Hardcover. NY, The Century Company, 1st, 1913, Book: Very Good, Dust Jacket: None, Hardcover, 381 pages, b&w illustrations. VOLUME 2 ONLY of a scarce set on the life and works of Augustus Saint-Gaudens (1848-1907), an American Beaux-Arts sculptor who is best known for his statues commemorating Abraham Lincoln and Union officers of the Civil War, including Robert Gould Shaw, William Tecumseh Sherman, and John Logan. Edited by his only child, Homer (1880-1953), an artist and museum administrator in his own right. Owner's bookplate on front fly leaf otherwise clean.

Hardcover. Greenwich CT, New York Graphic Society, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, dark red cloth/dark red DJ. 144 pp. 108 bw plates. All of Falconet's major works and attributions are illustrated in gravure, with many details. Includes a translation from the French of Falconet's Reflections sur la sculpture by Eda Mezer Levitine.

Hardcover. London, Phaidon Press, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 286 pages. 120 plates and 106 B&W text illustrations. Portrait frontispiece. Light brown cloth cover. Foxing to edges. Otherwise, a clean, tight copy.

Softcover. Minneapolis, University of Minnesota Press, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 205 pages, b&w illustrations. A comprehensive look at a controversy that continues to fuel debates about the role of public art in America. Since its installation at and subsequent removal from New York City's Federal Plaza, noted sculptor Richard Serra's Tilted Arc has been a touchstone for debates over the role of public art. Installed in 1981, the 10-foot-high, 120-foot-long curved wall of Cor-Ten self-rusting steel instantly became a magnet for criticism. Art critics in the New York Times and the Village Voice labeled it the city's worst public sculpture, and many denounced it as an example of the elitism associated with art and as an obstacle to the use and enjoyment of the plaza. Harriet F. Senie explores the history of Tilted Arc, including its 1979 commission and the heated public hearings that eventually led to its removal in 1989 (it was dismantled and is currently stored in a government warehouse in Maryland). Analyzing the archive of popular opinion, Senie shows how the sculpture was caught in an avalanche of shifting local and national discussions about public funding for the arts. Clean copy.

Softcover. Chicago, The David and Alfred Smart Museum of Art; Univ. of Chicago, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 20 page exhibition catalog with b&w photos of the sculptor's work. INSCRIBED by Uchida on the title page. Clean copy.

Softcover. New York, N.Y. (21 E. 70th St., Hirschl & Adler Galleries, 1st, 1992, Book: Good, Dust Jacket: None, Softcover, 64 pages, illustrated throughout in color and b&w. Light wear and rubbing to spine with slight tear to upper edge. Clean, tight copy.

Middlebury VT, Paul S. Eriksson, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. SIGNED AND DATED BY THE AUTHOR on the front fly leaf. Introduction by Malcolm Cowley. A memoir of the sculptor by his older sister. 300 pages, b&w photos. Previous owner's inscription on lower front fly leaf. Otherwise clean.

Hardcover. Princeton, Princeton University Press, 1st, 1972, Book: Very Good, Dust Jacket: None, Hardcover, 226 pages of text followed by section of corresponding black & white photographic illustrations. Hardcover. Clean, tight copy. No dust jacket.

Softcover. NY, Harry N. Abrams, 1st pbk., 2008, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. Lavishly illustrated in color. Includes an illustrated chronology by Terry Friedman. Goldsworthy works with natural materials such as stone, leaves, grass, and more to evoke the passage of time, the ebb and flow of life, daylight to dark, life to death. Clean copy.

Softcover. NY, Museum of Modern Art, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, oblong format. Replete with photographs and reproductions of Tony Smith's work. 200 pages including 237 illustrations (108 in color), Chronology, Selected Bibliography, and Exhibition History. Tony Smith (1912-1980) was an American sculptor, architect, and painter best-known for his abstract, large-scale sculptures. As an architect, he worked with Frank Lloyd Wright and founded his own architectural firm during the 1940s. Clean copy.

Softcover. NY, M. Knoedler & Co., 1st, 1971, Book: Very Good, Dust Jacket: None, Softcover, stapled wrappers, 34 pages. Color and B&W photos and Figures. Foreword by Martin Friedman; Interview by Lucy Lippard. Exhibition March 23 - April 24, 1971. Clean copy.

Hardcover. New York, Harry N. Abrams, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, 220 pages. 176 b&w and color plates, fold outs. Biography of Ernst Trova, self-taught painter and contemporary sculpture artist, known especially for his series entitled Falling Man. White cloth, gilt lettering to spine, gilt design on front, Very nice, clean and well preserved copy. Looks as good as new.

Hardcover. Paris, Galerie Nationale du Jeu de Paume, 1st, 1996, Book: Very Good, Dust Jacket: None, 506 pages, hundreds of b&w and color illustrations featuring English sculptors and their work. Boards with die-cut to front cover revealing art on front fly leaf. FRENCH TEXT, clean and tight copy.

Softcover. NY, Neuberger Museum of Modern Art, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 36 pages. Numerous color plates. Essay by Patricia Philips, lavish illustrations. Published to accompany the exhibition at Neuberger Museum of Art from January 27 - May 5, 2002. Mild fade to spine edge on cover. Clean copy.

Hardcover. Guadalajara, Jalisco, Centro Metropolitano, 1st, 1988, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers stamped in gilt with a photographic label on front. A study of the Mexican artist's sculpture. Illustrated in b&w and color, 194 pages plus index. Clean copy.

Softcover. New York, The Museum of Modern Art, 1st, 1986, Book: Very Good, Dust Jacket: None, 264 pages. Softcover. A very clean, unmarked copy with minor foxing to textblock edges. Color photographs throughout.

Softcover. Middlebury VT, Middlebury College Museum of Art, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 64 pages illustrated in color and b&w. Catalog published on the occasion of the exhibition held from September 3-December 8, 2013. Clean, bight copy.

Softcover. New York, Whitney Museum of Art, 1st, 1983, Book: Very Good, Dust Jacket: None, 306 pages, b&w and color illustrations throughout, b&w frontispiece. Light edge wear, rubbing to wrappers. Else a very clean, tight copy.

Softcover. Philadelphia, Pa. , Pennsylvania Academy of the Fine Arts, 1st, 1982, Book: Very Good, Dust Jacket: None, Exhibition catalog. 211 pages, illustrated throughout in color and b&w. Pictorial gray stiff wrappers. Light wear and rubbing to edges and spine, lower front corner dog-eared, else a very nice, tight copy.

Hardcover. NY, Praeger Publishers, 1st, 1959, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. 116 pages, 90 illustrations, 4 in color. INSCRIBED BY BAUR on the front fly leaf. Clean copy.

Hardcover. New York, Praeger, 1st, 1959, Book: Very Good, Dust Jacket: Good, Hardcover. 116 pages. Illustrated in full color and black & white. Small chunks missing at top edge of spine and right corner of dust jacket. Clean, tight copy.

Hardcover. New York, Penguin Books, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 115 pages, color photographs throughout. Light edge wear, rubbing to dust jacket. Small previous price sticker on rear cover. Else a clean, tight copy.

Hardcover. Hanover NH, Hanover : University Press of New England, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 356 pages, illustrated with over 500 plates in duotone, color frontispiece. Bibliography. Very good in a very good, bright dust jacket, minor fade to spine.