Softcover. NY, Grove Press , 1st pbk., 1960, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. Originally published in 1960 by Grove Press, this is a subsequent edition, issued as a paperbound original. Wrappers lightly toned, clean copy.
Hardcover. Tonawonda NY, KCP Poetry, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with black cloth spine, 44 pages illustrated in color by Jorisch. Visions in Poetry is an innovative and award-winning series of classic poems re-interpreted for today's readers by outstanding contemporary artists in distinctively beautiful editions. The sixth Visions in Poetry book is The Owl and the Pussycat, a nonsense poem by Edward Lear, brilliantly illustrated by Stephane Jorisch. The artist's vision begins in a segregated world where different species never mix and everyone hides behind a mask. Against this backdrop an aristocratic owl from Owl Heights and a bohemian pussycat from the other side of the tracks find each other. Clean copy.
Softcover. NY , Atheneum, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, 141 pages. A Spanish/English bilingual edition of this influential poet. Name on front fly leaf, otherwise clean.
Hardcover. NY, Lee & Low Books, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This dazzling collection of poetry celebrates the beauty of African-American culture. Written by 20 inner-city children, these moving and powerful poems represent little-heard and often overlooked voices. Color illustrations by Gregory Christie. Bookplate on inside front cover otherwise clean copy.
Softcover. NY, Delta, reprint, 1968, Book: Very Good, Dust Jacket: None, Softcover, 108 pages, selected poetry by the author, 1957-1968. Published as "Writing 20"; original price $1.95 on front wrap; cover photo by Edmund Shea (black-and-white photo of a barefoot woman sitting amid some rubble). Inscription on front fly leaf, otherwise clean.
Softcover. NY, Stone Street Press, 1st , 1984, Book: Very Good, Dust Jacket: None, Softcover, green paper wrappers with illustrated label on front. SIGNED BY MCCORMICK on (C) page Lino cut Illustrations, calligraphy & translation by McCormick. Clean, bright copy.
Softcover. Toronto, University of Toronto Press, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 334 pages. This revised edition of The Poem of Empedocles (1992) integrates substantial new material from a recently discovered papyrus and published by A. Martin and O. Primavesi. The papyrus contains evidence of over seventy lines or part lines of poetry, of which more than fifty are both new and usable. The integration of this material into the previously known fragments has significant impact on our understanding of Empedocles, one of the most influential philosophers and poets of antiquity. Name on front fly leaf otherwise a clean, tight copy.
Hardcover. Cambridge MA, The Belknap Press of Harvard University, 7th pr., 1979, Book: Very Good, Dust Jacket: None, Three uniform volumes in original red slipcase, 1266 pages. Gray cloth covers with black and gilt stamping to titles on spines. Interest in Emily Dickinson has grown throughout the years until, now, in this three-volume edition Thomas Johnson presents the entire body of poems she is known to have written, 1775 in all. Here are the familiar "I never saw a Moor" and "Because I could not stop for Death," along with other less well-known poems, including forty-three never before published. Casual notes to friends and relatives which frequently accompany scraps of verse help to reveal the poet's enigmatic character. After keen analysis of the manuscripts, Johnson has arranged the poems in what is believed to be their chronological order, with variations and rejected versions of each poem following .No dust jackets. Ink notations to about 15 pages in the 3 volumes, Otherwise clean and tight.
Hardcover. NY, E.P. Dutton, 1891, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with gilt decoration and lettering, 352 pages. Frontispiece portrait of poet, other b&w illustrations. Previous owner's notation on blank prelim page otherwise clean.
Hardcover. London, Hodder & Stoughton, 1st thus, 1916, Book: Very Good, Dust Jacket: None, Hardcover, original black lettered grey cloth, 179 pages, illustrated with 10 color plates by Claude Allin Shepperson tipped-in to tan pages. Light foxing to text pages. Edge-block foxed. Bringing together the best of Keats' poetry, this beautifully illustrated volume includes a critical essay by Robert Bridges, Poet Laureate.
Hardcover. London, Macmillan and Co., 1878, Book: Very Good, Dust Jacket: None, Hardcover, bound in 3/4 leather over marbled boards, spine with raised bands and ornate gilt design, title in gilt on red leather label. All edges with marble design, marbled endpapers, 625 pages. The Globe Edition of this work. With an introduction by David Masson. Illustrated with a couple of in-text engravings. A collection of the poetry of John Milton, including his best known 'Paradise Lost'.
Hardcover. NY, Frederick A. Stokes Company, 1st thus, 1890, Book: Very Good, Dust Jacket: None, Four hardcover volumes. All volumes have marbled bindings with maroon leather spines and corners and gold lettering on spines. All have gilded top page edgings. 292, 319, 326, 287 pages. Volume I contains a black and white frontispiece bearing a portrait of Robert Browning. Six pages in Vol 3 have some rough edges otherwise a clean, bright set.
Softcover. Seattle, Wave Books, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 219 pages. A collection of essay/talks that the poet Rachel Zucker, expanded from lectures presented for the Bagley Wright Lecture Series in 2016. Devastating in their revelations, yet hopeful in their endurance, these are lectures of protest and reckoning. Zucker declares 'I write against. My poetics is a poetics of opposition and provocation that I never outgrew. Against the status quo or the powers that be, writing out of and into wrongness.' Thus, Zucker deftly dismantles the outdated paradigms of motherhood, aesthetics, feminism, poetics, and politics. Bringing Bernadette Mayer, Marina Abramovic, Alice Notley, Adrienne Rich, Audre Lorde-among many others-into the conversation, Zucker questions the categories that have been imposed on poetry, as well as a poet's need to speak, and the resulting responsibilities. Clean copy.
Hardcover. New Haven CT, Yale University Press, 2nd pr., 1955, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket, 375 pages. Name, date on front end paper otherwise clean.
Hardcover. NY, Random House, reprint, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 245 pages illustrated in color and b&w by Arnold Lobel. The Random House Book of Poetry for Children offers both funny and illuminating poems for kids personally selected by the nation's first Children's Poet Laureate, Jack Prelutsky. Featuring a wealth of beloved classic poems from the past and modern glittering gems, every child who opens this treasury will finda world of surprises and delights which will instill a lifelong love of poetry. Featuring 572 unforgettable poems, and over 400 one-of-a-kind illustrations from the Caldecott-winning illustrator of the Frog and Toad series, Arnold Lobel, this collection is, quite simply, the perfect way to introduce children to the world of poetry. Clean copy.
Softcover. Middletown CT, Wesleyan University Press, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 72 pages. A lovely copy of this vintage book of Edson's landmark prose poetry. The author's 7th collection. Clean copy.
Softcover. Chicago, University of Chicago Press;, reprint, 2009, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 123 pages. SIGNED BY AUTHOR on title page and INSCRIBED by him on front fly leaf. Poems inspire our trust, argues James Longenbach in this bracing work, because they don't necessarily ask to be trusted. Theirs is the language of self-questioning--metaphors that turn against themselves, syntax that moves one way because it threatens to move another. Poems resist themselves more strenuously than they are resisted by the cultures receiving them. But the resistance to poetry is quite specifically the wonder of poetry. Considering a wide array of poets, from Virgil and Milton to Dickinson and Gluck, Longenbach suggests that poems convey knowledge only inasmuch as they refuse to be vehicles for the efficient transmission of knowledge. In fact, this self-resistance is the source of the reader's pleasure: we read poetry not to escape difficulty but to embrace it. An astute writer and critic of poems, Longenbach makes his case through a sustained engagement with the language of poetry. Each chapter brings a fresh perspective to a crucial aspect of poetry (line, syntax, figurative language, voice, disjunction) and shows that the power of poetry depends less on meaning than on the way in which it means--on the temporal process we negotiate in the act of reading or writing a poem. Readers and writers who embrace that process, Longenbach asserts, inevitably recoil from the exaggeration of the cultural power of poetry in full awareness that to inflate a poem's claim on our attention is to weaken it.
Hardcover. NY, Moffat, Yard and Company , 1st, 1909, Book: Very Good, Dust Jacket: None, Hardcover, 56 pages, illustrated endpapers. Beige linen cloth over boards. Previous owner gift inscription on verso of frontispiece. No bumping or soiling. Bright gold foil titling, and double circle with illustration pasted on front cover. images by Jessie Willcox Smith on each page plus a color frontispiece and six color plates all by Smith.
Softcover. Madison MN, Seventies Press Spring , 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 95 pages. Poems translated mostly by Bly (in two cases with James Wright) of Federico Garcia Lorca, Cesar Vallejo, Blas de Otero, Pablo Neruda, Robert Bly, Tomas Transtromer, Allen Ginsberg, Gary Snyder, John Wieners, Jerome Rothenberg, Philip Lamantia, et al. Name on front fly leaf otherwise clean.
Hardcover. NY, Cady & Burgess, 2nd Ed., 1852, Book: Very Good, Dust Jacket: None, Hardcover, small format, dark blue cloth with gilt design, lettering on the spine. 126 pages. This collection brings together the best-known songs and ballads of G.P. Morris, one of the most popular American writers of the 19th century. First edition with "First Complete Edition" stated on title page. Includes 68 "Melodies" (including "woodman, Spare That Tree") and 10 "Songs and Duets, from the Opera of The Maid of Saxony". scattered foxing to the text, endpaper paste-downs worn, otherwise clean.
Hardcover. Albuquerque NM, University of New Mexico Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 217 pages. Includes essays on William Everson, Robert Duncan, Gary Snyder, Kenneth Rexroth, Michael McClure, Nathaniel Tarn, Thom Gunn and more. Notes, bibliography. Clean copy.
Hardcover. NY, Farrar, Straus, and Giroux, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with minor edgewear, unclipped, 334 pages. Poet/critic's posthumously published third volume of essays, here mostly writer's he loved, including: Stead, Frost, Stevens, Kipling, Auden, Graves and Chekov and other Russians. Name on blank prelim page, otherwise clean.
 "The Never Wife by: Cynthia Hogue")
 "The Opening of the Field by: Robert Duncan")
 "The Owl and the Pussycat by: Edward Lear/Stephane Jorisch")
 "The Owl's Insomnia by: Alberti, Rafael and Strand, Mark (translator, editor)")
 "The Palm of My Heart: Poetry by African American Children by: Davida Adedjouma / Gregory Christie ((llust.)")
 "The Pill Versus The Spinghill Mine Disaster by: Richard Brautigan")
 "The Pleasures of Irish Nature Poetry 9th C.-18thC. (SIGNED COPY)by: Malachi McCormick")
 "The Poem of Empedocles: A text and translation with an introduction - Revised Edition by: Inwood, Brad (Empedocles)")
 "The Poems of Emily Dickinson, Including Variant Readings Critically Compared with All Known Manuscripts-3 Volumesby: Dickinson, Emily, Editor: Johnson, Thomas H.")
 "The Poetical Works of Frances Ridley Havergalby: Frances Ridley Havergal")
 "The Poetical Works Of John Keats by: Keats, John /Claude Shepperson")
 "The Poetical Works of John Milton by: John Milton; David Masson")
 "The Poetical Works of Robert Browning (Four Volumes)by: Browning, Robert")
 "The Poetics of Wrongnessby: Rachel Zucker")
 "The Poetry of Meditation: A Study in English Religious Literature of the Seventeenth Century by: Martz, Louis L.")
 "The Random House Book of Poetry for Childrenby: Jack Prelutsky / Arnold Lobel (Illustrator)")
 "The Reason Why the Closet-Man Is Never Sad by: Russell Edson")
 "The Resistance to Poetry (SIGNED COPY)by: James Longenbach")
 "The Seven Ages of Childhoodby: Jessie Willcox Smith/Carolyn Wells (verses)")
 "The Seventies: Number 1, Spring 1972 by: Bly, Robert (editor)")
 "The Songs and Ballads of George P. Morrisby: George P. Morris")
 "The Sun Is But a Morning Star: Studies in West Coast Poetry and Poeticsby: Lee Bartlett")
 "The Third Book of Criticismby: Jarrell, Randall")