Hardcover. London, Faber & Faber, 1st, 2008, Hardcover, 524 pages, b&w illustrations. SIGNED BY BOTH HEANEY & O'DRISCOLL on title page. Widely regarded as the finest poet of his generation, Seamus Heaney is the subject of numerous critical studies; but no book-length portrait has appeared until now. Through his own lively and eloquent reminiscences, Stepping Stones retraces the poet's steps from his early works, through to his receipt of the 1995 Nobel Prize for Literature and his post-Nobel life. It is supplemented with a large number of photographs, many from the Heaney family album and published here for the first time.

Softcover. Boulder CO, Colorado Quarterly, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 83 pages. A Bonus Issue of Colorado Quarterly August 1978. INSCRIBED BY BARNSTONE on the title page. Illustrated by Karmen Effenberger. Clean copy.

Hardcover. Chicago, University of Chicago Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 141 pages. INSCRIBED BY PACK on the title page. Clean, bright copy in a dust jacket.

Hardcover. Chicago, University of Chicago Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 141 pages. Clean, bright copy in a dust jacket.

Garden City, NY, Doubleday, 1st, 1963, Book: Good, Dust Jacket: Good, Hardcover. 71 pages. Black & white illustrations by Jim McMullan, his first book. Previous owner's inscription front end paper. Dust jacket price clipped. Creases, large tears, light soiling. Clear plastic protective cover.

Softcover. Leicester UK, Troubador Publishing Ltd, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, glossy wrappers, 104 pages. INSCRIBED BY AUTHOR on the front fly leaf. Clean copy.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 2005, Hardcover in a bright, unclipped dust jacket. A poetic interpretation of the summer evenings of childhood. Seizing their moment, the children steal away from the dinner table to play out of doors, until it's too dark to see the ball and their mothers call them home. Finely wrought oil paintings, beguiling and dreamlike in their detail, give a free-spirited interpretation of the poem. Together, words and pictures evoke the lush scents, sounds, and feel of the full lingering days of summer, when outside and inside is lost in the doorways. INSCRIBED BY ILLUSTRATOR WITH A SKETCH on front fly leaf.

Hardcover. London, William Heinemann, 1st, 1927, Book: Good, Dust Jacket: Good, 295 pages. Hardcover with plastic protected dust jacket. Previous owner's name on front fly leaf and light pencil markings throughout. Spine faded and heavily tanned.

Hardcover. NY, Alfred A. Knopf, 1st, 1945, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering and design on spine and front cover. INSCRIBED BY AUTHOR on the front fly leaf. Additionally with a note to the title page stating she has hand-corrected some 20 errors in the printed text, unique thus. An epic poem "on the lives of a young composer-aviator and his intimates and casual acquaintances the accumulated wisdom and lore of the world in which we live." Winner of the Yale Poetry Award. No dust jacket. Mildred Dodge Jeremy Ingalls was an American poet and scholar of Chinese literature. In 1943, she received a Guggenheim Fellowship to work on her major poem, The Thunder Saga of Tahi, this being the result. Spine gilt faded.

Hardcover. New York, Harcourt, Brace and company, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 111 pages. Hardcover with dust jacket. Illustrations by Gary Kelley. Stiker on rear dust jacket. otherwise clean, tight copy.

Softcover. NY, New Directions, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover, 276 pages. A collection of eight talk poems that were previously only performed spontaneously, by American poet and performance artist, David Antin. Clean, bright copy.

Hardcover. NY/San Francisco, New Directions / San Francisco Review, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good dust jacket with toning on the spine and edges, unclipped. A stark panorama of late 19th and early 20th-century America-the underside of the Gilded Age, beset by racism and casual violence, poverty and disease-in a radically stripped-down language. A legendary book that stands alongside Louis Zukofsky's "A" and William Carlos Williams' Paterson as a milestone of modern American poetry. 115 pages, no markings.

Softcover. Providence RI, Burning Deck, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 16 pages, oblong stapled wrappers. One of 500 copies on Strathmore Pastell paper. Original silkscreen cover by Linda Lutes. This is an advance copy with publisher's note laid in, unnumbered. Tanning to spine edge, clean copy.

Hardcover. NY, Knopf, 6th pr., 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 96 pages illustrated with spectacular watercolor-splashed pages by Meilo So. Here in one gloriously illustrated volume are 211 wonderful poems that represent the best this century has to offer. From sibling rivalry, school, monsters, food, and just plain silliness, to such ageless themes as the seasons, Who am I?, and the many moods of childhood, this is a collection that begs to be read aloud and shared with the whole family. The poems, from every decade of this century, showcase 137 famous poets.

Hardcover. NY, Norton, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 104 pages. SIGNED BY JACKSON on the title page. Clean.

Softcover. Baton Rouge, Louisiana State University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, Softcover, 81 pages. INSCRIBED BY GALVIN on the title page. The Air's Accomplices vividly evokes poet Brendan Galvin's love for the rugged landscapes of Cape Cod and Ireland and their elusive inhabitants. Weaving themes of death, migration, and aging into an exploration of the natural world, Galvin's work reflects a deep engagement with the places he and his family have called home, as well as with the triumphs and tragedies of human life. Faint corner crease to cover. Clean copy.

Hardcover. NY, Harper & Row, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 95 pages. Poems in 3 sections; I. Exiles (22 poems written between 1948 & 1958), with revisions & changes in titles. II. Tiger Lilies (25 Poems reprinted from A Roof of Tiger Lilies); III. The Alligator Bride: New Poems (24 Previously uncollected poems). Book review laid in. Red lettering in spine lightly faded. Clean copy

Softcover. Fayetteville, University of Arkansas Press, reprint, 2004, Book: Very Good, Dust Jacket: None, Softcover, 61 pages. SIGNED BY COLLINS on the title page. A collection which includes some of Collins' most anthologized poems, including "Introduction to Poetry," "Another Reason Why I Don't Keep a Gun in the House," and "Advice to Writers".

Hardcover. NY, Horizon Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 264 pages with index. Carnevali, an Italian poet, came to the USA, suffered poverty and illness, and returned to Italy. Some of his poems are included here. Clean copy.

Softcover. University of Pittsburgh Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 79 pages. Clean copy.

Hardcover. NY, Harper & Brothers, 1st, 1927, Book: Very Good, Dust Jacket: None, Hardcover, black cloth spine with yellow paper boards, black cloth tips on corners. Chipped paper label with title on spine. Covers have some toning and soiling but the volume is square with only light wear otherwise. Cullen's version of the famous English ballad, "The Brown Girl." Attractive production, with b&w illustrations by Cullen's brother.

Hardcover. NY, Exposition Press, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn jacket with fading to spine. B&w drawings by the author. Clean copy.

Hardcover. NY, Calla/Dover, reprint, 2012, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt decoration, 352 pages. A magnificent treasury of popular folklore, this rare, hardcover compilation offers a bounty of delightful illustrations by Charles Robinson -- there are black-and-white illustrations on every page as well as 16 plates of full- and two-color images. Decorative initials and borders, hand lettering, silhouettes, and other ornaments embellish renderings of 300 traditional verses, from "Little Tom Tucker" and "Baa, Baa Black Sheep" to "Good King Arthur" and "Shave a Pig." A facsimile reproduction of the 1903 edition.

Hardcover. Carbondale IL, Southern Illinois University Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 267 pages. In this original contribution to Elizabeth Bishop studies, Marilyn May Lombardi uses previously unpublished materials (letters, diaries, notebooks, and unfinished poems) to shed new light on the poet's published work. She explores the ways Bishop's lesbianism, alcoholism, allergic illnesses, and fear of mental instability affected her poetry--the ways she translated her bodily experiences into poetic form. Clean copy.