Softcover. New York, St. Martins Press , 1st US, 1975, Book: Very Good, Dust Jacket: None, 122 pages. Softcover. Small marking to front cover. Otherwise clean copy with minor edgewear. 107 illustrations, including 16 in color. Walter Crane, artist of Kensington, was a man of many talents, but is possibly best known for his original and charmingly executed designs which made him the leading illustrator of children's books of the Aesthetic Movement period. In the face of the commercial vulgarity and ugliness of Victorian industrialised society, he created a delicate and escapist fairy world which, with its emphasis on spontaneity and mobility of line, and its clever use of background and colour, popularised a completely new style of tasteful book designs, and brought them within reach of everyone. The influence of Crane's work and his highly novel theories of design make him an important figure in nineteenth century art history. Rodney Engen, American-born painter and lecturer, discusses Crane's style and ideas in a study delightfully arranged after Crane's own rules and book design.
Hardcover. Scranton PA, International Textbook Company, reprint, 1919, Book: Very Good, Dust Jacket: None, Hardcover, thin black textured cloth covers with embossed titles, gilt lettering on spine, marbled endpapers, 104 pages. With drawings, illustrations, a few in color, diagrams, a few as foldouts, questions and exorcises, and index. Clean, bright copy.
Hardcover. New York, Thames & Hudson, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. Best known for his luscious paintings of pies and ice-cream cones, American artist Wayne Thiebaud (born 1920) has been an avid and prolific draftsman since he began his career in the 1940s as an illustrator and cartoonist. This book of 116 drawings-compiled with the full cooperation of the artist to accompany a major new exhibition at the Morgan Library Museum-explores the wide range of Thiebaud's production on paper, including early sketches, luminous pastels, and watercolors, and charcoal drawings made in connection with his teaching. In subjects ranging from deli counters and isolated figures to dramatic views of San Francisco's plunging streets, Thiebaud's drawings endow the most banal, everyday scenes with a sense of poetry and nostalgia.
Softcover. Berkelry CA, Last Gasp, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover First Edition R. Crumb color front cover, 8 page b&w strip by R. Crumb, Mode O'day. Other b&w strips.
Softcover. Berkeley CA, Last Gasp, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 44 pages, created by Robert Crumb, his wife Aline, and others; with a color front and rear cover by Crumb, work entitled Uncle Bob's Mid-Life Crisis (eight pages), Robert Williams, a photo piece called Slaves Of The Comicbook Factory, Jeff John, Trashman by the legendary Spain, Dori Seda, C.P.Grimsley, and others; this true first printing, in stapled wrappers.
Art Intitute of Chicago/Yale University Press, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, 251 pages illustrated in color. The extraordinary life of a captivating American artist, beautifully illustrated with his dreamlike drawings Much of Joseph Elmer Yoakum's story comes from the artist himself--and is almost too fantastic to believe. At a young age, Yoakum (1891-1972) traveled the globe with numerous circuses; he later served in a segregated noncombat regiment during World War I before settling in Chicago. There, inspired by a dream, he began his artistic career at age seventy-one, producing some two thousand drawings over a decade. How did Yoakum gain representation in major museum collections in Chicago and New York? What fueled his process, which he described as a "spiritual unfoldment"? This volume delves into the friendships Yoakum forged with the Chicago Imagists that secured his place in art history, explores the religious outlook that may have helped him cope with a racially fractured city, and examines his complicated relationship to African American and Native American identities. With hundreds of beautiful color reproductions of his dreamlike drawings, it offers the most comprehensive study of the artist's work, illuminating his vivid and imaginative creativity and giving definition and dimension to his remarkable biography. Clean copy. NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. NY, George Braziller, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 90 pages, 37 plates. Internationally acclaimed artist Will Barnet reveals never-before-seen early drawings that profoundly influenced the direction of his career.These intimate drawings portraying Central Park during the Great Depression have never been exhibited or published-until now. The drawings have been stored in Will Barnet's studio for decades, always serving as a reference and source of inspiration for later projects (like the etchings included here) but never coming to light as an independent body of work.
Hardcover. New York, Hudson Hills Press, 1st, January 25, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 206 pages with 60 color and 117 b&w plates. Still wrapped in plastic. Oversized. A bright, beautiful copy. This comprehensive book brings together nearly two hundred illustrations from Ore, The Inland Printer, The Chap-Book, Collier's Weekly, and other periodicals, books advertisements, and ephemera. Adding to the volume's reference value are an extensive list of Bradley's published works, bibliography, lists of public collections and exhibitions, and an appendix reprinting his "Primer of Ornament and Design," including previously unpublished material.
Hardcover. London, Sotheby's, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, glossy boards, 84 pages. The catalogue for an auction of a group of the original drawings Blake did to illustrate Blair's poem "The Grave," in 1805. These drawings had been lost, were recently re-discovered and were auctioned by Sothebys. The catalogue is of 20 lots, and theis essay by Bialler surveys the history and scholarship surrounding the works.
Hardcover. Birmingham AL, University of Alabama Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 pages. William Christenberry is enjoying wide exposure of his artistic body of work. Since the early 1960s, he has plumbed the regional identity of the American South, primarily centering on his early home in the Black Belt counties of Alabama, His poetic elucidation of Southern vernacular landscape and architecture using the media of photography, drawing, painting, collage, sculpture, and miniaturization reveals how history, the very story of place, is at the heart of his lifelong project.
Hardcover. Norman, OK, University of Oklahoma Press, 1st, 1984, Book: Near Fine, Dust Jacket: Good, Hardcover. This illustrated biography describes a trip taken by William de la M. Cary and two companions by steamboat on the Missouri River. 242 pages, b&w illustrations, 16 pages of color plates. SIGNED BY LADNER on the half-title page. Book tightly bound and in near fine condition. Dust jacket shows some rubbing and fading in areas.
Softcover. San Francisco, Apex Novelties, 1st, 1971, Book: Very Good, Dust Jacket: None, Softcover with color wraps. 24 pages all written and drawn by R. Crumb. Characters include Pete the Plumber, Mr. Natural, Horny Harriet Hotpants, and Stinko the Clown. Adults only.
Softcover. Seattle, WA, Fantagraphics, 2nd, 2012, Book: Very Good, Dust Jacket: None, 250 pages. Softcover. Light wear to corners, otheriwse Clean, unmarked copy. Black and white drawings throughout. Spanning the most formative era of his life, from the painful years of adolescence to the fame and fortune of early adulthood, this collection of personal correspondences with two near-lifelong friends sheds light on the artistic development, bitter struggle, and ultimate triumph of the world's greatest living cartoonist.Crumb writes about many key events in his life: the dissolution of his first marriage, the pain of being separated from his first child, his troubles with the IRS, and his obsessions with comics, music and women, most notably his earliest experiences with Aline Kominsky-Crumb, now his wife of over 30 years. An entertaining and revealing look into the mind of a great artist and thinker; this is Crumb's sketchbook of words, featuring scores of rare art, including entire letters drawn in cartoon form.