Hardcover. NY, Harcourt, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. B&w photos, 185 pages. Twenty years after his death, George Balanchine still dominates the world of ballet. Not only have his works been danced by the New York City Ballet continuously since 1948, but they also have been performed by more than two dozen other companies throughout the world. In clear and elegant writing, Terry Teachout brings to life the dramatic story of George Balanchine, a Russian emigre who fell in love with American culture, married four times and kept a mistress on the side, and transformed the art of ballet forever. Clean copy.

Hardcover. London, Dent / Everyman's Library, reprint, 1976, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn blue dust jacket with fading to spine. 302 pages. The author was an actor, dramatist and theatrical manager and gives an account of the British stage in the first half of the Eighteenth century. First published in 1740. Clean copy.

Hardcover. New York, Playbill/ Applause Thetre& Cinama Books, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 357 pages. Hardcover with dust jacket. Clean, tight copy. Minor wear to dust jacket. Minor rubbing to top spine. Light soil on rear. This is the ultimate backstage tour of Broadway! AT THIS THEATRE tells the complete history of Broadway in the 20th century, theatre by theatre. This gorgeous book is now updated, revised and with a larger format, covering 1900 to 2001. PLAYBILL's columnist, Louis Botto, along with Robert Viagas, opens the doors and lets readers explore the 40 active Broadway theatres in New York. From the conception and design of the buildings, to their original creators, and on to the theatres' transformation, often under duress, from legitimate houses to vaudeville and Burlesque, to movie houses and then back to their original purpose, this book captures the magical world of Broadway. It is a complete and authoritative history that only Botto, the curator of PLAYBILL's incomparable 116-year-old archives, can tell.

Hardcover. New York, Century Co., 1st, 1890, Book: Very Good, Dust Jacket: None, 501 pages. Hardcover. AUTHORS SIGNED INSCRIPTION PASTED ON TITLE PAGE. 3/4 Leather marbled sections, raised bands on spine. Gilt titles and highlights. Marbled endpapers. Gilt top edge. Light rubbing to cover edges. Clean, tight copy.

Hardcover. NY, Wynwood Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket with light fading to spine. Biography of the comedian from Toronto who married a Title in England, went on to become an international star as a comedienne on the stage and screen. She experienced the death of her only son in WWII. The author was a friend and confidant until Lillie's death at the age of 90. Clean copy.

Hardcover. NY, Norton, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. As both star and director of the acclaimed film Henry V, young Branagh has had his career compared to that of Lawrence Olivier. Full of charm, humor, and insight into an actor's craft, Branagh's intriguing autobiography tells of his childhood in Belfast, his training at the Royal Academy of Drama, and his work with the Royal Shakespeare Company.INSCRIBED BY BRANAGH on front fly leaf.

Softcover. Urbana, University of Illinois Press, 1st pbk, 2009, Book: Very Good, Dust Jacket: None, Softcover, 376 pages, b&w illustrations. The personal history of Barney Josephson, proprietor of the legendary interracial New York City night clubs Cafe Society Downtown and Cafe Society Uptown and their successor, The Cookery. Famously known as 'the wrong place for the Right people', Cafe Society featured the cream of jazz and blues performers--among whom were Billie Holiday, Big Joe Turner, Lester Young, Buck Clayton, Big Sid Catlett, and Mary Lou Williams--as well as comedy stars Imogene Coca, Zero Mostel, and Jack Gilford, the boogie-woogie pianists, and legendary gospel and folk artists. Spanning half a century from the 1930s to the 1980s, Josephson's narrative depicts both the business and the artistic sides of Cafe Society while exposing the tensions between the club's own progressive interracial openness and the more restrictive social and political climate in which it evolved. Publisher's stamp on bottom edge otherwise clean.

Hardcover. NY, HarperOne, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 300 pages, b&w illustrations. The long-awaited and wildly entertaining memoir of the star of stage and screen, the legendary Chita Rivera-three-time Tony Award-winner, Kennedy Centers honoree, and recipient of the Presidential Medal of Freedom.She was born Dolores Conchita Figueroa del Rivero-until the entertainment world renamed her. But Dolores-the irreverent side of the sensual, dark and ferocious Chita-was always present center stage, and was influential in creating some of Broadway most iconic and acclaimed roles, including Anita in West Side Story the part that made her a star-Rosie in Bye Bye, Birdie, Velma in Chicago, and Aurora in Kiss of the Spider Woman. Written in gratitude to her fans and with the hope that new generations may learn from her extraordinary experience, Chita takes us behind the curtain to reveal the highs and lows of one extraordinary show business career-the creative fermentation, the ego clashes, the miraculous discoveries, the exhilaration when it all went right, and the disappointment when it all went wrong. Clean copy.

Hardcover. Boston, Little Brown , 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover, 319 pages, b&w photos. In a bright, unclipped dust jacket with a couple closed tears, mild soil.

Hardcover. NY, Knopf, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 480 pages, b&w photos. The first full-length biography of the 'Prince of Broadway' highlights the wit and sophistication of playwright and director Moss Hart as it describes his rise from poverty to success in the New York theatrical world, his remarkable contributions to the American theater, and his sometimes turbulent private life. Clean copy.

Hardcover. US, VH1 Press, 1st, 2006, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color and Black and white pictures throughout.

Hardcover. NY, Frederick A. Stokes , 1st, 1900, Hardcover, red cloth with bright gilt stamping, 150 pages. Top edge gilt. Ribbon marker, photographic frontispiece portrait of actress Terry, as well as numerous photographs of her in various dramatic productions. Clean copy.

Softcover. McKinleyville CA, Fithian Press/, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 238 pages, b&w illustrations. INSCRIBED BY COHEN on the front fly leaf. Robert Cohen is the founding Chair of Drama a the University of California, Irvine, and has written 20 book on theatre. In this memoir, he recounts the "lucky breaks" that took him from being a college student preparing for law school to a long career as a man of the theatre. The first lucky break took place in his junior year of high school when Judy Berkenbilt asked him to be in "Belles On Their Toes," a play she was directing. She wanted to cast him as a policeman but after reading the script, Cohen asked for the role as the family handyman, which she agreed to. He identifies Lucky Break #2, in the same year, as ending up in a Vocational Typing class when he transferred out of the Mechanical Drawing class to escape a creepy instructor. He became a fabulous typist and was able to earn lunch money in college by typing papers for other students. Lucky Break #3 was getting into the 12th grade Advanced English class taught by Miss Casey, which advanced his intellectual development and reading "like crazy." Lucky Break #6 was being asked to take over as coach of the swimming program at the camp where he was a counselor. When Cohen did not have the $20 needed to to get a Water Safety Instructor certification, the camp owner asked him take over the drama program instead. And so on.

Hardcover. NY, Thomas Y. Crowell, 1st, 1896, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in gilt and black, 399 pages. Forty-one chapters, each on a different actor, with a portrait of each. Each of the mini-biographies was written by a different writer or critic. The editors include such actors as John Drew, Edwin Booth, Rose Coughlan, James O'Neill, Edward Harrigan, Joseph Jefferson. Very good copy of the first edition. The book has brighttop edge gilt. Previous owner's bookplate, inscription on front endpapers.

Hardcover. NY, Alfred A. Knopf, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, tape-repaired dust jacket. 343 pages plus index, b&w photos. An intimate no-holds-barred light and dark portrait of the Norwegian soprano Kirsten Flagstad from her first Metropolitan operas house performance through her career and retirement and more. Written by her accompanist- and often her orchestral conductor. Front fly leaf clipped, otherwise clean, tight copy.

Hardcover. New York, Abrams, 1st, 2010, Book: Very Good, Dust Jacket: None, 511 pages. Hardcover, slipcase, ribbon marker. Like new in publisher's shrink-wrap. Candid accounts of the people, hit movies, and adventures that have shaped his career enliven these memoirs from the director of Romeo and Juliet, Endless Love, and Jesus of Nazareth. 24 black-and-white, 16 color illustrations.

Hardcover. NY, Oxford University Press, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A critical biography of the comic genius who, as both a writer and a director, dominated the Broadway comedy theater during the twenties, thirties, and forties. Detailed accounts of GSK plays and how they came together -- or did not. Kaufman is captured as a man of the theatre who compulsively was involved in a show a year for decades, as writer or director. 503 pages, b&w photos. Clean copy.

Hardcover. London, Routledge, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 198 pages illustrated in color and b&w. Focusing on the house and museum and its considerable collections of architectural fragments, models, drawings folios and publications, this book is about thirteen Lincoln's Inn Fields in London, England, built in the early 1800s by the renowned eighteenth-century architect Sir John Soane. The book maps the influences, references, connections, extensions, and productions at play in Soane's house-museum. The house, still a public museum, was highly original in its period, and it continues to influence and impress architects and historians alike. Today's visitor is confronted by a dense, complex series of spaces, a strange aCCU1mulation of rooms, objects and effects. This book examines the ways in which Soane enlisted light, shadow, color, fiction and narrative, vistas, spatial complexity, the fragment, and the mirror to produce a spectacular space. No dj issued, clean copy.

Hardcover. New York, Knopf, 1st US, 1968, Book: Very Good, Dust Jacket: Very Good, 398 pages. Illustrated with 24 pages of black & white photographs. Light foxing to page fore edges. Light wear to price clipped dust jacket. Clean, tight copy.

Hardcover. NY, Skyhorse, 2nd pr., 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 442 pages, color illustrations. The first portrait of the renowned artist's life-as spirited and unique as his pen-and-ink drawings. Beginning in the 1920s, he caricatured Hollywood actors, Washington politicians, and-his favorite-celebrities of the stage. Broadway belonged to Hirschfeld. His work appeared in the New York Times and other publications, as well as on book jackets, album covers, posters, and postage stamps, for more than seventy-five years. He lived in Paris, Moscow, and Bali, and in a pink New York townhouse on a star-studded block where his closest friends-Carol Channing, S. J. Perelman, Gloria Vanderbilt, Brooks Atkinson, Elia Kazan, Marlene Dietrich, and William Saroyan-flocked in and out.

Hardcover. NY, Skyhorse, 2nd pr., 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 442 pages, color illustrations. The first portrait of the renowned artist's life-as spirited and unique as his pen-and-ink drawings. Beginning in the 1920s, he caricatured Hollywood actors, Washington politicians, and-his favorite-celebrities of the stage. Broadway belonged to Hirschfeld. His work appeared in the New York Times and other publications, as well as on book jackets, album covers, posters, and postage stamps, for more than seventy-five years. He lived in Paris, Moscow, and Bali, and in a pink New York townhouse on a star-studded block where his closest friends-Carol Channing, S. J. Perelman, Gloria Vanderbilt, Brooks Atkinson, Elia Kazan, Marlene Dietrich, and William Saroyan-flocked in and out.

Hardcover. NY, Villard Books, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 306 pages. The author of "Adventures in the Screen Trade" provides an inside look at the Cannes Film Festivals and the Miss America Pageant from his unique perspective as a judge, offering anecdotes about the judging process. Clean copy.

Hardcover. Guilford CT, Applause, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 200 pages, b&w illustrations. Richard Rodgers, Oscar Hammerstein, Jerome Kern, Irving Berlin, and . . . Dorothy Fields. These are the giants of the golden age of musical theater. Although she may not be as well known as her male counterparts, Dorothy Fields was America's most brilliant and successful female lyricist, who for five decades kept up with the greats. As the only woman among the boys' club of popular song, Fields was welcomed by her fellow male artists, who considered her as both an equal and a beloved colleague. Working with thirteen different composers, Fields wrote the lyrics and/or librettos for unforgettable masterpieces, such as Annie Get Your Gun, Redhead, and Sweet Charity. Her more than four hundred songs include the standards "On the Sunny Side of the Street," "Pick Yourself Up," and "The Way You Look Tonight," among other classic tunes.

Hardcover. New York, Stringer & Townsend, 1st, 1851, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt lettering, 226 pages. Previous owners bookplate on inside front cover. Some pages show minor foxing. Light rubbing to corners and at top and base of spine. Clean, unmarked text.

Hardcover. NY, Alfred A. Knopf, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 430 pages. The titanic choreographer, creator of memorable ballets, master of Broadway musicals, legendary show doctor and director, now revealed in his own words--the closest we will get to a memoir/autobiography--from his voluminous letters, journals, notes, diaries, never before published. Robbins was famous for reinventing the Broadway musical, creating a vernacular American ballet, pushing the art form to new boundaries where it had never gone before, integrating dance seamlessly with character, story and music, and as Associate Artistic Director, Ballet Master, and Co-Artistic Director, with George Balanchine, shaping the New York City Ballet with daring and brio for more than five decades through his often startling choreography in ballet's classical idiom. He was known as the king of Broadway, the most sought-after director-choreographer and show doctor who gave shape to On the Town (1944), Call Me Madam (1950), The King and I (1951), Wonderful Town (1953), Peter Pan (1954), The Pajama Game (1954), Silk Stockings (1955), West Side Story (1957), Gypsy (1959), A Funny Thing Happened on the Way to the Forum (1962), Funny Girl (1964), Fiddler on the Roof (1964), and many other classic musicals, winning four Tony Awards, two Oscars, and an Emmy. He shocked and betrayed those he loved and worked with by naming names to the House Un-American Activities Committee. ("I betrayed my manhood, my Jewishness, my parents, my sister," he wrote in a diary. "I can't undo it.") Clean, bright copy.

Hardcover. NY, F.A. Stokes Company, 1st, 1900, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with bright gilt stamping, 137 pages. Top edge gilt. Ribbon marker, photographic frontispiece portrait of actor John Drew, as well as numerous photographs of John Drew (and other actresses) in various dramatic productions. Clean copy.

Hardcover. NY, Delacorte Press, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A director, producer, actor, and author, Joshua Logan had more Broadway hits than almost anyone else. In the late 1940s . Logan worked in theater and film throughout his career, showing talent from the time he was a young student at Princeton University. He acted on stage before achieving his first major success as a director with 'I Married an Angel,' in 1938; he also produced several shows. For many years Logan struggled with manic-depressive illness, and late in life he toured the country to offer encouragement to fellow sufferers. 408 pages, b&w photos. Clean copy.

Hardcover. NY, Oxford University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 400 pages. Price-clipped. Clean covers and dust jacket, pages crisp and unmarked, tight binding; clean copy. A generation before Walt Disney, Fred Thompson was the "boy-wonder" of American popular amusements. At the turn of the 20th century, Thompson's entrepreneurial drive made him into an entertainment mogul who helped to define the popular culture of his day.In this lively biography, Woody Register tells Thompson's remarkable story and examines the transformation of commerce and entertainment as American society moved into an era of mass marketing and large-scale corporate enterprise. Getting his start as a promoter of carnival shows at world's fairs, Thompson was one of the principal developers of Coney Island, where he created the majestic Luna Park. Register traces Thompson's career as he built the mammoth Hippodrome Theater in Manhattan, where he mounted many productions noted for their spectacular--and spectacularly costly--staging effects. Register shows how Thompson's fantasies appealed to the growing legions of Americans who found themselves in a world that seemed increasingly "businesslike" and profit oriented. He illustrates how Thompson aggressively marketed to adult consumers a world of make-believe and childlike play, carefully crafting his own public image as "the boy who never grew up."Colorful, well-written, and insightful, The Kid of Coney Island brings to life a kaleidoscopic era in New York history as well as one of its most striking characters.

Hardcover. Jefferson NC, McFarland Publishing, 1st, 1997, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with white lettering, no dust jacket issued. A biography of the sole manager of Laura Keene's Theatre in New York City and one of the most influential members of the 19th century theatre community. Her career and her personal life...includes b&w photos, and an appendix of theatres, companies, plays and roles.

Hardcover. Woodstock NY, Overlook Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with minor edge wear. Over 300 photographs (many in color), most never-before published, chronology, select recordings and videotapes, index. Text taken from Lenya's interviews, private conversations, letters, and other writings provide captivating glimpses into her on-stage and off-stage world. Married to Kurt Weill, the pair brought their talents to American theater when they left Nazi Germany in the 1930s. She gave unforgettable performances on stage and screen ('Threepenny Opera', 'Cabaret' etc) and established herself as one of the twentieth century's most enduring and talented performers. Clean copy.

Hardcover. NY, Henry Holt, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. An up close and personal portrait of a legendary filmmaker, theater director, and comedian, drawing on candid conversations with his closest friends in show business and the arts-from Dustin Hoffman and Meryl Streep to Natalie Portman and Lorne Michaels. The work of Mike Nichols pervades American cultural consciousness-from The Graduate and Who's Afraid of Virginia Woolf? to Angels in America, The Birdcage, Working Girl, and Primary Colors, not to mention his string of hit plays, including Barefoot in the Park and The Odd Couple. If that weren't enough, he was also one half of the timelessly funny duo Nichols & May, as well as a founding member of the original improv troupe. Over a career that spanned half a century, Mike Nichols changed Hollywood, Broadway, and comedy forever. Most fans, however, know very little of the person behind it all. Since he never wrote his memoirs, and seldom appeared on television, they have very little sense of his searching intellect or his devastating wit. They don't know that Nichols, the great American director, was born Mikail Igor Peschkowsky, in Berlin, and came to this country, speaking no English, to escape the Nazis. They don't know that Nichols was at one time a solitary psychology student, or that a childhood illness caused permanent, life-altering side effects. They don't know that he withdrew into a debilitating depression before he "finally got it right," in his words, by marrying Diane Sawyer. Remainder dot to bottom edge otherwise clean.

Hardcover. NY, Henry Holt, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, unclipped. The moving story of the life of the woman behind A Raisin in the Sun, the most widely anthologized, read, and performed play of the American stage. Written when she was just twenty-eight, Lorraine Hansberry's landmark A Raisin in the Sun is listed by the National Theatre as one of the hundred most significant works of the twentieth century. Hansberry was the first Black woman to have a play performed on Broadway, and the first Black and youngest American playwright to win a New York Critics' Circle Award. Charles J. Shields's authoritative biography of one of the twentieth century's most admired playwrights examines the parts of Lorraine Hansberry's life that have escaped public knowledge: the influence of her upper-class background, her fight for peace and nuclear disarmament, the reason why she embraced Communism during the Cold War, and her dependence on her white husband-her best friend, critic, and promoter. Many of the identity issues about class, sexuality, and race that she struggled with are relevant and urgent today. This dramatic telling of a passionate life-a very American life through self-reinvention-uses previously unpublished interviews with close friends in politics and theater, privately held correspondence, and deep research to reconcile old mysteries and raise new questions about a life not fully described until now.

Hardcover. Lexington KY, University Press of Kentucky, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. An Armenian national raised in Russia, Rouben Mamoulian (1897--1987) studied in the influential Stanislavski studio, renowned as the source of the "method" acting technique. Shortly after immigrating to New York in 1926, he created a sensation with an all-black production of Porgy (1927). He then went on to direct the debut Broadway productions of three of the most popular shows in the history of American musical theater: Porgy and Bess (1935), Oklahoma! (1943), and Carousel (1945). Mamoulian began working in film just as the sound revolution was dramatically changing the technical capabilities of the medium, and he quickly established himself as an innovator. Not only did many of his unusual camera techniques become standard, but he also invented a device that eliminated the background noises created by cameras and dollies. Seen as a rebel earlier in his career, Mamoulian gradually gained respect in Hollywood, and the Directors Guild of America awarded him the prestigious D. W. Griffith Award for Lifetime Achievement in 1983. In this meticulously researched biography, David Luhrssen paints the influential director as a socially conscious artist who sought to successfully combine art and commercial entertainment. Luhrssen not only reveals the fascinating personal story of an important yet neglected figure, but he also offers a tantalizing glimpse into the extraordinarily vibrant American film and theater industries during the twenties, thirties, and forties.

Hardcover. NY, Bobbs-Merrill , 1st, 1954, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket with faging to spine. Illustrations and jacket art by Al Hirschfeld. One woman's humorous take on life in New York City in the early 1950s. The author was married to NYT drama critic, Brooks Atkinson, but she could write too. Clean copy.

Hardcover. NY, Stein and Day , 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, blue dust jacket, 311 pages with index. Color frontis, b&w illustrations. "In Grimaldi's lifetime (1779-1837) he won fame and affection for his pantomines;" Dickens reordered the memoirs into a straight narrative of Grimaldi's life." Clean copy.

Hardcover. Ann Arbor, MI, Ardis, 1st English, 1981, Book: Very Good, Dust Jacket: Good, Hardcover, 565 pages. B/w illustrations throughout. Gilt title on spine. Decorated endpapers. Dust Jacket shows some wear due to age: yellowing, fraying and chipping to edges of front, spine and back, but still in tact. Cover boards clean, covered in teal fabric and in good shape. Pages clean, edges slightly yellowed. From the front flap: "...a landmark work in Russian theater scholarship, this study reveals Meyerhold in the context of his time, as seen by friends and enemies, actors and critics, and analyzes the development of his remarkable career as Russia's most celebrated and influential experimental director."

Hardcover. NY, Back Stage Books, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 320 pages. Foreword by Frank Rich. Henderson (curator of the White Barn Theater Museum in Westport, Connecticut, she's lectured and written extensively on theater), using the substantial archive of his writings, has assembled a suitable tribute to one of America's most influential creators of theater design. The book proceeds chronologically through Mielziner's life and long career, richly supplemented with photos and high quality color reproductions of the designer's watercolor and pencil drawings, and excerpts from his writings. He designed the original sets for A Streetcar Named Desire, Death of a Salesman, and Carousel and operas such as Don Giovanni. NOTE: While this book is bright and clean, it has a light musty odor.

Hardcover. NY, Simon & Schuster, 1st, 1963, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers stamped in orange, yellow and white, 474 pages. The memoirs of a major American playwright, Pulitzer Prize winner for Street Scene. Clean copy.

Hardcover. NY, Harcourt, Brace & World, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. This is Brigit Brophy's original 1964 edition (she later revisited it in 1988) of her profoundly original and controversial psychoanalytic study of Mozart's five most famous operas. 328 pages, clean copy.

Hardcover. NY, Doubleday, 1st, 1960, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages, b&w photo illustrations, black cloth covers, gilt on spine faded. INSCRIBED BY SHAWN and dated Nov. 5 1960 on front fly leaf. No dust jacket. Ted Shawn was an American dancer and choreographer. Considered a pioneer of American modern dance, he created the Denishawn School together with his wife Ruth St. Denis. After their separation he created the all-male company Ted Shawn and His Men Dancers. Covers Shawn's travels and tours: with the army, in the Orient; and his creation of the Denishawn Dancers with the male athletes at Springfield College. Clean copy.

Hardcover. Boston, Little, Brown, 1st, 1931, Book: Very Good, Dust Jacket: Very Good, Hardcover, 259 pages. Illustrated with 16 black & white photographs. Previous owners signature at top of front endpaper. Dust jacket missing 3 small chunks at top and bottom of spine. Clean, tight copy.

Hardcover. NY, Holt Rinehart Winston, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 268 pages, illustrated with b&w photos and the author's pen sketches. Dust jacket with light shelf wear, clean copy.

Hardcover. NY, Doubleday, Doran and Company, Ltd. Ed., 1937, Book: Good, Dust Jacket: None, Hardcover. SIGNED BY COWARD. Cream colored cloth with NC embossed on cover, black spine label with gilt lettering that has a narrow chip down the center. Spine darkened. No. 64 of 301 signed copies. Top edge gilt. Binding tight. Red slip case has light wear. The witty English playwright, composer, director and actor Noel Coward's autobiography. With b&w photos scattered throughout, including author frontispiece photo.

Hardcover. Buffalo NY, Prometheus Books, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 188 pages, b&w photos. "At night she was a loving wife and mother. During the day, she'd put her children on the school bus, pack her sequined G-strings and feather boas, and leave for New York City - to take her place in the world of Times Square as the 'Queen of Burlesque. '...Paris refused to compete on an X-rated level, presenting her audiences with old-fashioned burlesque: the gowns, the gloves, the feather fans. Much to her surprise, she beceme the favorite stripper on the New York circuit." Clean copy.

Hardcover. NY, Atheneum, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 227 pages, b&w illustrations. In a clean, unclipped dust jacket. Rattigan was a renowned English playwright, the author of 22 plays.

Hardcover. NY, Hermitage House, 2nd pr., 1953, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 336 pages, illustrated in black and white. The story of a great impresario's adventures in the dance world. Mr. Hurok remembers Anna Pavlova, Isadora Duncan, Martha Graham, et al. Clean copy.

Hardcover. Chicago, University of Chicago Press, 1st, 1941, Book: Very Good, Dust Jacket: Very Good, Hardcovrt in a lightly worn dust jacket, 141 pages. Frontis photo of Pinero. Sir Arthur Wing Pinero (24 May 1855 - 23 November 1934) was an English actor and later an important dramatist and stage director. He became a prolific and successful playwright, authoring fifty-nine plays. These include serious social dramas, some dealing with social hypocrisy surrounding attitudes to women in second marriages. 'Pinero's talent was stagecraft. He knew how to organize material for effective presentation on the stage. He understood the mass psychology, the emotional reaction of the group in the theater, and thought little of the individual reader. As a result, the dialogue in his plays is right for the actor and the audience, but disconcerting to the readers. But in particular, Pinero was the master of suspense, motivating the turns in his plot sequence with unerring skill. For he understood stage business, the timinng of motion and sound, and, above all, the reactions of an audience to the physical properties on the stage itself. ' Clean copy.

Hardcover. NY, Arbor House, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 352 pages with photographs. Biography co-written by the author's brother. The definitive biography of one of America's most celebrated playwrights. Drawing on previously unseen diaries, letters, and interviews, the authors explore the life and work of Williams, from his early years in Mississippi to his landmark plays of the 1950s and 1960s. Clean copy.

Hardcover. NY, W. W. Norton, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 765 pages, b&w illustrations. John Lahr has produced a theater biography like no other. Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate. With vivid cameos of the formative influences in Williams's life-his fierce, belittling father Cornelius; his puritanical, domineering mother Edwina; his demented sister Rose, who was lobotomized at the age of thirty-three; his beloved grandfather, the Reverend Walter Dakin-Tennessee Williams: Mad Pilgrimage of the Flesh is as much a biography of the man who created A Streetcar Named Desire, The Glass Menagerie, and Cat on a Hot Tin Roof as it is a trenchant exploration of Williams's plays and the tortured process of bringing them to stage and screen. The portrait of Williams himself is unforgettable: a virgin until he was twenty-six, he had serial homosexual affairs thereafter as well as long-time, bruising relationships with Pancho Gonzalez and Frank Merlo. With compassion and verve, Lahr explores how Williams's relationships informed his work and how the resulting success brought turmoil to his personal life. Lahr captures not just Williams's tempestuous public persona but also his backstage life, where his agent Audrey Wood and the director Elia Kazan play major roles, and Marlon Brando, Anna Magnani, Bette Davis, Maureen Stapleton, Diana Barrymore, and Tallulah Bankhead have scintillating walk-on parts. This is a biography of the highest order: a book about the major American playwright of his time written by the major American drama critic of his time.

Hardcover. NY, W. W. Norton , 1st, 2014-09-22, Book: Very Good, Dust Jacket: Very Good, Hardcover, 765 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket.