Hardcover. NY, Thames & Hudson, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 352 pages, color illustrations. While cameo and intaglio portraits, other forms of deluxe jewelry, medals, and miniatures featuring famous personalities have been surveyed, a historian and curator of jewelry and engraved gems, notes that their settings have surprisingly not attracted as much attention. Covering periods from 16th to early 17th centuries Renaissance Europe to the Napoleonic to World War I eras, the author describes the pieces and names their designers in historical and personal contexts. A chapter is devoted to the portrait diamond from the Medici dynasty to the fall of the Romanovs. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. New Haven CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, 238 pages. Like new in publisher's shrink-wrap. Covering the period from the Revolution to the beginning of World War II, this book considers Soviet avant-garde photography and film in the context of political history and culture. Three essays trace this generation of artists, their experiments with new media, and their pursuit of a new political order. A wealth of stunning photographs, film stills, and film posters, as well as magazine and book designs, demonstrate that their output encompassed a spectacular range of style, content, and perspective, and an extraordinary sense of the power of the photograph to change the world.

Hardcover. Burlington, VT, Lund Humphries, Reprint, 2008, Book: Very Good, Dust Jacket: None, 208 pages. Hardcover with no dust jacket. Very clean, unmarked copy with only minor edgewear. Color illustrations throughout. Tight copy. Power to the People presents the Israel Museum's major collection of propaganda posters from the early years of the Soviet Union, documenting one of the most interesting chapters in twentieth-century graphic design. Inspired by the traditional vernacular of political cartoons, by the lubok wood-cut technique of Russian folk art, and by the ideas of Futurism, the poster artists employed a new visual language to explain the results of the Revolution to the Soviet people. The Israel Museum's collection of Soviet propaganda posters is the largest museum collection of its kind outside Russia. This book illustrates the entire collection for the first time.

Hardcover. Cambridge, Cambridge University Press, 1st UK, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 269 pages. Clean, bright copy. This is the first scholarly account by a Western historian of the Time of Troubles, the period of civil war and foreign invasion in early-seventeenth-century Russia. The author focuses on the various pretenders or royal imposters who appeared at this time; she traces their careers and offers explanations for their success. Her analysis of the phenomenon of pretense illuminates popular perceptions of the monarchy in early modern Russia, and demonstrates how social protest could take the form of support for imposters claiming to be the "true tsar".

Hardcover. NY, Oxford University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 234 pages with index. A work of refreshing originality and vivid appeal, Red Arctic tells the story of Stalinist Russia's massive campaign to explore and develop its Northern territories during the 1930s. Author John McCannon recounts the dramatic stories of the polar expeditions--conducted by foot, ship, and plane--that were the pride of Stalinist Russia, in order to expose the reality behind them: chaotic blunders, bureaucratic competition, and the eventual rise of the Gulag as the dominant force in the North. Red Arctic also traces the development of the polar-based popular culture of the decade, making use of memoirs, films, radio broadcasts, children's books, and cultural ephemera ranging from placards to postage stamps to show how Russia's "Arctic Myth" became an integral part of the overall socialist-realist aesthetic that animated Stalinist culture throughout the 1930s. Clean copy.

Hardcover. NY, Dodd Mead, 1st, 1958, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket, 84 pages with index. B&w photos. Ex-lib with minimal signs, light reside to rear endpapers. Beryl Grey was the first Western ballerina to dance in Moscow's Bolshoi Theatre and she tells of her experiences on tour. Clean internally.

Hardcover. Lannoo Publishers , 1st, 2010-06-16, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. 144 pages, color photography of the USSR. Text in Dutch and English.

Hardcover. Princeton, N.J., Kingston Press, Incorporated, The, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, SIGNED BY AUTHOR. 227 pages. Light foxing to top and fore-edge. Minor wear to dust jacket; spine slightly faded. Else a very clean, tight copy.

Hardcover. Princeton NJ, Kingston Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 227 pages, bibliography and index. A scarce scholarly history. Slight sunning to dust jacket spine, otherwise like new, clean and tight.

Softcover. University Press of Maryland, 2000, Softcover, 306 pages. Memoir (translated from the German by Henny Wenkart) of a Jewish woman in 19th-century Russia, with scholarly introduction and analysis. Pauline Wengeroff's memoir tells what it was like to be a Jewish girl and a Jewish woman in 19th-century Russia, as foundations of faith and tradition eroded around her. Clean copy.

Hardcover. Chicago, Art Institute of Chicago, 1st, 2017, Book: Very Good, Hardcover,324 pages. Published on the centenary of the Russian Revolution, this landmark book gathers information from the forefront of current research in early Soviet art, providing a new understanding of where art was presented, who saw it, and how the images incorporated and conveyed Soviet values. More than 350 works are grouped into areas of critical importance for the production, reception, and circulation of early Soviet art: battlegrounds, schools, the press, theaters, homes and storefronts, factories, festivals, and exhibitions. Paintings by El Lissitzky and Liubov Popova are joined by sculptures, costumes and textiles, decorative arts, architectural models, books, magazines, films, and more. Also included are rare and important artifacts, among them a selection of illustrated children's notes by Joseph Stalin's daughter, Svetlana Allilueva, as well as reproductions of key exhibition spaces such as the legendary Obmokhu (Constructivist) exhibition in 1921; Aleksandr Rodchenko's 'Workers' Club in 1925; and a Radio-Orator kiosk for live, projected, and printed propaganda designed by Gustav Klutsis in 1922. Bountifully illustrated, this book offers an unprecedented, cross-disciplinary analysis of two momentous decades of Soviet visual culture.

Hardcover. Chicago, Art Institute of Chicago, 1st, 2017, Book: Very Good, Hardcover,324 pages. Published on the centenary of the Russian Revolution, this landmark book gathers information from the forefront of current research in early Soviet art, providing a new understanding of where art was presented, who saw it, and how the images incorporated and conveyed Soviet values. More than 350 works are grouped into areas of critical importance for the production, reception, and circulation of early Soviet art: battlegrounds, schools, the press, theaters, homes and storefronts, factories, festivals, and exhibitions. Paintings by El Lissitzky and Liubov Popova are joined by sculptures, costumes and textiles, decorative arts, architectural models, books, magazines, films, and more. Also included are rare and important artifacts, among them a selection of illustrated children's notes by Joseph Stalin's daughter, Svetlana Allilueva, as well as reproductions of key exhibition spaces such as the legendary Obmokhu (Constructivist) exhibition in 1921; Aleksandr Rodchenko's 'Workers' Club in 1925; and a Radio-Orator kiosk for live, projected, and printed propaganda designed by Gustav Klutsis in 1922. Bountifully illustrated, this book offers an unprecedented, cross-disciplinary analysis of two momentous decades of Soviet visual culture.

Hardcover. Stanford CA, Stanford University Press, 1st, 1992, Book: Good, Dust Jacket: Very Good, Hardcover, 443 pages. This book contains UNDERLINING which is mainly confined to chapter 7. Otherwise a bright, tight copy in an unclipped dust jacket.

Hardcover. Milwaukee WI, Amadeus, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 406 pages, illustrations. INSCRIBED by co-editor Malcolm Crocker. A rare, revealing look at the composer, written by his granddaughter Tatiana. Featuring a wealth of correspondence and photographs from his family's archives, this book provides new, fascinating details about the composer's life, work, and relations with close friends and colleagues, including Borodin, Mussorgsky, and Tchaikovsky. It also sheds new light on his wife, Nadezhda Purgold, an accomplished composer and pianist who helped her husband with his own compositions. Many letters involve Rimsky-Korsakov's other family members and important figures in art, history, literature, and music of the late 19th and early 20th centuries. Clean copy.

Hardcover. Toronto, Trafalgar Press, 1st, 1986 , Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright "(Skillfully traces the causes of the Crimean War and sketches a vivid picture of an age which made possible 'the world's most curious and unneccesary struggle'. Troubetzkoy ingeniously weaves together the varied developments in diplomacy, trade, nationalistic expression and personality conflict in the decade which led to the hostilities. The armies of the belligerents are described (and the) reader is introduced to the principal personages of the drama - Napoleon III, Marshal St. Arnaud, Lord Raglan and the great Russian engineer, Todleben, who, apart from Florence Nightingale, was the only one to earn true distinction during the War. Vividly described are Nicholas I and the Russian Empire." Clean copy.

Hardcover. NY, Alfred A. Knopf, 1st, 1964, Book: Good, Dust Jacket: Very Good, Hardcover in a lightly worn, chipped dust jacket. A young English novelist's journey through the Soviet Union in the early sixties (author also wrote "The Loneliness of the Long-Distance Runner', "The General", and others. Name on front fly leaf otherwise clean copy.

Hardcover. Pantheon, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 136 pages. Numerous black & white and sepia illustrations, a few in color. Details Rodchenko's art, photography and domestic design work in the context of a transformative period in Russian society.

Hardcover. New York, Harper & Row, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover in a bright dustjacket. Full color illustrations by Charles Mikolaycak. Clean, tight copy.

Hardcover. New York, Oxford University Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages. Minor edge wear to dust jacket. Else a very clean, tight copy. The dramatic events of the twentieth century have often led to the mass migration of intellectuals, professionals, writers, and artists. One of the first of these migrations occurred in the aftermath of the Russian Revolution, when more than a million Russians were forced into exile. With this book, Marc Raeff, one of the world's leading historians of Russia, offers the first comprehensive cultural history of the "Great Russian Emigration." He examines the social and institutional structure of the emigration and describes its rich cultural and intellectual life. He points out that what distinguishes this emigration from other such episodes in European history is the extent to which the emigres succeeded in reconstituting and preserving their cultural creativity in the West. The flourishing Russian communities of Paris, Berlin, Prague and Kharbin not only enriched Russian arts and letters, but also significantly influenced the culture of their Western hosts, and Raeff concludes with an assessment of their impact on the development of modern Western and Soviet culture.

Hardcover. NY, Henry Holt and Company, 1st, 1899, Book: Good, Dust Jacket: None, 411 pages. Hardcover. Previous owners name on inside front cover. Green cloth with gilt title and decoration. Front and rear hinges cracked. Missing front endpaper. Heavy foxing to preliminary pages up to contents page, and last 5 pages at end of book; including map. Front fold-out map at title page and rear most map both badly damaged. Foxing to edges. Moderate wear to covers. Clean, unmarked text.

Hardcover. Moscow, Sovietsky Khudozhnik, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 359 pages. Hardcover with dust jacket. Russian text only. Profusely illustrated in full color and black & whiite. A survey of Russia's brief Art Nouveau movement in architecture. Bright, clean copy in a similar dust jacket. In a plain cardboard slipcase.

Softcover. Lanham, MD, Rowman & Littlefield Publishers, Inc., 1st, 1998, Book: Very Good, Dust Jacket: None, 245 pages. Crisp, clean, illustrated wraps. From the back cover: "An astute observer of the soviet Union, Robert Daniels collects here his observations of political change in the USSR over a twenty-five-year period." Tight binding, clean & unmarked pages throughout.

Hardcover. St. Petersburg, Palace Editions, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 264 pages. Color illustrations. Examples by Vasily Elkin 1897-1991; Piotr Galadzhev 1900-1971; Valentina Kulagina 1902-1987; Solomon Telingater 1903-1969; Victor Koretsky 1909-1998; Anatol Brusilovsky b. 1932. Clean copy.

Hardcover. New York, Harper & Brothers, 1st, 1887, Book: Very Good, Dust Jacket: None, Hardcover, 310 pages. Brown cloth, gilt lettering to spine. Light wear and rubbing to covers and edges of spine. Clean, tight copy.