Hardcover. San Francisco, CA, Fraenkel Gallery, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 32 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. A tight copy. In the early 2000s, Richard Misrach (born 1949) began a series titled On the Beach, a body of work that traveled extensively and has been highly influential. These color photographs deal with the human figure seen at a distance, on an unspecified beach or in the water, observed from an unsettling and difficult-to-identify point of view located high above. Misrach has continued this work, while vast changes in photographic technology over the intervening decade have caused a shift in approach, both conceptually and technically. Untitled is an artist book based on two photographs: the one made by Misrach and the other made concurrently, at the time of exposure, by the subjects of his photograph. The extreme detail explored in this work concisely summates both the artist's concerns and the ubiquity of digital technology as we are portrayed and portray ourselves.

Hardcover. Individual photographers, Fraenkel Gallery/Matthew Marks Gallery. , 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 234 pages; 164 duo-toned b&w plates; 9.75 x 12 inches. A Photographic Journal of Re-Exploration is published to coincide with the bicentennial of the Lewis and Clark Expedition. Beautiful copy still in shrinkwrap. Like new.

Softcover. Racine/Lannoo, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 239 pages, b&w and color plates. Text in English and French. Featuring the most well-known photos from Robert Doisneau since the beginning of his career. This retrospective also gives an insight in the lives of famous artists such as Picasso and Niki de Saint Phalle. The book is themed by three subjects: the main characteristics of his work and his importance for 20th century photography, the notion of the poetry of realism and 164 photos, which are also themed: daily beauty, Palm Springs, artists' studios. Published to accompany an exhibition in Musee Ixelles (Brussels) from 19 October 2017 until 4 February 2018. Clean, bright copy.

Softcover. London, Tauris Parke Books, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 126 pages. 107 b&w plates. A retrospective for exhibition at Museum of Modern Art, Oxford. Clean, bright copy.

Hardcover. New York, Pantheon Books, 1st US, 1989, Book: Very Good, Dust Jacket: Fair, 200 pages. Hardcover with dust jacket. Chipping and age toning to dust jacket edges. Foxing to textblock fore edge. Inside clean and unmarked. This retrospective study of the work and life of Robert Frank demonstrates the artistry, innovations, and magnificent images of the distinguished photographer in more than 350 photographs.

Hardcover. New York, Pantheon Books, 1st US, 1989, Book: Very Good, Dust Jacket: Fair, 200 pages. Hardcover with translucent dust jacket. This retrospective study of the work and life of Robert Frank demonstrates the artistry, innovations, and magnificent images of the distinguished photographer in more than 350 photographs. The book was originally published by Yugensha in Tokyo in 1972. Remainder mark to top edge, dust jacket edgeworn, chipped. No marking, clean.

Hardcover. New York, Scalo Publishers, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 320 pages, profusely illustrated in b&w, some color. A hardcover exhibition catalog for a show that opened at the National Gallery of Art in Washington, DC. This comprehensive volume presents the works of the Swedish photographer, and includes five essays which analyze different aspects of Frank's photographs, films and videos.

Hardcover. New York, Scalo Publishers, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 320 pages, profusely illustrated in b&w, some color. A hardcover exhibition catalog for a show that opened at the National Gallery of Art in Washington, DC. This comprehensive volume presents the works of the Swedish photographer, and includes five essays which analyze different aspects of Frank's photographs, films and videos. DOMESTIC SHIPPING ONLY.

Softcover. Munich, Schirmer/Mosel, reprint, 1996, Book: Very Good, Dust Jacket: None, Glossy white pictorial wraps. Unpaginated (152 pp.), 6 color plates + over 60 full page duotone photographs. A superbly preserved copy of this major retrospective catalogue, based upon the 1988 Stedelijk Museum show in Amsterdam, mounted just prior to Mapplthorpe's untimely death. With text in English and German.

Softcover. Munich, Schirmer/Mosel, reprint, 1996, Book: Very Good, Dust Jacket: None, Glossy white pictorial wraps. Unpaginated (152 pp.), 6 color plates + over 60 full page duotone photographs. A superbly preserved copy of this major retrospective catalogue, based upon the 1988 Stedelijk Museum show in Amsterdam, mounted just prior to Mapplthorpe's untimely death. With text in English and German.

Softcover. New York, Whitney Museum of American Art, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog of Robert Mapplethorpe's photography. 216 pages; 130 photographs, 45 in color. Text by Richard Marshall, Associate Curator, Exhibitions, at the Whitney Museum of American Art, New York; essays by Richard Howard and Ingrid Sischy. In very good condition; small rubbing mark on back cover; no marks on front cover.

Softcover. Museo de Arte Contempaneo de Monterrey, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 64 pages. Numerous full page b&w photographs. Essay by Elena Poniatowska. Text in English and Spanish. Translated by John Page. Early 1900s portraits by a Mexican photographer in Guanajuato. Mild shelf wear, clean copy.

Softcover. New York, Morgan & Morgan, Reprint, 2007, Book: Very Good, Dust Jacket: None, 206 pages. Softcover. A clean, unmarked copy. Light foxing to top edge of textblock. Black and white photographs throughout.

Hardcover. New York, Abrams Image, 1st, 2010, Book: Very Good, Dust Jacket: None, 159 pages. Hardcover with no dust jacket. Light foxing to top edge of textblock. Rubbing to rear. An otherwise very clean, unmarked copy with only minor edgewear. Revealing an unprecedented, intimate look at Ryan Adams and his band the Cardinals through the evocative photography of lead guitarist, Neal Casal. An intensely personal collection of 200 photographs, Casal has captured the exhilaration of the stage and studio while sometimes exposing the solitary aspects of the creative process and life on the road. With an introduction by Ryan Adams and an afterword by legendary musician Phil Lesh, this collection will be revered by fans and is the official documentation of the beloved band.

Hardcover. Germany, Steidl, 1st, 2014, Book: Very Good, Dust Jacket: None, When Sam Taylor-Johnson (born 1967) climbed the famous mirrored staircase of Chanel's headquarters at 31 rue Cambon, Paris, she did not quite know what to expect. Her destination was Coco Chanel's private apartment on the second floor; her mission, to photograph it.

Hardcover. Germany, Steidl, 1st, 2014, Book: Very Good, Dust Jacket: None, 76 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink wrap. When Sam Taylor-Johnson climbed the famous mirrored staircase of Chanel's headquarters at 31 rue Cambon, Paris, she did not quite know what to expect. Her destination was Coco Chanel's private apartment on the second floor; her mission, to photograph it.

Softcover. New York, Charta, 1st, 2006, Book: Very Good, Dust Jacket: None, 95 pages. Softcover. Very clean, unmarked copy still in shrink wrap. 80 photographs in black and white. A collection of portraits from throughout the 1960's.

Softcover. New York, Charta, 1st, 2006, Book: Very Good, Dust Jacket: None, 95 pages. Softcover. Very clean, unmarked copy still in shrink wrap. 80 photographs in black and white. A collection of portraits from throughout the 1960's.

Hardcover. Torino, Italy, Hopeful Monster Editore, 1st, 2003, Book: Very Good, Dust Jacket: None, 45 pages. Hardcover with no dust jacket. Color and black and white photographs throughout. Clean, tight copy. Italian Text.

Hardcover. New York, MoMA, 1st, 1978, Book: Very Good, Dust Jacket: Fair, 180 pages. Hardcover with price clipped dust jacket. Dust jacket has rips and tears to edges. Inch chunk missing from top front. Chipping and fraying to spine dust jacket. Black and white photographs throughout.

Hardcover. New York, Abrams, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, like new in publishers shrinkwrap. The book features images by a who's who of legendary photographers: Anton Corbijn, Patrick Demarchelier, Steven Klein, Annie Leibovitz, Helmut Newton, Irving Penn, Mario Testino, Tim Walker, and Bruce Weber. The book includes a foreword by Anna Wintour and is punctuated with Posnick's personal memories and irreverence.

Softcover. London, Tate Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, 123 pages. Softcover. Extensive color photographs throughout. Clean, unmarked copy with only minor wear to wrappers.

Softcover. London, Tate Publishing, 2008, 2008, Book: Very Good, Dust Jacket: None, 123 pages. Softcover. Extensive color photographs throughout. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. London, Art / Books Publishing, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. A tight copy. Terence Donovan was one of the foremost photographers of his generation--among the greatest Britain has ever produced. He came to prominence in London as part of a postwar renaissance in art, fashion, graphic design and photography, and--alongside David Bailey and Brian Duffy (photographers of a similar working-class background)--he captured and helped create the Swinging London of the 1960s. Donovan socialized with celebrities and royalty, and found himself elevated to stardom in his own right, and yet, despite his success and status, there has never been a serious evaluation of Donovan's fashion work: he allowed no monographs to be published during his lifetime. Terence Donovan Fashion is therefore the first publication of his fashion photographs. Arranged chronologically, and with an illuminating text by Robin Muir (ex-picture editor of Vogue), the book considers Donovan in the social and cultural context of his time, showing how his constant experimentation not only set him apart, but also influenced generations to come. Designed by former art director of Nova magazine and Pentagram partner David Hillman, and with images selected by Hillman, the artist's widow Diana Donovan and Grace Coddington, creative director of American Vogue, this volume is indisputably a landmark publication in the history of fashion photography.

Hardcover. New Haven CT, Yale University Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 336 pages. An exploration of the ways in which some of the most influential artists of the 19th and 20th centuries used photography in their painting and sculpture. Paintings, sculpture and photographs by such artists as Bonnard, Degas, Gauguin, Moreau, Munch, Picasso and Rosso are discussed and reproduced. Illustrated in color and B/W, index. Clean copy.

Softcover. Germany, Steidl, 1st, 2015, Book: Very Good, Dust Jacket: None, 96 pages. Softcover. Very clean, unmarked copy still in publishers shrink-wrap. Color photographs throughout. This combination of portraiture, still-life and landscape photography mirrors the eclectic influences and materials which Ghesquiere synthesizes in his collections a bold, unconventional flow whereby innovation unceasingly rejuvenates tradition.

Softcover. Germany, Steidl, 1st, 2015, Book: Very Good, Dust Jacket: None, 96 pages. Softcover. Very clean, unmarked copy still in publishers shrink-wrap. Color photographs throughout. This combination of portraiture, still-life and landscape photography mirrors the eclectic influences and materials which Ghesquiere synthesizes in his collections a bold, unconventional flow whereby innovation unceasingly rejuvenates tradition.

Softcover. Los Angeles, Museum of Contemporary Art, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, pages. A photograph can serve as as both witness and catalyst, art object and call to action. In this catalog of a pivotal exhibition of works from the Ralph R. Parsons Photography Collection at the Museum of Contemporary Art, Los Angeles, photographs capture the heartbeat and mindset of America. Works by French photographer Brassai set the stage; the bulk of the exhibition features photographs by Robert Frank, Helen Levitt , Diane Arbus, Lee Friedlander and Garry Winogrand, among others. When many of these works were first shown, they were met with criticism and outrage, but today, we've accepted them as profound documents of our nation and era. Includes essays by exhibition curator Cornelia H. Butler, as well as Max Kozloff, A.D. Coleman, Liz Kotz and Emily Aer. Dimension: 9 1/4 x 11 1/2 inches, 125 duotone & 11 color reproductions, Exhibition Catalog.

Softcover. Los Angeles, Museum of Contemporary Art, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, pages. A photograph can serve as as both witness and catalyst, art object and call to action. In this catalog of a pivotal exhibition of works from the Ralph R. Parsons Photography Collection at the Museum of Contemporary Art, Los Angeles, photographs capture the heartbeat and mindset of America. Works by French photographer Brassai set the stage; the bulk of the exhibition features photographs by Robert Frank, Helen Levitt , Diane Arbus, Lee Friedlander and Garry Winogrand, among others. When many of these works were first shown, they were met with criticism and outrage, but today, we've accepted them as profound documents of our nation and era. Includes essays by exhibition curator Cornelia H. Butler, as well as Max Kozloff, A.D. Coleman, Liz Kotz and Emily Aer. Dimension: 9 1/4 x 11 1/2 inches, 125 duotone & 11 color reproductions, Exhibition Catalog.

Hardcover. London, Phaidon Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 416 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black and white photographs throughout. A tight copy. Covering many styles and movements, it includes work by pioneers such as Edward Sheriff Curtis, seminal figures like Walker Evans, Cecil Beaton and August Sander, as well as artists such as Martin Parr, Cindy Sherman and Philip-Lorca diCorcia - With over 300 black and white and color photographs, this book offers a new perspective on the history of photography by examining the personalities both behind and in front of the camera.

Softcover. Atlanta, High Museum of Art, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrink-wrap. The catalogue of a traveling exhibition organized by the High Museum of Art, Atlanta, examining the significant interrelationships between sports, photography, and culture in the US, Europe, and Russia since the late 19th century. The 141 works featured (32 color, 109 duotone) by 120 photographers (including such masters as Stieglitz, Adams, Cartier-Bresson, and Arbus) are drawn from American and European public and private collections and the archives of Life and Sports Illustrated . Includes essays by Harvey Green, John M. Hoberman, and Peter Schjeldahl.

Softcover. Atlanta, High Museum of Art, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrink-wrap. The catalogue of a traveling exhibition organized by the High Museum of Art, Atlanta, examining the significant interrelationships between sports, photography, and culture in the US, Europe, and Russia since the late 19th century. The 141 works featured (32 color, 109 duotone) by 120 photographers (including such masters as Stieglitz, Adams, Cartier-Bresson, and Arbus) are drawn from American and European public and private collections and the archives of Life and Sports Illustrated . Includes essays by Harvey Green, John M. Hoberman, and Peter Schjeldahl.

Hardcover. New York, Oxford University Press, 1st, 1950, Book: Very Good, Dust Jacket: Good, 248 pages. Hardcover with dust jacket. Wear to dust jacket edges. Clipping to dust jacket folds. Previous owners inscription and minor soiling to front flyleaf. Some rubbing to dust jacket front and rear covers. Light foxing to fore edge of text block. Inside clean and unmarked. A tight copy.

Hardcover. Santa Fe, NM, Twin Palms Publishers, 1st, 1997, Book: Very Good, Dust Jacket: None, 96 pages. Hardcover with no dust jacket. Very clean. like new copy in publisher's shrink-wrap. 78 full-page, black and white photographs. Limited to 3000 copies. Tight copy. A look at the black experience in late-20th-century America with powerful documentary images that will remain with the viewer long after the books are closed. Mauskopf presents a quiet collection of images made in one part of the South, the most isolated black communities of the Mississippi Delta, where time seems to have stopped in midcentury. The photographs are full of love, joy, and religious faith and are richly reproduced here as sheet-fed gravures. Mauskopf portrays the poorest Americans, who are nonetheless rich in family, church, and community bonds. He documents the unifying and dominant role of religion as well as the joys and sustenance provided by music, dance, romance, family life, and the land itself. These images capture a sense of place so powerfully that captions aren't necessary, though a brief and poetic essay by novelist Kenan nicely complements the photographs.

Softcover. Hanover NH, Hood Museum of Art, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 32 pages, b&w plates. Clean copy.

Hardcover. GR, Hatje Cantz, 1st, 2000, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, oblong format, 80 pages. The Australian artist Tracey Moffatt is among the most carefully watched younger figures on the international scene. Of Aboriginal descent, Moffatt focuses on themes of the other, the unknown, the outcast, and the marginal. In her photographs and videos, she shows the complex interweaving of human relationships, forged by ethnic, social, and gender differences. Moffatt does not, however, aim to capture reality but to create her own reality. In her photographic work, the past, present, and future of the protagonists seem to gel together into a surreal simultaneity. Text in English and German by Brigitte Reinhardt, Stephan Berg, and Alexander Tolnay. Includes color and black and white illustrations. Clean copy.

Softcover. Los Angeles, CA, Jack Rutberg Fine Arts, Inc., 1st, 2015, Book: Very Good, Dust Jacket: None, 118 pages. Softcover. Very clean, LIKE NEW in publishers shrinkwrap. Estranged for more than 50 years, Brooklyn-born identical twin brothers-the celebrated artists Joel-Peter Witkin and Jerome Witkin-are brought together for the first time in this publication recreating an exhibition at Jack Rutberg Fine Arts in Los Angeles. Each of the artists' works from the critically acclaimed exhibition is fully illustrated in this volume, which also includes an audio CD of the historic first interview of the brothers together, as well as a selection of the initial reviews and interviews published through the mid-point of the exhibition's extended run.

Hardcover. New York, D.A.P./Distributed Art Publishers, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. Edited by his grandson Oliver Halsman Rosenberg (who has spent two years organizing the archive and discovering the depth of the celebrated photographer's unpublished oeuvre), most of the images in this distinctive volume--which include private and experimental photographs, decontextualized advertisements, outtakes from famous sittings, contact sheets and family snapshots--have never been seen as a body of work in their own right. 144 pages.

Softcover. Montclair NJ, Montclair Art Museum, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 36 pages, stapled exhibition catalog. 16 b&w plates by Sherman, many multiple images. Like new. The Unseen Cindy Sherman, curated by MAM's Chief Curator Gail Stavitsky, offers a little-known selection of works by this leading contemporary artist. Primarily culled from family collections, the exhibition comprises early photographs and photographic assemblages created by Sherman as a college student, when she had begun to use herself as the subject of staged photographs. These early works vividly illustrate Sherman's early explorations of the myriad constructions of self and female identities as a young woman, and her interest in challenging conventions of beauty and behavior.

Softcover. Montclair NJ, Montclair Art Museum, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 36 pages, stapled exhibition catalog. 16 b&w plates by Sherman, many multiple images. Like new. The Unseen Cindy Sherman, curated by MAM's Chief Curator Gail Stavitsky, offers a little-known selection of works by this leading contemporary artist. Primarily culled from family collections, the exhibition comprises early photographs and photographic assemblages created by Sherman as a college student, when she had begun to use herself as the subject of staged photographs. These early works vividly illustrate Sherman's early explorations of the myriad constructions of self and female identities as a young woman, and her interest in challenging conventions of beauty and behavior.

Softcover. London, National Portrait Gallery, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 255 pages. Illustrated in color and b&w. Clean, bright copy. DOMESTIC SHIPPING ONLY.

Hardcover. Chicago, IL, Center for American Places, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 184 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Includes CD. The product of several visits to the Pine Ridge Indian Reservation, Views from the Reservation is meant to open our eyes, minds, and hearts to the life, culture, and conditions of the Oglala Lakota people. With his insightful and complex images Willis enlists several other voices to offer a more complete story: writer Kent Nerburn, who contributes an original essay; Lakota elders and Pine Ridge High School students, who offer poems; Emil Her Many Horses, the associate curator of the National Museum of the American Indian, Kevin Gover, the Assistant Secretary of the Interior for Indian Affairs, and Oglala Lakota artist Dwayne Wilcox. Accompanying the book is Heartbeat of the Rez, a compact disc collecting traditional songs compiled by the author, the elders, and KILI, the radio station of the reservation.

Hardcover. Brooklyn, NY, PowerHouse Books, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 123 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black and white photographs throughout.

Hardcover. NY, Prestel , 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 320 pages. Some of Walker Evans' most iconic images of 20th-century American culture are showcased in this book celebrating his 50-year career. Walker Evans was one of the most important American photographers of the 20th century. His focus on everyday life in America, in both urban and rural settings, makes him also one of the most relatable. This retrospective volume traces Evans' career through more than 300 images--from his first photographs of the late 1920s to his Polaroids of the 1970s. Organized thematically, the book examines topics such as Evans' relationship with the impresario Lincoln Kirstein, his work in postcards and magazines, and his lifelong exploration of the American vernacular. In addition, this volume features items from the photographer's own collection, including personal writings, signage, postcards, and other ephemera. Through these ancillary objects and a thorough overview of Evans' career, readers will come away with a better understanding of a photographer whose iconic photographs remain timeless.

Softcover. New York, The Metropolitan Museum of Art, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Softcover, 318 pages. B+W and color photographs throughout. Clean and tight copy. Large exhibition catalog. Although his work has received many awards, been enshrined in the best museums, and been exhibited on several continents, Evans's total corpus is only now being fully examined. This important book revises our appreciation of Evans by presenting previously unknown material in an accessible context. Essays by Maria Morris Hambourg, Jeff L. Rosenheim, Doug Eklund, and Mia Fineman offer novel insights into the sources and legacy of Evans's work. The result is a superb exploration of what was achieved by one of our finest, mostly deeply American artists.

Hardcover. NY, Museum of Modern Art, 2nd pr., 1974, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and price-clipped dust jacket. Stated second printing. 189 pages, profusely illustrated in bw. With an introduction by John Szarkowski. Catalog of a photography exhibition held at The Museum of Modern Art, New York. Clean copy.

Hardcover. Los Angeles, CA, J. Paul Getty Museum, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. The Window in Photographs includes more than eighty color plates spanning the history of photography, all drawn from the J. Paul Getty Museum's permanent collection.

Hardcover. New York, Glitterati Inc, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black & white photographs throughout.

Hardcover. Philadelphia, PA, Philadelphia Museum of Art in association with Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Very clean, like new in publishers shrinkwrap. Peter Paul Rubens (1577-1640) proudly described his monumental painting Prometheus Bound as first among "the flower of my stock." This singular work demonstrates how Rubens engaged with and responded to his predecessors Michelangelo and Titian, with whom he shared an interest in depictions of physical torment. The Wrath of the Gods offers an in-depth case study of the Flemish artist's creative process and aesthetic, while also demonstrating why this particular painting has appealed to viewers over time. Many scholars have elaborated on Rubens's affinity for Titian, but his connection to Michelangelo has received far less attention. This study presents a new interpretation of Prometheus Bound, showing how Rubens created parallels between the pagan hero Prometheus and Michelangelo's Risen Christ from the Sistine Chapel's Last Judgment. Christopher D. M. Atkins expands our understanding of artistic transmission by elucidating how Rubens synthesized the works he saw in Italy, Spain, and his native Antwerp, and how Prometheus Bound in turn influenced Dutch, Flemish, and Italian artists. By emulating Rubens's composition, these artists circulated it throughout Europe, broadening its influence from his day to ours.

Softcover. Chicago, Stephen Daiter Gallery, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 32 pages. The catalog for an exhibition of Wynn Bullock's nudes and landscapes. Photographs by Bullock; essay by James Rhem. 32 pages; duo-toned b&w plates + text illustrations; 8.5 x 10.5 inches. Clean copy.