Hardcover. New York, Flammarion, 1st English, 1997, Book: Very Good, Dust Jacket: Very Good, 263 pages, hardcover with dust jacket. Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Texas, subsequently held at various European museums. Translated from the French by Deke Dusinberre. Minor rubbing and fading to dust jacket, mostly to top edge. Slight bumping to corners. Unmarked. A clean and tight copy.

Hardcover. New York, PaceWildenstein, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 187 pages. Hardcover with dust jacket. Sun fading to dust jacket spine and front cover. An otherwise very clean, unmarked copy with only minor wear to dust jacket edges. Color works throughout as well as black & white and color film stills. A tight copy.

Softcover. Paris, Berggruen & Cie, 1st, 1956, Book: Very Good, Dust Jacket: Very Good, 28 pages, 23 color and b&w illustrations. The cover, which wraps around, is an original four-color lithograph made by Picasso for this exhibition booklet. French text, essay by Maurice Jardot. Clean, tight copy.

Softcover. Washington DC, Smithsonian Institute, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 95 pages, b&w illustrations. Originally conceived to accompany the exhibition, Photographs from the National Portrait Gallery. Presents the development of photography accompanied by portraits illustrating various photographic techniques. Includes suggestions for organizing and maintaining a collection of prints. Clean copy.

Softcover. Australia, National Gallery of Australia, 1st, 2008, Book: Very Good, Dust Jacket: None, 88 pages. Softcover with light edgewear to wrappers. Picture Paradise chronicles the transmission and adoption of new developments in photography from Europe to the Asia-Pacific region. It is the first survey of the early photography from this diverse region covering India and Sri Lanka, Southeast and East Asia, Australia, New Zealand and the Pacific Islands, to the West Coast of North America. It includes pioneer local photographers as well as European photographers working in the region and reveals the rich heritage and the many outstanding achievements of the first century of photography in the Asia-Pacific region.

Softcover. NY, Pierre Matisse Gallery, 1st, 1956, Book: Very Good, Dust Jacket: None, Softcover. Unpaginated (15 pages). Stiff wraps (stapled card wraps) with onionskin cover bearing author name, title, and gallery name on the onionskin, which is then superimposed over red, blue, black and white card cover. B&w illustrations. Onionskin wrapper torn along spine.

Hardcover. New Haven CT, Yale University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 183 pages. This beautiful book examines the art of Pieter de Hooch, one of the most famous and innovative painters of Holland's Golden Age. It discusses de Hooch's position in Dutch genre painting, his favorite themes and their cultural context, his artistic development, and his approach to narration. The book was the catalogue for an exhibition at the Wadsworth Atheneum in Hartford. A 75-page text covering the artist's life and techniques and themes of his work is followed by nearly 100 pages presenting plates of works in the show; eight entries bring the catalog raisonne up to date. Sutton has achieved the rare feat of creating a work that is both a significant addition to scholarship and a reader-friendly introduction for those not already familiar with the artist. Clean copy.

Hardcover. New York, Metropolitan Museum of Art/Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publisher's shrink-wrap. Exhibition catalog with 180 illustrations, 158 in full color. Measures 12x14.5 inches. Introduction by Nancy J. Troy and contributions by Mary E. Davis, Caroline Evans, Jared Goss, Heather Hess, Caroline Rennolds Milbank, and Kenneth E. Silver. Paul Poiret (French, 1879-1944) dominated haute couture in the first decade of the twentieth century. The catalogue features photographs of a number of garments by Paul Poiret, as well as pochoir prints by graphic artists, who created deluxe albums of Poiret's designs for his elite clients.

Hardcover. London, Tate, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. A very clean, unmarked copy like new in publishers shrink-wrap. Provocative and entertaining, Pop Life examines how artists since the 1980s have cultivated their public persona as a product, and conjured a dazzling mix of media, commerce, and glamour to build their own "brands."

Hardcover. Germany, Steidl Publishers, 1st, 2008, Book: Very Good, Dust Jacket: None, 295 pages. Hardcover with no dust jacket. A clean, unmarked copy with only minor edgewear. Minor yellowing to textblock edges. Black and white photographs throughout. Richard Avedon, America's preeminent portraitist and fashion photographer, photographed the many faces of politics throughout his career. Portraits of Power brings together Avedon's political portraits for the first time. Juxtaposing images of elite government, media and labor officials with counter-cultural activists, writers and artists, as well as ordinary citizens caught up in national debates, it offers a five-decade taxonomy of politics and power by one of America's best-known artists. The book features several of Avedon's extended projects addressing these themes, including coverage of the civil rights debate in the early 1960s (published in 1964 in Nothing Personal); the American anti-war movement and the war in Vietnam from 1969-1971; portraits of the American power elite in 1976, produced for his groundbreaking Rolling Stone portfolio "The Family;" "Exiles: The Kennedy Court at the End of the American Century," a retrospective homage to the Camelot generation published in the New Yorker in 1993; and his final photo-essay, "Democracy," surveying the national mood during the politically fractious period prior to the 2004 presidential elections (published posthumously in the New Yorker in 2004).

Hardcover. NY, Posters Please, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, color illustrations throughout.

Hardcover. NY, Posters Auctions International, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, 551 posters illustrated in color. Catalog for May 3 2009, sale no. xlviii. no dj issued.

Hardcover. NY, Posters Please, 1st, 2003, Book: Very Good, Hardcover, this catalog profiles: American show posters; (Buffalo Bill, circus, sideshow banners & minstrel posters); New Yoprk Central Railway, Mistinguett; international posters; books & periodicals. Color illustrated.

Softcover. New York, Phillips, 1st, 1981, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover. Black & white Illustrations of posters for sale by Phillips Auction House - Sale No. 366 - April 11, 1981. Clean, tight copy.

Hardcover. Burlington, VT, Lund Humphries, Reprint, 2008, Book: Very Good, Dust Jacket: None, 208 pages. Hardcover with no dust jacket. Very clean, unmarked copy with only minor edgewear. Color illustrations throughout. Tight copy. Power to the People presents the Israel Museum's major collection of propaganda posters from the early years of the Soviet Union, documenting one of the most interesting chapters in twentieth-century graphic design. Inspired by the traditional vernacular of political cartoons, by the lubok wood-cut technique of Russian folk art, and by the ideas of Futurism, the poster artists employed a new visual language to explain the results of the Revolution to the Soviet people. The Israel Museum's collection of Soviet propaganda posters is the largest museum collection of its kind outside Russia. This book illustrates the entire collection for the first time.

Softcover. Milano, Arte Contemporanea, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog of the Italian sculptor's work. Limited to 777 copies. Text in English and Italian with an essay by Enrico Gariboldi and a poem by Pier Carlo Bontempi. Includes numerous color illustrations. Clean copy.

Hardcover. The Art Museum, Princeton University, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 261 pages illustrated throughout in b&w. Pictorial boards with black title to spine. Tan dust jacket, with light wear to edges and small closed tears to front cover, else a very nice, clean, tight copy.

Hardcover. New York , Hudson Hills Press , 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 453 pages, cloth binding, dj, new copy still in publisher's shrinkwrap. 381 color & 107 b/w illustrations, 453 pages, 9x12. Published in conjunction with the exhibition Claes Oldenburg: Printed Stuff, held at the Madison Art Center, Madison, Wisconsin, Apr. 27-July 27, 1997, and at other places.

Hardcover. New York, Clarkson N. Potter, Inc., 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, 287 pages. Comprehensive catalogue of Reginald Marsh's prints. Illustrated with black/white reproductions of all known prints by Marsh. Also includes biographical text on the artist. Cloth bound book is in near fine condition, dust jacket is in very good condition with small closed tear on the back. Marsh was an American painter, born in Paris, most notable for his depictions of life in New York City in the 1920s and 1930s. Crowded Coney Island beach scenes, popular entertainments such as vaudeville and burlesque, women, and jobless men on the Bowery are subjects that reappear throughout his work.

Hardcover. New York, Clarkson N. Potter, Inc., 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, 287 pages. Comprehensive catalogue of Reginald Marsh's prints. Illustrated with black/white reproductions of all known prints by Marsh. Also includes biographical text on the artist. Cloth bound book is in near fine condition, dust jacket is in very good condition with small closed tear on the back. Marsh was an American painter, born in Paris, most notable for his depictions of life in New York City in the 1920s and 1930s. Crowded Coney Island beach scenes, popular entertainments such as vaudeville and burlesque, women, and jobless men on the Bowery are subjects that reappear throughout his work.

Hardcover. NY, Sotheby's, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Black cloth with color-illustrated dj; 39 pages with 3 gatefolds and numerous color and bw illustrations;. With a brief essay about Diamond and the collection; works well-described; includes art by Picasso, Leger, Mondrian, Brancusi, and Kandinsky. Clean copy.

Hardcover. US, Prestel USA, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 264 pages. Hardcover in slipcase. Like new in publisher's shrink-wrap. This elegant volume is the first comprehensive published study in English of the finely carved wooden covers designed to protect fragile Tibetan Buddhist texts. From the 11th through 14th centuries, Tibetan monks worked tirelessly to transcribe the life and teachings of the Buddha onto paper. Highly skilled craftsmen then covered these pages with wooden boards that had been elaborately and painstakingly carved, gilded, and painted. The MacLean Collection, based in Chicago, has significant holdings of these extremely rare and ornately decorated objects. The first and most comprehensive of its kind, this lavishly produced, oversize volume features numerous illustrations of magnificent book covers from Tibet as well as several examples from other cultures. The volume tells the fascinating history of these objects, examines the materials from which they were carved, and traces stylistic influences from Kashmir, India, Nepal, and China.

Hardcover. New York, Universal Budget Systems, 1st, 1944, Book: Very Good, Dust Jacket: None, 32 pages. Hardcover. Color and b/w illustrations by Erika throughout. Decorated cover boards. Boards have a touch of agewear (see images). Pages are slighted tanned from age. Previous owner's inscription on title page.

Hardcover. New York, Michael di Capua Books/Farrar Straus Giroux, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Non-paginated. SIGNED BY ILLUSTRATOR FRED MARCELLINO ON TITLE PAGE. Full color illustrations. Bright, clean copy. 1991 Caldecott Honor Book.Long regarded as the preeminent designer of book jackets in America, Fred Marcellino provides an unstinting visual feast in his first full-color picture book. The adventures of that rascal, Puss, and his master, the miller's son, are portrayed in a lavish series of illustrations that range from sumptuous grandeur to comedy both boisterous and sly.