Hardcover. NY, Maurizio Martino, 3rd pr, 1996, Book: Very Good, Dust Jacket: None, Hardcover, 359 pages, b&w illustrations throughout. German text. Red covers w/ gilt lettering on spine. A very clean, tight copy. A reprint of the 1955 edition published by Galerie St.Etienne, New York.

Hardcover. NY, Thomas Yoseloff, 1st, 1958, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, lightly soiled dust jacket. 64 pages. + 97 b&w plates. Introductory essay, Selected bibliography. Bookplate on inside front cover, otherwise clean.

Hardcover. France, Diffusion Glenat, 1st, N/A, Book: Very Good, Dust Jacket: Very Good, 239 pages. Hardcover with dust jacket. Sunfading to dust jacket spine. An otherwise very clean, unmarked copy. SIGNED AND INSCRIBED BY AUTHOR ON FRONT FLYLEAF.

Softcover. Washington, DC, Smithsonian Institution, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, b&w and color illustrations. Very light edge wear; else a very clean, tight copy.

Softcover. Washington, DC, Smithsonian Institution, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, b&w and color illustrations. Very light edge wear; else a very clean, tight copy.

Hardcover. SUNY Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 768 pages. The personal journals of Charles Burchfield reveal the unique vision and approach to life that established him as America's preeminent watercolorist and painter of nature. When he died in 1967 at the age of seventy-three, Burchfield had filled sixty-seven bound notebooks with his personal entries, comprising some 10,000 pages. He included sketches, doodles, quotations, clippings, weather notes, and other marginalia and insertions offering a rare glimpse into the artist's life. Presented here in book form, the edited journals are organized thematically. The editor's introductions place each section in biographical and art historial context. The material is annotated and informed by the previously unpublished archives of the Burchfield Art Center, and complemented by 41 color plates of Burchfield's paintings and 131 black and white illustrations. Due to size and weight, DOMESTIC SHIPPING ONLY.

Hardcover. Atlanta, GA, University of Georgia Press, 1st, 1945, Book: Good, Dust Jacket: Good, Written by fresco painter Jean Charlot on the subject of 3 particular murals he painted during his year as artist-in-residence at the University of Georgia. 222 pages, illustrated with 178 (mostly black/white, few color) plates. Introduction by Lamar Dodd and photography by Eugene Payor. Cloth bound book is in good condition, some light stains on the cover, a few pages stick. Dust jacket shows slight edge wear.

Hardcover. London/NY, Chelsea House, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, 274 pages. 378 illustrations, including many hand-mounted color plates. Catalogue raisonne of drawings and prints from 1958 to 1960. Folio. Brown cloth, gilt lettering to spine. A very clean, crisp and attractive copy in near fine condition. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. London/NY, Chelsea House, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, 274 pages. 378 illustrations, including many hand-mounted color plates. Catalogue raisonne of drawings and prints from 1958 to 1960. Folio. Brown cloth, gilt lettering to spine. A very clean, crisp and attractive copy in excellent condition. Small ownership sticker on front fly leaf. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York, Chelsea House, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket and plastic covering in very good condition. Brown cloth book marred a little by flakes of yellow paint on back cover. 274 pages, 379 illustrations (20 tipped-in color).

Hardcover. Los Angeles, CA, Ward Ritchie Press, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover. Published to accompany an exhibition at the Pasadena Art Museum. Features writings by the artist, including his proposals for monuments, as well as illustrations (mostly black/white, few color) of his sculptures and drawings. Also contains chronology of the artist's life and work. Cloth bound book is in very good condition. Dust jacket has some scratches/wear.

Softcover. Stockholm, Sweden, Moderna Museet, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 84 pages, text in Swedish and English. Illustrated white cover in excellent condition. Minor rubbing on back cover. Clean, crisp pages with beautiful illustrations throughout. Tight binding. Very minor wear on cover corners.

Softcover. Washington DC, Smithsonian Institution Press, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 110 pages, illustrated throughout in color and b&w. Light wear to wrappers, mild damp stain to rear cover. Previous owner's writing, underlining to several pages.

Hardcover. Seattle, Salisbury Press, 1st, 1970, Book: Very Good, Dust Jacket: None, 64 pages. Hardcover. Illustrated in full color and black & white. Book with original wrap around band on cover. A nice copy.

Softcover. New York, Thames and Hudson, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 350 pages, color illustrations. Eighty-two comic artists are featured, varying greatly in age, experience, and style. Each artist is introduced with a few paragraphs including some biographical material and quotations regarding their style, influences, and approach to their work, followed by approximately four large pages per artist of previously unpublished doodle or draft drawings from their sketchbooks, totaling 700 individual illustrations.

Softcover. New York, Thames and Hudson, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 350 pages, color illustrations. Eighty-two comic artists are featured, varying greatly in age, experience, and style. Each artist is introduced with a few paragraphs including some biographical material and quotations regarding their style, influences, and approach to their work, followed by approximately four large pages per artist of previously unpublished doodle or draft drawings from their sketchbooks, totaling 700 individual illustrations.

Softcover. New York, Thames and Hudson, 2012, 2012, Book: Very Good, Dust Jacket: None, 352 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. 700 illustrations in black & white and color throughout.

Hardcover. Milwaukie, OR, Dark Horse Books, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 500 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Features 670 illustrations and photos. This lavish volume takes an in-depth look at the history of comics in a manner decidedly unlike the dry timelines and profiles of most reference-style titles.Containing countless stories gleaned from over 150 interviews of comics industry veterans, Comics Between the Panels is loaded with more than half a century of insider information on the talented and eccentric creators who forged the comics industry and art form.

Hardcover. Cincinnati, Ohio, North Light Books, 1st, March 1991, Book: Very Good, Dust Jacket: None, Hardcover, 134 pages, b&w illustrations. A very clean, tight copy. Explains the role of caricature, tells how to develop a personal style, and includes profiles and work by top caricaturists. No dj issued.

Hardcover. Leipzig, E.A. Seemann, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 132 pages of German text followed by 264 b&w plates. A catalog of nature studies by the artist, mostly botanical. Cclean copy.

Softcover. NY, The Dance Observer, 1st, 1945, Book: Very Good, Dust Jacket: None, Softcover, 90 pages, b&w drawings by Trowbridge. With a foreword by Martha Graham and a preface by James Johnson Sweeney. Light retouching to scuffing on black front wrapper, otherwise clean.

Softcover. London, Unicorn Press Ltd, 1st, 2015, Book: Very Good, Dust Jacket: None, 96 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. Many color illustrations and photographs throughout. Artist David Shillinglaw is as comfortable in the street as in the studio, as likely to paint on found objects as on canvas, as interested in tiny hand-made artist's books as in large-scale public murals. His mural in the Olympic Park in East London is the longest mural ever commissioned in Great Britain, while his brilliantly inventive creations enliven construction hoardings throughout London's changing cityscape. The Dance of 1000 Faces is the first book to gather a significant number of Shillinglaw's works. It presents his art in full color in all its many forms: not only paintings and murals, but journals drawings, sketches, and more. It reveals Shillinglaw's particular genius for depictions--and distortions--of the human face, grimacing and grinning, shifting and shaping as it becomes no one and everyone at once.

Hardcover. Rome, Institut Suisse De Rome, 1st Edition, 1976, Book: Good, Dust Jacket: Good, 159 pages followed by 46 plates in black & white. Hardcover limited edition to 800 copies in German Text. White cloth boards with brick titles to spine. Previous owner's name to front flyleaf. Spotting, foxing to preliminary pages & edges. Dust jacket with light foxing, now protected with plastic cover. Plates detail fresco cycle of the Oratorio di San Giovanni Decollato in Rome commissioned by the Florentine confraternity of the Misericordia, related drawings & sculptures. Clean, unmarked copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2006, Book: Near Fine, Dust Jacket: Near Fine, 256 pages, 163 color plates, roughly 150 figures, most in color. 4to, cloth. The full range of Hockney's portrait work in all media - painting, drawing, photographs, and prints - from the past 50 years is given a thorough overview in this well-illustrated exhibition catalogue. Featured subjects include members of Hockney's family and private circle, as well as portraits of artists and cultural figures.