Hardcover. New York, Museum of Modern Art, 1st, 1970, Book: Very Good, Dust Jacket: None, Padded vinyl covers, 221 pages illustrated in color and black and white. SIGNED BY OLDENBURG and dated '72 on the title page. Edges of vinyl with light soil, otherwise very good. This major retrospective exhibition was held 25 September to 23 November 1969. The catalogue designed by Chermayeff & Geismar Associates is a work of art in itself, from its innovative cover proudly highlighting the work of curator Barbara Rose, to the profusion of illustrations, both documentary of Oldenburg and his artistic peers and representative of his large body of work.

Hardcover. New York, Chelsea House, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket and plastic covering in very good condition. Brown cloth book marred a little by flakes of yellow paint on back cover. 274 pages, 379 illustrations (20 tipped-in color).

Softcover. Pasadena, CA, Pasadena Art Museum, 1st, 1971, Book: Good, Dust Jacket: None, 135 pages. Exhibition catalog. Mostly black-and-white illustrations, with a few color illustrations. Light shelf-wear, scratching, and edge-wear on covers. Published to accompany an exhibition at the Pasadena Art Museum. Features writings by the artist, including his proposals for monuments, as well as illustrations (mostly black/white, few color) of his sculptures and drawings. Also contains chronology of the artist's life and work.

Hardcover. Los Angeles, CA, Ward Ritchie Press, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover. Published to accompany an exhibition at the Pasadena Art Museum. Features writings by the artist, including his proposals for monuments, as well as illustrations (mostly black/white, few color) of his sculptures and drawings. Also contains chronology of the artist's life and work. Cloth bound book is in very good condition. Dust jacket has some scratches/wear.

Hardcover. New York, PaceWildenstein, 1st, 2017, Book: Very Good, Dust Jacket: None, Unpaginated. Hardcover with no dust jacket. A very clean, unmarked copy with only edgewear. Full page color photographs throughout. A tight copy.

Softcover. Stockholm, Sweden, Moderna Museet, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 84 pages, text in Swedish and English. Illustrated white cover in excellent condition. Minor rubbing on back cover. Clean, crisp pages with beautiful illustrations throughout. Tight binding. Very minor wear on cover corners.

Hardcover. New Haven, CT, Yale University Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 528 pages, b&w and color photographs throughout. A very clean, tight copy in great condition. This book is the first comprehensive account of Gabo's life, career, and artistic theory and practice. Martin Hammer and Christina Lodder explore in detail the evolution of the artist's work and his aesthetic concerns, creative processes, assimilation of such new materials as plastic, and approach to public sculpture. Drawing on Gabo's extensive and largely unpublished archives of letters, diaries, notebooks, models, and sketchbooks, they discuss the sculptor's work in the context of his relations with other avant-garde artists, architects, and critics, including his brother Antoine Pevsner.

Softcover. Albuquerque, NM, University of New Mexico Press, 1st, 1995, Book: Very Good, Dust Jacket: None, 237 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color photographs throughout.

Hardcover. Long Beach CA, Long Beach Museum of Art, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 95 pages, illustrated with 45 color plates. Like new in publisher's shrinkwrap. Since 1970, Mizuno's work has evolved from functional dinnerware to abstract sculptural forms, from playful and humorous trompe l'oeil plates to richly layered sculpture informed by his evocative personal history, paralleling the development of the ceramics field itself in the late 20th century as it evolved from functional forms to a medium of full artistic expression. The exhibition is the first major museum exhibition to survey the work of this artist whose superbly crafted works, while firmly grounded in the traditions of the ceramic arts, extend to new forms in clay that defy traditional categories. This exhibition catalogue designed by Takaaki Matsumoto includes a forward, interview with the artist, a biography and exhibition history, and the exhibition checklist of 48 artworks. The exhibition and publication trace the work of this Japanese-born, Los Angeles-based ceramist from 1971 through 2003. ISBN 0-97127772-3-0 Published by the Long Beach Museum of Art Interview of the artist by Deborah McLeod, foreword by Museum Director Harold Nelson Format: hardcover Dimensions: 8-1/2 x 6-1/4 inches 96 page plus cover / 51 color plates.

Softcover. MA, Harvard College, 1st, 1966, Book: Very Good, Dust Jacket: None, Exhibition catalog. 107 pages. 21 B&W plates, 61 B&W figures. B&w pictorial wrapper with soiling to both covers and some edgewear. Bottom edge slightly soiled. Previous owner name and date on front flyleaf. Overall, a nice, tight copy.

Softcover. Washington, DC, National Gallery of Art, 1st, 1982, Book: Very Good, Dust Jacket: None, Exhibition catalog. 225 pages. 8 plates, B&W photographs throughout. pictorial cover with slight bending of back bottom corner and slight wear to spine. Frontispiece. Overall, a clean, tight copy.

Softcover. Washington D.C, National Gallery of Art, 1st, 1982, Book: Very Good, Dust Jacket: None, Exhibition catalog. 225 pages, illustrated throughout with photos in b&w and color. Pictorial stiff wrappers. Light wear to edges and spine, else a very nice, tight, clean copy.

Softcover. Burlington VT, BCA Center, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 80 page exhibition catalog illustrated in color. SIGNED BY ARTIST on the title page. Text includes the artist's remarks and essays by Courtney Lynch and Jasminr Parsia. Related postcard and brochure laid in. For more than five decades, Stromeyer has created sculptures whose graphic forms, saturated colors, and complex, balanced compositions seem to defy steel's material limits. Despite the weight of their materials and construction--including welded, cold-bent, half-ton steel plates--many of Stromeyer's sculptures play with space and perception; they seem to defy gravity, appearing to float and extend upwards effortlessly in the landscape. Very Good plus.

Softcover. Denamrk, 1at, 1993, Book: Very Good, Dust Jacket: None, 96 pages. Softcover with internal flaps. Light edge wear to paper wrappers. SIGNED AND INSCRIBED BY AUTHOR ON TITLE PAGE. Clean, tight copy.

Softcover. NY, Abbeville Press, 3rd printing, 1982, Book: Good, Dust Jacket: None, Softcover, 255 pages, illustrated throughout in color and b&w. a Clean, tight copy. Third printing of this large trade paperback published for the Walker Art Center in Minneapolis for the 1982 exhibition. Illustrated with 205 b&w and color plates.

Softcover. NY, Abbeville Press, 3rd printing, 1982, Book: Very Good, Dust Jacket: None, Softcover, 255 pages, illustrated throughout in color and b&w. a Clean, tight copy. Third printing of this large trade paperback published for the Walker Art Center in Minneapolis for the 1982 exhibition. Illustrated with 205 b&w and color plates.

Softcover. US, Yale University Press with Joslyn Art Museum, Omaha, 1st, 1998, Book: Very Good, Dust Jacket: None, Hardcover, 192 pages, illustrated throughout in color and b&w. Light edgewear and rubbing to dust jacket, else a clean, tight copy. This beautiful book is the first full-length study of Degas`s Little Dancer Aged Fourteen, one of the most famous and beloved of all nineteenth-century sculptures. The book surveys the history, character, and significance of the sculpture, as well as its social context and the mixed reactions to it over the years.

Hardcover. United Kingdom, Norton Simon Distribution, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Volume 2. 596 pages, illustrated throughout in color and b&w. Large heavy coffee table book. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. New York, Whittlesey House, 1st, 1940, Book: Good, Dust Jacket: None, 289 pages. Tan cloth covered boards with black ink spine title. Slight shelf-wear. Slight foxing on inside covers, otherwise, tight, clean copy. Profusely illustrated in b/w.

Hardcover. New York, Hudson Hills Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 175 pages, illustrated with 247 plates, 37 in color. In publisher's shrinkwrap. Nobel Prize-winner Heaney introduces a volume that richly reflects every aspect of Hadzi's career, from intimate studio photographs to large architectural commissions. Hadzi's works in bronze and stone are powerfully abstract and expressionist, yet involved with the past as a literary and aesthetic source.

Hardcover. London, Phaidon Press , 1st, 1941, Book: Very Good, Dust Jacket: None, Hardcover, oatmeal buckram boards with brown lettering. No dj. 46 pages followed by 149 beautifully reproduced full-page b&w plates, then 3 pages of Index of Museums. Donatello, master of sculpture in both marble and bronze, one of the greatest of all Italian Renaissance artists, the greatest Florentine sculptor before Michelangelo. Clean copy. DUE TO SIZE, DOMESTIC SHIPPING ONLY.

Softcover. San Diego CA, Smart Art Pr, 1st, 1998, Book: Good, Dust Jacket: None, Two softcover volumes. Light shelf-wear, rubbing and sunning to wrappers. Text in English and Spanish. Catalogue of the exhibition held at the Museum of Contemporary Art, San Diego, 3 Mexican and 2 Spanish institutions, June 1998 - February 2000; notable for the interview of the collector, Tom Patchett, by Rugoff (volume 2) as well as the illustrative matter.

Softcover. London , Tate Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, 197 pages. Softcover. Extensive color photographs and illustrations throughout. Illustrated frontispiece. Gilt titles on cover. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. New York, Pantheon Books, 1st, 1948, Book: Very Good, Dust Jacket: None, 212 pages, hardcover. Egyptian Servant Statues. Volume XIII in the Bollingen Series. Illustrated with b&w plates. Rubbing and edgewear to spine, marking to rear panel. Bumping to corners. Fading to text block, all edges. Unmarked. A tight copy.

Softcover. NY, Rosenberg & Stiebel, Inc., 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 68 pages, illustrated throughout with photos in b&w. Pictorial stiff wrappers. Light wear and rubbing to edges and slightly foxed spine, else a very nice, tight copy. Good scope to text and examples: Mounts and corner mounts on all manner of furniture and decorative arts.

Hardcover. US, Amer Federation of Arts, 1st, 2001-07-01, Book: Very Good, Dust Jacket: None, 134 pages, illustrated throughout in color and b&w. Light edgewear and rubbing to boards. No dust jacket. Clean, tight copy.

Hardcover. New York, Abrams/Whitney Museum, 1st, March 1, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages. 245 plates and figures, 95 bw and 150 color. Published in conjunction with an exhibition held at the Whitney Museum of American Art, April 3 to July 20, 2003. This book is the most comprehensive publication to date on the work of Elie Nadelman (1882-1946), an important sculptor and a key member of the New York art scene in the first half of the 20th century.

Hardcover. New York, Eakins Press , 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover. 1/3075 copies. 359 pages, 215 plates in sepia. Beige cloth with gilt lettering to spine. Pictorial dust jacket with clear acetate cover. Small tears to plastic cover, otherwise like new.

Hardcover. NY, Prestel, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher'd shrinkwrap. This volume, on a unique and wide-ranging collection of figural sculptures from sub-Saharan Africa, examines not only each distinctive piece, but also how these works of art express value systems and cultural relationships both inside and outside Africa. The Richard H. Scheller Collection, presented in this book and on display at the de Young in San Francisco, offers a diverse portrait of sub-Saharan African sculpture. More than 100 distinct ethnic groups from more than 20 present-day countries are represented by works of art spanning several centuries and encompassing a broad array of styles. These objects represent ancestors, express community values, and serve religious and ceremonial purposes. Beautifully photographed in natural light, the sculptures range in style from classic and iconic to rare and unusual. The geographical breadth of the collection and the variations in the depictions will allow readers to explore both the histories and formal qualities of the genre. Texts by leading scholars enhance the understanding of 122 objects, alongside essays on major sculptures and themes. Writings on the scientific testing of pieces and the process of photographing the works round out this volume that expands our understanding of African figurative art.

Hardcover. NY, Abrams, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages, color plates. Reflects Goldsworthys lifelong interest in the landscape of the British Isles, its history, and the people who work on it, 'Enclosure' is a collection of ephemeral work that relates to sheep, including a spectacular series of large sheep paintings--made by the hoof-prints of sheep. Very nice clean, tight copy free of any marks.

Hardcover. London, Lutterworth Press, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 326 pages. Many b&w plates of sepulchral monuments across England. Small ownership sticker on front fly leaf, otherwise clean, tight copy.

UK, Cambridge University Press, 1st, 1927, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt decoration, lettering, 56 pages plus 111 b&w plates. This 1927 book presents an accessible guide to Gothic foliage sculpture, aimed at visitors to ancient English churches. 186 pages total. Decorative bookplate inside front cover otherwise clean copy.

Hardcover. Kerber, 1st, 2008, Book: Very Good, Hardcover, 144 pages. Painter Francesco Clemente once said of Eric Fischl, "If life is what happens to you as you make other plans, then 'life' is Eric Fischl's subject matter." Though Fischl is best known for his figurative paintings, this monograph presents a 2007 series of 13 sculptures and corresponding large-format gouache works. Cast in polyester and resin, the life-sized, three-dimensional nudes enter into tense dialogue with the drawings, depicting the same element of human struggle that we find in Fischl's paintings. Naked bodies without context or reference, engaged in no specific narrative, offer any number of possible interpretations. They allow the viewer to indulge in careful observation, daring us to penetrate the surface patina of the sculptures to see if anything lies beneath. A special section includes a complete catalogue raisonee of the sculptural work from 1975 through 2007.

Hardcover. New York , E. P. Dutton, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 199 pages, illustrated throughout in color and b&w. Text and Commentaries by Erte. Introduction by Alistar Duncan. Edited by Marshall Lee. Light shelf-wear to dust jacket with very faint tanning to upper edge of front cover. Clean, tight copy. Lavishly illustrated with full page color plates/ photographs by Lee Boltin depicting multiple views of forty-one bronze sculptures by the author. A fabulous cataloguing of Erte's evocative art deco sculpture.

Hardcover. New York, Dutton Studio, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, illustrated throughout with 176 plates in full color. Additional text by Ray Perman and David Rogath and photographs by Daniel Kramer. Light edgewear to dust jacket, else a clean, tight copy. Romain de Tirtoff, who worked under the pseudonym Erte (the French pronunciation of his initials), was a celebrated artist and designer who produced 250 covers for "Harper's Bazaar" as well as fashion designs for some of the world's most glamorous stars, and costume & set designs for Hollywood and stage productions.

Softcover. Mexico, 1st, 2003, Book: Very Good, Dust Jacket: None, Articles in English and Spanish. 108 pages plus advertisements. Color illustrations throughout. Black pictorial cover with wear to edges and covers. Overall, a clean, tight copy.

Hardcover. Indianapolis, Indiana, Indianapolis Museum of Art, 1st, 2013, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover no dust jacket. Color pictures throughout. Clean, unmarked copy with only minor wear to boards. Decoding Robert Indiana's work for a new generation, this revelatory book explores previously unknown autobiographical elements in the work of the Pop artist and printmaker. Famously proclaiming himself to be "an American painter of signs," Robert Indiana has created an enormous body of work, much of it boldly colored abstractions. In this incisive new examination of the artist, based on ongoing conversations with Indiana, art historian Martin Krause sifts through autobiographical clues within the artist's work and finds a wealth of affecting and affectionate references to Indiana's childhood, literary heroes, and the cultural icons of his generation. In addition, a penetrating essay by Pop art scholar John Wilmerding deconstructs Indiana's use of geometric shapes, making unexpected connections that enhance Krause's thesis. Accompanied by reproductions of more than 50 prints from the period 1960-2010--and focusing specifically on series such as Decade: Autoportraits, Vinalhaven Suite, and The Hartley Elegies as well as the "Love" and "Hope" images and studies of Marilyn Monroe, Picasso, and the Brooklyn Bridge--Krause's decryption of Indiana's visual language provides telling insight into the work of this quintessentially American artist.

Softcover. London, V & A Publications, 1st pbk, 1996, Book: Very Good, Dust Jacket: None, Softcover, 191 pages. Containing over 100 masterpieces from a major collection, this volume traces the history of European sculpture, from the early-Christian period through to the beginning of the 20th century. Highlights include the medieval ivories, works by many of the Italian Renaissance masters, English 18th-century pieces, such as Roubillac's statue of Handel and sculptures by Rodin. Clean, bright copy.

Softcover. New Haven, Yale University Art Gallery, 1at, 1992, Book: Very Good, Dust Jacket: None, Softcover, 253 pages, b&w and color illustrations, illustrated end paper. Bottom front left corner slightly bumped. Light marks to bottom edge. Else a very clean, tight copy. The book includes essays by five noted authorities: Linda Norden discusses Hesse's early career in New York following her years as a student of Josef Albers; Maria Kreutzer writes on Hesse's work in Germany in the mid-sixties, when she moved from two to three dimensions; Robert Storr places Hesse in relation to the central American artistic concerns of the 1960s, focusing on her links to such artists as Jasper Johns, Sol LeWitt, and Claes Oldenburg; Anna Chave analyzes Hesse's mature work in light of contemporary feminist theory on authorship and subjectivity; and Maurice Berger examines Hesse's radical and personal approach to the sculptural object following her rejection of painting. In addition, Helen Cooper draws on the artist's extensive diaries, notebooks, and correspondence for a chronology detailed as much as possible in Hesse's own words.

Hardcover. NY, Jewish Museum / Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Eva Hesse: Sculpture focuses on the artist's large-scale sculptures in latex and fiberglass and provides a rare opportunity to look at Hesse's artistic achievement within the historical context of her life in never-before-seen family diaries and photographs. Essays consider Hesse's art from a variety of angles: Elisabeth Sussman discusses the sculptures shown in the 1968 solo exhibition; Fred Wasserman delves into the Hesse family's life in Nazi Germany and in the German Jewish community in New York in the 1940s; Yve-Alain Bois examines Hesse's works within the context of the art and aesthetic theories of the 1960s; and Mark Godfrey analyzes the importance of Hesse's celebrated hanging sculptures of 1969-70. In addition to color reproductions of the artist's sculpture, the book features a copiously illustrated chronology of the artist's life.

Softcover. Venice, Danish Pavilion, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 32 pages illustrated in b&w. An exhibition catalog for The Venice Biennale 1982, essay by Oystein Hjort. Clean copy.

Hardcover. Middletown, Wesleyan University Press, 1st, 1973, Book: Very Good, Dust Jacket: Good, 340 pages. Hardcover. Illustrated with black & white photographs, 2 fold-outs in rear. Dust jacket spine faded, light wear to corners, edges. Clean, tight copy.

Hardcover. Amherst MA, University of Massachusetts Press, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover. Non-paginated. Black & white photographs by Hyman Edelstein. Preface by Archibald Macleish. Clean, tight copy. Price sticker on rear dust jacket.

Hardcover. US, Harry N Abrams, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 336 pages, illustrated throughout in color and b&w. INSCRIBED BY ARTIST on half title page. Light shelf-wear and sun-fade to dust jacket, else a clean, tight copy. Essay by Paul J. Karlstrom. With 365 illustrations including 260 plates in full color.

Softcover. Hanover NH, Hood Museum of Art, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, French flaps, 75 pages with 36 figures and 12 color plates. Issued in conjunction with a 2005 exhibition / installation by American artist Fred Wilson (b. 1954). With essays by Barbara Thompson, Mary K. Coffey, and Jessica Hagedorn, and many fine views of the artist's creativity. Clean copy.

Hardcover. Louisville KY, Butler Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with wraparound title band. The book measures 13.25x10 inches and has 327 glossy, color and black and white pages. Frederick Hart (1943-1999) was surely among the most profoundly talented sculptors to live in our times. For his work on the Vietnam Memorial, the National Cathedral, and for his careful crafting of scores of more intimate pieces, Hart touched the human soul even as he dazzled the human mind. Art gallery sticker on front fly leaf otherwise clean, like new. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Hacker Art Books, reprint, 1973, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with gilt lettering on spine. 98 pages of text followed by 90 b&w plates with captions on opposite page. Clean copy.

Hardcover. London/NY, Hamlyn, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, black cloth with silver lettering, 96 pages, Illustrated profusely with 59 black-and-white and 40 color illustrations. Clean copy.