Hardcover. NY, Guggenheim Museum, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, die-cut dust jacket. 319 pages, 95 color plates and many additional images in color and black and white. Color plates and checklist of 95 works in the exhibition, six essays, a chronology and selected bibliography. This volume presents abstract Russian painter Wassily Kandinsky (1866-1944). It reproduces scores of recently rediscovered paintings that had languished for decades in Soviet museums and in private collections. The author provides new details on Kandinsky's life and art, discussing his little-known experimental stage plays which strove for a synthesis of all the arts, and his friendships with Paul Klee, Arnold Schonberg and composer Thomas de Hartmann. Clean, like new.

Softcover. NY, Guggenheim Museum, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, large paperback exhibition catalogue, many illustrations in color and black and white, includes a Selected Bibliography, has a faint crease on the front cover, the binding is tight and clean and the contents are fine; 268 pages.

Hardcover. Cambridge MA, MIT Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 420 pages, illustrated with mostly b&w plates, 8 color pages. Small remainder stamp on bottom edge. "Tiege was at one and the same time both an agent provocateur and seismograph, at once provoking action and debate and yet simultaneously reacting with the utmost sensitivity to the shifting political spectrum of his time."--from the introduction by Kenneth FramptonKarel Teige (1900-1951), a leading figure of the avant-garde of the 1920s and 1930s, participated in every important argument and controversy of those turbulent years. He edited the most influential avant-garde journals on Czech and international cultural affairs and wrote profoundly original essays and books on the theory and criticism of art and architecture. He also produced paintings, collages, photomontages, film scripts, book covers, and typefaces and participated in theatrical performances.

Softcover. London, Merrell Holberton, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 120 pages, illustrated throughout. Very clean and tight copy. Capturing the intricacy, symbolism, and irony of the work of contemprary artist Kathy Prendergast, this is the first comprehensive look at her critically acclaimed, multi-faceted artistic vision. A highlight of the art covered is City Drawings, a series of intircated drawings ot the capital cities of the world in which even the alrgest and most powerful communites are reduced to an equalizing frail network of lines, from Washington D.C., to Suva, Fiji; Tokyo to Dakar, Senegal.

Hardcover. San Francisco, Fraenkel Gallery, 1st, 2014, Book: Very Good, Dust Jacket: None, 160 pages. Two volumes in slipcase. Very clean, like new in publishers shrink-wrap. The result of three years of work in California's Central Valley, Katy Grannan's new series The 99 features large-scale color portraits and black-and-white photographs. Grannan's recent photographs are set in the parched landscape and forgotten towns along Highway 99, including Modesto, Fresno and Bakersfield. In her intensely vivid color portraits, the artist works at midday when the sun is direct and the heat is unrelenting, presenting each individual, often simultaneously heroic and vulnerable, against stark, white backgrounds. In the black-and-white photographs, many of her subjects re-appear on Modesto's South 9th Street and along the banks of the Tuolumne River. Everyday rituals, small interactions and moments of beauty on the fringes of society are depicted in detail, conferring significance to what is often overlooked. This large-format, two-volume, slipcased monograph gathers this series for the first time.

Hardcover. San Francisco, Fraenkel Gallery, 1st, 2014, Book: Very Good, Dust Jacket: None, 160 pages. Two volumes in slipcase. Both very clean, unmarked copies. Only minor edgwear to slipcase. The result of three years of work in California's Central Valley, Katy Grannan's new series The 99 features large-scale color portraits and black-and-white photographs. Grannan's recent photographs are set in the parched landscape and forgotten towns along Highway 99, including Modesto, Fresno and Bakersfield. In her intensely vivid color portraits, the artist works at midday when the sun is direct and the heat is unrelenting, presenting each individual, often simultaneously heroic and vulnerable, against stark, white backgrounds. In the black-and-white photographs, many of her subjects re-appear on Modesto's South 9th Street and along the banks of the Tuolumne River. Everyday rituals, small interactions and moments of beauty on the fringes of society are depicted in detail, conferring significance to what is often overlooked. This large-format, two-volume, slipcased monograph gathers this series for the first time.

Softcover. NY, Guggenheim Museum, 1st, 2003, Book: Very Good, Dust Jacket: None, 267 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers. In 1915, Kazimir Malevich changed the future of modern art when his experiments in painting led the Russian avant-garde into pure abstraction. He called his innovation Suprematism--an art of pure geometric form meant to be universally comprehensible regardless of cultural or ethnic origin. His Suprematist masterpiece, White Square on White (1920-27), continues to inspire artists throughout the world. Focused exclusively on this defining moment in Malevich's career, Kazimir Malevich: Suprematism features nearly 120 paintings, drawings and objects, among them several recently discovered masterworks. In addition, the book includes previously unpublished letters, essays and diaries, along with essays by international scholars, who shed new light on this popular figure and his devotion to the spiritual in art.

Hardcover. NY, Rizzoli, 1st, 2008, Book: Very Good, Dust Jacket: None, Illustrated boards, 528 pages. Closely based on Haring's own concept for the monograph he wanted to publish before his untimely death, this volume represents more than a decade of research and contains a wealth of unpublished photographic and written material including drawings, studio photographs, and journal entries. From chalk drawings deep in the New York City subways to murals in Pisa and Berlin; collaborations with William Burroughs and the famous body painting of Grace Jones, this book follows the incredible trajectory of Keith Haring's artistic career: how a young man from a small town in rural Pennsylvania came to revolutionize the art world--and the course of art history--within little more than a decade. An incredibly prolific artist, Keith Haring created countless bold, provocative, endearing, and unforgettable images that continue to inspire artists--and delight children--worldwide. Tracing the arc from his early subway "tags" to his poignant work on social issues as diverse as AIDS, illiteracy and apartheid, this visually stunning book is the definitive work on Keith Haring.

Hardcover. New York, Prestel, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy. Artist Kiki Smith is a print-maker. sculptor and photographer. Elizabeth Brown"s illustrated essay "I Myself Have Seen It: Photography and Kiki Smith" opens the book, followed by five photographic essays by Kiki Smith, Generously illustrated. 8-3/4 x 10-3/4".

Hardcover. New York , Abrams, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 254 pages, 173 illustrations, 131 in color. Although he is now seen as a progenitor of the "naive" style, during his lifetime Edward Hicks (1780-1849) was known only as a devout, impoverished Quaker minister who liked to paint. With a few exceptions, his extant body of work is made up of 62 "Peaceable Kingdom" pictures, based on Isaiah's biblical prophecy. Although these paintings, known for their charmingly wide-eyed and sensuous beasts, use potent color and effective design, they are technically unsophisticated and repetitive in the extreme. But they contain a powerfully serene devoutness, a mood probably expressed in compensation for Hicks's guilt about an avocation viewed as frivolous by other Quakers. As the popularity of folk art boomed in the early 20th century, Hicks's homely visions were popularized and became the focus of scholarly attention, and this work is probably the best to date. Weekley, the director of museums at Colonial Williamsburg, shrewdly considers Hicks's "secular" life and art through the filter of his intense piety and copiously illustrates her large-format book with brilliant color plates.

Hardcover. NY, Abrams, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Color illustrations. Jack Kirby created or co-created some of comic books' most popular characters including Captain America, The X-Men, The Hulk, The Fantastic Four, The Mighty Thor, Darkseid, and The New Gods. More significantly, he created much of the visual language for fantasy and adventure comics. There were comics before Kirby, but for the most part their page layout, graphics, and visual dynamic aped what was being done in syndicated newspaper strips. Almost everything that was different about comic books began in the forties on the drawing table of Jack Kirby. This is his story by one who knew him well-the authorized celebration of the one and only "King of Comics" and his groundbreaking work.

Hardcover. NY, Abrams, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Color illustrations. Jack Kirby created or co-created some of comic books' most popular characters including Captain America, The X-Men, The Hulk, The Fantastic Four, The Mighty Thor, Darkseid, and The New Gods. More significantly, he created much of the visual language for fantasy and adventure comics. There were comics before Kirby, but for the most part their page layout, graphics, and visual dynamic aped what was being done in syndicated newspaper strips. Almost everything that was different about comic books began in the forties on the drawing table of Jack Kirby. This is his story by one who knew him well-the authorized celebration of the one and only "King of Comics" and his groundbreaking work.

Hardcover. New York, Holt, Rinehart and Winston, 1st US, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 239 pages. Illustrated with full color and black & white photographs. Clean, tight copy. Important career study of the late director that was first published in France. The book covers his films through "The Shining." Includes essays, interviews 100's of b&w & color stills & photos along with filmog. & biblio.

Hardcover. New York, Holt, Rinehart and Winston, 1st US, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages. Illustrated with full color and black & white photographs. Dust jacket shows light wear. Clean, tight copy.

Softcover. Paris, Beaux Arts Magazine, 1st, 1994, Book: Very Good, Dust Jacket: None, 65 pages, illustrated throughout in color and b&w. Text in French. Light edgewear to wrappers, else a clean, tight copy.

Hardcover. Paris, Arthur Hubschmid, 1st French, 1978, Book: Very Good, Dust Jacket: None, 2 volumes. French text. 1287 pages total, b&w cartoons. Cream cloth covers. Small smudge on Volumes 1, previous owner's signature on front fly leaf of Volume 2. Else very clean, tight copies.

Hardcover. London, T. Fisher Unwin, 1st, 1903, Book: Good, Dust Jacket: None, Hardcover. Original publisher's red/brown cloth; front cover decoratively stamped and lettered in gilt; spine lettered in gilt; rear cover decoratively stamped in gilt; top edge gilt, other edges deckled. With the 10 tissue-guarded plates as called for, of which 8 are in color; and numerous other illustrations in the text. 316 pages. Beauclerk illustrated a number of literary productions, including Horace Walpole's tragedy The Mysterious Mother, the English translation of Gottfried August Burger's Leonora (1796) and The Fables of John Dryden (1797). After 1785 she was one of a circle of women, along with Emma Crewe and Elizabeth Templetown (1746/7-1823), whose designs for Josiah Wedgwood were made into bas-reliefs on jasper ornaments. Hinges cracked, spine cloth chipped at front top, mild foxing throughout. Otherwise clean. PLEASE NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Boston, Bulfinch, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, black cloth titled in silver on the spine, in a color pictorial dust wrapper. 183 & 1 pages, profusely illustrated in color and black & white throughout, including many full-page illustrations. Near fine. First edition. Produced in association with The Corcoran Gallery of Art with a foreword by David C. Levy and essays by Barbara Rose and Jacquelyn Days Serwer. Never opened, still in original shrink wrap.

Hardcover. NY, Phaidon Press, 1st, 2008, Book: Very Good, Dust Jacket: None, This slip-cased, oversized book, weighing 20 pounds and containing over 2000 illustrations, summarizes the life and work of the most important modern architect of the 20th century: the legendary, controversial, and confrontational Le Corbusier. Le Corbusier was not exclusively an architect but an artist (painter and sculptor), urbanist, author, furniture designer, world traveler, and media figure. What is most impressive in this volume are the huge-scale photographs drawn from the Le Corbusier archives at the Fondation Le Corbusier in France. These photographs are personal, professional, indicative, anecdotal, illustrative, and symbolic of the entire saga of Le Corbusier's life and career over 60 years. They make this book an absolute gold mine for anyone wanting to understand and steep themselves in the spirit and character of this greatest modern architect of the last century. The written material is also first-rate: Jean-Louis Cohen, France's best-known historian of modern architecture, contributes an informative introduction, and Tim Benton, a well-known British architectural historian, writes opening texts for individual chapters. Recommended for architecture and art libraries as well as public libraries with serious art collections.--Peter S. Kaufman, Boston Architectural Ctr. NOTE; DUE TO SIZE AND WEIGHT THIS VOLUME CANNOT BE SHIPPED OUTSIDE THE U.S.

Hardcover. Charlottesville, NC, University Press of Virginia, 1st, 1983, Book: Near Fine, Dust Jacket: Near Fine, 140 pages + 163 b&w prints. Monograph of a painter who carried the standard of realism through the 20th century while the artistic movement raced toward abstraction. Red cloth with gilt lettering to spine and white pictorial dust jacket. Like new, in shrinkwrap.

Hardcover. Chicago, University Of Chicago Press, 1st US, 2001, Book: Very Good, Dust Jacket: Very Good, 440 pages. Hardcover with dust jacket and slipcase. Full color and black & white illustrations. Beautiful copy with light sunning to dust jacket spine, Clean, tight copy. The technical problems with the Last Supper began as soon as Leonardo started to paint it. He jettisoned the traditional fresco technique of applying paint to wet plaster, a method unsuited to Leonardo's slow and thorough execution, and created the work instead with an experimental technique that involved painting directly on the dry plaster. With this renegade method, Leonardo rendered one of the most enduring painting techniques volatile and unstable. Added to this initial complication have been centuries of pollution, tourists, candle smoke, and the ravages of age, not to mention food fights in the refectory staged by Napoleonic soldiers and Allied bombs in 1943. By the middle of the twentieth century, the Last Supper was in desperate need of a complete restoration.Pinin Brambilla Barcilon was chosen to head this twenty-year project, and Leonardo, The Last Supper is the official record of her remarkable effort. It first documents the cleaning and removal of the overpainting performed in the other attempts at restoration and then turns to Barcilon's meticulous additions in watercolor, which were based on Leonardo's preparatory drawings, early copies of the painting, and contemporary textual descriptions. This book presents full-scale reproductions of details from the fresco that clearly display and distinguish Leonardo's hand from that of the restorer. With nearly 400 sumptuous color reproductions, the most comprehensive technical documentation of the project by Barcilon, and an introductory essay by art historian and project codirector Pietro C. Marani that focuses on the history of the fresco,

Hardcover. New York, Da Capo Press, Reprint, 1970, Book: Near Fine, Dust Jacket: None,

Hardcover. New York, Da Capo Press, Reprint, 1969, Book: Very Good, Dust Jacket: None,

Hardcover. New York, Da Capo Press, Reprint, 1969, Book: Very Good, Dust Jacket: None,