Hardcover. Boston, Bradbury Soden & Co., 1st thus, 1844, Book: Good, Dust Jacket: None, Hardcover, 336 pages, frontispiece engraving with tissue guard, extra engraved title page, many b&w text illustrations. Brown cloth with black leather spine stamped in gilt. Pages with tanning to edges, light water stain to bottom corners of most pages, affecting text and images, but not horrible. Covers show mottling, discoloration to foredges, front and rear. Interior clean, binding tight.
Softcover. Indiana Historical Society, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps, 358 pages, 2 maps, b/w photos, appendices, notes, important dates, bibliography, index. Explores the history and culture of the Miami Indians, who have fought for many years to gain tribal status from the U.S. government. Clean copy.
Hardcover. NY, Kraus Reprint, reprint, 1977, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth, 341 pages. A reprint of a book first published in 1856. No dust jacket issued.
Hardcover. Norman OK, University of Oklahoma Press, 8th pr., 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 220 pages with black & white illustrations. A thorough study of the art of the Indian silversmiths of the Southwest. Includes the history of the craft as well as names and localities of pioneer artisans. Bookplate on inside front cover, otherwise clean.
Hardcover. NY, Hastings House, 1st, 1941, Book: Good, Dust Jacket: None, Hardcover, gray cloth stamped with dark blue design, 124 pages, sepia tone photos throughout. This work is Gilpin's photographic love letter to the Pueblos of the southwest. Laura Gilpin (1891-1979) attained international recognition as photographer and her images of the Navajo and Pueblo peoples of the four corners area offer an important record of these cultures. She excelled in a field that up to the point, had largely been the purview of men. Cloth covers with edgewear, light soil. Inscription on inside front cover. Covers fair, interior good+.
Softcover. Wellesley MA, Branden Books, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 276 pages, several b&w illustrations. SIGNED BY POTVIN on title page. Clean copy.
Softcover. Lincoln NE, Bison Books, reprint, 2004, Book: Very Good, Dust Jacket: None, Softcover, 368 pages. Documents the generations of Native peoples who for twelve millennia have moved through and eventually settled along the rocky coast, rivers, lakes, valleys, and mountains of a region now known as Maine. Arriving first to this area were Paleo-Indian peoples, followed by maritime hunters, more immigrants, then a revival of maritime cultures. Beginning in the sixteenth century, Native peoples in northern New England became tangled in the far-reaching affairs of European explorers and colonists. Twelve Thousand Years reveals how Penobscots, Abenakis, Passamaquoddies, Maliseets, Micmacs, and other Native communities both strategically accommodated and overtly resisted European and American encroachments. Clean copy.
Hardcover. Chicago, IL, Center for American Places, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 184 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Includes CD. The product of several visits to the Pine Ridge Indian Reservation, Views from the Reservation is meant to open our eyes, minds, and hearts to the life, culture, and conditions of the Oglala Lakota people. With his insightful and complex images Willis enlists several other voices to offer a more complete story: writer Kent Nerburn, who contributes an original essay; Lakota elders and Pine Ridge High School students, who offer poems; Emil Her Many Horses, the associate curator of the National Museum of the American Indian, Kevin Gover, the Assistant Secretary of the Interior for Indian Affairs, and Oglala Lakota artist Dwayne Wilcox. Accompanying the book is Heartbeat of the Rez, a compact disc collecting traditional songs compiled by the author, the elders, and KILI, the radio station of the reservation.
Hardcover. Santa Fe, Radius Books, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 224 pages in color. An artist's book of augmented portraiture, documenting the symbolism and material culture of the Biilukaa (Apsaalooke).Wendy Red Star (born 1981) made her first big move off the Crow reservation to attend Montana State University in Bozeman. During one of her study sessions she discovered an image of Medicine Crow, an Apsaalooke chief, in a random book in the university library. Enamored by his image, she made a xerox copy and kept the chief's image in her sketchbook. A decade later, in 2014, she revisited this image to create an exhibition at the Portland Art Museum titled Medicine Crow & the 1880 Crow Peace Delegation. Biilukaa builds upon this theme of researching historical photographs of Apsaalooke individuals and material culture, with the artist drawing on both her personal collection and works held in museums and archives across the country. Red Star notes, "Since the time I left the Crow reservation I have encountered my tribe's material cultural in every city I have exhibited or occupied. It is incredible that so much of my community's history and material culture is kept in the vaults of these institutions hundreds of miles away from their source." The text features interviews with the artist and members of her extended family, alongside new works of primarily collaged photography. Clean copy.
Hardcover. Indianapolis IN, Eiteljorg Museum of American Indian and Western Art, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 212 pages with 129 color plates. Foreword by James K. Ballinger. Wonderful work by the Arizona artist who started his career as an illustrator in New York for magazines like the Saturday Evening Post. The subject is primarily the American Indian. Clean copy.
Hardcover. New York, William Morrow and Company, 1st, 1963, Book: Very Good, Dust Jacket: Good, Hardcover, 208 pages, illustrated with 50 early photographs and sketches. Minor dust jacket edge wear and rubbing, otherwise, very clean and tight copy.
Hardcover. NY, Grosset & Dunlap, 1st, 1934, Book: Very Good, Dust Jacket: Fair, Hardcover in a bright, unclipped dust jacket with soil, major chipping, tape repair. 128 pages. Frontispiece illustrated by Lee Haynes. Many illustrations in b/w, a few indicate B. Stevenson as artist, the rest are not specifically identified. Illustrated end papers. Seventeen chapters telling of the growth and experiences of a young American Indian boy.- his adventures are closely interwoven with the habits, customs and beliefs of his people.
Softcover. Evanston IL, Evanston Publishing, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 221 pages, b&w illustrations. This biography chronicles the experiences of White-Man-Runs-Him, Crow Indian warrior, chief, and scout for General Custer. Clean copy.
Hardcover. NY, Holt, Rinehart and Winston, 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. Dark blue cloth, 274 pages. Fully illustrated with reproductions of Father Point's paintings and drawings, most in full color. DOMESTIC SHIPPING ONLY.
Hardcover. Dobbs Ferry NY, Morgan and Morgan / Amon Carter Museum, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, pric-clipped dust jacket, 158 pages. Complete with a List of Photographs, Preface, Introduction, a long presentation of the photographs of William H. Jackson, Chronology and full Bibliography. Over 100 of Jackson's finest photographs in black-and-white and duotone. With a critical essay by William L. Broecker. Ink inscription on front fly leaf otherwise clean.
Hardcover. Boston, Little Brown , 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Color illustrations by Robert Andrew Parker. Light edgewear and soil to dust jacket.
Hardcover. Boston, Little Brown , 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Color illustrations by Robert Andrew Parker. Light edgewear and soil to dust jacket.
Softcover. Madison WI, University of Wisconsin Press, reprint, 1977, Book: Very Good, Dust Jacket: None, Softcover, 295 pages. Wisconsin Chippewa Myths & Tales, originally published in 1977, was the first collection of Chippewa folklore to provide a comparative and sociological context for the tales. These myths and tales were recorded between 1941 and 1944 by four young field workers who later became prominent anthropologists: Joseph B. Casagrande, Ernestine Friedl, Robert E. Ritzenthaler, and Victor Barnouw himself. The tales--which include stories of tricksters, animals, magical powers, and cannibal ice-giants--were told primarily by five members of the Lac Court Oreilles and Lac du Flambeau bands of Chippewa: John Mink, Prosper Guibord, Delia Oshogay, Tom Badger, and Julia Badger. Wisconsin Chippewa Myths & Tales is read as much for its fascinating stories as for its scholarship.
Hardcover. New York, Macmillan, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 182 pages. Hardcover with dust jacket. Clean, tight copy. A photographic tribute to Julia Tuell, one of the first women to photograph Native Americans at the turn of the 20th century.
Softcover. Caldwell ID, Caxton Press, reprint, Book: Very Good, Dust Jacket: None, Softcover, 328 pages. illustrated frontispiece. Extensive b&w photographs throughout. The Nez Perce campaign is among the most famous in the brief and bloody history of the Indian wars of the West. Yellow Wolf was a contemporary of Chief Joseph and a leader among his own men. His story is one that had never been told and will never be told again. A first person account, through author L.V. McWhorter of the Nez Perce's ill-fated battle for land and freedom. Clean copy.