Hardcover. San Francisco, Last Gasp, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages. Glossy illustrated boards, color illustrations. Hideshi Hino is a cult author both in the comics and horror world. This volume features a selection of his artwork and three new short manga stories.

Hardcover. US, Book Sales, rep, 1996-08-01, Book: Very Good, Dust Jacket: Good, Hardcover, 192 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket with small tear and light de-lamination to rear cover. Clean, tight copy. Portrays the remarkable work of one of the greatest glass designers and makers ever to work, Rene Lalique, including the best of his work and the continuing production of his atelier.

Softcover. NY, Harmony Books, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover, 128 pages illustrated in color and b&w. Gathered here for the first time in book form are 130 extraordinary illustrations, with 32 pages in full color, including Norman Rockwell, Vargas' pin-ups, Remington's gunfighters, Parrish's landscapes etc. Nice tight binding. Clean. Light crease to cover at bottom front corner.

Hardcover. Petaluma CA, Acid Test, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover. Extensive color illustrations throughout. Illustrated endpapers and paste downs. Includes appendix of artist names. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Boston, MFA,Boston/Harvard University, 1st, 1961, Book: Very Good, Dust Jacket: Good, Hardcover, 232 pages. Illustrated with mostly black & white examples of fine book design. Dust jacket shows wear with small tears and chunks missing from edges. Clean, tight copy.

Hardcover. Verba Volant, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 480 pages, 796 b/w & 12 color illustrations. A showcase of the Architecture & Decorative arts of the Art Deco period. Originally published in 1930, in Italy, under the title 'Le Arti d'Oggi' the book is divided into six sections - Architecture, Interiors, Metalwork, Ceramics, Glasswork & Fabrics. A superb pictorial reference for anyone interested in the art & design of the 1920 art deco period.

Softcover. New Haven CT, Yale University Art Gallery, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 123 pages, b&w illustrations, some color. Bright, clean copy.

Hardcover. NY, Random House, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 127 pages. Features 100 B&W and color automobile ads from 1905-1976. Clean copy.

Hardcover. NY, Vendome Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Beene by Beene is a journey through Geoffrey Beene's life in fashion, a 40-year exploration that was, by turns, visionary, witty, irreverent, iconic, and timeless. His work was of such powerful clarity, such complete complicity between form and function that it actually teaches us-as all works of art do-how to look. A defining American artist, Geoffrey Beene towers in his field.Pamela A. Parmal provides a chronological survey of Mr. Beene's career as a fashion designer and discusses the evolution of his work. Chapters focus on themes or influences-Woman, Body, Fabric, Comfort, Geometry, Sport, Culture-that were a constant source of inspiration to the designer. Beene won the attention and admiration of other artists, and here we see his work through the eyes of renowned photographers and illustrators, even filmmakers and choreographers.

Hardcover. NY, Vendome, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Beene by Beene is a journey through Geoffrey Beene's life in fashion, a 40-year exploration that was, by turns, visionary, witty, irreverent, iconic, and timeless. His work was of such powerful clarity, such complete complicity between form and function that it actually teaches us-as all works of art do-how to look. A defining American artist, Geoffrey Beene towers in his field.Pamela A. Parmal provides a chronological survey of Mr. Beene's career as a fashion designer and discusses the evolution of his work. Chapters focus on themes or influences-Woman, Body, Fabric, Comfort, Geometry, Sport, Culture-that were a constant source of inspiration to the designer. Beene won the attention and admiration of other artists, and here we see his work through the eyes of renowned photographers and illustrators, even filmmakers and choreographers.Geoffrey Beene died in September 2004, before this book could be published, but he was intimately involved with its creation, including the editing of the text, the photo selection, and the book design. The book itself is as tailored and soignee as Mr. Beene's couture, as it looks back at his long and distinguished career.

Hardcover. New York , St Martins/Christies, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 236 pages. Illustrations in color, b&w. Bright, clean copy in a similar dust jacket. Everyone knows the beauty and value of Tiffany glass lamps, vases and windows. But few know that the masterful pieces fron the Tiffany Studios would not have been possible without Arthur Nash, developer of the now-priceless Favrile glass, and his son Leslie, director of the Studio's division of glassmaking, pottery and enamel. Leslie's memoirs, along with notes and references, tell the unfiltered and refreshing story of the Studio's heyday, and substantially expand our knowledge, and his photos comprise the largest collection of here-to-fore unseen images of the studio's earliest pieces. This historical find is an event in the decorative arts world and will appeal to both collectors and museums.

Hardcover. NY, Assouline, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Internationally renowned artist Bernar Venet continues to challenge himself with a wholly original, fresh collection of furniture. Although designed to satisfy a non-artistic, purely domestic need, furniture fits naturally into the range of Venet's creative activities. Using a blow-torch to cut thick sheets of laminated, crude steel, he sets up a contrast between solidity and fragility, emphasizing rawness and indestructibility. Venet's furniture reflects the artistic vision he has developed throughout his ceuvre. He emphasizes functional simplicity and a plainness underpinned by notions of utilitarianism.

Hardcover. NY, Stewart, Tabori and Chang, 1st, 2009-04-01, Book: Very Good, Dust Jacket: Very Good, 176 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. NY, Knopf, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, Illustrated with color, black & white plates. Clean, unmarked copy with only minor wear to dust jacket.

Softcover. Milwaukee Art Museum and Hatje Cantz, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover. Biedermeier examines Biedermeier painting, furniture and decorative arts as a style and a cultural attitude. Visual arts of the period, which are still largely unstudied as distinct from Romanticism or the Nazarenes, are highlighted here in the work of Georg Friedrich Kersting and Eduard Gaertner. With nearly 300 outstanding examples of German, Austrian and Czechoslovakian paintings, furniture, related decorative arts and works on paper, this is a superb document of the innovative character of the period and its importance as a precursor to modernism.

Hardcover. Boston, Bulfinch/Little Brown, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 328 pages in an unclipped dust jacket that has fading to spine. Shows paintings, murals, frescoes, and art objects produced by the Bloomsbury Group and briefly traces the group's origins and aims. Over two hundred illustrations in color. Some of the artists included, Duncan Grant, Vanessa Bell, Roger Fry, and more.

Hardcover. NY, Abrams, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Francoise Mouly takes us behind the scenes at the New Yorker and reveals how the magazine creates its signature covers commenting on the most urgent political and cultural events of the day. She shows the shocking and hilarious sketches that didn't make the cut and explains how these are essential stages in the evolution of a cover that stands the test of time but retains its edge. Her book captures contemporary history--from the farce of Monica Lewinsky to the adventures of Michelle and Barack to nuclear meltdown in Japan--in images that are as acute as they are outrageous. More than that, it shows how the magazine that exemplifies journalistic excellence in America also dares to cultivate a sense of humor when grappling with complex moral and political issues.

Hardcover. New York , Monacelli, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 336 pages, illustrated with color plates, additional drawings and plans. Very good hardcover in a bright dust jacket.

Hardcover. New York , Monacelli, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 336 pages, illustrated with color plates, additional drawings and plans. Very good hardcover in a bright dust jacket.

Hardcover. NY, Reagan Books, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 272 pages. Through striking illustrations and stunning photographs, Bohemian Modern explores the unique structural and interior designs that have put California's ultra-chic Silver Lake neighborhood at the forefront of a new style phenomenon. One of the country's most renowned modernist architects, Barbara Bestor has fully embraced and perfected Silver Lake's "bohemian modern" style: a practical philosophy that is Californian in origin but achievable anywhere. It is a look that favors raw, authentic materials, brilliant colors, creative space planning, and a natural flow between indoors and outdoors. The results, as Bohemian Modern presents, are striking: a flawlessly restored Neutra house decorated with both whimsy and restraint, a rooftop constructed for viewing the stars, a lavish outdoor garden delicately integrated into the surrounding architecture, a double-sided bookcase that soars three stories and serves as a functional art installation...there is no limit to the creativity and beauty of Silver Lake style.

Hardcover. NY, Reagan Books, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 272 pages. Through striking illustrations and stunning photographs, Bohemian Modern explores the unique structural and interior designs that have put California's ultra-chic Silver Lake neighborhood at the forefront of a new style phenomenon. One of the country's most renowned modernist architects, Barbara Bestor has fully embraced and perfected Silver Lake's "bohemian modern" style: a practical philosophy that is Californian in origin but achievable anywhere. It is a look that favors raw, authentic materials, brilliant colors, creative space planning, and a natural flow between indoors and outdoors. The results, as Bohemian Modern presents, are striking: a flawlessly restored Neutra house decorated with both whimsy and restraint, a rooftop constructed for viewing the stars, a lavish outdoor garden delicately integrated into the surrounding architecture, a double-sided bookcase that soars three stories and serves as a functional art installation...there is no limit to the creativity and beauty of Silver Lake style.

Softcover. New York, Thames & Hudson, 1st, 2009, Book: Very Good, Dust Jacket: None, 216 pages. Softcover. Like new in publisher's shrink-wrap. Light edgewear to spine corners. From the early 20th century to the present day, this large-scale, brightly colored, coffee table book features the very best (and also the very cheesiest) advertisements for the hottest movie releases and stand-alone Hindi classics.

Hardcover. New York , powerHouse Books, 1st, 2007, Book: Very Good, Dust Jacket: None, Illustrated throughout in color. Clean, unmarked copy with only minor wear to boards. Hardcover, 128 pages with 120 color plates featuring the conceptual artist's graffiti-like images. Claw was the first famous graffiti artist who later expanded her work into the world of fashion.

Bauer and Dean, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with black cloth spine. This alluring blend of art book and autobiography will capture the imagination. At its heart are hundreds of captivating 3 x 5-inch artworks? intricate collages and drawings created on old library checkout cards, each one representing a book that left an indelible mark on artist Barbara Page. She began creating these illustrated "book marks" as a colorful way to remember titles she was currently reading. Before long, Page embarked on a decade-long art project recreating her reading history, starting with picture books from early childhood. Every artwork serves as a bookmark for a moment in time connected to a specific title, and, as a collection, they present over seventy years of literature, politics, thought, and culture-as colored by one woman's reading choices. Some images may evoke your own memories of a story. Others may feel like little puzzles that require reading or rereading a title to interpret the artistic references.