Hardcover. New York, NY, powerHouse Books, 1st, September 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 163 pages, b&w and color photographs throughout. A very clean, tight copy.

Hardcover. New York, W. W. Norton & Company, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 223 pages, illustrated in color and b&w. What Pennsylvania Station was, is, and might be in the future, through knowledgeable text and excellent pictures and drawings. A good read for those who want a detailed look at one of New York City's most famous architectural treasures, how it was lost, and how it might be reborn once again. The section on its rebirth in the Farley Post Office building was written before work was delayed on the project. Clean copy.

Hardcover. NY, Distributed by E.P. Dutton, 1st, 1982, Book: Good, Dust Jacket: Good, Large format hardcover, 423 pages, illustrated throughout in b&w. Light edgewear, rubbing and sun-fade to price clipped dust jacket. Light staining to end papers from red flaps, else a clean, tight copy.

Hardcover. NY, Brentano's, 1st, 1921, Book: Very Good, Dust Jacket: None, Hardcover, mustard cloth covers with black lettering, A collection of 26 magnificent charcoal drawings of New York City, made in the early 1920s by Marcus. All with accompanying descriptions, all tipped-in. An Introduction by J. Monroe Hewlett (President of the Architectural League of NY), describes the native-born Marcus as a painter, not an architect. His atmospheric depictions capture the spirit of the city at the time. Bright, clean copy.

Hardcover. NY, Doubleday, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with minor edgewear. Illustrated throughout by black and white photographs, including frontispiece, title and contents pages. decorated by half title vignette. An early 1960s portrait of New York City and some of its inhabitants going about their daily business in words and evocative photographs. By journalist, Gilbert Millstein and photojournalist and street photographer, Austrian born Sam Falk (1901-91).

Hardcover. New York, Atria, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Here is a cornucopia of 104 dead-on drawings and eye-opening ruminations on all things bookish, writerly, and readerly, courtesy of The New Yorker's renowned stable of cartoonists, including Charles Barsotti, Roz Chast, Ed Koren, J.B. Handelsman, Jack Ziegler, and Victoria Roberts.

Softcover. New Haven CT, Yale University Press, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 283 pages. An examination of the pioneering Caribbean and Latin American artists who resided in New York prior to WWII and shaped the American avant-garde Between 1900 and 1942, New York City was the site of extraordinary creative exchange where artists could share ideas in a global context. The swiftly changing urban landscape before and between the World Wars inspired the erosion of artistic boundaries and fostered a new climate of modernist experimentation. Nexus New Yorkfocuses on key artists from the Caribbean and Latin America who entered into dynamic cultural and social dialogues with the American-based avant-garde and participated in the development of a new modern discourse. Featuring both celebrated and little-known figures of this period, including Carlos Enriquez, Alice Neel, Marius de Zayas, Francis Picabia, Joaquin Torres-Garcia,Jose Clemente Orozco, Matta, and Robert Motherwell, contributing authors also discuss the specific environments in which they flourished, including the Art Students League, the Siqueiros Experimental Workshop, and the New School for Social Research. A fascinating look at 20th-century modernism, this book provides the first view of the important encounters between artists of the Americas.

Softcover. Washington DC, Cororan Gallery of Art, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 167 pages illustrated in color and b&w. A pictorial history of Niagara Falls. Three essays on the iconic landmark. Front bottom corner with a light dog-ear crease, otherwise clean.

NY, Back Bay Books , reprint, 2019, Book: Very Good, Dust Jacket: None, Softcover, 926 pages, color and b&w illustrations. Five women revolutionize the modern art world in postwar America in this "gratifying, generous, and lush" true story from a National Book Award and Pulitzer Prize finalist. Set amid the most turbulent social and political period of modern times, Ninth Street Women is the impassioned, wild, sometimes tragic, always exhilarating chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting -- not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and countless others to come. Clean copy.

Hardcover. New York , Scala Publishers, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. The history of New York's ties to the Spanish-speaking world is as old as New Amsterdam itself, and is largely unknown. Accompanying a major exhibition organized by the New York Historical Society and El Museo del Barrio, this groundbreaking, interdisciplinary publication will for the first time make visible these connections and the myriad ways in which they have shaped the city for more than four centuries. Hardcover, 286 pages, b&w, some color illustrations.

Hardcover. New Haven CT, Yale University Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, 156 pages, no dj issued. An insightful new look at two renowned photographers, their interconnected legacies, and the vital documents of urban transformation that they created. In this comprehensive study, Kevin Moore examines the relationship between Eugene Atget (1857-1927) and Berenice Abbott (1898-1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city--old Paris--as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project Changing New York.

Hardcover. New Haven CT, Yale University Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, 156 pages, no dj issued. An insightful new look at two renowned photographers, their interconnected legacies, and the vital documents of urban transformation that they created. In this comprehensive study, Kevin Moore examines the relationship between Eugene Atget (1857-1927) and Berenice Abbott (1898-1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city--old Paris--as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project Changing New York.

Hardcover. New York, Henry Holt, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Non-paginated. SIGNED BY WILLIAM LOW ON TITLE PAGE. Full color illustrations. Clean, tight copy in a bright dust jacket.

Hardcover. Saranac Lake NY, Adirondack Yesteryears, 2nd pr., 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 152 pages, b&w illustrations. Edited and with Biographical Sketch by Maitland C. De Sormo. Endpapers map.

Fifth Avenue Christmas Shoppers, art by John Falter. 10.5 x 13.5", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1967, Book: Very Good, Color art of skyscrapers with rooftop tree by Getz. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1978, Book: Very Good, Color art by Getz of mail caddy on sidewalk as postman delivers mail. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1966, Book: Very Good, Color art by Reilly of glass subway entrance with yellow sawhorses. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1978, Book: Very Good, Color art by Degen featuring Belvedere Castle in Central Park. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1973, Book: Very Good, Color art by Martin of a ship docked next to the Brooklyn and Manhattan Bridges. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. NY, Guild Hall/NY Times, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Great American artists of the 60's and 70's on the East End of LI giving up their secret recipes including photo of and artwork by them for Guild Hall of East Hampton. How about Lee Krasner's Hominy Puffs with Crabmeat, Robert Gwathmey's Egg Canape, Robert Dash's Hampton Greens, Greengages a la Warhol, Jack Lenor Larsen's Lemon Squares. the unforgettable Koo-Sauce by Willem de Kooning. 210 pages, art and photos in b&w, an unbelievable potpourri of American artists and their palate. Clean copy.

Softcover. London, 1849, Book: Very Good, Dust Jacket: None, This is 64 page extract from a larger volume (pages 443 - 506), possibly London Magazine. This is the original printing and features 4 fold-out plans and illustrations, all in excellent condition. Bound in a clear acetate folder.

Softcover. Glens Falls NY, Adirondack Mountain Club, reprint, 1973, Book: Very Good, Dust Jacket: None, Softcover, 280 pages with index, b&w drawings by Herbert Kates. Originally published in 1927. Clean copy.

Softcover. Glens Falls NY, Adirondack Mountain Club, reprint, 1973, Book: Very Good, Dust Jacket: None, Softcover, 280 pages with index, b&w drawings by Herbert Kates. Originally published in 1927. Clean copy.