Hardcover. New York, Da Capo Press, Reprint, 1969, Book: Very Good, Dust Jacket: None,

Hardcover. New York, Pantheon Books, 1st US, 1989, Book: Very Good, Dust Jacket: Fair, 200 pages. Hardcover with translucent dust jacket. This retrospective study of the work and life of Robert Frank demonstrates the artistry, innovations, and magnificent images of the distinguished photographer in more than 350 photographs. The book was originally published by Yugensha in Tokyo in 1972. Remainder mark to top edge, dust jacket edgeworn, chipped. No marking, clean.

Hardcover. New York, Pantheon Books, 1st US, 1989, Book: Very Good, Dust Jacket: Fair, 200 pages. Hardcover with dust jacket. Chipping and age toning to dust jacket edges. Foxing to textblock fore edge. Inside clean and unmarked. This retrospective study of the work and life of Robert Frank demonstrates the artistry, innovations, and magnificent images of the distinguished photographer in more than 350 photographs.

Hardcover. New Haven, Yale University Press, 1st, May 11, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 303 pages, illustrated throughout. Very clean and tight copy. Although lumped together with Pop artists such as Roy Liechtenstein and Andy Warhol, and often the movement's spokesperson, Indiana and his paintings actually have an uneasy fit in Pop company, mostly because his work isn't grounded in the commodity-oriented (Campbell Soup) realism of most Pop Art. Instead, his work engages with literature and poetry and with the popular rhetoric of the American dream-all permeated by the particularities of his upbringing and life. Ryan's dual accomplishments are in articulating the dynamics of Indiana's art-especially the connections between the artworks and the sources of imagery and themes in his own biography-and in rendering a sophisticated and judicious roundup of the Pop Art movement.

Softcover. New York, Solomon R. Guggenheim Museum, reprint, 1999, Book: Very Good, Dust Jacket: None, Softcover, 629 pages. B&w and color images throughout. Slight shelf wear to covers. Otherwise, tight clean copy.

Hardcover. US, D.A.P./Schirmer/Mosel, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 232 pages. Like new in publisher's shrink-wrap. Offers a look at selected photographs of American artist Robert Rauschenberg (1925-2008). "Gathers and surveys for the first time Rauschenberg's numerous uses of photography. This publication includes portraits of friends such as Cy Twombly, Jasper Johns, Merce Cunningham and John Cage, studio shots, photographs used in the Combines and Silkscreen paintings, photographs of lost artworks and works in process.

Hardcover. Germany, Hatje Cantz, 1st, 2007, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. A new pictorial hardcover book with no dust jacket. Text is in German. Features the multimedia works of Robin Rhode, including photography, performance art, film and sculpture..

Hardcover. Germany, Hatje Cantz, 1st, 2007, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. A new pictorial hardcover book with no dust jacket. Text is in German. Features the multimedia works of Robin Rhode, including photography, performance art, film and sculpture..

Softcover. Paris, Centre Pompidou, 1st, 2003, Book: Very Good, Dust Jacket: None, 80 pages. Softcover. Text in French and English. Illustrated with full color photographs. Slight darkening along cover edges. Clean, tight copy.

Hardcover. Flagstaff, AZ, Northland Press, revised, 1984, Book: Good, Dust Jacket: Good, Hardcover, 107 pages. B&W and color plates. Illustrates beautifully the contemporary Southwest on canvas with vibrancy and refreshing perspective. Light blue pictorial cloth, silver lettering to spine. Dust jacket with minor wrinkles and smudges. Dust jacket folded off-center, otherwise a nice, clean and tight copy. "This comprehensive, expanded volume on Stefan and his work contains forty full-color reproductions of oils along with numerous black-and-white drawings, a panorama of the Southwest and a tribute to a fine painter."

Hardcover. NY, Thames & Hudson, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, oversize format. 408 pages with 534 color illustrations. Rudolph de Harak (1924-2002) is one of the most influential graphic designers of the mid-twentieth century. This beautifully produced, comprehensive monograph is devoted to this fascinating and significant figure and provides an in-depth account of de Harak's life and work.From his early years in Los Angeles to his success as a design consultant and educator in New York City, de Harak brought inventiveness to everything he designed, from record covers to book jackets, from furniture to exhibitions. De Harak's work was influenced by early modernist masters, such as Will Burtin, Gyorgy Kepes, Alvin Lustig, and Max Bill, as well as by the rigor, simplicity, and rationalism of the International Style, Abstract Expressionism, Op Art, and Pop Art. Organized chronologically into six chapters that cover de Harak's life and career, each supported by sidebars on the designers, architects, and art movements that have influenced his work, Rudolph de Harak Graphic Designer documents de Harak's pioneering and prolific fifty-year career in graphic, experiential, industrial, and furniture design for a wide range of clients, including the Metropolitan Museum of Art, Cummins engine company, McGraw Hill publishing, and many others. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Abrams, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. The poet John Ashbery wrote of Rudy Burckhardt in 1980: "Before there was an underground, there was Rudy Burckhardt. The genial, Swiss-born jack-of-all-trades and master of several has remained unsung for so long that he is practically a subterranean monument." Since that time Burckhardt's reputation has steadily grown - as photographer, filmmaker, and painter - beyond Manhattan's downtown community of artists in which he lived and worked. For six decades Rudy Burckhardt (1914-1999) was a discreet, but enduring, and ultimately important figure in New York's avant-garde art world. Author Phillip Lopate, a long-time friend of the photographer, provides an insightful and thought-provoking homage to the quiet brilliance of a national treasure. And the poet and curator, Vincent Katz, has contributed an essay further elaborating on Burckhardt's photographic achievement. Illustrated with almost three hundred photographs, Rudy Burckhardt presents the remarkable depth and range of the artist's work. The book will fascinate anyone interested in the New York art world and offers a revelation for all those interested in photography.

Hardcover. New York, Clarkson N. Potter, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 197 pages + index, illustrated throughout in b&w. Maroon cloth spine, black boards. Pictorial dust jacket. Light wear to edges and spine, slight scratch to front cover, else a very nice, tight, clean copy.

Softcover. New York, Morgan & Morgan, Reprint, 2007, Book: Very Good, Dust Jacket: None, 206 pages. Softcover. A clean, unmarked copy. Light foxing to top edge of textblock. Black and white photographs throughout.

Hardcover. Chicago, University of Chicago Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 284 pages. In Rustic Cubism, Bruce Adams tells the fascinating story of Moly-Sabata, an art colony founded in the Rhone Valley during the height of French modernism by Cubist pioneer Albert Gleizes. Following his social and spiritual agenda of earthly labor and a Celtic-medievalist view of Christianity, Gleizes' disciples worked to fuse Cubism with a revival of ancient agrarian, artisanal traditions. The most important and committed member of this experimental commune was ceramicist Anne Dangar (1885-1951). Generously illustrated with photographs of the art and social milieu of the period, this captivating and original narrative makes a considerable contribution to our understanding of French modernism and early twentieth-century cultural politics as well as of the life of a most talented and intriguing female artist.

Softcover. NY, Vintage Books, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 101 pages. Interview with American artist, David Salle by Peter Schjeldahl. 65 pages of text (interview) as well as color and black & white plates by Salle. In very good condition. Cover is a black & white photograph of David Salle.

Hardcover. Milan/London, Skira/Thames & Hudson, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Like new in publisher's shrink-wrap. This book is the catalogue of an exhibition that took place at the Shanghai Museum of Contemporary Art (29 March-7 May 2008) to celebrate the eighty-year anniversary of the company. Photographs, sketches, and drawings explore design processes and showcase shoes, handbags, and accessories --a magnificent selection of fashion works embodying social and cultural changes over time. Illustrated with b&w and color photos. Includes bibliography and three essays.

Hardcover. Germany, Steidl, 1st, 2014, Book: Very Good, Dust Jacket: None, 76 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink wrap. When Sam Taylor-Johnson climbed the famous mirrored staircase of Chanel's headquarters at 31 rue Cambon, Paris, she did not quite know what to expect. Her destination was Coco Chanel's private apartment on the second floor; her mission, to photograph it.

Hardcover. Germany, Steidl, 1st, 2014, Book: Very Good, Dust Jacket: None, When Sam Taylor-Johnson (born 1967) climbed the famous mirrored staircase of Chanel's headquarters at 31 rue Cambon, Paris, she did not quite know what to expect. Her destination was Coco Chanel's private apartment on the second floor; her mission, to photograph it.

Hardcover. New York, Harry N. Abrams, Inc, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages, 120 illustrations including 54 plates in full color. Nice clean copy with tight binding and flawless dust cover. Printed in association with The National Museum of American Art, Smithsonian Institution

Hardcover. UK, Bodleian Library, University of Oxford, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Pictures throughout. Sarah Angelina Acland (1849-1930) is one of the most important photographers of the late Victorian and early Edwardian periods. Born to a preeminent English family, Acland first gained note as a portraitist whose illustrious subjects--among them two prime ministers, the physicist Lord Kelvin, and the noted art critic John Ruskin--were visitors to her family's Oxford home. Yet it was through her work in the thenfledgling field of color photography that Acland achieved her greatest acclaim. When her color photographs were shown at the Royal Photographic Society in 1905, many considered them to be among the finest work produced in the new medium. An introduction to Acland's entire body of work, this volume contains more than two hundred previously unpublished examples of her photographs, spanning portraiture, studies of Oxford architecture, and landscape and garden photographs captured in Madeira, Portugal. Additional images include four unrecorded portraits by Lewis Carroll of Acland and her brothers--shed light on the work of her contemporaries, including acquaintances and artistic influences like Carroll and Julia Margaret Cameron. A fascinating look at the earliest days of color photography, this book also offers a glimpse into the lives of an influential English family and its circle of friends.

Hardcover. New York, Watson-Guptill, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover, 88 pages. 32 plates in full color. Takes us past the image of Sargent, portrait painter of Edwardian and Georgian high society, and views instead his vast talent as a watercolorist. Blue cloth, silver lettering to spine and front color. Price clipped. Previous owner's inscription in front. Pictorial dust jacket with two minor sealed up tears, otherwise a very clean, tight and crisp copy.

Hardcover. NY, Alfred A. Knopf, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with light edgewear. INSCRIBED BY STEINBERG in blue pencil and dated Oct 79 on the half-title page. Inscribed to Silvano Arieti (1914-1981), a psychiatrist, regarded as the world's foremost authority on schizophrenia. He was also a longtime professor at New York Medical College. 256 pages, black and white and color reproductions, publisher's brown cloth-backed tan papered boards, lettered in gilt at spine, brown endpapers (minor chipping to rear bottom edge. Pictorial dust jacket minor toning and wear mostly to edges, very good.

Hardcover. New Haven CT, Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, firm and clean; Binding tight; Pages bright, internally clean, no ownership markings or annotations, illustrated with color and b&w plates, 9.1 X 6.1 X 0.8 inches; 287 pages. Best known for his barbed and brilliant art for The New Yorker, Saul Steinberg (1914-1999) did much more. He executed public murals, designed fabrics and stage sets, was an inventive collagist and printmaker, and turned his magic touch to the fields of painting, sculpture, advertising, and even wartime propaganda. This is the first comprehensive look at Steinberg's extraordinary contribution to 20th-Century art, which was that of a modern-day illuminator, putting word and image in play to create art that spoke to the eyes, and minds, of readers. Previously unseen sketches, documents, and printed matter from the artist's papers illustrate the essay, career chronology, and entries for 120 objects featured in this important book. DOMESTIC SHIPPING ONLY.