Hardcover. New York, St. Martin's Griffin, 1st, 2018, Book: Very Good, Dust Jacket: None, 112 pages. Hardcover with no dust jacket. Color pictures of vintage christmas postcards. Clean, tight copy with no wear to covers.
Softcover. Lockport NY, Niagara County Historical Society, 1st, 1966, Book: Very Good, Dust Jacket: None, Softcover, blue wrappers, 377 pages, black & white line drawings. Minor wear to covers, clean copy.
Hardcover. New York, Smithsonian Books, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 253 pages. Hardcover with dust jacket. Very clean, inside and out. Tight binding, sharp corners, illustrations in bw, a nice copy.
Softcover. Saranac Lake NY, Snowy Owl Press, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 360 pages, b&w illustrations. Ice has determined the course of Adirondack history in many surprising ways: from landscape to wildlife, harvesting to logging, barrel jumping to ice climbing and hail damage to ice storms. These accounts trace the history of that influence. The 360 page, soft cover book of personal stories, observations and over 200 photos, is the author's tribute to a fast disappearing era. Cover wrappers with mild wear, corner creases. SIGNED BY AUTHOR on title page.
Hardcover. New York , The Museum of Modern Art, 2nd pr., 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. 109 illustrations (64 tritones, 45 duotones). Oversized red cloth cover with light wear to edges. Dust jacket has minor bumping to some edges, otherwise clean. Inside is bright and neat. A nice copy.
Hardcover. NY, The Quantuck Lane Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages in a dust jacket. Like new in publisher's shrink-wrap. 90 color portraits and landscapes celebrate the people and buildings of a struggling yet dynamic community. Sometimes haunting, sometimes ironic, always striking, these images form an eloquent visual testament to the Harlem we can see and remember.
Hardcover. Syracuse, New York, Syracuse University Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 264 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. A few black and white pictures throughout.
Hardcover. University of Nebraska Press, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 344 pages. Almost Yankees is a poignant and nostalgic narrative of the lives and travails of Minor League Baseball, focusing on the 1981 championship season of the New York Yankees' Triple-A farm club, the Columbus Clippers. That year was especially notable in the annals of baseball history as the year Major League Baseball went on strike in midseason. When that happened, the Clippers were suddenly the best team in baseball and found themselves the focus of national media attention. Many of these Minor Leaguers sensed this was their last, best chance to make an impression and fulfill their dreams to one day reach the majors. The Clippers' raw recruits, prospects, and Minor League veterans responded to this opportunity by playing the greatest baseball of their lives on the greatest team most of them would ever belong to. Then the strike ended, leaving them to return to their ordinary aspirational lives and to be just as quickly forgotten.
Hardcover. New York, Atheneum , 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Color illustrations by Konigsburg. Clean, tight copy.
Hardcover. New York, Knopf, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Photographs by Andre Kertesz; edited by Nicolas Ducrot. 192 pages; 184 full-page, gravure-printed b&w plates; 9 x 11.25 inches. A lovely collection of Kertesz's photographs of New York City, most published here for the first time.
Hardcover. New York , Outing Publishing Company, 1st, 1912, Book: Good, 177 pages. Green cloth cover with black lettering and design. Corners and edges of spine are bumped. Some faint staining on back of cover. Previous owner's inscription and library date stamp on front flyleaf. Inside is bright and clean. A nice copy.
Softcover. New Haven, Yale University Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover. This gorgeous volume was published in conjunction with the Metropolitan Museum of Art exhibition "Art and the Empire City: New York, 1825-1861." Its 636 pages include a stunning array of prints and photographs. A painted overlook of New York City wraps around the front and back cover. The front cover has a small crease at the top left edge. On page 240, type is slightly out of register but remains readable.
Hardcover. New York/New Haven, Metropolitan Museum of Art/Yale, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover, 636 pages, b&w and color illustrations throughout, illustrated end papers. A very clean, tight copy. Between the completion of the Erie Canal and the outbreak of the Civil War, New York City grew to become an economic and cultural center of international importance. This magnificent book discusses the proliferation of the visual arts during this exciting era as well as the development of an increasingly sophisticated New York audience for these arts. The book is lavishly illustrated with hundreds reproductions of works from the period. This book accompanies an exhibition that opened at The Metropolitan Museum of Art on 11 September 2000.
Hardcover. New York, Knopf, 4th pr., 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages. Color and black and white illustrations. Orange and blue cloth covers with gilt lettering on spine. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. New York , Quantuck Lane, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, color photographs. Like new in publisher's shrink-wrap. The North Fork is the roughly sixty-mile-long spit of New York's Long Island that runs from Riverhead to Orient Point. With the fairly well protected Long Island Sound on the North and Peconic Bay on the South, it was a logical place for some of the earliest English immigrants to settle and build barns. It is still home to more working farms than any other part of the island. And from the timber-frame barns of the British farmers of the seventeenth century to the pole barns of the twentieth, the variety is stunning. In a survey sponsored by the Old House Society in Cutchogue, Mary Ann Spencer spent the last few years making a comprehensive inventory and photographing more than six hundred barns on the North Fork. Two hundred of them are still in use, although their fate is by no means certain. Here in their glory (and sometimes less than that) are the most interesting barns,which reveal, among other things, their functional development, their often haphazard fenestration, their soft patina of age, and their fit in the landscape. Spencer's complete survey forms a second part of this book, which provokes feelings of nostalgia and raises our fears for the future of these wonderful structures. More than 150 color photographs.
San Francisco, West-Lewis Publishing, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. The author's lyrical tribute to New York City in free verse. INSCRIBED BY CONRAD on front fly leaf to publisher Paul Erikkson and his wife.
Hardcover. Monmouth Beach, Philip Freneau Press, 1st, 1977, Book: Very Good, Dust Jacket: None, 96 pages. Hardcover. Illustrated with black & white maps and diagrams showing battle strategies. Blue cloth with degree of fading to front and back covers. Title in gilt on front cover and spine. No dust jacket. Clean, tight copy. Scarce.
Hardcover. New Haven, CONNECTICUT, Yale University Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Black & white photos by Shahn, 340 pgs. Hardcover with dust jacket. Clean, tight copy.
Softcover. NY, Edition 7L, 1st, 2007, Book: Very Good, Dust Jacket: None, Flexible vinyl covers, 232 pages. Out documents an era at once so close and so far away: the wild, glamorous, disco-and-drugs decade between the end of the Vietnam war and the advent of AIDS, when, in certain parts of Manhattan, every night was party night. As the editor of Andy Warhol's Interview from 1971 to 1983, Bob Colacello was perfectly placed to record this life of art openings, movie premieres, cocktail parties, dinner parties, charity balls and after-hours clubs; he wrote about the best of them in a monthly column called "Out." In 1975, Swiss art dealer Thomas Ammann gave Colacello one of the first miniature 35mm cameras, a black plastic Minox small enough to hide in his jacket pocket, and Colacello began snapping photographs too. Sneaking a shot of Henry Kissinger holding forth at a dinner party, or Bianca Jagger letting loose at Studio 54, Colacello was in the middle of the action, "an accidental photographer" more akin to a secret agent than any typical paparazzo. With their skewed angles, multilayered compositions, and moody lighting, his images have an immediacy and grit not often found in the work of professional party photographers. And what subjects! Diana Vreeland, Calvin Klein, Jack Nicholson, Richard Gere, Cher, Raquel Welch, Mick Jagger, Diane von Furstenberg, Barry Diller, Valentino, Yves Saint Laurent, Nan Kempner, Robert Rauschenberg, Roy Lichtenstein and always Warhol himself. Because space in Interview was limited, only a handful of Colacello's pictures were published each month. Most of those collected in Out have never been seen before.
Softcover. NY, Edition 7L, 1st, 2007, Book: Very Good, Dust Jacket: None, Flexible vinyl covers, 232 pages. Out documents an era at once so close and so far away: the wild, glamorous, disco-and-drugs decade between the end of the Vietnam war and the advent of AIDS, when, in certain parts of Manhattan, every night was party night. As the editor of Andy Warhol's Interview from 1971 to 1983, Bob Colacello was perfectly placed to record this life of art openings, movie premieres, cocktail parties, dinner parties, charity balls and after-hours clubs; he wrote about the best of them in a monthly column called "Out." In 1975, Swiss art dealer Thomas Ammann gave Colacello one of the first miniature 35mm cameras, a black plastic Minox small enough to hide in his jacket pocket, and Colacello began snapping photographs too. Sneaking a shot of Henry Kissinger holding forth at a dinner party, or Bianca Jagger letting loose at Studio 54, Colacello was in the middle of the action, "an accidental photographer" more akin to a secret agent than any typical paparazzo. With their skewed angles, multilayered compositions, and moody lighting, his images have an immediacy and grit not often found in the work of professional party photographers. And what subjects! Diana Vreeland, Calvin Klein, Jack Nicholson, Richard Gere, Cher, Raquel Welch, Mick Jagger, Diane von Furstenberg, Barry Diller, Valentino, Yves Saint Laurent, Nan Kempner, Robert Rauschenberg, Roy Lichtenstein and always Warhol himself. Because space in Interview was limited, only a handful of Colacello's pictures were published each month. Most of those collected in Out have never been seen before.
Hardcover. Richmond VA, Dietz Press, 1st, 1946, Book: Good, Dust Jacket: None, Hardcover, red cloth, 190 pages, b&w illustrations, plates, portraits, maps, facsimile, genealogical tables. Internally very good, clean, but the rear cover has some of the top edge chewed away. Dust jacket present in name only with major loss to rear panel.
Hardcover. Richmond VA, Dietz Press, 1st, 1946, Book: Good, Dust Jacket: None, Hardcover, red cloth, 190 pages, b&w illustrations, plates, portraits, maps, facsimile, genealogical tables. Internally very good, clean, but the rear cover has some of the top edge chewed away. Dust jacket present in name only with major loss to rear panel.
Hardcover. Boston, Bulfinch Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 470 pages, illustrated with over 500 color and b&w images including posters, programs, maps and other archival material. Like new in publisher's shrinkwrap.
Hardcover. New York, powerHouse Books, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, glazed boards, 160 pages. For over three years, writer Anthony LaSala and photographer Seth Kushner trekked tirelessly across the borough, documenting these charismatic characters in 'The Brooklynites,' a collection of images, interviews, and essays. Clean, bright copy. No dust jacket issued.
Softcover. Urbana, University of Illinois Press, 1st pbk, 2009, Book: Very Good, Dust Jacket: None, Softcover, 376 pages, b&w illustrations. The personal history of Barney Josephson, proprietor of the legendary interracial New York City night clubs Cafe Society Downtown and Cafe Society Uptown and their successor, The Cookery. Famously known as 'the wrong place for the Right people', Cafe Society featured the cream of jazz and blues performers--among whom were Billie Holiday, Big Joe Turner, Lester Young, Buck Clayton, Big Sid Catlett, and Mary Lou Williams--as well as comedy stars Imogene Coca, Zero Mostel, and Jack Gilford, the boogie-woogie pianists, and legendary gospel and folk artists. Spanning half a century from the 1930s to the 1980s, Josephson's narrative depicts both the business and the artistic sides of Cafe Society while exposing the tensions between the club's own progressive interracial openness and the more restrictive social and political climate in which it evolved. Publisher's stamp on bottom edge otherwise clean.
Hardcover. New Haven, New York Historical Society, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, 964 pages. 2 Volumes. Hardcovers with dust jackets. Light rubbing to edges on dust jackets. Clean, tight copies with color pictures throughout.
Hardcover. NY, Knopf, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 498 pages, index, B&W photos and illustrations culled from studio archives and privste collections, show the image of New York city in the world of film. Clean, bright copy in a dust jacket.
Hardcover. San Francisco , Pomegrante Artbooks, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, XV pages + 36 plates in full color. Light blue cloth, blue pictorial dust jacket. Light edgewear to jacket, else like new
Hardcover. New York, Dodd, Mead & Co, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Unpaginated. Color illustrations throughout. Minor wear to cover and dust jacket edges. A very nice, clean copy.
Hardcover. Fleischmanns, NY, Purple Mountain Press , 1st, 1999, Book: Very Good, Dust Jacket: None, 440 pages. Hardcover with no dust jacket. Light soil on front and back covers. Black and white illustrations throughout. SIGNED ON TITLE PAGE, numbered 10/60.
Softcover. Hartsville NY, Hartsville Historical Socirty, 1st thus, 1984, Book: Very Good, Dust Jacket: None, Softcover, yellow wrappers with title and author's picture on cover. A collection of stories about the town of Canisteo, New York that originally ran in the local newspaper in 1949 & 1950. With index of names in front, 160 pages. Clean copy.
Hardcover. Atglen, PA, Schiffer Publishing Ltd., 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 239 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black and white photographs throughout.
Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 304 pages. Hardcover with no dust jacket. Very clean, unmarked copy with still in publishers shrink wrap. Visions of an American Dreamland highlights more than 200 images from Coney Island's history, including paintings, drawings, photographs, prints, posters, film stills, architectural artifacts, and carousel animals.
Hardcover. Albany NY, New York Agricultural Society, 1st, 1834, Book: Very Good, Dust Jacket: None, 192 pages, the first 12 issues of this early farming periodical, each 16 pages. Issues start with March 1834 and continue through February 1835. Bound in linen covered boards with a calf spine. Nice condition, minor foxing.
Hardcover. US, PM Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, color illustrations. Like new in publisher's shrink-wrap. A declaration of love to Peter Kuper's adoptive city in which he has lived since 1977, this diary is a vibrant survey of New York City's history. Through Kuper's illustrations, this book depicts a climb to the top of the Brooklyn Bridge, the homeless living in Times Square, roller skaters in Central Park, the impact of September 11, the luxury of Wall Street, street musicians, and other scenes unique to the city. With comics, illustrations, and sketches, this work of art portrays everything from the low life to the high energy that has long made people from around the world flock to the Big Apple.
Hardcover. New York, Villard, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 368 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy.
Hardcover. NY, Payson and Clarke, 1st, 1929, Book: Very Good, Dust Jacket: None, Hardcover, gilt-stamped blue cloth spine with orange cloth over boards, 467 pages, numerous black and white illustrations, map in rear pocket. With an introduction by Franklin D. Roosevelt. Photography by Margaret de M. Brown. This is number 87 of 250 copies printed for members of the Holland Society of New York. No dust jacket. Clean copy.
Hardcover. NY, William Farquhar Payson, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, original brown half cloth and boards. Spine lettering faded, light soil and rubbing to covers else very good. Endpapers map showing Dutchess County above New York City, 280 pages of text, 204 photo-plates of doorways, house fronts and interior views and extensive index. Photography by Margaret de M. Brown. Clean copy.
Englewood Cliffs NJ, Prentice-Hall, 4th pr., 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 394 pages, b&w photos. A year-by-year account, with personal interviews and reminiscences, of the events and personalities of the Stengel-Houk-Berra years, which accounted for fourteen American League pennants and nine World Series championships in sixteen seasons. Clean copy.
Hardcover. NY, Harry N. Abrams, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 179 pages, illustrated throughout in b&w. Light shelf-wear to dust jacket, else a clean, tight copy.
Hardcover. NY, powerHouse Books, 1st, 2019, Hardcover in a bright dust jacket. For some 70 years, Leo Goldstein's East Harlembodyof work remained mostly untouched and unseen.The silver gelatin prints were catalogued in 2016,and a selection is gathered here for the first time.The photographs were taken over a number of years,beginning in 1949 when Goldstein was a memberof the Photo League.The East Harlem corpus, edited by Regina Monfort,represents an important and unique addition to thephotographic history of New York City. Because thereare no negatives in existence, it was of particularimportance to preserve the images in book form andmake them available to the public.The selected images reflect the postwar years in theEast Harlem community, which would grow intoa center of Puerto Rican culture and life in the U.S.From the families portrayed gathering on stoops, tothe kids at their shoeshine stations, to youths playingball in the streets, to posters on neighborhood walls,Goldstein's images of East Harlem provide a windowinto the socio-economic, cultural, and politicallandscape of the time.
Hardcover. New Brunswick, NJ, Transaction Publishers, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 354 pages. Hardcover. B/w illustrations throughout. INSCRIBED BY AUTHOR on title page. Dust jacket unclipped. Cover boards slightly warped (shelfwear). Slight foxing to top and fore edges. Pages clean and unmarked inside. Binding tight, in great shape.
Hardcover. US, Glitterati, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Hardcover, 272 pages. In his debut book of photography, with a foreword by one of the luminaries of NYC culture and entertainment, Adrian Buckmaster's monograph presents a staggeringly beautiful collection of portraits - a cross-section of humanity in all of its glorious diversity, from the ordinary to the extraordinary and everything in-between. Having spent his early years shooting commercial beauty and fashion, Buckmaster soon shifted focus to more personal projects, challenging conventional notions of beauty and celebrating the eccentricities of those whom society might classify as "misfits." Echoes of Buckmaster's early career remain, in the form of exquisite costuming, make-up, and scenic design. Despite an element of performance, there is an undeniable rawness to these portraits, in which subjects are both aware of the camera's gaze and sympathetically self-conscious, robing and disrobing, revealing and concealing. Buckmaster's photographic genius is encapsulated in his uncanny ability to fastidiously art direct while simultaneously stripping away layers of formality and convention. Arranged in three movements: Imposing, Revealing, and Inventing, this collection progresses from traditional portraiture to increasingly intimate portrayals, as subjects expose, create, and invent themselves. Included in this endlessly varied spectrum of characters are Burlesque performers, families, brides, lovers, and all manner of tattoos and body piercings. There are classical reclining nudes, reminiscent of Edouard Manet's Olympia or Titian's Sleeping Venus, dancers with incredible physical strength and dexterity, women costumed as peacocks and geishas, a contortionist inside a trunk, even a green-skinned man, bejewelled like an Indian deity.
Hardcover. New York, W.W Norton Co, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, 270 Pages. Hardcover with dust jacket. Clean, tight copy with only marginal wear to edges.
Softcover. New York, Peter T. Tunney , 1st, 1992, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover. Extensive color photographs throughout. Illustrated end papers. Mild soil to back cover, otherwise clean, tight copy.
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