Hardcover. Stanford CA, Stanford University Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 264 pages, color and b&w illustrations. The book focuses on the Aboriginal system of land tenure in the northeast of Arnhem Land, Australia. Yolngu land tenure is a system based on rational economic principles while deriving its validity and moral force from a rich religious mythology. The book is a contribution to the ethnography of Australian Aborigines, to comparative hunter-gatherer studies, to the analysis of systems of land tenure, and to the history of ideas about property. Clean copy.
Hardcover. San Francisco, Chronicle Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages, color photography by Greenfield. Critically acclaimed for Girl Culture and Fast Forward, Lauren Greenfield continues her exploration of contemporary female culture with Thin, a groundbreaking book about eating disorders. Greenfield's photographs are paired with extensive interviews and journal entries from twenty girls and women who are suffering from various afflictions. Very good in a similar dust jacket.
Hardcover. Los Angeles, CA, J. Paul Getty Museum, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. This Is the Day: The March on Washington is a stirring photo-essay by photographer Leonard Freed documenting the March on Washington for Jobs and Freedom of August 28, 1963, the historic day on which Dr. Martin Luther King Jr. delivered his "I Have a Dream" speech at the base of the Lincoln Memorial. This book commemorates the fiftieth anniversary of the historic march that ultimately led to the passage of the Civil Rights Act of 1964.
Hardcover. Los Angeles, CA, J. Paul Getty Museum, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. This Is the Day: The March on Washington is a stirring photo-essay by photographer Leonard Freed documenting the March on Washington for Jobs and Freedom of August 28, 1963, the historic day on which Dr. Martin Luther King Jr. delivered his "I Have a Dream" speech at the base of the Lincoln Memorial. This book commemorates the fiftieth anniversary of the historic march that ultimately led to the passage of the Civil Rights Act of 1964.
Hardcover. New York/London, Merrell, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages, 165 color and b$w images. Like new in publisher's shrink-wrap. Equal parts glamour and cataclysm, sunshine and noir, few cities have provoked visual representation as insistently as LA. This Side of Paradise explores the synergistic relationship between the city and photography from the mid-nineteenth century to the present through the key themes of landscape and the body. Beautifully illustrated throughout, including images by Carleton Watkins, Edward Weston, Louise Dahl-Wolfe, Garry Winogrand, Ed Ruscha, Dennis Hopper, Herb Ritts, John Baldessari, Catherine Opie and many others.
Hardcover. US, Hatje Cantz, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages, 81 color images. Like new in publisher's shrink-wrap. In 1999, the fashion and advertising photographer Thomas Hoeffgen (born 1968) flew to Nigeria for a story on soccer. He became so interested in the culture around the game there that he spent the next several years making unusual photographs of players and spectators in Nigeria, Namibia, Botswana, Zambia, Malawi and South Africa. Hoeffgen"s pictures record the frequently improvised playing fields alongside the stadiums.
Softcover. Princeton, Princeton University Press, 1st Edition, 2000, Book: Very Good, Dust Jacket: None, 382 pages. Softcover in very good condition with full color photo of Isaiah Berlin to cover. Tight copy. Clean & unmarked text.
Hardcover. Princeton, Princeton University Press, 1st, 1972, Book: Very Good, Dust Jacket: None, Hardcover, 226 pages of text followed by section of corresponding black & white photographic illustrations. Hardcover. Clean, tight copy. No dust jacket.
Hardcover. Seattle, University of Washington Press, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket with sunning to spine. 368 pages, 4 pages of b&w photos. Although the Tiwi people of North Australia have been studied before, Goodale's approach adds a significant dimension--from the perspective of the Tiwi woman as she changes through her life course from birth to the rituals performed after her death. Especially interesting and detailed material is included on marriage arrangements and directions as well as important rites of passage, such as the annual initiation ceremony and the funeral ceremony. Goodale's descriptive record of her fieldwork among the Tiwi continues to be a lucid and valuable source of knowledge of this remote tribe. Previous owner's small sticker on front fly leaf, otherwise clean.
Hardcover. Northampton MA, Kraushar Press, 1st, 1943, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth covers with black lettering, 163 pages, b&w photos. Inspired by a visit to Stoney Reservation in Alberta, Canada, the author spent 15 years visiting & living among 47 tribes, and developed a touring show of pictures, songs, dances, stories & sign language. Clean, bright copy.
Hardcover. New York, PowerHouse, 1st, 2004, Book: Very Good, Dust Jacket: None, Non-paginated. Illustrated with full color photographs. Clean, bright copy. Rocking on tour with America"s heavy metal superstars--Kiss, Poison, Iron Maiden, Slaughter, Ted Nugent, Dokken, and Cinderella--photographer David Yellen tailgated among the headbangers, metalheads, burnouts, and self-styled fanatics waiting for the show or hanging around backstage hoping to meet their idols. The results are a captivating record of Yellen"s trip to metal"s Shangri-la.
Hardcover. Cambridge, Harvard University Press, 1st, 1929, Book: Very Good, Dust Jacket: None, 634 pages. Hardcover. Illustrated with a few black & white photographs. Bookplate on inside front cover. Features music and lyrics. 1 Fold-out map of Virginia. Clean, tight copy.
Softcover. Charlottesville, University of Virginia Press, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 94 pages, b&w photos. In publisher's shrinkwrap. n an evocative blending of words and images, painter-photographer Carol Burch-Brown and poet David Rigsbee offer a depiction of trailers and their inhabitants. The understated imagery of Burch-Brown's 48 photos implies rather than proclaims the living conditions of these mobile-home dwellers, while Rigsbee's meditative, autobiographical essay parallels and illuminates the subjects and chronicles family histories with trailers.
Hardcover. New York, William Morrow, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 295 pages. Hardcover. Dust jacket unclipped. Gilt title on spine. Deckled edges. Binding tight. In great shape, clean inside and out.
Hardcover. Edinburgh, Cadell and Co., Reprint, 1829, Book: Very Good, Dust Jacket: None, 3 volume set. REBOUND. Each volume contains original pages, new covers. Age toning throughout with margins discolored to preliminary and end pages. Vol. 1 - 421 pages, fold out map tipped in to front with tape & small tears to edges; Vol. 2 - 432 pages; and Vol. 3 - 436 pages with fold out table tipped in to rear. Previous owner's book plate on front end paper on each volume.
Hardcover. Boston, Little, Brown and Company, 1st, 1938, Book: Very Good, Dust Jacket: None, Hardcover, 395 pages. Full color illustrations by N. C. Wyeth. Degree of darkening to spine cloth. Light wear. Clean, tight copy.
Softcover. Chicago, Ludowici-Celadon Co., 1st, 1929-1932, Book: Very Good, Dust Jacket: None, 26 softcover brochures, approx. 24 pages each. Illustrated with b&w photographs and drawings. Issues from 1929 to 1932. Very good condition.
Hardcover. New York, Sirecox, 2nd pr., 1991, Book: Very Good, Dust Jacket: Very Good, 243 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color photographs throughout. Illustrated with color photographs by Jose Luis Gonzalez Grande. Translation by Louis Bourne. Foreword by Sam K. Sebagereka, Minister for Tourism and Wildlife of Uganda. Preface by Luis Yanez-Barnuevo. A photographic safari of Uganda.
Hardcover. New York, W. W. Norton, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 399 pages. Hardcover. Profusely illustrated with full color and black & white photographs. Clean, tight copy. An illustrated history of 170 years of Arctic exploration and its effects on indigenous peoples. Ultima Thule is the terrible and yet fantastic story of European and American exploration in the polar north. Based on excerpts from the explorers' logs counterbalanced by Inuit testimony, it brings to life both sides of the clash that arose when white men arrived in the Far North, dreaming of conquest and believing that they brought with them a civilization superior to that of the indigenous peoples they found. Today, the outlook for the Inuit and the polar environment is bleak: the people and their landscape are in danger of disappearing for good. But according to Jean Malaurie, the situation is not altogether without hope. Heavily illustrated with period photographs, engravings, artifacts, and drawings, the book gives the readers the impression of having an entire museum of North Pole history in their hands. 650 color and black-and-white photographs. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. New York, Holiday House, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover. Non-paginated. Full color illustrations by Robert Rayevsky. Clean, bright copy. Above there are skyscrapers and sunshine, schools and families, pigeons and pets--but below the streets of New York there is a bustling world of tunnels, jazz clubs, subways, restaurants, and more.
Hardcover. New Haven CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 232 pages. Like new in publisher's shrink-wrap. City scenes have been chronicled in photographs since the early 1800s, but street photography as traditionally defined has captured a relatively narrow field of these images. Revolutionizing the history of street photography, Unfamiliar Streets explores the work of Richard Avedon (1923-2004), Charles Moore (1931-2010), Martha Rosler (b. 1943), and Philip-Lorca diCorcia (b. 1951), four American photographers whose careers in fashion, photojournalism, conceptual art, and contemporary art are not usually associated with the genre. Bussard's lively and engaging text, a timely response to a growing interest in urban photography, challenges the traditional understanding of street photography and makes original and important connections among urban culture, social history, and the visual arts, constructing a new historical model for understanding street photography. Illustrated with more than one hundred images, this book provides an interpretation of a compelling genre that is as fresh as its consideration of the city streets themselves, sites of commerce, dispossession, desire, demonstration, power, and spectacle.
Hardcover. Hartford, Canfield and Robins, 1st, 1836, Book: Fair, Dust Jacket: None, 610 pages. Hardcover with brown leather covers. Heavy soil and wear to the leather. Moderate foxing throughout. Black and white illustrations/engraved plates. Iceland to New Zealand, including the Americas, Europe, Asia, and Africa. Water stain to first 40 pages, about one sixth of page. Previous owner's signature on front fly leaf. Sound binding.
Softcover. Cambridge MA, Harvard University Press, 2nd pr., 1992, Book: Very Good, Dust Jacket: None, 387 pages. Softcover. Black & white illustrations throughout. Faded spine. Light shelf wear to cover. Pen marks to three pages. Otherwise clean copy.
Softcover. Berkeley, University of California Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 536 pages. Illustrated in color and black-and-white. A landmark study of California's visual arts and poetry, 1925 to 1975, Utopia and Dissent demonstrates the profound influence this regional culture had on American art and thought. Bookselle's label on rear cover, wrinkle to page 513, otherwise clean, very good.
Hardcover. University of South Carolina Press, Supreme Council, Scottish Rite of Freemasonry, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 269 pages. " ...a fascinating journey through the history of Scottish Rite in America. This comprehensive pictorial history provides valuable insights into the critical role masons have played throughout our nation's history." b/w, sepia, & color plates throughout. In Valley of the Craftsmen, the story of "higher degree" Freemasonry is depicted through portraits, official papers, material objects, photographs, buildings, and stagecraft. Featuring many previously unpublished images, Valley of the Craftsmen begins with rare illustrations of the English and French philosophical sources that were projected upon an American landscape vitalized and transformed by the concept of fraternity. The story is framed by American popular culture and the serious private effort of individual men in small towns and expansive cities who were intent on developing a moral life in service to their communities. Clean copy.
Hardcover. Madras, The Adyar Library, Reprint, 1953, Book: Good, Dust Jacket: None, Non-paginated. Hardcover. Text in Sanskrit and English. Previous owners name on front endpaper with brief note opposite. Light, neat notes in pen and pencil on some pages in first section of text. Overall, very good.
Hardcover. New York, Mark Batty Publisher, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 127 pages. Like new in publishers shrink-wrap. Photographic study documenting the development of vending machines around the world.
Hardcover. New York, Penguin Press, First Edition, 2014, Book: Very Good, Dust Jacket: Very Good, 642 pages. Hardcover. Grey cloth boards with silver titles to spine. Black & white illustrations throughout. Crisp dust jacket with only minor wear. Very clean & unmarked. Crisp, tight copy.
Softcover. NY, Harper Torchbooks, reprint, 1970, Book: Very Good, Dust Jacket: None, Softcover, 397 pages. "Few works that I know convey the excitement of the intellectual life of nineteenth-century England as immediately as Gertrude Himmelfarb's Victorian Minds. The essays are remarkable no less for the cogency of their wit than for the range and precision of their scholarship" ` ~ Lionel Trilling. Clean copy.
Hardcover. Paris, J. Hetzel, Reprint, 1867, Book: Very Good, Dust Jacket: None, 636 pages. Hardcover. French text only. Previous owners name at top left corner of preliminary page dated 1868. Gilt title and decorations on red leather spine with embossed pebbled cloth covers. Satirical black & white illustrations by Jean-Jacques Grandville. Marbled endpapers. All edges gilt. Light rubbing to cover edges and spine. Small area of discoloration on lower section of front cover. Clean, bright pages.
Hardcover. New York, Harry N. Abrams, 1st English, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages, b&w photographs throughout. A very clean, tight copy.
Hardcover. Cambridge MA, The MIT Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 316 pages, b&w illustrations. The history, theoretical frameworks, methodology, and pedagogy of the new field of visual culture; current debates and the possibility for future consensus. In recent years, visual culture has emerged as a growing and important interdisciplinary field of study. Visual culture regards images as central to the representation of meaning in the world. It encompasses "high" art without an assumption of its higher status. But despite the current proliferation of studies and programs in visual culture, there seems to be no consensus within the field itself as to its scope and objectives, definitions, and methods. In Visual Culture, Margaret Dikovitskaya offers an overview of this new area of study in order to reconcile its diverse theoretical positions and understand its potential for further research. Clean copy. Uncommon in the hardcover.
Hardcover. London, Melcher/Virgin, 1st, 1999, Book: Very Good, Dust Jacket: None, Non-Paginated. Illustrated with black & white photographs. Features photographs by Atget, Larry Clark, Walker Evans, Larry Fink, Weegee, Susan Meiselas, and more. Essay by Luc Sante. Slip case and covers show light wear. Clean, tight copy.
Softcover. Berkeley CA, University of California Press, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 316 pages. Few twentieth-century thinkers have proven as influential as Walter Benjamin, the German-Jewish philosopher and cultural and literary critic. Richard Wolin's book remains among the clearest and most insightful introductions to Benjamin's writings, offering a philosophically rich exposition of his complex relationship to Adorno, Brecht, Jewish Messianism, and Western Marxism. Wolin provides nuanced interpretations of Benjamin's widely studied writings on Baudelaire, historiography, and art in the age of mechanical reproduction. In a new Introduction written especially for this edition, Wolin discusses the unfinished Arcades Project, as well as recent tendencies in the reception of Benjamin's work and the relevance of his ideas to contemporary debates about modernity and postmodernity. Clean, bright copy.
Hardcover. Prestel Publishing/ Montreal Museum of Fine Arts, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 286 pages, color illustrations. This catalogue reveals the myriad ways Warhol immersed himself in the music of his time. Tracing back to Warhol's introduction to music through the musical comedies. songs and soundtracks of his youth. this book opens with Warhol's portraits of the great films stars of his childhood. As the fascinating essays collected in this volume discuss. Warhol's renowned portraits of pop music icons such as Mick Jagger. Debbie Harry and Grace Jones are just one manifestation of his interest in music. Warhol collaborated with choreographer Merce Cunningham. served as producer for the Velvet Underground. incorporated music into his films. produced video-clips. designed dozens of record albums. filmed live concerts and created multimedia spectacles. Although never a musician himself. Warhol appropriated the imagery of a pop icon for some of his most arresting and haunting self portraits.
Hardcover. New York, Glitterati, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. illustrated in color and b&w. A visual survey of Black style from the 1940s through the 1970s. In publisher's shrinkwrap. This is the 2006 first printing with a different cover than the later reprint.
Hardcover. New York, Simon & Schuster, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, a pictorial history of the wedding ritual. INSCRIBED BY AUTHOR on front fly leaf. Very clean and tight copy.
Softcover. New York, Abbeville Press, 1st US, 1984, Book: Very Good, Dust Jacket: None, 160 pages, illustrated throughout in b&w. Previous owner's sticker on front end paper, light edgewear and soil to wrappers. Clean, tight copy. The pictures assembled here show how this artistic culture originated in the aftermath of the First World War and the unsettled early years of the Weimar Republic, uneasily balanced between revolutionary pretensions and the desire for order. The montage of images--photographs, paintings, drawings, collages, books, and film stills--evokes the period with shocking vividness.
Hardcover. NY, Harper, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 672 pages. 16 pages of photos. What Becomes a Legend Most is the first definitive biography of this luminary--an intensely driven man who endured personal and professional prejudice, struggled with deep insecurities, and mounted an existential lifelong battle to be recognized as an artist. Philip Gefter builds on archival research and exclusive interviews with those closest to Avedon to chronicle his story, beginning with Avedon's coming-of-age in New York between the world wars, when cultural prejudices forced him to make decisions that shaped the course of his life. Compounding his private battles, Avedon fought to be taken seriously in a medium that itself struggled to be respected within the art world. Gefter reveals how the 1950s and 1960s informed Avedon's life and work as much as he informed the period. He counted as close friends a profoundly influential group of artists--Leonard Bernstein, Truman Capote, James Baldwin, Harold Brodkey, Renata Adler, Sidney Lumet, and Mike Nichols--who shaped the cultural life of the American twentieth century. It wasn't until Avedon's fashion work was exhibited at the Metropolitan Museum of Art in the late 1970s that he became a household name. Balancing glamour with the gravitas of an artist's genuine reach for worldy achievement--and not a little gossip--plus sixteen pages of photographs, What Becomes a Legend Most is an intimate window into Avedon's fascinating world. Dramatic, visionary, and remarkable, it pays tribute to Avedon's role in the history of photography and fashion--and his legacy as one of the most consequential artists of his time.
Hardcover. NY, Harper, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 672 pages. 16 pages of photos. What Becomes a Legend Most is the first definitive biography of this luminary--an intensely driven man who endured personal and professional prejudice, struggled with deep insecurities, and mounted an existential lifelong battle to be recognized as an artist. Philip Gefter builds on archival research and exclusive interviews with those closest to Avedon to chronicle his story, beginning with Avedon's coming-of-age in New York between the world wars, when cultural prejudices forced him to make decisions that shaped the course of his life. Compounding his private battles, Avedon fought to be taken seriously in a medium that itself struggled to be respected within the art world. Gefter reveals how the 1950s and 1960s informed Avedon's life and work as much as he informed the period. He counted as close friends a profoundly influential group of artists--Leonard Bernstein, Truman Capote, James Baldwin, Harold Brodkey, Renata Adler, Sidney Lumet, and Mike Nichols--who shaped the cultural life of the American twentieth century. It wasn't until Avedon's fashion work was exhibited at the Metropolitan Museum of Art in the late 1970s that he became a household name. Balancing glamour with the gravitas of an artist's genuine reach for worldy achievement--and not a little gossip--plus sixteen pages of photographs, What Becomes a Legend Most is an intimate window into Avedon's fascinating world. Dramatic, visionary, and remarkable, it pays tribute to Avedon's role in the history of photography and fashion--and his legacy as one of the most consequential artists of his time.
Hardcover. Cambridge UK, Cambridge University Press, 1st, 1986, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with black and gilt stamping, 291 pages. Gift exchange plays a crucial role in the social and political organization of Mendi in Papua New Guinea. This book reveals how considerable light can be shed on Mendi society, particularly on its political economy, by examining both the well-known ceremonial exchange festivals and the hitherto relatively little-studied everyday gift-giving practices. The author shows that the latter are crucial for understanding inter-group politics, the process of leadership, male-female relationships and the status of women, and the production, distribution and circulation of wealth. Currently the only book available on this society, the work offers an unusual combination of a social structural analysis with a study of local history and change. It is also of interest for its integration of the study of gift exchange and politics with the study of gender roles and relationships. Clean, bright copy.
Hardcover. New York, Farrar, Straus, Giroux, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover. Non-paginated. Illustrated with full color photographs of group portraits. Dust jacket with a few small chips along edges - dust jacket now protected with clear plastic cover. Clean, tight copy.
Hardcover. New York, Glitterati, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. The book is the first to document the American punk scene to the public at large and now represents the epitome of the scene at the time Features photographs of artistic and performance luminaries such as Man Ray, Tennessee Williams, Mick Jagger, Patti Smith, Richard Hell, Alice Cooper, Iggy Pop, David Bowie, Zandra Rhodes, Divine, Lance Loud, and Marilyn Chambers, among others.
Hardcover. New York, Glitterati, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. The book is the first to document the American punk scene to the public at large and now represents the epitome of the scene at the time Features photographs of artistic and performance luminaries such as Man Ray, Tennessee Williams, Mick Jagger, Patti Smith, Richard Hell, Alice Cooper, Iggy Pop, David Bowie, Zandra Rhodes, Divine, Lance Loud, and Marilyn Chambers, among others.
Hardcover. Jackson MS, University Press of Mississippi, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages. Like new in publisher's shrink-wrap. Cartoonist Winsor McCay (1869-1934) is rightfully celebrated for the skillful draftmanship and inventive design sense he displayed in the comic strips Little Nemo in Slumberland and Dream of the Rarebit Fiend. McCay crafted narratives of anticipation, abundance, and unfulfilled longing. This book explores McCay's interest in dream imagery in relation to the larger preoccupation with fantasy that dominated the popular culture of early twentieth-century urban America. McCay's role as a pioneer of early comics has been documented; yet, no existing study approaches him and his work from an art historical perspective, giving close readings of individual artworks while situating his output within the larger visual culture and the rise of modernism. From circus posters and vaudeville skits to department store window displays and amusement park rides, McCay found fantastical inspiration in New York City's burgeoning entertainment and retail districts. Wide Awake in Slumberland connects McCay's work to relevant children's literature, advertising, architecture, and motion pictures in order to demonstrate the artist's sophisticated blending and remixing of multiple forms from mass culture. Studying this interconnection in McCay's work and, by extension, the work of other early twentieth-century cartoonists, Roeder traces the web of relationships connecting fantasy, leisure, and consumption. Readings of McCay's drawings and the eighty-one black and white and color illustrations reveal a man who was both a ready participant and an incisive critic of the rising culture of fantasy and consumerism.
Hardcover. Boston, Ticknor and Fields, 1st, 1860, Book: Good, Dust Jacket: None, 283 pages. Hardcover. Stated Author's Edition. Brick colored end papers scarred & chipped. Small discard stamp on title-page - ex-library with few markings. Short tear to page 7 of preface. Original embossed brown cloth, gilt lettering on spine faded. Uncommon book detailing the hunting of Indian animals, including man-eaters, panthers, bears, buffalo and wild elephants.
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