Hardcover. Washington DC, Microcard Editions, 1st, 1971, Book: Very Good, Dust Jacket: None, 122 pages. Hardcover with no dust jacket. Light edgewear to cover boards, light soil to top page block. SIGNED BY BRUCCOLI on title page.

Hardcover. NY, Coward McCann & Geoghegan, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. SIGNED BY PRONZINI on the title page. Discussion of the really bad English and American crime novels of 20th century. Introduction by Ed McBain. Index, bibliography. Clean copy.

Softcover. Boston, The Horn Book , 1st, 1971, Book: Very Good, Softcover, 95 pages. Reference of books and reading for children and young people. Featuring: 'Newbery and Caldecott Acceptance Speeches by Betsy Byars and Gail E. Haley, 'In Literary Terms' by John Rowe Townsend, 'A Second Golden Age? In a Time of Flood?' by Virginia Haviland and more. Light marking or library stamp on cover. Black & white illustrations. Interior clean and bright.

Hardcover. Seattle, Fantagraphics, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 304 pages. In 1976, the critic Paul Nelson spent several weeks interviewing his literary hero, legendary detective writer Ross Macdonald. Beginning in the late 1940s with his shadowy creation, ruminating private eye Lew Archer, Macdonald had followed in the footsteps of Dashiell Hammett and Raymond Chandler, but ultimately elevated the form to a new level. "We talked about everything imaginable," Nelson wrote-including Macdonald's often meager beginnings; his dual citizenship; writers, painters, music, books, and movies he admired; how he used symbolism to change detective writing; his own novels and why Archer was not the most important character-"my God, everything." It's All One Case provides an open door to Macdonald at his most unguarded. The book is far more than a collection of never-before-published interviews, though. Published in a handsome, oversized format, it is a visual history of Macdonald's professional career, illustrated with rare and select items from one of the world's largest private archives of Macdonald collectibles. Featuring in full color the covers of the various editions of Macdonald's more than two dozen books, facsimile reproductions of pages from his manuscripts, magazine spreads, and many never before seen photos of Macdonald and his friends (such as Kurt Vonnegut), including those by celebrated photojournalist Jill Krementz. It's All One Case is an intellectual delight and a visual feast, a fitting tribute to Macdonald's distinguished career. Full-color illustrations throughout

Hardcover. Detroit, Gale Research Co., 1st, 1971, Book: Very Good, Dust Jacket: None, Hardcover, 86 pages. A bibliography of the publications of mystery writer Kenneth Millar who later wrote as Ross MacDonald. Illustrated with photographs that reproduce title pages of Macdonald's books. An excellent and informative introduction by Kenneth Millar. SIGNED BY BRUCCOLI on title page. Issued without a dust jacket. No names, writing, or marks in book.

Hardcover. New York, Oxford University Press, 1st US, 1997, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover. Light wear. Clean, tight copy.

Hardcover. Winchester UK, St. Paul's Bibliographies, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 142 pages. Mary Elliott (then Mary Belson) began writing for children in 1809, at a time when increasing literacy and wealth and more progressive understanding of the reading needs of children were creating a growing demand for more and more books for young people. Beginning with two books in verse - one a lively tale about town and country mice, the other, an anthology including many of her own poems - she went on to produce a stream of books on a variety of subjects. Her stories, some eventful and exciting, were mostly about real children learning to tackle the everyday circumstances and difficulties which they encountered in the world around them. These books were made all the more attractive by her publisher, William Darton, who provided them with entertaining illustrations, many of them interesting today for their depiction of contemporary scenes and fashions. Mary Elliott's books soon spread across the Atlantic, and American publishers reissued many of them, sometimes adapting the text to local circumstances. Although her books are now forgotten, they cannot be disregarded by researchers into the history of childhood and of children's literature. This bibliography contains about 470 entries. Clean.

self published, circa 1970, Book: Good, Dust Jacket: None, A typed/xeroxed manuscript in a 3-ring orange binder with metal clasps. A scholarly history of boys series books complete with an introduction, biographies, criticism, and lists of titles/authors. A valuable research tool by someone with a passionate interest in the field of children's writing. No date anywhere but around mid 1970s. About 250 one-sided pages, with some hand-written notations. Probably an early version of a manuscript later published in 1982 by McFarland in North Carolina. "Tom Swift & Company: Boys Books by Stratemeyer and Others".

Hardcover. Berkeley, California University Press, 1st, 1996, Book: Very Good, Dust Jacket: Good, 164 pages. Hardcover. Illustrated with full color and black & white photographs. Dust jacket with light wear. Clean tight copy.

Hardcover. New York, Viking Press, 1st, 1967, Book: Very Good, Dust Jacket: Good, 368 pages. Hardcover. Features: Louis-Ferdinand Celine, Norman Mailer, William S. Burroughs, Allen Ginsberg, Jean Cocteau, Harold Pinter, and more. Price clipped dust jacket with short closed tears along edges - jacket now protected with clear plastic cover. Clean, tight copy.

Hardcover. NY, The Viking Press, 1st, 1947, Book: Very Good, Dust Jacket: None, Hardcover. First edition. Beige/light brown cloth with reddish lettering/decoration, top edge stained red as issued, 202 pages, illustrated with drawings. Clean, tight copy. No dust jacket.