Hardcover. Ithaca NY, Cornell University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 336 pages. This single-volume selection of the letters of Margaret Fuller affords a unique opportunity for renewed acquaintance with a great American thinker of the Transcendentalist circle. The letters represent Fuller at all stages of her life and career, and show her engaged as literary critic, as translator and as champion of German literature and thought, as teacher, as travel writer, as literary editor, as journalist, as feminist, as revolutionary, as wife and mother. My Heart Is a Large Kingdom, unlike previous collections, includes only letters transcribed from Fuller's manuscripts and does not reproduce correspondence known only from printed sources and copies in hands other than Fuller's. Among the recipients of the letters in this generous selection are such literary and cultural figures as Bronson Alcott, Elizabeth Barrett Browning, Arthur Hugh Clough, Ralph Waldo Emerson, Giuseppe Mazzini, Giovanni Angelo Ossoli (Fuller's husband), George Ripley, and Henry David Thoreau. Taken together, the letters serve as a chronicle of Fuller's lifetime and provide glimpses into her thoughts and feelings during the years of the "Conversations," Dial, and the revolution in Rome. Clean copy.
Hardcover. Te Neues Publishing , 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. Gorgeous photos of the German supermodel who once held the record for being the model with the longest legs in the world in the Guinness Book of Records. Various world-class photographers represented.
Softcover. Middlebury, VT, Middlebury College Museum of Art, 1st, 2015, Book: Very Good, Dust Jacket: None, 111 pages. Softcover with paper wrappers. Color pictures throughout. In 1899 Gustav Klimt's painting Nuda Veritas shook up the Austrian public with what many deem to be the painter's most political exploration of the nude female body. Klimt's provocative allegory challenged viewers to consider their own beliefs about the relationship between the nude (female) body and contemporary morality; this "naked truth" was shocking. Transcending accusations of pornography, Klimt's work paved the way for artistic examinations of the nude body as the site through which questions of freedom, desire, beauty, nature, culture, power, and their antonyms could be represented and negotiated. Taking these ideas as one critical point of departure, this volume and the accompanying exhibition feature selected prints, drawings, and watercolors by Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann and Kathe Kollwitz, among others. It explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, which changed the world's notions of flesh and blood forever.
Hardcover. Philadelphia, Chilton Book Company, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, 383 pages. Hardcover. 8 pages of black & white photographs. Foxing to top edge. Light wear to dust jacket edges. Clean, unmarked pages.
NY, Back Bay Books , reprint, 2019, Book: Very Good, Dust Jacket: None, Softcover, 926 pages, color and b&w illustrations. Five women revolutionize the modern art world in postwar America in this "gratifying, generous, and lush" true story from a National Book Award and Pulitzer Prize finalist. Set amid the most turbulent social and political period of modern times, Ninth Street Women is the impassioned, wild, sometimes tragic, always exhilarating chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting -- not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and countless others to come. Clean copy.
Softcover. New York, Aperture, 2nd pr., 1993, Book: Very Good, Dust Jacket: None, 116 pages. Softcover with light wear to paper wrappers. Black and white photos throughout. Adult content. Clean. tight copy.
Hardcover. NY, Norton, 2nd pr., 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, 318 pages. SIGNED BY RICH on title page. Light soil to dust-jacket.
Hardcover. NY, Frederick Ungar , 1st, 1978, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket with fading to spine, 165 pages, b&w illustrations. Behind the obsessive domesticity of the traditionalist 50s, women's demands were germinating. French looks at 13 films from the era to examine the roots of modern feminism. Clean copy.
Softcover. New York, powerHouse, 1st, August 2003, Book: Very Good, Dust Jacket: None, Softcover, 191 pages, color photographs throughout. A very clean, tight copy. For adults only. Every day, thousands of young Asian women go to work in the sex industry, a marketplace in which any desire can be satisfied for a price--despite the fact that many Asian countries are repressive to the point of banning certain standard sexual practices. For six years, Asian-American photographer Reagan Louie journeyed through this sexual underworld, visiting nearly a dozen countries including Cambodia, China, Hong Kong, the Philippines, Vietnam, Tibet, Thailand, and Japan, among others, photographing the day-to-day lives of women who, either by choice or by necessity, exchange their bodies for money.
Chicago, The Western Co., 1923, Book: Very Good, Dust Jacket: None, Art "Each soft caress adds loveliness", color art by Coles Phillips. 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1908, Book: Very Good, Two-color art of running girl in black bathing suit by James Montgomery Flagg. 10 X 13", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. Berkeley, University of California Press, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 330 pages. In this analysis of three generations of women in a Chinese silk factory, Lisa Rofel brilliantly interweaves the intimate details of her observations with a broad-ranging critique of the meaning of modernity in a postmodern age.The author based her study at a silk factory in the city of Hangzhou in eastern China. She compares the lives of three generations of women workers: those who entered the factory right around the Communist revolution in 1949, those who were youths during the Cultural Revolution of the 1970s, and those who have come of age in the Deng era. Exploring attitudes toward work, marriage, society, and culture, she convincingly connects the changing meanings of the modern in official discourse to the stories women tell about themselves and what they make of their lives. Clean.
Softcover. NY, Henry Holt & Co., reprint, 1995, Book: Very Good, Dust Jacket: None, Softcover, 406 pages. Second edition of this national best seller, with a personalized inscription signed by the author on the half-title.
Hardcover. New York, Crowell, 1937, Book: Very Good, Dust Jacket: None, Hardcover. 41 pages. Color illustrations by Roese. Oversize book. Some darkening, rubbing to covers. Otherwise clean, tight copy. An promotional piece directed at potential advertisers by Woman's Home Companian Magazine. Scarce.
Hardcover. Boston, Crosby and Nichols, 1st US, 1864, Book: Good, Dust Jacket: None, Hardcover, textured light blue cloth, gilt lettering and design on spine, 7 x 5 inches, frontispiece engraving of a young woman feeding a child on her lap with a spoon, a young lad seated at the table; three additional plates. 344 pages. Fifteen stories, each intending to teach moral precepts. They are Youth, Intellect, Beauty, Favor, Ambition, Pleasure, Friendship, Love, Godliness, Kindliness, Fashion, The Life of Pride and Levity, The Life of Sense and Heaviness, The Life of Sarcasm and Bitterness, Consolations."Sarah Tytler" was the pen name of Henrietta Keddie (1827-1914), a Scottish novelist. "Her domestic realism became popular with women, as did her conduct books for girls." - wikipedia. The artist, John Everett Millais (1829-1896), became a celebrated English painter, one of the founders of the Pre-Raphaelite Brotherhood. Previous owner's inscription on front fly leaf. Covers with light soil.
Hardcover. NY, powerHouse Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 127 pages. Lili Almog's color photos taken at three Carmelite monasteries (of nuns) are revealing of their faith.. The sisters showing their distinctive profession crucifixes (normally worn hidden under their scapulars, and pinned to their beds when they go to sleep) are revealing their personal symbols of "perfect intimacy." And the statues and/or holy cards of our holy mother St. Teresa, our holy father St. John of the Cross, St. Therese, and St. Joseph make Carmelites feel right at home. The monasteries are also significant: they are on Mt. Carmel (Haifa) and in Bethlehem--founded by Sister Miriam, "the little Arab"; and in Port Tobacco, Maryland, whose community is the oldest and first Discalced Carmelite convent founded in the US. The spartan surroundings emphasize the importance of the nuns' relationship with God. The photos of the sisters revealing their profession crucifixes, which they wear near their hearts and pin to their beds when going to sleep, I found especially moving. Almog's photos are neither stilted nor rigid, but reminiscent of the photos that St. Therese's sister Celine took of her! The quotations from Blessed Teresa of the Andes are very apt comments on the photos.
Softcover. NJ, Citadel Press, reprint, 1978, Book: Very Good, Dust Jacket: None, Softcover, 292 pages. Studies the distinctive personalities, problems, and cultural contributions of such women as Margaret Fuller, Lydia Maria Child, and Elizabeth Cady Stanton, examining the extent to which romanticism encouraged intellectualism among women during the three decades prior to the Civil War. Clean copy.
Softcover. Hanover, Brandeis University Press, 1st pbk, 2000, Book: Very Good, Dust Jacket: None, Softcover, 338 pages, a study of Alice Neel and her paintings. Illustrated with b/w photographs and color plates, with notes, bibliography, and index. Clean, bright copy.
Softcover. Hanover, Brandeis University Press, 1st pbk, 2000, Book: Very Good, Dust Jacket: None, Softcover, 338 pages, a study of Alice Neel and her paintings. Illustrated with b/w photographs and color plates, with notes, bibliography, and index. Clean, bright copy.
Hardcover. Canada, Flammarion, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, 160 pages. This book will beguile a new generation with flirtatious representations of femininity from the 1940s and 50s. Illustrations of irresistible pinup models bring teasing frivolity to a range of everyday situations, organized thematically from morning to evening. Gil Elvgren, Earl Moran, Al Buell, Edward d'Ancona, and Earl Christie were master illustrators of the pin-up genre. From sun-kissed beauties at the beach to ski bunnies hitting the slopes, bedside nurses ready to take your temperature to scantily clad runaways, rakish shipmates to not-so-conscientious secretaries, these smiling cuties are ready for fun. The penny arcade trading cards originally viewed on a peep-show style reel and reproduced here as detachable illustrations feature both established pin-up artists and those waiting to be rediscovered. Each illustration is accompanied by a humorous and memorable celebrity quote.
Hardcover. New York , Rizzoli, 1st, 1997, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacket. Gilt stamped black cloth. The complete history of the legendary Pirelli Calendar. Launched in 1963 to a privileged shortlist of customers, the quality and creativity of Pirelli's photographers have made the limited-edition calendar a paradigm of the genre and a coveted collector's item. This volume contains all the calendars published since 1964--including the 1997 edition photographed by Richard Avedon--for a total of 264 full color images. Small chunk gone from rear of dust jacket. 407 pages.