Hardcover. NY, Maurizio Martino, 3rd pr, 1996, Book: Very Good, Dust Jacket: None, Hardcover, 359 pages, b&w illustrations throughout. German text. Red covers w/ gilt lettering on spine. A very clean, tight copy. A reprint of the 1955 edition published by Galerie St.Etienne, New York.

Hardcover. Burlington VT, University of Vermont , 1st, 1854, Book: Very Good, Dust Jacket: None, Hardcover, marbled boards with black leather spine, gilt lettering on spine. 164 pages, clean copy. light chipping to spine. The 2-page Preface (anonymous) claims a total of 8,108 volumes.

Hardcover. NY, Farrar Straus Giroux, 1st US, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover. Color illustrations by Beisner. In a bright, unclipped dust jacket. Intriguing illustrations highlight this collection of visual and verbal puzzles, with cats providing the center of focus. Riddles and rhymes lead readers from page to page, challenging children's perceptions as well as their imaginations. Some spreads involve spotting differences; others ask viewers to find identical matches. The most captivating pages ask readers to find feline shapes amid landscapes or hidden among the branches of a bare tree.

Softcover. San Francisco, Pomegranate, 1st pbk, 1999, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. Collects the cat paintings that Kliban did for a series of calendars from 1977 through 1986. All in full color. Like new, clean.

Hardcover. Boston, D. Lothrop and Co., 1st, 1887, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 32 pages. Humorous poetry with b&w cat illustrations on opposite page. Gutter cracked after front fly leaf, but binding firm, pages bright and clean.

Softcover. Philadelphia, Pennsylvania Academy of the Fine Arts, 1st, 1974, Book: Very Good, Dust Jacket: None, Softcover, 126 pages. Minor creasing in top right corner. B&W and color. Internally clean. Overall tight copy. Illustrated wraps. Introduction by Frank H. Goodyear, Jr. Foreword by Richard J. Doyle, Director. Published on the occasion of the exhibition organized by the Pennsylvania Academy of the Fine Arts, Philadelphia PA 1974-1975. Bibliography. Index of Illustrations. [

Hardcover. France, Diffusion Glenat, 1st, N/A, Book: Very Good, Dust Jacket: Very Good, 239 pages. Hardcover with dust jacket. Sunfading to dust jacket spine. An otherwise very clean, unmarked copy. SIGNED AND INSCRIBED BY AUTHOR ON FRONT FLYLEAF.

Hardcover. London, Merrell Publishers, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 224 pages, 200+ color illustrations. The first of a three-part series that explores the creativity and productivity of Native American artists. This volume "focuses on the work of nearly ninety of the most exciting and innovative artists of the region, working in a variety of media, from clay to glass, from fiber to jewelry, and from metal to wood, as well as mixed media." (flap).

Softcover. Washington, DC, Smithsonian Institution, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, b&w and color illustrations. Very light edge wear; else a very clean, tight copy.

Softcover. Washington, DC, Smithsonian Institution, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, b&w and color illustrations. Very light edge wear; else a very clean, tight copy.

Softcover. Hiram Blauvelt Art Museum, 1st, 1994, Book: Very Good, Dust Jacket: None, 95 pages, illustrated throughout in color and b&w. Light edgewear to wrappers, else a clean, tight copy.

Hardcover. New York, Museum of Contemporary Art, 1st, 1998, Book: Very Good, Dust Jacket: None, Hardcover, 119 pages, mostly illustrated in color. Essays by Paul Schimmel and Lisa Phillips. Illustrated boards, no dust jacket issued.

Softcover. New Haven, NJ, Yale University Art Gallery, 1st, 1982, Book: Very Good, Dust Jacket: None, 213 pages, numerous b&w illustrations. Pictorial stiff wrappers. Light wear to edges and spine, else a nice, clean copy.

Softcover. Pawtuxet Cove, RI, Dale Chihuly, 1st, 1982, Book: Very Good, Dust Jacket: None, 45 full page color reproductions. Beautiful catalog for exhibition traveling to Tucson Museum of Art, San Diego Museum of Art, and St. Louis Art Museum. Printed on Northwest Quintessence by Foremost Lithograph, Co. Slight wear on cover. All else in very good condition.

Softcover. Muncie, Ind., Ball State University, 1st, 1985, Book: Very Good, Dust Jacket: None, 72 pages, b&w and color illustrations. Light rubbing to wrappers, small tear to rear cover, else a very clean, tight copy.

Softcover. New York, W. W. Norton & Company, Inc., 1st, 1990, Book: Very Good, Dust Jacket: None, 143 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Black & white photographs throughout.

Softcover. Washington, Smithsonian Institution, 1st, 1973, Book: Very Good, Dust Jacket: None, 236 pages. Paperback with faded paper wrappers. Black and white and colored pictures throughout. Tight copy

Hardcover. NY, Macmillan, 1st , 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover. Color illustrations by Gretchen Schields. SIGNED BY BOTH AUTHOR & ILLUSTRATOR. Clean, tight copy in a bright, unclipped dust jacket.

Softcover. Jackson MS, University Press of Mississippi, 1st, 1996, Book: Very Good, Dust Jacket: None, 208 pages, illustrated throughout in color and b&w. Light shelf-wear and rubbing to wrappers, otherwise a clean, tight copy. Essays by Trudy Wilner Stack and Allen Tullos was published in conjunction with a traveling exhibition of the same name. Christenberry's paintings, photography, sculpture and instal lations address the Southern identity. They describe and examine the social and material culture of the deep South.

Softcover. NY, Christie's, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 71 pages with 49 illustrations 31 in color. Stiff Illustrated wraps. Essay by William Paton. Clean copy.

Hardcover. New York, National Gallery of Art/Harry N. Abrams, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Clean, tight copy with mniior wear to edges. Color photos throughout. Christo and Jeanne-Claude have created some of the most visually breathtaking works of the twentieth century. From early wrapped objects to monumental outdoor projects such as The Umbrellas, Japan-U.S.A., 1984-91 and Wrapped Reichstag, Berlin, 1971-95, the artists have used fabric - wrapped, draped, and folded over, around, and through natural and constructed forms - to transcend the traditional bounds of painting, drawing, sculpture, and architecture.This volume spanning forty years of Christo and Jeanne-Claude's remarkable career accompanies an exhibition at the National Gallery of Art of sixty-one works from the collection of Dorothy and Herbert Voqel, whose relationship with the artists dates to 1971. The wonderful breadth of works presented in color and discussed here includes several early packages, models for large-scale public works, preparatory drawings and collages for projects in urban and rural sites, and photographs of the completed projects.

Hardcover. New York, Harry N. Abrams, Inc., 1st, 1969, Book: Near Fine, Dust Jacket: Near Fine, Exhibition catalogue for Bulgarian artist Christo. Illustrated with 71 reproductions of his often large-scale work, 3 of which are in shown in full color. Cloth bound book and dust jacket are in near fine condition; dust jacket has very slight wear some corners, book is very clean and new-looking.

Paperback. New York, Prestel, Revised, 2007, Book: Very Good, Dust Jacket: Very Good, 335 pages. Oversize hardcover with dust jacket. A very clean, unmarked copy with minor wear to dust jacket edges. Now available in a revised and expanded edition, this book offers the first comprehensive critical examination of one of America's most celebrated living artists. Chuck Close reinvented portraiture almost four decades ago with a series of nine-foot-tall, black-and-white likenesses of himself and fellow artists, which astonished an art world dominated by minimalism and conceptualism. Close has since explored an array of mediums. This lavish, large-format volume is the first to deal with all aspects of Close's career and to place them in a biographical context. Christopher Finch's insight into CLose's achievement comes by way of hundreds of studio visits and thousands of hours of conversation since he met Close in 1968. Finch provides an engaging, in-depth analysis of Close's portraits on canvas, from the continuous-tone airbrushed heads of the 1960s and '70s to the painterly "prismatic grids" of the past two decades. The more than 300 illustrations features in the book survey almost all of CLose's paintings, including his most recent work, together with a selection of his prints and multiples, and examples of his photographic oeuvre. This beautifully designed volume reveals not only the variety of pictorial strategies Close has devised, but the extrordinary personality of the artist behind the work.

Softcover. NY, Thames & Hudson, reprint, 1997, Book: Very Good, Dust Jacket: None, Softcover, 220 pages. This comprehensive catalogue traces the career of Cindy Sherman, examining her achievements as one of the leading American artists of our time. By exploring the myriad constructions of female identity and the body in our culture, Sherman imitates and confronts assorted representational stereotypes, becoming for many an icon of the contemporary concerns of feminism and postmodernism.Essayists Amada Cruz, Elizabeth A. T. Smith, and Amelia Jones offer keen insight and observations from several distinct vantage points, demonstrating that Sherman's work is a lens through which to view contemporary art and its ongoing concern with the profound issues of the structures of the self. More than 200 images show the breadth of Sherman's body of work, from the Untitled Film Stills of the 1970s to series such as Centerfolds, Fashion, Disasters, Fairy Tales, and History Portraits, as well as photographs influenced by surrealist artists. Also included are intriguing excerpts from Sherman's notebooks, selections from her contact sheets, and numerous Polaroid studies, all of which shed light on the artist's process.