Hardcover. New York, N.Y., The Monacelli Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 1164 pages, illustrated throughout with photos in b&w. Over 1,200 b/w archival photographs. The book lists buildings by type and by location and is rather a wonderful survey of nineteenth century New York and Brooklyn. Large heavy volume. Light edgewear to dust jacket. Clean, tight copy. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. US, Schiffer Publishing, Ltd., 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 176 pages, illustrated throughout in color and b&w. Light edgewear to dust jacket, else a clean, tight copy. Roy Kemp's previously unpublished burlesque portfolio presents thirty-nine dancers performing in authentic clubs and backstage settings in 1950s New York. This nostalgic collection includes nearly 250 never-before-seen black and white and color photographs of well-known dancers, including Tempest Storm, Liz O'Leyar, Murine, Rita Gable, and Princess Domay, as well as other sultry performers, quite famous in their heyday. Kemp's talents as a photojournalist provide a fresh perspective on the lives of burlesque performers in this golden era. An artist as well as an investigator, Kemp created striptease photo montages and composed biographies for several dancers, giving the reader an intimate feel for the campy burlesque culture. This time capsule depicts live performances and peeps into club dressing rooms, and offers unedited material from pin-up photo sessions. It is a must-have for aspiring dancers, aficionados, or any modern-day guy or gal who appreciates the style and grit of this fabulous art form.

Hardcover. Albany, J.B. Lyon Co., 1904, Book: Good, Dust Jacket: None, Two large hardcover volumes. Vol. 1: 534 pages w/ index. Brown cloth w/ color decorative soldier design on front cover. Front and rear interior hinges cracked, but holding. Spine cloth chipped and missing 1/2" at top and bottom of spine. Cloth along spine with tears and some separations. Beginning of Separation at 2nd signature. Cover corners lightly bumped and rubbed. Gilt top edge. Interior clean,and unmarked. Vol. 2: 336 pages w/ index. Brown cloth w/ gilt lettering. Front interior hinge cracked, but holding. Rear interior hinge loose, but holding. Spine cloth chipped and missing 1/2" at top and bottom of spine. Cloth along spine with tears and some separations and narrow strips of cloth missing. Cover corners rubbed and bumped. Interior clean, and unmarked.

Softcover. NY, Dover, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 120 pages. "Compelling photographs offer a vivid and varied tableau of daily life: shoppers, subways, Central Park, Coney Island, dozens of other revealing views of the city. 159 photographs by Lehnartz." Text by Allan Talbot. Clean.

Hardcover. NY, powerHouse Books, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. An insightful and unbiased account of a much-maligned and rapidly growing culture around the world, taken in perhaps the one place in the world where all manifestations of religious adherents live and work: New York City. The book features photographs, essays, and interviews documenting the mosques that New York's Muslim communities have built at their center, revealing the ways these buildings reflect and create identities for Muslims within a dense and diverse urban fabric. "... Mr. Grazda's penetrating black-and-white photographs and Ms. Dodd's insightful commentaries reveal the range of the city's Islamic houses of worship and their ethnic congregations...."--The New York Times

Hardcover. NY, Parkstone Press, 1st, 2004, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 256 pages. Never opened, still in original shrink wrap. Spotless copy. A collection of black and white images from New York's disco era. In the late 1970s, with only her Hasselblad and a telephoto lens, Veretta visited many of New York City's infamous nightclubs and captured the erotic energy of the peak disco era. Culled from over one thousand images, this collection of black and white photos is an entertaining, often breathtaking documentary of a unique moment in our history.

Hardcover. New York, NY, powerHouse Books, 1st, September 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 163 pages, b&w and color photographs throughout. A very clean, tight copy.

Hardcover. New York, W. W. Norton & Company, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 223 pages, illustrated in color and b&w. What Pennsylvania Station was, is, and might be in the future, through knowledgeable text and excellent pictures and drawings. A good read for those who want a detailed look at one of New York City's most famous architectural treasures, how it was lost, and how it might be reborn once again. The section on its rebirth in the Farley Post Office building was written before work was delayed on the project. Clean copy.

Hardcover. NY, Distributed by E.P. Dutton, 1st, 1982, Book: Good, Dust Jacket: Good, Large format hardcover, 423 pages, illustrated throughout in b&w. Light edgewear, rubbing and sun-fade to price clipped dust jacket. Light staining to end papers from red flaps, else a clean, tight copy.

Hardcover. NY, Brentano's, 1st, 1921, Book: Very Good, Dust Jacket: None, Hardcover, mustard cloth covers with black lettering, A collection of 26 magnificent charcoal drawings of New York City, made in the early 1920s by Marcus. All with accompanying descriptions, all tipped-in. An Introduction by J. Monroe Hewlett (President of the Architectural League of NY), describes the native-born Marcus as a painter, not an architect. His atmospheric depictions capture the spirit of the city at the time. Bright, clean copy.

Hardcover. NY, Doubleday, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with minor edgewear. Illustrated throughout by black and white photographs, including frontispiece, title and contents pages. decorated by half title vignette. An early 1960s portrait of New York City and some of its inhabitants going about their daily business in words and evocative photographs. By journalist, Gilbert Millstein and photojournalist and street photographer, Austrian born Sam Falk (1901-91).

Hardcover. New York, Atria, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Here is a cornucopia of 104 dead-on drawings and eye-opening ruminations on all things bookish, writerly, and readerly, courtesy of The New Yorker's renowned stable of cartoonists, including Charles Barsotti, Roz Chast, Ed Koren, J.B. Handelsman, Jack Ziegler, and Victoria Roberts.

Hardcover. NY, Quantuck Lane Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Hardcover, 112 pages. Only 57 miles outside New York City on the Hudson River, the city of Newburgh has fallen from the status of "All American City" awarded by Look Magazine in 1952, to a corrupt and forsaken place, that in 1981 was put on a Federal list of most distressed areas in the United States. As recently as May 2010, about 500 enforcement officers conducted a massive sweep through the city to staunch the rampant drug trade. This book of photographic portraits focuses on the often overlooked and ignored population of the downtown section of the city, as well as its abandoned buildings, which have been left to collapse. Some families have not had steady jobs for three generations; only a handful of the fine houses have been restored. Newburgh, with its history of declining industry and ensuing efforts at so-called urban renewal in the last century is a microcosm of much of urban America, showing a population confronted by racism, broken promises, and constant danger, that somehow does not surrender its dignity.80 duotone photographs

Softcover. New Haven CT, Yale University Press, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 283 pages. An examination of the pioneering Caribbean and Latin American artists who resided in New York prior to WWII and shaped the American avant-garde Between 1900 and 1942, New York City was the site of extraordinary creative exchange where artists could share ideas in a global context. The swiftly changing urban landscape before and between the World Wars inspired the erosion of artistic boundaries and fostered a new climate of modernist experimentation. Nexus New Yorkfocuses on key artists from the Caribbean and Latin America who entered into dynamic cultural and social dialogues with the American-based avant-garde and participated in the development of a new modern discourse. Featuring both celebrated and little-known figures of this period, including Carlos Enriquez, Alice Neel, Marius de Zayas, Francis Picabia, Joaquin Torres-Garcia,Jose Clemente Orozco, Matta, and Robert Motherwell, contributing authors also discuss the specific environments in which they flourished, including the Art Students League, the Siqueiros Experimental Workshop, and the New School for Social Research. A fascinating look at 20th-century modernism, this book provides the first view of the important encounters between artists of the Americas.

NY, Back Bay Books , reprint, 2019, Book: Very Good, Dust Jacket: None, Softcover, 926 pages, color and b&w illustrations. Five women revolutionize the modern art world in postwar America in this "gratifying, generous, and lush" true story from a National Book Award and Pulitzer Prize finalist. Set amid the most turbulent social and political period of modern times, Ninth Street Women is the impassioned, wild, sometimes tragic, always exhilarating chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting -- not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and countless others to come. Clean copy.

Hardcover. New York , Scala Publishers, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. The history of New York's ties to the Spanish-speaking world is as old as New Amsterdam itself, and is largely unknown. Accompanying a major exhibition organized by the New York Historical Society and El Museo del Barrio, this groundbreaking, interdisciplinary publication will for the first time make visible these connections and the myriad ways in which they have shaped the city for more than four centuries. Hardcover, 286 pages, b&w, some color illustrations.

Hardcover. New Haven CT, Yale University Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, 156 pages, no dj issued. An insightful new look at two renowned photographers, their interconnected legacies, and the vital documents of urban transformation that they created. In this comprehensive study, Kevin Moore examines the relationship between Eugene Atget (1857-1927) and Berenice Abbott (1898-1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city--old Paris--as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project Changing New York.

Hardcover. New Haven CT, Yale University Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, 156 pages, no dj issued. An insightful new look at two renowned photographers, their interconnected legacies, and the vital documents of urban transformation that they created. In this comprehensive study, Kevin Moore examines the relationship between Eugene Atget (1857-1927) and Berenice Abbott (1898-1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city--old Paris--as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project Changing New York.

1967, Book: Very Good, Color art of skyscrapers with rooftop tree by Getz. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. NY, Guild Hall/NY Times, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Great American artists of the 60's and 70's on the East End of LI giving up their secret recipes including photo of and artwork by them for Guild Hall of East Hampton. How about Lee Krasner's Hominy Puffs with Crabmeat, Robert Gwathmey's Egg Canape, Robert Dash's Hampton Greens, Greengages a la Warhol, Jack Lenor Larsen's Lemon Squares. the unforgettable Koo-Sauce by Willem de Kooning. 210 pages, art and photos in b&w, an unbelievable potpourri of American artists and their palate. Clean copy.

Softcover. London, 1849, Book: Very Good, Dust Jacket: None, This is 64 page extract from a larger volume (pages 443 - 506), possibly London Magazine. This is the original printing and features 4 fold-out plans and illustrations, all in excellent condition. Bound in a clear acetate folder.

Softcover. Glens Falls NY, Adirondack Mountain Club, reprint, 1973, Book: Very Good, Dust Jacket: None, Softcover, 280 pages with index, b&w drawings by Herbert Kates. Originally published in 1927. Clean copy.

Hardcover. New York , Thames and Hudson, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. Louis Stettner is one of the last living members of the avant-garde New York School of photography of the 1950s, which challenged many of the long-accepted foundations of art form. His Penn Station series of the late 1950s represents some of his most important work, gathered here in a single form for the first time. The series is less a portrait of the building than a study of people at once in transit and in suspension. 

Hardcover. New York, Regan Arts, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Clean, unmarked copy. Black and white pictures throughout.

Softcover. New York, Citadel Press, 1st Thus, 1991, Book: Good, Dust Jacket: None, Softcover, oblong format, 158 pages. Illustrated with black & white photographs. Diagonal crease across lower left corner of back cover. Clean, tight copy.

Hardcover. New York, Dodd, Mead & Comapny, 1st, 1939, Book: Very Good, Dust Jacket: Good, 213 pages. Hardcover with dust jacket. Dust jacket has moderate chipping and tears. Clean and tight internally. Illustrated by Marc Simont. A story of 1939 New York, climaxing with a race between a steam engine and a team of horses, with appearances by Walt Whitman, Horace Greeley, Peter Cooper, Samuel Morse, and other luminaries of the age.

Hardcover. New York, D.T. Valentine, N/A, 1856, Book: Very Good, Dust Jacket: None, B&w lithographic print of New York street scene for a proposed pedestrian overpass on Broadway, allowing horse-drawn vehicles to pass underneath. Image size 9 1/2" X 6 1/2", with matte 10 X 12". Two vertical creases where it was once folded. Matte has light soiling.

Hardcover. Ithaca NY, Cornell University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 318 pages. Illustrated with black & white photographs. Documentary interviews by Michael Frisch. Clean, bright copy.

Softcover. NY, Barnes & Noble, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, profusely illustrated in b&w. More than simply an escape from New York's sweltering summer streets, the strip of Brooklyn's south shore known as Coney Island embodied a new American attitude toward entertainment. Here, you'll experience the decadent delights of this magical land of ritzy hotels and penny arcades, where dance pavilions and freak shows shared space with sizzling burlesque and cooling ocean breezes. You'll meet George Tilyou, whose Steeplechase Park featured the Blowhole Theater, the Insanitarium and the Human Pool Table, and Nathan Handwerker, whose Nathan's Famous hot dogs became synonymous with summertime food. You'll ride the legendary Cyclone roller coaster and stroll through Dreamland and Luna Park, where generations of New Yorkers met and mingled in a place that came to define American fun. Clean copy.

Hardcover. New York, Clarkson N. Potter, Inc., 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, 287 pages. Comprehensive catalogue of Reginald Marsh's prints. Illustrated with black/white reproductions of all known prints by Marsh. Also includes biographical text on the artist. Cloth bound book is in near fine condition, dust jacket is in very good condition with small closed tear on the back. Marsh was an American painter, born in Paris, most notable for his depictions of life in New York City in the 1920s and 1930s. Crowded Coney Island beach scenes, popular entertainments such as vaudeville and burlesque, women, and jobless men on the Bowery are subjects that reappear throughout his work.

Hardcover. New York, Clarkson N. Potter, Inc., 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, 287 pages. Comprehensive catalogue of Reginald Marsh's prints. Illustrated with black/white reproductions of all known prints by Marsh. Also includes biographical text on the artist. Cloth bound book is in near fine condition, dust jacket is in very good condition with small closed tear on the back. Marsh was an American painter, born in Paris, most notable for his depictions of life in New York City in the 1920s and 1930s. Crowded Coney Island beach scenes, popular entertainments such as vaudeville and burlesque, women, and jobless men on the Bowery are subjects that reappear throughout his work.

Hardcover. Phoenix Publishing, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 146 pages illurstrated with b&w photos. A detailed history of the celebrated private school for girls and young women located in New York City. Clean copy.

NY, Viking, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In Provensen's talented hands, the unlovable Punch is skillfully resurrected for a generation perhaps unfamiliar with his dastardly deeds. Brought to New York City in the suitcase of Il Professore Tucci-Piccini, Punch is immediately stolen by a thief hoping to snatch a valise full of money. The worthless bag is soon discarded, and Mr. Punch finds himself alone on the streets of the Big Apple. True to form, the conniving marionette outsmarts policemen, muggers and a chauffeur to land himself a job with "the Richest Man in the World" before reuniting with Judy, the Baby, the Hangman and the others. The jaunty text brims with mischief and Provensen's distinctively detailed illustrations are rendered in the bright, buoyant colors of puppetry. Her Manhattan is a suitably kinetic metropolis of limos, hot dog stands and countless skyscrapers, many of which bear the au courant designation Helmstrump. Clean copy.

Hardcover. NY, W W Norton & Co, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 608 pages. A startling anecdotal history of gay life in twentieth-century New York explores the confluence of historical and social factors that made Manhattan a mecca for homosexuals in the second half of this century.

Hardcover. Brattleboro, Stephen Greene Press, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, cloth covered boards, 78 pages; black and white illustrations; a fine, clean, tight, unmarked copy in a very good, price clipped dust jacket.

Hardcover. New York, Harry N. Abrams, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, 349 pages, 290 illustrations, including 77 plates in full color. Enormous volume. Folio. Fold-outs and tipped in plates. Text written on green heavy paper. Tan cloth with red titles to front and spine, minimal stain to front cover. Pictorial dust jacket with small closed tear to spine, slight sunfading to spine and light wear to covers. Page 169-172 incorrectly cut, therefore folded in. Overall a very nice, clean, tight copy.

Hardcover. Baltimore, Genealogical Publishing Co., reprint, 1976, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth with purple and gilt title block an front and spine. 409 pages. VOLUME 6 ONLY of a 7 volume set. Reprint of the 1897 edition. Clean, bright copy.

Hardcover. Baltimore, Genealogical Publishing Co., reprint, 1976, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth with purple and gilt title block an front and spine. 346 pages. VOLUME 3 ONLY of a 7 volume set. Reprint of the 1897 edition. Clean, bright copy.

Hardcover. Baltimore, Genealogical Publishing Co., reprint, 1976, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth with purple and gilt title block an front and spine. 346 pages. VOLUME 4 ONLY of a 7 volume set. Reprint of the 1897 edition. Clean, bright copy.

Hardcover. Baltimore, Genealogical Publishing Co., reprint, 1976, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth with purple and gilt title block an front and spine. 355 pages. VOLUME 5 ONLY of a 7 volume set. Reprint of the 1897 edition. Clean, bright copy.

Hardcover. Baltimore, Genealogical Publishing Co., reprint, 1978, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth with purple and gilt title block an front and spine. 429 pages. VOLUME 2 ONLY of a 7 volume set. Reprint of the 1897 edition. Clean, bright copy.

Hardcover. New York, New York Fire Department, 1958, Book: Very Good, Dust Jacket: None, A collection of individual pamphlets, bulletins, and illustrated instructions all bound between brown wooden boards with a metal binder. All dated 1958 and 1959. 442 pages total plus an index and supplemental directives in rear. Wear, light soil to covers, otherwise a sound, clean copy of this scarce volume of fire regulations.

Hardcover. Philadelphia, Williams, Brown & Earle, unknown, Book: Good, Dust Jacket: None, Album of photographs (circa 1900) 20 2"x3" original photographs of landscapes and scenery at Watkins Glen, N,Y. in framed mounts on 10 pages. The last page, with frames empty, leaves room to add four additional photographs. Oblong small folio. Two color cloth, red with heavy gilt vine floral decor, brown with gilt title. Photographs all in very good condition. The album covers show some wear and chipping around edges. Good.

Softcover. NY, Mahlon Day, 1824, Book: Fair, Dust Jacket: None, Softcover, 64 page booklet with string binding. A report proposing building a institution to house and reform juvenile delinquents. Laid in is a tattered cover note signed by C.D. Colden/President and R.F. Mott/ Secretary. Overall fair with chipped edges, paper tanned but complete.

Softcover. Bowie MD, Heritage Books, reprint, 2001, Book: Very Good, Dust Jacket: None, Softcover, 425 pages. A facsimile reprint of the 1904 edition. Volume 1 ONLY. The present-day New York City neighborhood of Harlem was founded in the mid-17th century by Dutch Protestants, whose numbers included Huguenots (or their descendants) who had fled the counter-Reformation in France and the Walloon provinces of Artois, Cambresis, and Hainalt. Riker's Harlem is an extremely detailed historical and genealogical account of Harlem from its establishment by Kuyter and Stuyvesant between 1656 and 1660 to the end of the 17th century. Following several preliminary chapters on the Dutch and French context for the settlement of "New Haerlem," the author treats us to what seem like minute-by-minute accounts of its colonial development, including early efforts to settle the territory that became Harlem, the original land patents and their subsequent rearrangement, Indian wars, displacement of Dutch rule by the British in 1663 (and the brief reoccupation by Dutch forces in 1673), 17th-century village life, migrations to New Jersey, influx of Swedes, difficulties in assimilating English ways, and much, much more.

Softcover. Bowie MD, Heritage Books, reprint, 2001, Book: Very Good, Dust Jacket: None, Softcover, Pages 426-908 . A facsimile reprint of the 1904 edition. Volume 2 ONLY. The present-day New York City neighborhood of Harlem was founded in the mid-17th century by Dutch Protestants, whose numbers included Huguenots (or their descendants) who had fled the counter-Reformation in France and the Walloon provinces of Artois, Cambresis, and Hainalt. Riker's Harlem is an extremely detailed historical and genealogical account of Harlem from its establishment by Kuyter and Stuyvesant between 1656 and 1660 to the end of the 17th century. Following several preliminary chapters on the Dutch and French context for the settlement of "New Haerlem," the author treats us to what seem like minute-by-minute accounts of its colonial development, including early efforts to settle the territory that became Harlem, the original land patents and their subsequent rearrangement, Indian wars, displacement of Dutch rule by the British in 1663 (and the brief reoccupation by Dutch forces in 1673), 17th-century village life, migrations to New Jersey, influx of Swedes, difficulties in assimilating English ways, and much, much more.

Softcover. Cambridge MA, The MIT Press , 1st, 2021, Book: Very Good, Dust Jacket: None, Softcover, 373 pages. A history of New York subway passengers as they navigated the system's constraints while striving for individuality, or at least a smooth ride. When the subway first opened with much fanfare on October 27, 1904, New York became a city of underground passengers almost overnight. In this book, Stefan Hohne examines how the experiences of subway passengers in New York City were intertwined with cultural changes in urban mass society throughout the twentieth century. Hohne argues that underground transportation--which early passengers found both exhilarating and distressing--changed perceptions, interactions, and the organization of everyday life. Clean copy.

Hardcover. New York, Charles Scribner's Sons, 1st, 1939, Book: Very Good, Dust Jacket: None, 485 pages, with illustrations and gilt titles. Minor edge wear, otherwise, very clean and tight copy.

Hardcover. Manchester , George C. Gilmore, 1st, 1891, Book: Good, Dust Jacket: None, 55 pages. Hardcover. Blue cloth boards with gilt title on cover. Ex-library copy with stamp on inside front cover, at some point an attempt to remove envelope on rear endpaper caused some limited tearing to textless page. Library number written in white at bottom of spine. Body, text of book is clean, tight.