner bumped otherwise clean, editor's business card laid in.

Hardcover. Chicago, Chicago Historical Society, 1st, 1977, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with silver lettering and design. A comprehensive look at the history of objects made of metal from Chicago between 1844 to 1970. Includes numerous black and white illustrations by Walter W. Krutz. 141 pages. SIGNED BOOKMARK by author laid in. Clean copy. No dust jacket issued.

Softcover. Corte Medera CA, Gingko Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, nicely reproduced b&w historical photographs of the city. Clean, bright copy.

Hardcover. NY, Alfred A. Knopf, 1st, 1955, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 293 pages plus index. Illustrated with b&w photos. Dust jacket with fading, mild chipping. Clean copy.

Softcover. Lake Forest IL, Shore Line Interurban Historical Society, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 11" x 8.5"; 83 pages in b&w and color. Fold-out maps in center.

Hardcover. New Haven CT, Yale University Press,, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 235 pages. Includes bibliographical references, index, notes, and numerous black and white and color illustrations and maps. Bright dust jacket. light foxing to text block fore-edge.

Softcover. London, Bemrose & Sons, 1st, 1911, Book: Fair, Dust Jacket: None, 265 pages. Softcover with heavy wear to paper wrappers. Maps and black and white pictures. Previous owner's markings on rear and throughout. Spine paper removed.

Softcover. Detroit, Wayne State University Press, 2nd pr., 1974, Book: Very Good, Dust Jacket: None, Softcover, 355 pages with index, b&w illustrations. Clean copy.

Hardcover. Merrell, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Wright Morris was the poet laureate of Middle America. An icon of the 1940s, he died in 1998. Honored many times for his literary work, Morris twice received the prestigious American Book Award for The Field of Vision (1957) and Plains Song (1981), and pioneered the "photo-text." But Morris also created memorable images capturing the soul and mystique of the Midwest.Morris's images are the expression of his life-long quest to discover a vernacular and imagined America. His images brilliantly subvert such "cliched" motifs as grain elevators, Model T Fords, a farmer's cutlery set, or dusty badlands. Here, for the first time, the full emotional impact of his extraordinarily beautiful photographs-as forceful as his more celebrated writing-has been given free reign.

Softcover. self-published, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 150 pages. A collection of random newspaper snippets from the early newspapers in the Sandusky, Ohio area. Not in chronological order, they range from the mid-1800s to late 1920s. Clean copy.

Hardcover. Madison WI, Wisconsin Historical Society Press, 1st, 2014-03-15, Book: Very Good, Dust Jacket: Very Good, 119 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Carl Corey turns his camera on Wisconsin family-owned businesses in existence fifty years or longer. The businesses portrayed here--bakeries and barbecue joints, funeral homes and furniture builders, cheesemakers, fishermen, ferry boat drivers--have survived against all the odds, weathering tough economic times and big-business competition. The owners are loyal to their employees, their families, and themselves. And they are integral to their local economies and social fabric.

Softcover. St. Louis MO, Missouri Historical Society, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover. Perfect binding is tight. Interior is clean. Recreates, in words and pictures, the visual and emotional impact of the 1904 World's Fair. Using over two hundred images from the Missouri Historical Society's Photographs and Prints Collection, many reproduced from rare glass-plate negatives, From the Palaces to the Pike offers a tour of the St. Louis World's Fair that has been unavailable for nearly a century. Following an introduction that explains how the park was transformed into the World's Fair, the book takes readers inside the big exhibit palaces, brings them face-to-face with "human exhibits," and transports them over the fair grounds in hard-to-find aerial views. Special chapters also provide views of the Fair's entertainment district, known as the Pike, and of the 1904 Olympic Games. After the Fair, "the palaces crumbled, the exhibits dispersed, the Pike gave way to the mansions on Lindell Boulevard, and the fantasy land was reconfigured back into Forest Park," Clean, bright copy.

Hardcover. Ames IA, Iowa State University Press, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, 254 pages. A very clean hardcover edition in dust jacket and INSCRIBED BY HARNACK on the title page. The book 'focuses on the formation in the 1880s of a colony of upper-class British immigrants who viewed Iowa pioneering as a way of perpetuating the Victorian gentleman's code. It covers a broad range of social history of the latter part of the 19th century, from London drawing rooms to Iowa pig farms, and includes a careful scrutiny of Walter and James Cowan, brothers who were typical of Victorian gentlemen in this special venture'.

Softcover. Albuquerque NM, University of New Mexico Press, 1st, 2002, Book: Near Fine, Dust Jacket: None, 178 pages, 70 color plates by Fitch of deserted buildings and locations in the Great Plains. Soft cover edition, published simultaneously with the hardcover. In publisher's shrink wrap.

Softcover. St. Louis MO, Missouri Historical Society Press, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 156 pages, illustrated in b&w and color. The history, description, and the writings of four very different Fair visitors, each of whom had made multiple visits to the Fair. Their diaries, memoirs, and letters reveal the wealth of sensation and emotion that overwhelmed visitors to the 1904 St. Louis World's Fair.

Hardcover. Chicago, The Lakeside Press, 1st, 1916, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth stamped in gilt, top edge gilt, 137 pages. Tight, attractive copy of this early "Lakeside Classic," the annual keepsake presented by this printer/publisher to friends and clients starting in 1903. Illustrated with tissue-protected frontispiece portrait of Black Hawk from a portrait painted by Robert M. Sully at Fort Monroe in 1833. This book was originally published in 1833 (dictated by Chief Black Hawk to his translator, Antoine Leclair) and was an immediate best seller. A no holds barred and unflinching narrative of the great Sauk leader. It includes an account of the cause and general history of the Black Hawk War. Clean, bright copy.

Softcover. Bloomington, Indiana University Press, 1st thus, 1994, Book: Very Good, Dust Jacket: None, Softcover, 131 pages, b&w illustrations. "Looking at History" examines the history from geologic times to the present of a nine-county region - Perry, Jackson, Orange, Crawford, Dubois, Lawrence, Monroe, Martin, and Brown. It is an area rich in cultural heritage - prehistoric Indians, pioneer settlers, rural family life, folklore. The authors concentrate on the land and the natural culture of the inhabitants to produce a unique portrait of a distinctive area of the state. Included are 105 photographs, drawings, and maps. Clean, bright copy.