Softcover. New York, Dover, 1st, July 1978, Book: Very Good, Dust Jacket: None, Softcover. Unpaginated, 66 b&w plates. Light edge wear to wrappers, top right corner slightly bent. Else a clean, tight copy.

Softcover. Bloomington, IN, Author House, 1st, 2005, Book: Very Good, Dust Jacket: None, 161 pages. Softcover with light edgewear to paper wrappers. Black and white pictures throughout. Tight and clean copy.

Softcover. New York, Museum of Modern Art, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 296 pages, numerous b&w illustrations and 32 plates in full color. Blue pictorial stiff wrappers. Minor bump to lower edge, else like new.

Softcover. NY, MFA Publications, reprint, 2003, Book: Very Good, Dust Jacket: None, Softcover, 368 pages. Julien Levy opened his New York gallery in 1931, and the following year assembled the first Surrealist show ever held in that city. Over the next two decades he exhibited works by Dali, Ernst, Joseph Cornell, Calder, Eugene Berman, Tchelitchew, Giacometti, Arshile Gorky and many other luminaries of twentieth-century art, giving a number of them their first shows. But Levy was more than a gifted dealer: he also had a gift for friendship, and in this charming, anecdotal memoir he recounts his intimate dealings with some of the most innovative figures of his generation. He crossed the Atlantic with Duchamp and introduced Tanguy to New York. He conceived the idea for Dali's Birth of Venus pavilion at the World's Fair, shared a summer house with Ernst and fished with Andre Breton (yielding a memorable description of the Surrealist leader's run-in with a blowfish). And he was with Gorky in the final, tragic days before the painter's suicide. Memoir of an Art Gallery is the story of prescient vision and lifelong devotion. By turns humorous and moving, and back in print after many years, it is also one of the most enjoyable works ever written about the pivotal time when Manhattan became the art capital of the world. This edition features a new introduction by Ingrid Schaffner, senior curator at the Institute of Contemporary Art in Philadelphia.

Softcover. NY, Museum of Modern Art, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 184 pages, illustrated in color and b&w. Just Above Midtown, or JAM, was an art gallery and self-described laboratory for experimentation led by Linda Goode Bryant that foregrounded African American artists and artists of color. Open from 1974 to 1986, it was a place where an expansive idea of contemporary art flourished and debate was cultivated. The gallery offered early opportunities for artists recognized as pivotal figures in late-20th-century art-including David Hammons, Butch Morris, Senga Nengudi, Lorraine O'Grady and Howardena Pindell-as well as a nonhierarchical approach to art that welcomed artists without stylistic proscription.Published in conjunction with the first museum exhibition to focus on this visionary gallery and its ongoing impact, Just Above Midtown: Changing Spaces showcases rarely seen material from JAM's history-artworks, ephemera and photographs-that collectively document the gallery's communal and programmatic activities. This richly illustrated, jacketed paperback catalog includes essays that contextualize JAM and consider its legacy, a conversation between Goode Bryant and Thelma Golden, Director and Chief Curator of the Studio Museum in Harlem, a complete exhibition chronology written by MoMA and Studio Museum staff with nearly 50 annotated entries, and excerpts from oral histories with JAM staff and artists conducted especially for this project. Clean copy.

Hardcover. New York, G. P. Putnam's Sons, reprint, 1894, Book: Very Good, Dust Jacket: None, Two hardcover volumes. Van Twiller Edition, with b&w illustrations by Edward W. Kemble throughout both volumes. In 1809, New Yorkers were buzzing about a series of classified ads concerning the whereabouts of Dutch historian Diedrich Knickerbocker. They were unaware that Washington Irving had invented the man entirely and placed the ads himself. Knickerbocker's purported manuscript, A History of New York, was Irving's own. Told from Knickerbocker's point of view, A History of New York is a chronicle of New York's fifty years under Dutch rule in the 1600s that plays fast and loose with the facts, to uproarious effect. A History of New York propelled Irving to the heights of literary stardom. Gilt and blue design on beveled covers, spine. Top edge gilt, decorated pages, frontispiece with tissue guard. Slight corner bump, edge wear, age darkening to spine, otherwise,very clean and tight copies.

Softcover. Alexandria VA, self-published, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 250 pages, blue wrappers with white title and sketch of lighthouse. A collection of historical facts and b&w photographs of the Lake Champlain ares, mostly New York. Covers with light edgewear. SIGNED BY GLENN on the title page. Otherwise clean. Scarce.

Softcover. New York, Syracuse University Press, 1st, 1974, Book: Very Good, Dust Jacket: None, Softcover. 276 pages. Black and white photographs. Foxing on top edge.

Softcover. Rochester, Memorial Art Gallery University of Rochester, 1st, 2003, Book: Very Good, Dust Jacket: None, 112 pages. Softcover. Full color and black & white illustrations. Clean, tight copy.

Softcover. Fleischmanns NY, Purple Mountain Press Ltd, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 320 pages illustrated in b&w. INSCRIBED on half-title page by Bellico and by Barbara Bartley on the title page. During the latter 19th century, inland waterways were a primary means of commercial and public transportation in the northeast. Captain Theodore D Bartley owned 3 Lake Champlain (NY-VT) canal boats and kept a daily descriptive journal of his life over 30 years. His routes included the Canadian Waterways north of the St Lawrence River along the Rideau Canal; the Northern Waterway from Quebec Province to New York Harbor; the Western Route via the Erie Canal from Troy NY to Lake Erie. He and his canal boat family witnessed many landmark historical events, as well as ordinary life alongside the canals. His original diaries of 1500 pages were transcribed by Bartley, Barbara B., great-grand-daughter-in-law of Theodore.

Hardcover. Baltimore MD, Genealogical Publishing Company, reprint, 1999, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering, 351 pages. Edmund Bailey O'Callaghan's Documentary History of the State of New-York, published in four volumes between 1849 and 1851, is one of the key source-books for genealogical and historical research in New York State. Interspersed throughout its more than 4,350 pages are copies of important genealogical records of the seventeenth and eighteenth centuries, among which are census records, rate lists, lists of early settlers, and rolls of militia companies. This present volume is an extract of all the important genealogical records in the O'Callaghan work, brought together in just under 300 pages, contains a complete index of names, and overcomes, for individuals unfamiliar with Dutch or German nomenclature, the confusion caused by variant spellings of family names. The records are arranged in this work in the same sequence in which they appear in the Documentary History. Clean, bright copy.

Hardcover. Boston, Little, Brown & Company, First Edition, 2002, Book: Very Good, Dust Jacket: Very Good, 594 pages. Hardcover. Black & white illustrations throughout. Dust jacket with light marginal wear. Features behind the scenes gossip & interviews with a wide variety of stars, writers & guests, too numerous to detail here. Clean, unmarked copy.

Softcover. Charleston SC, Arcadia Publishing, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 128 pages. In America "the streets were paved with gold." That was the mistaken notion of many an immigrant to the United States in the late 1800s and early 1900s. On Long Island, deluded sojourners from Italy were to find that in fact there were few streets and that they themselves were to be the ones to build them. A pictorial history covering more than a century of history, Long Island Italians depicts the transition of urban Italians as they moved increasingly from the city to the suburbs in Nassau and Suffolk Counties. Many photos, clean copy.

Hardcover. NY, powerHouse Books, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers with pastedown on front. The vibrant street life and people of New York City's Lower East Side and Upper West Side in the 1950s and 1960s are presented in this book of black-and-white photographs by Jonathan Brand. A census taker and later an advertising copywriter, Brand chronicled life as he encountered it on his walks through the city.The book offers 104 striking images of New Yorkers engaged in everyday pursuits, from the Bowery to Riverside Park, juice stands and barbershops to Theatre in the Streets.With an introduction by Julia Dolan, The Minor White Curator of Photography at the Portland Art Museum, Oregon, this is the first book from a photographer who developed his art alongside many of the best-known in his discipline. Brand's photographs capture the energy, odd juxtapositions and intimate moments of life in mid-century New York City. Clean copy.

Hardcover. NY, New York Review Comics, reprint, 2019, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. A reprint of Stamaty's classic 1980 book about life in New York City. Every week, from 1978 to 1980, The Village Voice brought a new installment of Mark Alan Stamaty's uproarious, endlessly inventive strip MacDoodle St. Centering more or less on Malcolm Frazzle, a blocked poet struggling to complete his latest lyric for Dishwasher Monthly, Stamaty's creation encompassed a dizzying array of characters, stories, jokes, and digressions. One week might feature the ongoing battle between irate businessmen and bearded beatniks for control of a Greenwich Village coffee shop, the next might reveal a dastardly plot involving a genetically engineered dishwashing monkey, or the frustrated dreams of an irascible, over-caffeinated painter, or the mysterious visions of a duffle-coated soothsayer on the bus. Not to mention the variable moods and longings of the comic strip itself.... And somehow, in the end, it all fits together. MacDoodle St. is more than just a hilarious weekly strip; it is a great comic novel, a thrilling, surprising, unexpectedly moving ode to art, life, and New York City. This new edition features a brand-new, twenty-page autobiographical comic by Stamaty explaining what happened next and why MacDoodle St. never returned, in a unique, funny, and poignant look at the struggles and joys of being an artist. Remainder dot top edge, otherwise like new.

Hardcover. NY, Doubleday, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 553 pages. The compulsively readable and sometimes jaw-dropping story of the life of a notorious madam who played hostess to every gangster, politician, writer, sports star and Cafe Society swell worth knowing, and who as much as any single figure helped make the twenties roar--from the Pulitzer Prize-winning author of The Most Famous Man in America. Simply put: Everybody came to Polly's. Pearl "Polly" Adler (1900-1962) was a diminutive dynamo whose Manhattan brothels in the Roaring Twenties became places not just for men to have the company of women but were key gathering places where the culturati and celebrity elite mingled with high society and with violent figures of the underworld--and had a good time doing it. B&w illustrations, clean copy.

Softcover. Berkeley CA, University of California Press, 1st pbk, 2007, Book: Very Good, Dust Jacket: None, Softcover, 398 pages. Alex Stewart's excellent book tackles a subject which has been hidden in plain sight: the central importance of the big band, not as dead artifact of the Swing Era, but as a seminal and nurturing force through the entire history of jazz down to our own time. Through an attractive blend of ethnographic participant-observation, historiography, and formal analysis, Stewart puts the big band at the center of jazz, arguing for its indispensability as a locus of instrumental training and rehearsal, composition, legitimation, and professional networking. Informed and enriched by his own experience as a performer in those worlds. Light crease to front cover, clean copy.

Hardcover. NY, Bobbs-Merrill , 1st, 1954, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket with faging to spine. Illustrations and jacket art by Al Hirschfeld. One woman's humorous take on life in New York City in the early 1950s. The author was married to NYT drama critic, Brooks Atkinson, but she could write too. Clean copy.

Hardcover. New York , Princeton Architectural Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good,

Softcover. NY, New York Telephone Company, 1935, Book: Good, Dust Jacket: None, Softcover, gray-green covers. a good- copy of this scarce Manhattan phone book, 1072 pages. Spine cocked, rear cover soiled. Ads scattered throughout and on inside covers. (Russian Tea Room: CO lumbus 5-0947, Sardi's: LA cawana 4-5785). Solid copy.

Hardcover. New York, Random House, 1st, 2001, Book: Very Good, Dust Jacket: None, Blue grey pictorial slipcase with ink smudging on bottom, with fold-out illustrations accordion style from west side to east side and folds out the other side for eastside to westside view of city. Light wear to slipcase, otherwise very good condition.

Hardcover. New York, Joseph Shannon, 1st, 1869, Book: Very Good, Dust Jacket: None, Hardcover, 912 pages, rebound in green cloth with original leather cover affixed to front with a special presentation in gilt to Dr. C. Brailey/ compliments of Matthew T. Brennan (former NY State Assembly member who became city Police Commissioner in 1868). Valentine Manuals are considered the best source material on New York City History. They are abundantly illustrated with color plates maps and documents. First published by David Valentine in 1841, he continued to be the editor until 1867, when Joseph Shannon took over the job. This volume contains some great material and plates (27 plates, maps and related matter) including four color views of Central Park. Additionally, the large folding map of the city is present, as is the second large folding map of upper Manhattan. There is also a folding plate illustrating a birds eye view of New York. All edges gilt, light foxing, the cover pastedown shows rubbing, Overall clean.

Hardcover. New York, Joseph Shannon, 1st, 1870, Book: Very Good, Dust Jacket: None, Hardcover, 896 pages, rebound in green cloth with original leather cover affixed to front with a special presentation in gilt to Dr. C. Brailey/ compliments of Matthew T. Brennan (former NY State Assembly member who became city Police Commissioner in 1868). This 1869 edition the "Manual of the Corporation of the City of New York" was one of the two manuals published by the New York City Common Council to be issued by Joseph Shannon, clerk of the council in 1868 and 1869. The "Manuals of the Corporation" were directories of extensive historical and contemporary records of New York first compiled by D.T. Valentine. These books include detailed information on the meetings of the Aldermen Council, ordinances passed, public officials, the city"s debts, directories of hospitals, alms houses and schools, ferry schedules, lists of public porters, demographics and census information, and descriptions of historic buildings and streets. Folding maps are present. There is a folding color map frontispiece of the plan of the city of New York 1869, also there are color folding illustrations of the city of Harlem, Central Park, the Battery and Merchants Exchange and other fold out plates. The Harlem plate is damaged by paper sticking to the folding plate, resulting in some loss to image. All edges gilt, light foxing, the cover pastedown with light rubbing, Overall clean.