Hardcover. Boston, Houghton Mifflin, 1st thus, 1909, Book: Very Good, Dust Jacket: None, Hardcover, decorated pictorial stamped paper-covered boards. Book is in fine condition, crisp and clean, with tight binding and sharp corners. The poem is illustrated throughout in color with the watercolors and drawings of A. J. Keller. Includes facsimile of Lowell's handwritten manuscript.
Hardcover. Boston, Houghton Mifflin Company, 1st thus, 19201st, Book: Good, Dust Jacket: None, Hardcover, green cloth with illustrated pastedown on front cover. 147 pages, with 8 color plates by N.C. Wyeth plus the cover plate and endpapers illustration. Tercentenary edition. Ex-lib with light marking to endpapers, stamp to title page. Gilt lettering dulled, scar to front cover label. Plates all present and clean, very good.
Softcover. Louisville KY, Sarabande Books, 4th pr., 2011, Book: Very Good, Dust Jacket: None, Softcover, 40 pages, b&w photos. Lydia Davis is mathematician, philosopher, sculptor, jeweler, and scholar of the minute. Few writers map the process of thought as well as she, few perceive with such charged intelligence. The Cows is a close study of the three much-loved cows that live across the road from her. The piece, written with understated humor and empathy, is a series of detailed observations of the cows on different days and in different positions, moods, and times of the day. Clean copy.
Softcover. Minneapolis, University of Minnesota Press , 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 305 pages. "In The Dark End of the Street, Maria Damon brings a new sensitivity to modern poetic criticism. She adds an important dimension to cultural theory, revealing the struggles of one group of artists as they address improtant questions about art, social life, and the oppression they encounter. Taking as her premise that the intensity of poetic language is an appropriate venue for representing the 'dark end of the street' of social pain, Damon foregrounds the work and lives of a number of modern American poets in order to argue that the American avant-garde is located in the experimental literary works of social 'outsiders."
Philadelphia, Porter and Coates, 1st thus, Book: Very Good, Dust Jacket: None, Hardcover, 46 pages, b&w line illustrations, including frontispiece, by Hammatt Billings. No date. Ivory spine, white laminated covers with beveled gilt edges and rounded corners, bright silver, gold gilt and black decoration to the front panel. All edges gilt. Some light spotting to rear cover which is light beige color. Otherwise, a clean, bright copy.
Hardcover. London, Hamish Hamilton, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. First edition of the second collection of poetry by the author. INSCRIBED BY ACKROYD on the title page and dated 2002. Clean copy.
Hardcover. Delmar NY, Scholars Facsimiles and Reprints, reprint, 1977, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine, 597 pages. A facsimile reproduction of the 1605 London edition. Du Bartas was extremely popular in early modern England, and was still being read widely in the later seventeenth century even as his reputation in France began to decline. His world-famous La Sepmaine, ou creation du monde (1578), an epic poem on the creation of the world, divided into seven parts, for each of the seven days of creation, was first translated into English in 1598 and published in 1605 and was reprinted six times up until 1641. "No other poem (besides those in the Bible itself) was read as widely as the Semaines were across early modern English and Scottish society. Based on references to Sylvester in print, Snyder believed that 'Clearly everyone in pre-Restoration England who had received a literary education read the 'Weekes' ande almost all.... Admired it'. Clean copy.
Hardcover. NY, Farrar, Straus Giroux, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 427 pages. John Berryman's The Dream Songs are perhaps the funniest, saddest, most intricately wrought cycle of poems by an American in the twentieth century. They are also the vibrantly sketched adventures of a uniquely American antihero named Henry. Henry falls in and out of love, and is in and out of the hospital; he sings of joy and desire, and of beings at odds with the world. He is lustful; he is depressed. And while Henry is breaking down and cracking up and patching himself together again, Berryman is doing the same thing to the English language, Mild shelf wear, clean copy.
Hardcover. NY, Columbia University Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 248 pages. Clean copy.
Softcover. Los Angeles, Augustan Reprint Society, reprint, 1984, Book: Very Good, Dust Jacket: None, Softcover, 64 pages, facsimile reprint of a pamphlet, an early feminist document in the form of a poem with a 14 page introduction by Gae Holladay. Clean copy.
Softcover. Los Angeles, Augustan Reprint Society, reprint, 1981, Book: Very Good, Dust Jacket: None, Softcover. Facsimile reprint of 17th century (1754) edition; stapled wraps; 44 pages with a 12 page introduction by Jocelyn Harris.
Hardcover. NY, Alfred A. Knopf, 1st, 1933, Hardcover, black cloth stamped with gilt title and design, 68 pages. Gilt lettering on spine with light fading. This is the first printing with 1933 on title page and First Edition stated on copyright page. Illustrated with seven drawings on glossy stock by Gibran and two facsimile manuscript pages, all present and intact. Previous owner's signature on front fly leaf, mild wear to covers, faint foxing to endpapers, otherwise clean.
Hardcover. Forestdale VT, Paul S. Eriksson, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. INSCRIBED BY HAWLEY on the front fly leaf, Clean copy.
Hardcover. Forest Dale VT, Paul S. Eriksson, 1st, 2002, Hardcover in a bright dust jacket. In this compilation of new and selected poems that span thirty years, [Hawley] focuses his penetrating eye upon life's ordinary and unusual occurrences. Clean copy.
Hardcover. Boston, Ginn and Co., reprint, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with black lettering on cover. A bright reprint of the book originally printed in 1921. Color frontis and b&w drawings throughout by Herford. Clean copy.
Softcover. Trumansburg,NY, self-published, 1st, 1969, Book: Very Good, Dust Jacket: None, Softcover, yellow wraps, unpaginated. First printing of this early collection of verse by Anderson, also known as a dance critic. Saddle stapled pictorial wraps. A very good copy. Mild toning to wraps' edges. Small name on title page.
Softcover. Santa Cruz CA, Kayak Press, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover, tan wrappers with paper label on front, 48 pages. Pictures by Douglas McClellan. An uncommon experimental work, 1000 copies printed.
Hardcover. London, Frederick Warne and Co, reprint, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black. 76 pages, seven color plates & numerous b/w illustrations by L. Leslie Brooke. No date, probably 1950s. Small ownership stamp on front fly leaf, otherwise clean.
Softcover. Lewiston ID, Confluence Press, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover. This chapbook is clean and unmarked in very good condition. Unpaginated. Limited edition of 500 copies.
Hardcover. London/NY, Ernest Nister/ EP Dutton, 1st thus, 1895, Book: Very Good, Dust Jacket: None, Hardcover, 4 1/2 X 5 3/4", decorated boards with white cloth spine, 48 pages. The Laurel Wreath Series. Translated by Lord Lytton, Four color plates by J. Ayton Symington. Cover faded, fore-edge with light foxing, otherwise clean, tight.
Hardcover. Chicago, University of Chicago Press, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 275 pages, b&w illustrations. Clean copy.
Hardcover. NY, Simon & Schuster, reprint, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Color illustrations by Corinne Malvern. Appears to be 5th printing with "E" on last page. Clean, bright copy.
Hardcover. Charlestown MA, Printed and Sold By Samuel Etheridge, Revised Ed., 1810, Book: Very Good, Hardcovers, two volumes complete, 432 and 448 pages. bound in 3/4 calf, with red leather spine labels intact, bindings tight. New corrected edition. A collection of biographical studies on the life of important poets in the cannon of English literature, including: Cowley, Milton, Blackmore, Granville, Somerville, Thomson, Mallet, and Lyttelton. Written by Samuel Johnson, an English writer who made lasting contributions as a poet, playwright, essayist, moralist, critic, biographer, editor, and lexicographer. With the original advertisement to the first edition. originally published in 1779-81. Light edgewear to covers, mild water stain to first 4 pages of Vol. 2, otherwise clean, mild foxing, very good set overall.
Hardcover. NY, Pellegrini & Cudahy, 1st, 1952, Book: Very Good, Dust Jacket: Very Good, Hardcover in a mildly soiled dust jacket with tanning to spine,name on front fly leaf, otherwise clean.
Hardcover. Cambridge MA, Harvard University Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 194 pages. In this highly original reexamination of North American poetry in English from Ezra Pound to the present day, Christopher Nealon demonstrates that the most vital writing of the period is deeply concerned with capitalism. This focus is not exclusive to the work of left-wing poets: the problem of capitalism's effect on individuals, communities, and cultures is central to a wide variety of poetry, across a range of political and aesthetic orientations. Indeed, Nealon asserts, capitalism is the material out of which poetry in English has been created over the last century. Much as poets of previous ages continually examined topics such as the deeds of King Arthur or the history of Troy, poets as diverse as Jack Spicer, John Ashbery, and Claudia Rankine have taken as their "matter" the dynamics and impact of capitalism-not least its tendency to generate economic and political turmoil. Nealon argues persuasively that poets' attention to the matter of capital has created a corresponding notion of poetry as a kind of textual matter, capable of dispersal, retrieval, and disguise in times of crisis. Offering fresh readings of canonical poets from W. H. Auden to Adrienne Rich, as well as interpretations of younger writers like Kevin Davies, The Matter of Capital reorients our understanding of the central poetic project of the last century. Clean copy.
Hardcover. Minneapolis MN, Milkweed Editions , 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. INSCRIBED BY JAMES on the title page. Winner of the Max Ritvo Poetry Prize, The Milk Hours is an elegant debut that searches widely to ask what it means to exist in a state of loss. Clean copy.
Softcover. NY , Atheneum, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, 141 pages. A Spanish/English bilingual edition of this influential poet. Name on front fly leaf, otherwise clean.
Softcover. NY, Delta, reprint, 1968, Book: Very Good, Dust Jacket: None, Softcover, 108 pages, selected poetry by the author, 1957-1968. Published as "Writing 20"; original price $1.95 on front wrap; cover photo by Edmund Shea (black-and-white photo of a barefoot woman sitting amid some rubble). Inscription on front fly leaf, otherwise clean.
Softcover. NY, Stone Street Press, 1st , 1984, Book: Very Good, Dust Jacket: None, Softcover, green paper wrappers with illustrated label on front. SIGNED BY MCCORMICK on (C) page Lino cut Illustrations, calligraphy & translation by McCormick. Clean, bright copy.
Softcover. Toronto, University of Toronto Press, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 334 pages. This revised edition of The Poem of Empedocles (1992) integrates substantial new material from a recently discovered papyrus and published by A. Martin and O. Primavesi. The papyrus contains evidence of over seventy lines or part lines of poetry, of which more than fifty are both new and usable. The integration of this material into the previously known fragments has significant impact on our understanding of Empedocles, one of the most influential philosophers and poets of antiquity. Name on front fly leaf otherwise a clean, tight copy.
Hardcover. Cambridge MA, The Belknap Press of Harvard University, 7th pr., 1979, Book: Very Good, Dust Jacket: None, Three uniform volumes in original red slipcase, 1266 pages. Gray cloth covers with black and gilt stamping to titles on spines. Interest in Emily Dickinson has grown throughout the years until, now, in this three-volume edition Thomas Johnson presents the entire body of poems she is known to have written, 1775 in all. Here are the familiar "I never saw a Moor" and "Because I could not stop for Death," along with other less well-known poems, including forty-three never before published. Casual notes to friends and relatives which frequently accompany scraps of verse help to reveal the poet's enigmatic character. After keen analysis of the manuscripts, Johnson has arranged the poems in what is believed to be their chronological order, with variations and rejected versions of each poem following .No dust jackets. Ink notations to about 15 pages in the 3 volumes, Otherwise clean and tight.
Hardcover. NY, E.P. Dutton, 1891, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with gilt decoration and lettering, 352 pages. Frontispiece portrait of poet, other b&w illustrations. Previous owner's notation on blank prelim page otherwise clean.
Hardcover. London, Hodder & Stoughton, 1st thus, 1916, Book: Very Good, Dust Jacket: None, Hardcover, original black lettered grey cloth, 179 pages, illustrated with 10 color plates by Claude Allin Shepperson tipped-in to tan pages. Light foxing to text pages. Edge-block foxed. Bringing together the best of Keats' poetry, this beautifully illustrated volume includes a critical essay by Robert Bridges, Poet Laureate.
Hardcover. London, Macmillan and Co., 1878, Book: Very Good, Dust Jacket: None, Hardcover, bound in 3/4 leather over marbled boards, spine with raised bands and ornate gilt design, title in gilt on red leather label. All edges with marble design, marbled endpapers, 625 pages. The Globe Edition of this work. With an introduction by David Masson. Illustrated with a couple of in-text engravings. A collection of the poetry of John Milton, including his best known 'Paradise Lost'.
Hardcover. NY, Frederick A. Stokes Company, 1st thus, 1890, Book: Very Good, Dust Jacket: None, Four hardcover volumes. All volumes have marbled bindings with maroon leather spines and corners and gold lettering on spines. All have gilded top page edgings. 292, 319, 326, 287 pages. Volume I contains a black and white frontispiece bearing a portrait of Robert Browning. Six pages in Vol 3 have some rough edges otherwise a clean, bright set.
Softcover. Seattle, Wave Books, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 219 pages. A collection of essay/talks that the poet Rachel Zucker, expanded from lectures presented for the Bagley Wright Lecture Series in 2016. Devastating in their revelations, yet hopeful in their endurance, these are lectures of protest and reckoning. Zucker declares 'I write against. My poetics is a poetics of opposition and provocation that I never outgrew. Against the status quo or the powers that be, writing out of and into wrongness.' Thus, Zucker deftly dismantles the outdated paradigms of motherhood, aesthetics, feminism, poetics, and politics. Bringing Bernadette Mayer, Marina Abramovic, Alice Notley, Adrienne Rich, Audre Lorde-among many others-into the conversation, Zucker questions the categories that have been imposed on poetry, as well as a poet's need to speak, and the resulting responsibilities. Clean copy.
Hardcover. Barre MA, Imprint Society, 1st, 1971, Book: Very Good, Dust Jacket: None, Two matching hardcovers, decorative pattern boards with a gray cloth spine, gilt lettering on spine. Attractive reprint of Frost's collected works, with an introduction and bibliographic & textual notes by Lathem. Designed & SIGNED by Rudolph Ruzicka, who also provides a frontispiece for each volume. Printed by letterpress at the Stinehour Press in an edition of 1950 copies, this set unnumbered. Lacks slipcase. Corners with light wear, otherwise clean set.
Hardcover. NY, Alfred A. Knopf , 1st, 1923, Book: Very Good, Dust Jacket: None, Hardcover, black cloth stamped in gilt. The title on front is somewhat faded, the spine gilt lettering is completely faded. This is the first printing with 1923 on title page and "Published September 1923" on copyright page, no other printings listed. Laid in a flyer listing Knopf's titles for the fall of 1923 including The Prophet under Poetry & Drama ($2.00). Black topstain. Black-and-white frontispiece with 11 black-and-white plates reproduced from original drawings by Gibran (Lebanese-born mystic poet, 1883-1931. 108 pages. The previous owner's ink name on front fly leaf along with a hand lettered label on the wicked practice of not returning borrowed books. Otherwise clean. Scarce first edition of Kahlil Gibran's masterpiece of verse - translated into over 60 languages, extensively quoted, and never out of print, THE PROPHET is one of the most popular books ever published.
Softcover. Chicago, University of Chicago Press;, reprint, 2009, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 123 pages. SIGNED BY AUTHOR on title page and INSCRIBED by him on front fly leaf. Poems inspire our trust, argues James Longenbach in this bracing work, because they don't necessarily ask to be trusted. Theirs is the language of self-questioning--metaphors that turn against themselves, syntax that moves one way because it threatens to move another. Poems resist themselves more strenuously than they are resisted by the cultures receiving them. But the resistance to poetry is quite specifically the wonder of poetry. Considering a wide array of poets, from Virgil and Milton to Dickinson and Gluck, Longenbach suggests that poems convey knowledge only inasmuch as they refuse to be vehicles for the efficient transmission of knowledge. In fact, this self-resistance is the source of the reader's pleasure: we read poetry not to escape difficulty but to embrace it. An astute writer and critic of poems, Longenbach makes his case through a sustained engagement with the language of poetry. Each chapter brings a fresh perspective to a crucial aspect of poetry (line, syntax, figurative language, voice, disjunction) and shows that the power of poetry depends less on meaning than on the way in which it means--on the temporal process we negotiate in the act of reading or writing a poem. Readers and writers who embrace that process, Longenbach asserts, inevitably recoil from the exaggeration of the cultural power of poetry in full awareness that to inflate a poem's claim on our attention is to weaken it.
Hardcover. London, Stereotyped and Printed by A Wilson for Taylor and Hessey and Vernor Hood and Sharpe, 1st, 1809, Book: Very Good, Hardcover, decorated red calf binding, 323 pages, all edges gilt. Double gilt ruled borders to both covers surround a blind flower and leaf border. The plain spine is in six gilt decorated compartment separated by 6 gilt ruled bands. With 4 wood engraved plates representing each of the Seasons. Frontis portrait of Thomson with tissue guard. Previous owner's red calf bookplate with her (Miss M. Attfield) name in gilt dated 1830. Clean, firm binding.
Hardcover. NY, Moffat, Yard and Company , 1st, 1909, Book: Very Good, Dust Jacket: None, Hardcover, 56 pages, illustrated endpapers. Beige linen cloth over boards. Previous owner gift inscription on verso of frontispiece. No bumping or soiling. Bright gold foil titling, and double circle with illustration pasted on front cover. images by Jessie Willcox Smith on each page plus a color frontispiece and six color plates all by Smith.
Hardcover. Evanston IL, Northwestern University Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The latest collection from award-winning poet Vievee Francis, The Shared World imagines the ideas and ideals and spaces of the Black woman. The book delves into inherited memories and restrictions between families, lovers, and strangers and the perception and inconvenient truth of Black woman as motherwith or without child. Francis challenges the ways in which Black women are often dismissed while expected to be nurturing.
Hardcover. Albuquerque NM, University of New Mexico Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 217 pages. Includes essays on William Everson, Robert Duncan, Gary Snyder, Kenneth Rexroth, Michael McClure, Nathaniel Tarn, Thom Gunn and more. Notes, bibliography. Clean copy.
 "The Courtship of Miles Standish by: Longfellow, Henry Wadsworth. Illustrated by NC. Wyeth")
 "The Education of Shakespeareby: Plimpton, George A.")
 "The Lay of the Bellby: Friedrich Von Schiller")
 "The Lives of the Most Eminent English Poets; with Critical Observations on Their Works (2 Volumes) by: Johnson, Samuel")
 "The Poetical Works of Frances Ridley Havergalby: Frances Ridley Havergal")
 "The Poetical Works of John Milton by: John Milton; David Masson")
 "The Poetry of Robert Frost (2 Volumes)by: Frost Robert; edited by Edward Connery Lathem")
 "The Prophet (1923 First Printing)by: Gibran, Kahlil")
