Hardcover. New York, Hearst Books, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages. Color photographs. "Celebrates the design of the book in the broadest possible meaning of the word, gathering together the most exciting examples of recent book and jacket design, it also includes work for CD booklets, publicity for industry and the arts, self-promotional and experimental work." Clean copy in a bright dust jacket.

Hardcover. New York , Hudson Hills Press , 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 453 pages, cloth binding, dj, new copy still in publisher's shrinkwrap. 381 color & 107 b/w illustrations, 453 pages, 9x12. Published in conjunction with the exhibition Claes Oldenburg: Printed Stuff, held at the Madison Art Center, Madison, Wisconsin, Apr. 27-July 27, 1997, and at other places.

Hardcover. New York, John Day, 1st, 1927, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers, 9 page introduction by Calkins, followed by 50 b&w plates. The best of ad brochures and catalogs from the 1920s. Internally clean, cloth spine has wear, chipping to top and bottom otherwise very good.

Hardcover. New York, John Day, 1st, 1927, Book: Very Good, Dust Jacket: None, Hardcover, slate blue boards with black cloth spine with gilt lettering, 9 page introduction by Calkins, followed by 50 b&w plates. The best of ad brochures and catalogs from the 1920s. Front hinge cracked, small stamped name to endpapers, otherwise clean.

Hardcover. US, A&C Black, 1st, 2011-03-01, Book: Very Good, Dust Jacket: None, Hardcover, 200 pages, illustrated throughout color. Clean, unmarked copy with only minor wear to covers. Propaganda Prints reviews the history, cultural diversity and legacy of Art in the service of social and political change.

Hardcover. UK, Book Sales, reprint, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 319 pages. A visual survey of all forms of propaganda used by Allied and Axis powers immediately before and during World War II.

Hardcover. NY, Harry N Abrams, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Pulp Power gives fans a rare glimpse into the pre-war pulp novel decade of the 1930s, a period of bold action and adventure storytelling that ultimately led to the creation of the comic book and the superheroes we know and love today. This period, a pre-Batman, pre-Superman golden era of American creativity and artistic excellence, starred two main characters in leading roles: The Shadow and Doc Savage. In more than 500 novels written between 1930 and 1940, The Shadow, Doc Savage, and the Street & Smith universe of characters captivated a generation of Americans with their heroic exploits and inspired a new generation of writers to create a pantheon of comic book superheroes in their mold. Street & Smith, the renowned publisher of these novels, commissioned leading artists to provide bold and original cover artwork for their publications, and in Pulp Power, hundreds of these eye-catching covers are reproduced as a collection for the first time. Comics legend Dan DiDio provides context for the cover illustrations alongside a narrative discussion of the influence of the Street & Smith superhero universe on legendary creators such as Orson Welles, Truman Capote, Michael Chabon, George Lucas, Agnes Moorehead, James Patterson, Walter Mosley, Dwayne Johnson, Frank Miller, James Bama, Jim Steranko, Jim Lee, Gail Simone, and many more. Bright, clean copy.

Hardcover. Seattle, Fantagraphics, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 128 pages. Having created one of the most expansive and remarkable casts of characters of any cartoonist who ever lived (under the umbrella of the ongoing Love and Rockets comic book series), acclaimed graphic novelist Jaime Hernandez -- Will Eisner Hall of Famer; Eisner, Harvey, Ignatz, and PEN Award winner; L.A. Times Book Prize winner; and on a very short list of contenders for the title of America's Greatest Living Cartoonist -- has been privately amassing a body of work that no one else has ever seen for over 40 years. Until now. Creating a Love and Rockets-adjacent world, set in the heyday of 1960s and '70s women's wrestling and lucha libre, Queen of the Ring is a best-of book spotlighting the women who are often ignored in pro wrestling in 125 full color illustrations: pin-ups, action shots, fake wrestling magazine covers, all presented in a deluxe hardcover that echoes the lucha libre magazines of the 1960s.

Hardcover. New York, W. W. Norton & Company, 1st, 2011, Book: Very Good, Dust Jacket: None, Hard cover in slipcase. Like new in publishers shrink-wrap. A landmark work that pays splendid homage to a forgotten era of seminal American music. Robert Crumb first began drawing record covers in 1968 when Janis Joplin, a fellow Haight Ashbury denizen, asked him to provide a cover for her album Cheap Thrills. It was an invitation the budding artist couldn't resist, especially since he had been fascinated with record covers-particularly for the legendary jazz, country, and old-time blues music of the 1920s and 1930s-since he was a teen. This early collaboration proved so successful that Crumb went on to draw hundreds of record covers for both new artists and largely forgotten masters. So remarkable were Crumb's artistic interpretations of these old 78 rpm singles that the art itself proved influential in their rediscovery in the 1960s and 1970s. Including such classics as Truckin' My Blues Away, Harmonica Blues, and Please Warm My Weiner, Crumb's opus also features more recent covers done for CDs. R. Crumb: The Complete Record Cover Collection is a must-have for any lover of graphics and old-time music. 450 four-color illustrations

Hardcover. New York, W. W. Norton & Company, 1st, 2011, Book: Very Good, Dust Jacket: None, Hard cover in slipcasse. Like new in publishers shrink-wrap. A landmark work that pays splendid homage to a forgotten era of seminal American music. Robert Crumb first began drawing record covers in 1968 when Janis Joplin, a fellow Haight Ashbury denizen, asked him to provide a cover for her album Cheap Thrills. It was an invitation the budding artist couldn't resist, especially since he had been fascinated with record covers-particularly for the legendary jazz, country, and old-time blues music of the 1920s and 1930s-since he was a teen. This early collaboration proved so successful that Crumb went on to draw hundreds of record covers for both new artists and largely forgotten masters. So remarkable were Crumb's artistic interpretations of these old 78 rpm singles that the art itself proved influential in their rediscovery in the 1960s and 1970s. Including such classics as Truckin' My Blues Away, Harmonica Blues, and Please Warm My Weiner, Crumb's opus also features more recent covers done for CDs. R. Crumb: The Complete Record Cover Collection is a must-have for any lover of graphics and old-time music. 450 four-color illustrations

Hardcover. San Francisco, Chronicle Books, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 186 pages. A 21st century retelling of a 2500-year-old story: Artist and veteran Pixar animator Sanjay Patel lends a lush, whimsical illustration style and lighthearted voice to one of Hindu mythology's best-loved and most enduring tales. Teeming with powerful deities, love-struck monsters, flying monkey gods, magic weapons, demon armies, and divine love, Ramayana: Divine Loophole tells the story of Rama, a god-turned-prince, and his quest to rescue his wife Sita after she is kidnapped by a demon king. Clean copy

Softcover. New York , Penguin Books, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 201 pages illustrated in b&w and color by artists like Charles Burns, Kim Deitch, Art Spiegelman, Pascal Doury, others. Clean, bright copy.

Softcover. New York , Penguin Books, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 201 pages illustrated in b&w and color by artists like Charles Burns, Kim Deitch, Art Spiegelman, Pascal Doury, others. Clean, bright copy.

Hardcover. London, Korero Press, Revised Ed., 2025, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 479 pages in color. Science-fiction paperbacks exploded over the 1940s and '50s literary landscape with the force of an alien gamma bomb. Titles such as Rodent Mutation, The Human Bat vs. The Robot Gangster, Dawn of the Mutants and Mushroom Men from Mars appeared from fly-by-night publishers making the most of the end of post-war paper rationing. They were brash and seductive - for around a shilling the future was yours. Despite the tight deadlines and poor pay, the books' cover artists still managed to produce works of multi-hued, brain-bending brilliance, and collected here is an overview of their output during an unparalleled period of brash optimism and experimentation in publishing. This is the updated edition with 16 new pages. Clean copy.

Hardcover. London, Korero Press, Revised Ed., 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 479 pages in color. Science-fiction paperbacks exploded over the 1940s and '50s literary landscape with the force of an alien gamma bomb. Titles such as Rodent Mutation, The Human Bat vs. The Robot Gangster, Dawn of the Mutants and Mushroom Men from Mars appeared from fly-by-night publishers making the most of the end of post-war paper rationing. They were brash and seductive - for around a shilling the future was yours. Despite the tight deadlines and poor pay, the books' cover artists still managed to produce works of multi-hued, brain-bending brilliance, and collected here is an overview of their output during an unparalleled period of brash optimism and experimentation in publishing. This is the updated edition with 16 new pages. Clean copy.

Hardcover. NY, Universe / Vendome, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A illustrated survey of the career and influence of a master of design showcases some of his most famous and influential works, including the Coca-Cola bottle and truck, the package for Lucky Strike cigarettes, and the Studebaker automobile.Clean copy.

Hardcover. Hatje Cantz, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover with illustrated boards, 212 pages. Since the late 1970s, as a pioneer of Southern California underground culture, Raymond Pettibon has blurred the boundaries of "high" and "low," from the deviations of marginal youth to art history, literature, sports, religion, politics and sexuality. Rich in detail, his obsessively worked drawings pull freely from myriad sources spanning the cultural spectrum. The resulting, highly poetic constructions function as acute reflections of contemporary society. Throughout the years, his subjects have included political figures and historical events, with particular intensity since the events of September 11, 2001. Seen here are images of Ronald and Nancy Reagan, J. Edgar Hoover, both Bush presidents, the Kennedys, Hitler, scenes from the Vietnam War and protest movements, wars in Iraq and Afghanistan, the prisoner abuse of Abu Ghraib, President Obama and Osama bin Laden. Raymond Pettibon (born 1957) studied economics at UCLA around the same time he joined his brother in the punk band Black Flag. He soon began to contribute artwork to album covers, flyers and t-shirts, for the band and its label, SST Records, and exhibited his work in group shows in galleries in the 1980s. Since the 1990s his work has been the subject of numerous major solo exhibitions.

Hardcover. Seattle, Fantagraphics Books, 1st, 2016, Book: Very Good, Dust Jacket: None, 159 pages. Hardcover with laminated boards. Clean, tight copy with color illustrations throughout. Inspired by magazines like Mad and traditional superhero comics, Real Deal magazine was a self-published,independent comic book created in the 1990s by Lawrence Hubbard (a.k.a "RawDog") and H.P. McElwee (a.k.a. "R.D. Bone"). Peopled with a cast out of a blaxploitation movie - convicts, hustlers, drug addicts,crack whores, car thieves,and murderers - these cult-classic comics straddle the line between satirizing and showing the harsh realities of urban life.

Hardcover. Seattle, WA, Fantagraphics, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. Founded by Paul Krassner, "The Realist" was a satirical magazine that took aim at American culture during the period of 1958 to 2001. Paul Krassner collaborates with Fantagraphics to create a collection of the best of "The Realist" drawings with contributions by R. Crumb, Art Spiegelman, S. Clay Wilson, Jay Lynch, Wallace Wood and others. Illustrated front board, 291 pages plus annotations, black/white and 2-color images. Volume numbers and year published accompanies each cartoon.

Softcover. Melbourne, National Gallery of Victoria, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, profusely illustrated in b&w. The great Francesco Goya was pivotal to the development of European art. His engagement with dreams and fantasy link him to the Romantic era while his skeptical view of society, his questioning of the strictures of the Church and State, reflect Enlightenment attitudes familiar to contemporary viewers. His humane and shocking portrayal and denunciation of war still evokes an understanding and immediate response. This publication looks at the motivations of his art, to shine the light of Reason on human relations, and explores his patrons, his career and the times in which he lived. Clean, bright copy.

Hardcover. US, Fantagraphics Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 292 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout.

Hardcover. San Diego, CA, IDW Publishing, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 284 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Orange ribbon marker. Black and white comics throughout. Red Barry was one of the most visually innovative adventure strips of the mid-1930s, combining fluid brushwork and noir shadows (in bold blues and purples) with figures that were constantly inventive.

Hardcover. New York, Abbeville Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, large format, 342 pages. "Each of the 300 posters included in Reel Art has been reproduced to the uncompromising standards of all Abbeville's fine art books. The selection of posters is world-class, many never been published, and the definite text, by screenwriter and film historian Stephen Rebello, tells the vastly entertaining story behind the posters and their creators." The four decades between 1910 and 1950 were the golden age of the American movie poster, an era when wonderful films wer promoted through the talents of legendary illustrators like Thomas Hart Benton, Norman Rockwell, Howard Chandler Christy and Jmes Montgomery Flagg, as well as a small army of unknowns. It was a time when big studios lavished fortunes on poster campaigns - from modest one-sheets posted on neighbourhood fences to the gargantuan forty-eight sheets that usurped entire sides of multi-storey buildings. Hollywood knew that the right image could seduce millions past the box office and into the theatre. Today such graphics fetch five-figure prices from collectors seeking a Casablanca or a King Kong.

Softcover. US, Top Shelf Productions, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover. 285 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to wrappers. As the NATO bombs fell on his hometown of Pancevo in 1999, Serbian cartoonist Aleksandar Zograf used his diary comics and e-mail to reach out to the world and offer a glimpse at the effects of the attacks. Over the weeks and months of the war, Zograf documented not only how the bombings shattered the lives of his friends and neighbors, but also how the routine of daily life remained unchanged. The most recent attacks on Pancevo's oil refinery are contrasted with the latest local soccer matches -- and American propaganda flyers are as likely to fall from the sky as American comics are to arrive in the mail.