Hardcover. NY, Thomas Yoseloff, 1st, 1958, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, lightly soiled dust jacket. 64 pages. + 97 b&w plates. Introductory essay, Selected bibliography. Bookplate on inside front cover, otherwise clean.

Hardcover. France, Diffusion Glenat, 1st, N/A, Book: Very Good, Dust Jacket: Very Good, 239 pages. Hardcover with dust jacket. Sunfading to dust jacket spine. An otherwise very clean, unmarked copy. SIGNED AND INSCRIBED BY AUTHOR ON FRONT FLYLEAF.

Softcover. Washington, DC, Smithsonian Institution, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, b&w and color illustrations. Very light edge wear; else a very clean, tight copy.

Softcover. Washington, DC, Smithsonian Institution, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, b&w and color illustrations. Very light edge wear; else a very clean, tight copy.

Hardcover. Atlanta, GA, University of Georgia Press, 1st, 1945, Book: Good, Dust Jacket: Good, Written by fresco painter Jean Charlot on the subject of 3 particular murals he painted during his year as artist-in-residence at the University of Georgia. 222 pages, illustrated with 178 (mostly black/white, few color) plates. Introduction by Lamar Dodd and photography by Eugene Payor. Cloth bound book is in good condition, some light stains on the cover, a few pages stick. Dust jacket shows slight edge wear.

Hardcover. New York, Chelsea House, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket and plastic covering in very good condition. Brown cloth book marred a little by flakes of yellow paint on back cover. 274 pages, 379 illustrations (20 tipped-in color).

Hardcover. Los Angeles, CA, Ward Ritchie Press, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover. Published to accompany an exhibition at the Pasadena Art Museum. Features writings by the artist, including his proposals for monuments, as well as illustrations (mostly black/white, few color) of his sculptures and drawings. Also contains chronology of the artist's life and work. Cloth bound book is in very good condition. Dust jacket has some scratches/wear.

Softcover. Stockholm, Sweden, Moderna Museet, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 84 pages, text in Swedish and English. Illustrated white cover in excellent condition. Minor rubbing on back cover. Clean, crisp pages with beautiful illustrations throughout. Tight binding. Very minor wear on cover corners.

Softcover. Washington DC, Smithsonian Institution Press, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 110 pages, illustrated throughout in color and b&w. Light wear to wrappers, mild damp stain to rear cover. Previous owner's writing, underlining to several pages.

Softcover. Washington DC, Smithsonian Institution Press, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 110 pages, illustrated throughout in color and b&w. Light wear to wrappers, with some sun-fade to spine and slight soil to rear cover. Previous owner's signature on front end paper. Neat, tight copy.

Hardcover. Seattle, Salisbury Press, 1st, 1970, Book: Very Good, Dust Jacket: None, 64 pages. Hardcover. Illustrated in full color and black & white. Book with original wrap around band on cover. A nice copy.

Softcover. New York, Thames and Hudson, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 350 pages, color illustrations. Eighty-two comic artists are featured, varying greatly in age, experience, and style. Each artist is introduced with a few paragraphs including some biographical material and quotations regarding their style, influences, and approach to their work, followed by approximately four large pages per artist of previously unpublished doodle or draft drawings from their sketchbooks, totaling 700 individual illustrations.

Softcover. New York, Thames and Hudson, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 350 pages, color illustrations. Eighty-two comic artists are featured, varying greatly in age, experience, and style. Each artist is introduced with a few paragraphs including some biographical material and quotations regarding their style, influences, and approach to their work, followed by approximately four large pages per artist of previously unpublished doodle or draft drawings from their sketchbooks, totaling 700 individual illustrations.

Softcover. New York, Thames and Hudson, 2012, 2012, Book: Very Good, Dust Jacket: None, 352 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. 700 illustrations in black & white and color throughout.

Hardcover. Milwaukie, OR, Dark Horse Books, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 500 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Features 670 illustrations and photos. This lavish volume takes an in-depth look at the history of comics in a manner decidedly unlike the dry timelines and profiles of most reference-style titles.Containing countless stories gleaned from over 150 interviews of comics industry veterans, Comics Between the Panels is loaded with more than half a century of insider information on the talented and eccentric creators who forged the comics industry and art form.

Hardcover. Cincinnati, Ohio, North Light Books, 1st, March 1991, Book: Very Good, Dust Jacket: None, Hardcover, 134 pages, b&w illustrations. A very clean, tight copy. Explains the role of caricature, tells how to develop a personal style, and includes profiles and work by top caricaturists. No dj issued.

Hardcover. Leipzig, E.A. Seemann, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 132 pages of German text followed by 264 b&w plates. A catalog of nature studies by the artist, mostly botanical. Cclean copy.

Softcover. London, Unicorn Press Ltd, 1st, 2015, Book: Very Good, Dust Jacket: None, 96 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. Many color illustrations and photographs throughout. Artist David Shillinglaw is as comfortable in the street as in the studio, as likely to paint on found objects as on canvas, as interested in tiny hand-made artist's books as in large-scale public murals. His mural in the Olympic Park in East London is the longest mural ever commissioned in Great Britain, while his brilliantly inventive creations enliven construction hoardings throughout London's changing cityscape. The Dance of 1000 Faces is the first book to gather a significant number of Shillinglaw's works. It presents his art in full color in all its many forms: not only paintings and murals, but journals drawings, sketches, and more. It reveals Shillinglaw's particular genius for depictions--and distortions--of the human face, grimacing and grinning, shifting and shaping as it becomes no one and everyone at once.

Hardcover. Rome, Institut Suisse De Rome, 1st Edition, 1976, Book: Good, Dust Jacket: Good, 159 pages followed by 46 plates in black & white. Hardcover limited edition to 800 copies in German Text. White cloth boards with brick titles to spine. Previous owner's name to front flyleaf. Spotting, foxing to preliminary pages & edges. Dust jacket with light foxing, now protected with plastic cover. Plates detail fresco cycle of the Oratorio di San Giovanni Decollato in Rome commissioned by the Florentine confraternity of the Misericordia, related drawings & sculptures. Clean, unmarked copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2006, Book: Near Fine, Dust Jacket: Near Fine, 256 pages, 163 color plates, roughly 150 figures, most in color. 4to, cloth. The full range of Hockney's portrait work in all media - painting, drawing, photographs, and prints - from the past 50 years is given a thorough overview in this well-illustrated exhibition catalogue. Featured subjects include members of Hockney's family and private circle, as well as portraits of artists and cultural figures.

Hardcover. London, Royal Academy Publications;, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 92 pages. In recent years renowned artist David Hockney has returned to England to paint the landscape of his childhood in East Yorkshire. Although his passionate interest in new technologies has led him to develop a virtuosic drawing technique on the iPad, he has also traveled outdoors with a traditional sketchbook, an invaluable tool as he works quickly to capture the changing light and fleeting effects of the weather. Executed in watercolor and ink, these panoramic scenes have the spatial complexity of finished paintings--the broad sweep of sky or road, the patchwork tapestry of land--yet convey the immediacy of Hockney's impressions. For those who know the East Yorkshire Wolds, the location of the sketches is unmistakable; for those who don't, its features will come to life in these pages.

Hardcover. US, Nan A. Talese, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 384 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and black and white pictures throughout.

Softcover. New York, The Whitney Museum of American Art, 1st, 1979, Book: Good, Dust Jacket: None, Softcover. Exhibition Catalog, 128 pages. Color and B&W plates throughout. Light edge wear and light soiling to wrapper. Some small amount of wrinkling to rear bottom left corner. Otherwise a tight and clean copy.

Softcover. Geneva, Switzerland, Alice Editions, 2nd pr., 1976, Book: Very Good, Dust Jacket: Good, Softcover, 24 watercolors with a text by author and translated by Paolo Lionni and Jill Goodman. Previously bookseller's sticker on title page, minor corner and edge wear and small quarter inch tear on top edge, otherwise, very clean and tight copy.

Hardcover. Humanoids, Inc., 1st Ltd Ed., 2021, Book: Very Good, Visionary author, filmmaker, and philosopher Alejandro Jodorowsky has created -- along with some of the world's most singular and talented sequential artists -- an incredible Sci-Fi universe, full of love, revenge, intrigue, betrayal, and redemption: THE JODOVERSE. The Jodoverse's two cornerstone series are The Incal and The Metabarons, which together have sold over 5 million copies worldwide. This deluxe box set (two oversized books in one deluxe slipcase box) is limited at 1500 numbered copies.Book 1 contains the reference guide on The Incal, Deconstructing the Incal, which lifts the veil on many of the mysteries and secrets surrounding the seminal science-fiction graphic novel. This encyclopedic reference book is packed with fascinating insights from the creators, Jodorowsky and Moebius, alongside revealing text and rare and unseen preliminary illustrations. The book also contains the original 56 pages drawn by Moebius of the unfinished first version of the sequel story (After The Incal).Book 2 features the second reference guide to the Jodoverse, Deconstructing the Metabarons, focused on unveiling the secrets of the universe's fiercest warrior clan: the Metabarons. Book 2 also includes Weapons of the Metabaron, the seminal series' spin-off story recounting how the mightiest warrior in the universe built his arsenal of war and featuring A-list comics star Travis Charest's (Wildcats, WildC.A.T.s/X-Men: The Golden Age, and Star Wars comics covers) interpretation of The Metabarons' mythology. 376 total pages. Still in publisher's shrinkwrap.

Hardcover. New York, George Braziller, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 191 pages, 65 color plates. The only complete study of the artist's pastels. Like new in a bright dust jacket.

Hardcover. New York , George Braziller , 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages, illustrated throughout with 65 plates in full color. Clean, unmarked copy with only minor wear to dust jacket. This volume gathers together all the extant pastels of Eugene Delacroix (1798-1862), the leader of the French Romantic movement in painting, the greatest colorist and the most versatile master of the first half of the nineteenth century. These beautiful pastels, housed in collections from London to Los Angeles to Cairo, are rarely exhibited due to their fragility.

Hardcover. Los Angeles, CA, Aperient Press, 4th printing, 2001, Book: Very Good, 220 pages. Hardcover with no dust jacket. Very clean, unmarked copy with only minor edgewear. Many full color illustrations and black & white sketches throughout. Tight copy. Yes, that's right, this fancy hardcover book reproduces tons of Coop's posters and stickers and thangs, all in color. Step right up. "While illustrating record covers and ads for Long Gone John Mermis of Sympathy for the Record Industry, Coop made the acquaintance of the popular poster artist Frank Kozik. With Frank's influence, Coop set off in a career direction that eventually put him on the same level enjoyed by the psychedelic poster artists (Griffin, Moscoso, Kelley & Mouse, etc.) three decades earlier. Doing poster work with name bands, like Rocket From The Crypt, Soundgarden, Nirvana, and the Lords of Acid, elevated Coop's public visibility, and with it his recognition. . But the number one, singular form of expression that regurgitated his name from ear-to-ear was his aptitude for emblematic imagery which began showing up on stickers. Common is the sight of plump female figures, in coy positions (sometimes femme devils), as pressure sensitive stickers, glaring off the back window of some young gentleman's primer grey old car (and a lot of new cars too). It is with this kind of exposure that the name Coop has come to typify art for many people who simply like visual stimuli. And, of course, this visual voice speaks just as clearly (but more permanently) in the form of tattoo design. As I mentioned in the beginning, Coop doesn't exploit the occult metaphysics of satanic malarkey. Why should he? This gifted wonder-boy is the devil himself." - from the forward by Robert Williams

Hardcover. England, Antiques Collectrors Club, reprint, 1981, Book: Very Good, Dust Jacket: Good, 520 pages. Hardcover with dust jacket. Ex-Lib with usually stamps and markings on end papers, front fly leaf and spine. Faded dust jacket spine. Black and white illustrations throughout. Tight copy.

Softcover. Williamstown MA, Trustees of Williams College, 1st, 1979, Book: Near Fine, Dust Jacket: None, Softcover. Cover features "Self Portrait," by Chuck Close. Features numerous black and white works from 39 artists. Complete with biographical and critical text. Slight wear and blemishes on cover. Interior is clean.

Hardcover. New York, Vanguard Press, 1st, 1944, Book: Very Good, Dust Jacket: Good, Hardcover, 39 pages. Illustrated with black & white photographs and instructive drawing outlines. Pea size piece of paper missing at top of dust jacket spine. Closed tears along dust jacket edges. Clean, tight copy.

Softcover. Bloomington IN, Indiana University Press/Electa , 1st, 1996, Book: Very Good, Dust Jacket: None, 253 pages, color and b&w illustrations. Softcover in excellent, clean condition. Domenico Tiepolo, 1727-1804, the son of Giambattista, left a corpus of drawings which show him to be one of the talented Venetian artists of the 18th century. 176 drawings plus many photographs of details and of paintings.

Softcover. New York, Associated American Artists, 1st, 1941, Book: Very Good, Dust Jacket: None, Softcover, 9 X 12" with illustrated wrappers. Published quarterly by the Associated American Artists, Inc. and features art work and sketches by Freeman. Sketches are either in black and white or two-tone color. Unpaginated with approximately 48 pages. Light edgewear, spine paper starting to peel at top and bottom, tan stain (coffee or tea?) to bottom of front cover, not affecting inside. otherwise clean.

Softcover. New York, Associated American Artists, 1st, 1941, Book: Very Good, Dust Jacket: None, Softcover, spiral bound with illustrated wrappers. Published quarterly by the Associated American Artists, Inc. and features art work and sketches by Freeman. This issue has sketches of the Columbus Circle area of the city. Sketches are either in black and white or two-tone color. Unpaginated with approximately 28 full page sketches, some fold-outs. Light edgewear, clean.

Softcover. New York, Associated American Artists, 1st, 1941, Book: Very Good, Dust Jacket: None, Softcover, spiral bound with illustrated wrappers. Published quarterly by the Associated American Artists, Inc. and features art work and sketches by Freeman. This issue has sketches of Carl Sandburg among other local individuals. Sketches are either in black and white or two-tone color. Unpaginated with approximately 28 full page sketches. Light edgewear, clean.

Hardcover. gr, Editorial RM, 1st, 2009, Book: Near Fine, Dust Jacket: None, Hardcover, Like new in publishers shrink-wrap. With an all-black velvet cover and beautifully printed inside, Health and Efficiency is a sexy little book. The pieces are all derived from a pile of old nudist camp magazines he picked up in Brick Lane market in East London. In the original clippings nubile porcelain-white maidens pose puritanically next to ponds and lillies. But in Lakra's versions they have sailor tattoos and get skewered by monochrome skeletons and mugwumps.

Hardcover. GR, Editorial RM, 1st, 2009-07-31, Book: Near Fine, Dust Jacket: None, Like new in publishers shrink-wrap. Hardcover, Like new in publishers shrink-wrap. With an all-black velvet cover and beautifully printed inside, Health and Efficiency is a sexy little book. The pieces are all derived from a pile of old nudist camp magazines he picked up in Brick Lane market in East London. In the original clippings nubile porcelain-white maidens pose puritanically next to ponds and lillies. But in Lakra's versions they have sailor tattoos and get skewered by monochrome skeletons and mugwumps.

Hardcover. London, Little, Brown UK , 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages, lavishly illustrated in color. This is a truly exceptional collection of drawings from one of our most revered cultural commentators. Gerald Scarfe began his career in the 60s working for PUNCH and PRIVATE EYE before taking a job as a political cartoonist for the DAILY MAIL. He then worked for TIME Magazine in New York before starting his long association with the SUNDAY TIMES that still exists today in the form of his weekly drawings. His varied career has seen him work with Pink Floyd (The Wall, Wish You Were Here), Roger Waters and Eric Clapton (The Pros and Cons of Hitchhiking), Disney (Hercules), English National Ballet (The Nutcracker), Los Angeles Opera (Fantastic Mr Fox) as well as produce such iconic images as those for the titles of Yes Minister and Yes Prime Minister. His work has featured in the New Yorker and various BBC TV films such as Scarfe on Sex and Scarfe on Class. Exhibitions of his paintings and drawings have appeared in the Tate Gallery, the National Portrait Gallery and the Smithsonian National Portrait Gallery. He is viewed by many as both a national treasure and a genius and this is the first collection of his work to appear for 20 years.

Hardcover. Univ of Georgia Georgia Museum, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 360 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. NY, Abrams Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 223 pages, illustrated in color and b&w. Introduction by Judith Thurman. Clean copy.

Hardcover. NY, Overlook Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 223 pages, illustrated in color and b&w. Award-winning artist Milton Glaser's Drawing Is Thinking explores language and communication through imagery. Introduction by Judith Thurman The drawings depicted here represent a range of subject matter taken from throughout Milton Glaser's career. They illustrate the author's commitment to the fundamental idea that drawing is not simply a way to represent reality, but a way to understand and experience the world.

Hardcover. New York, Clarkson Potter Publishers, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 302 pages. Foreword by John Ashbury. 285 duotone illustrations and photographs, 70 in full color. Green cloth covers with gold lettering. Tipped in color frontispiece illustration. Dust jacket and pages clean and in like-new condition.

Softcover. New York, The Pierpont Morgan Library, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover. Approx. 130 pages. 123 plates. B&W illustrations throughout. Green cover with slight wear and fading. Slight soiling to edges. Overall, a clean, tight copy.

Hardcover. NY, Metropolitan Museum of Art, 1st, 1997, Book: Very Good, 406 pages. Hardcover published to accompany the exhibition bearing the same title and held at the Metropolitan Museum of Art from October 28, 1997 to January 11, 1998. Canvas cloth boards with grey embossed titles to spine. Full page, full color & bw illustrations throughout. Dust jacket with only light marginal wear. Tight binding, sharp corners, clean & unmarked pages throughout.

Softcover. New York, Jill Newhouse, 1st, 1983, Book: Good, Dust Jacket: None, Unpaginated, staple-bound pamphlet, with 47 black-and-white illustrations. Price list for works laid in. Light soiling, edge-wear, and shelf-wear to covers. A little foxing to top edge. Otherwise, clean, tight copy.

Hardcover. London, B. T. Batsford Ltd, 1st, 1949, Book: Good, Dust Jacket: Good, Hardcover, 96 pages, with a foreword by A. E. Richardson, color and black & white illustrations and watercolors throughout. Dust jacket worn with fading and rubbing, closed tear on back cover, otherwise, internally very clean and tight.

Hardcover. New York, Fox, Duffield & Co, 1st, 1904, Book: Good, Dust Jacket: None, Hardcover. Unpaginated. 39 full page b&w plates of drawings by A. B. Frost, accompanied by verse by Wallace Irwin, introduction by Joe Chandler Harris, small b&w illustrated figures throughout, monotone illustration to cover. Covers have noticeable wear, faded, wear to cloth spine, water stains to right edge of pages, dark markings to back cover, previous owner's inscription to front endpaper, some pages partially separated from binding.

Hardcover. New York, Harry N. Abrams, Inc, 1st Edition, 1985, Book: Very Good, Dust Jacket: Very Good, 176 pages. Hardcover. Dust jacket unclipped, excellent. Black cover boards, gilt title on spine and front cover board. Pages clean and unmarked. A couple soil spots to edges. Binding tight. Spine straight. In great shape. Approximately 245 b/w line drawings. Syndicated in more than 100 papers nationwide, his editorial cartoons comment on matters of national and international importance.

Softcover. Cambridge, MIT Press, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalogue featuring the famed architect's travel sketches along with photographs of the buildings he encountered and essays on their influence on his work. 11'' x 8.5''. In original dark orange pictorial wrappers. Illustrated throughout in black and white, some color, 136 pages. Spine sun faded.

Hardcover. NY, The Morgan Library & Museum, 1st, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 294 pages. Clean, bright copy. A sumptuous collection of master drawings from the Renaissance to the current era, all reproduced in color.