Hardcover. NY, Harry N. Abrams, reprint, 1996, Book: Very Good, Dust Jacket: Very Good, 159 pages. hardcover with dust jacket. Career retrospective of famed artist. Many color plates throughout. Edgewear to dust jacket, mostly top edge. Rubbing to dust jacket. Slightly cocked binding. Remainder stamp to bottom copy edge. Previous owner's inscription on front flyleaf. Otherwise, unmarked. A bright and clean copy.

Hardcover. Cambridge MA, The MIT Press, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover in boards, 208 pages, illustrated in color. Banksy is the world's most famous living artist, yet no one knows who he is. For more than twenty years, his wryly political and darkly humorous spray paintings have appeared mysteriously on urban walls around the globe, generating headlines and controversy. Art critics disdain him, but the public (and the art market) love him. With this generously illustrated book, artist and critic Carol Diehl is the first author to probe the depths of the Banksy mystery. Through her exploration of his paintings, installations, writings, and Academy Award-nominated film, Exit through the Gift Shop, Diehl proves unequivocally that there's more to Banksy than the painting on the wall.Seeing Banksy as the ultimate provocateur, Diehl investigates the dramas that unfold after his works are discovered, with all of their social, economic, and political implications. She reveals how this trickster rattles the system, whether during his month-long 2013 self-styled New York "residency" or his notorious Dismaland of 2015, a full-scale dystopian "family theme park unsuitable for children" dedicated to the failure of capitalism. Clean copy.

Hardcover. US, Skarstedt Fine Art, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Hardcover, 76 pages. Money Talks is the first publication to bring together a thematic grouping of Kruger's work. The subject chosen could not be more apt--not only because of current politics and economic realities, but also because this is the subject Kruger has repeatedly returned to throughout her career.

Hardcover. Italy, Fabbri Editori, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 138 pages. Hardcover with dust jacket. Italian text. Color pictures throughout. Light wear to cover edges. Previous owner's bookplate on front end cover.

Hardcover. Larkspur Landing, Lapis Press, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 157 pages. Hardcover. Illustrated with full color and black & white photographs. Wrinkling to bottom right corner of page 147/148. Dust jacket with light wear along edges. Clean, tight copy.

Softcover. Baltimore, MD, Baltimore Museum of Art, 1st, 1989, Book: Near Fine, Dust Jacket: None, Softcover, 119 pages, illustrated throughout in color and b&w. Blue pictorial stiff wrappers. Lovely copy. Like new.

Softcover. New York, N.Y., Hirschl & Adler Galleries, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 63 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. London, Prion, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 368 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. NY, Stewart, Tabori and Chang, 1st, 2009-04-01, Book: Very Good, Dust Jacket: Very Good, 176 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Koln GR, Walther Konig, 1st, 2007, Book: Very Good, Dust Jacket: None, Text in German and English. 96 pages, illustrated in color and b&w. Light shelf-wear to illustrated boards. No dust jacket. Clean, tight copy.

Hardcover. Manchester, VT, Hudson Hills, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 163 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout.

Hardcover. US, Reel Art Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Large heavy book, 448 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. This breathtaking tome is the definitive and comprehensive collection of Billy Name's black-and-white photographs from Warhol's Factory. Name's photographs from this period (1964-68) are one of the most important photographic documents of any single artist in history. Name lived in a tiny closet at the Factory. He was responsible for the legendary "silverizing" of the space using aluminum paint and foil to complete the instillation. When Warhol gave Name a Pentax Honeywell 35mm camera, he took on the role of resident photographer and archivist. This visual essay, produced in collaboration with Billy name, offers an extensive trip through Warhol's world. Name photographed the day-to-day happenings at The Factory with Andy, including visits from Lou Reed and the Velvet Underground, Nico, Edie Sedgwick, Ivy Nicholson and Bob Dylan, and filming Screen Tests and features such as Chelsea Girls, Vinyl and My Hustler.

Hardcover. New York , Monacelli, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 336 pages, illustrated with color plates, additional drawings and plans. Very good hardcover in a bright dust jacket.

Hardcover. New York , Monacelli, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 336 pages, illustrated with color plates, additional drawings and plans. Very good hardcover in a bright dust jacket.

Hardcover. Chicago, University of Chicago Press, 1st, 1946, Book: Very Good, Dust Jacket: Fair, Hardcover, 131 pages of text followed by 126 plates, several in color. Foxing to endpapers. Dust jacket age darkened with chipping and small tears along edges. Clean, tight copy.

Hardcover. Chicago, University of Chicago Press, 1st, 1946, Book: Very Good, Dust Jacket: Fair, Hardcover, 131 pages of text followed by 126 plates, several in color. Foxing to endpapers. Dust jacket age darkened with chipping and small tears along edges. Clean, tight copy.

Hardcover. Chicago, University of Chicago Press , 1st, 1946, Book: Very Good, Dust Jacket: Very Good, Hardcover, 132 pages of text, plus 125 numbered plates in b&w and color. Price-clipped dust jacket with minor wear.

Hardcover. New York, Pantheon Books, 1st US, 1988, Book: Very Good, Dust Jacket: Very Good, 127 pages, hardcover with dust jacket. Preface by Jean Leymarie. Translated from the French by Sebastian Wormell. Vivid recollections of life at La Cannet and descriptions of the house and garden, accompanied by reproductions of related drawings and paintings. With 130 illustrations, 77 in color. Including 14 photographs by Henri Cartier-Bresson. Previous owner's signature to front flyleaf. Light fading to dust jacket top edge and spine. Mild rubbing to dust jacket as well. A tight and clean copy.

Hardcover. NY, Abbeville Press, 2nd ed., 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 336 pages, lavishly illustrated throughout in full color. Large heavy volume. Minor shelf-wear to dust jacket, else a clean, tight copy. Second edition of Lightbown's original 1978 monograph, expanded here; A full account of Botticelli's life and work; Winner of the Prix Vasari;Reassesses Botticelli's major works, examines his use of color, and traces his career as an artist.

Hardcover. New York/London, Alpine Fine Arts, reprint, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 318 pages, illustrated throughout in color and b&w. Some edgewear and rubbing to dust jacket. Internally very good. Catalogue raisonne. Translated by Robert Bononno and Pamela Barr.

Hardcover. US, Moderne Kunst Nurnberg, 1st, 2011, Book: Very Good, Dust Jacket: None, 216 pages, illustrated in color and b&w. Small 4to, boards. This work looks at parallels between Conner's works as an artist and filmmaker. It depicts and discusses his drawings, oil and acrylic paintings, lithographs, prints, photograms and photographs, alongside three of Conner's best-known films: Breakaway (1966), Crossroads (1976), and Marilyn Times Five (1968-1973). Text in English. Like new in publishers shrink-wrap.

Softcover. US, Block Museum/Northwestern Univ., 1st, 1988-01-01, Book: Very Good, Dust Jacket: None, Softcover, 321 pages, illustrated throughout in color and b&w. Contains works by Erich Heckel, Ernst Ludwig Kirchner, Otto Mueller, Emil Nolde, Max Pechstein, and Karl Schmidt-Rottluff. Light edgewear to wrappers, faint foxing to top edge, else a clean, tight copy.

Softcover. NY, Guggenheim Museum, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 315 pages illustrated in color. This volume accompanies the most comprehensive exhibition to date of the innovative body of work by Chinese-born artist Cai Guo-Qiang--best known for his spectacular artworks using gunpowder and fireworks. It presents a chronological and thematic survey that charts the artist's creation of a distinctive visual and conceptual language across four mediums: drawings made from gunpowder fuses and explosive powders laid on paper and ignited; explosion events, documented by videos, photographs and preparatory drawings; large-scale installations; and social projects, wherein the artist works with local communities to create an art event or exhibition site, documented by photographs. Featuring works from the 1980s to the present, this volume illuminates Cai's significant formal and conceptual contributions to contemporary international art practices and social activism. Generously illustrated more than 368 pages, this volume includes essays by Alexandra Munroe, David Joselit, Miwon Kwon and Wang Hui--along with some 60 documented plate entries. Clean copy. Extra postage will be required if shipped overseas.

Hardcover. New York, Asia Society/Creative Time, 1st, 2005, Book: Very Good, Dust Jacket: None, 24 pages. Hardcover with no dust jacket. Accordion binding. Very clean, unmarked copy with only minor edgewear. Commissioned to celebrate the 150th anniversary of Central Park, Cai's Light Cycle fireworks display lit the New York sky with a circle of explosions on a September night in 2003. This 24-page accordion book documents it all from planning to performance, executed by the famous Grucci fireworks family. Separating the book's hardbound cloth covers reveals a continuous folded sheet with reproductions of Cai's gunpowder drawings (made by burning scant gunpowder on paper) on one side and photographs of the event and text on the other. In an interview, the artist compares his drawings to "love-making" and explains some technical aspects of his displays, such as a computer chip in each explosive shell.