Hardcover. Thetford VT, Dwight Goddard, 2nd Ed., 1938, Book: Very Good, Dust Jacket: None, Flexible brown cloth, stamped in black, 677 pages. Revised and enlarged from the original 1932 printing, four page Preface by Goddard. A scarce edition of this seminal work which influenced Beat Generation attitudes and writing, noteably Kerouac. Previous owner signature on front fly leaf, otherwise clean.

Softcover. Aperture, 1st, 1998, Book: Very Good, Dust Jacket: None, 79 pages, b&w and color photographs throughout. Very good.

Hardcover. US, Taschen, 1st, 2014, Book: Very Good, Hardcover, 904 pages, illustrated in color, b&w. Includes 56 page facsimile of a GDR family scrapbook. This is an absolutely amazing chronicle of life in the German Democratic Republic, from its establishment in 1949 up through the fall of the Berlin Wall in 1989 and subsequent reunification of the two Germanys. LIfe in East Germany is completely and accurately summarized and represented: everything from menus in restaurants, to shopping, transportation, education, home life, the State Security Service (Stasi), etc. Even what was available to drink and smoke is described and illustrated. It's as if the Wende Museum - the book's publisher - has take the entire collection of its East German and Cold War archives and put it into a coffee table book. But be careful, you'll need a strong coffee table: this publication weighs over eleven pounds. If you're interested in German history, particularly of the Cold War years, this book is a must.

Hardcover. Montreal, Drawn & Quarterly, 1st, 2003, Book: Very Good, Dust Jacket: None, 140 pages. Hardcover NO dust jacket. Black and white comic. Clean, unmarked copy with minor wear to boards. Award-winning comix-journalist Joe Sacco goes behind the scene of war correspondence to reveal the anatomy of the big scoop. He begins by returning us to the dying days of Balkan conflict and introduces us to his own fixer; a man looking to squeeze the last bit of profit from Bosnia before the reconstruction begins. Thanks to a complex relationship with the fixer Joe discovers the crimes of opportunistic warlords and gangsters who run the countryside in times of war. But the west is interested in a different spin on the stories coming out of Bosnia. Almost ten years later, Joe meets up with his fixer and sees how the new Bosnian government has "dealt" with these criminals and Joe ponders who is holding the reins of power these days...

Hardcover. Boston, Houghton, Mifflin and Company, 1st, 1897, Book: Very Good, Dust Jacket: None, 304 pages. Hardcover with no dust jacket. Blue cover boards, with gilt lettering and line decoration on spine and top page block. . Light foxing on top, and bottom cover boards. Top corners slightly bumped, otherwise, tight copy.

Hardcover. Scarsdale, NY, Bradbury Press, 1st, 1981, Book: Very Good, Dust Jacket: Good, Non-paginated. Hardcover with dust jacket. Clean, tight copy.A Hungarian folktale translated by Severo. Color illustrations by Diane Goode. Dust jacket with light edgewear

Nafziger Collection , reprint, 2007, Book: Very Good, Dust Jacket: None, Softcover, 214 pages. Large size 28cm x 21cm in soft card covers. Clean and sound. History of the Polish Revolution of 1830 by Joseph Hordynski - Major of the Late Tenth Regiment of Lithuanian Lancers (Originally pub. in 1833) .

Hardcover. Cambridge MA, MIT Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 420 pages, illustrated with mostly b&w plates, 8 color pages. Small remainder stamp on bottom edge. "Tiege was at one and the same time both an agent provocateur and seismograph, at once provoking action and debate and yet simultaneously reacting with the utmost sensitivity to the shifting political spectrum of his time."--from the introduction by Kenneth FramptonKarel Teige (1900-1951), a leading figure of the avant-garde of the 1920s and 1930s, participated in every important argument and controversy of those turbulent years. He edited the most influential avant-garde journals on Czech and international cultural affairs and wrote profoundly original essays and books on the theory and criticism of art and architecture. He also produced paintings, collages, photomontages, film scripts, book covers, and typefaces and participated in theatrical performances.

Hardcover. Prague, SNDK, 1st, 1957, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 140 pages. A collection of Czech/Yugoslavian fables illustrated in color by Vladimir Brehovzsky. Clean.

Hardcover. Gottingen GR, Steidl, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Black & white photographs by Rosalind Solomon. Minor wear. Clean, tight copy .Rosalind Solomon made her first pictures in Poland in 1988 during a time of political change, and returned there in 2003, a time of increasing violence and inhumanity in the world. All of the images are of individuals, their relationships and environments and are observations and commentaries on Poland itself, as well as on the rest of the world.

Softcover. US, Top Shelf Productions, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 285 pages, graphic novel illustrated throughout in b&w. Clean, unmarked copy with only minor wear to wrappers.

Softcover. US, Top Shelf Productions, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover. 285 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. New York, W. W. Norton & Company, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 255 pages. Hardcover. Full color and black & white illustrations. Remainder marks on top edge at spine. Light wear. Clean, unmarked copy.

Softcover. Lanham, MD, Rowman & Littlefield Publishers, Inc., 1st, 1998, Book: Very Good, Dust Jacket: None, 245 pages. Crisp, clean, illustrated wraps. From the back cover: "An astute observer of the soviet Union, Robert Daniels collects here his observations of political change in the USSR over a twenty-five-year period." Tight binding, clean & unmarked pages throughout.

NY, International Center of Photography, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover. Essay by Vaclav Havel. Foreword by Cornell Capa. Black & white photos by Ickovic. 96 pages. As new in shrinkwrap. With black-and-white photographs taken in Czechoslovakia and Hungary in 1989 and 1990.

Hardcover. NY, Aperture, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 168 pages. A native of Kazakhstan, Ljalja Kuznetsova traversed the expanses of the Central Asian steppe to photograph the gypsies, or Roma people, whose mysterious comings and goings have fascinated her since she was a child. Shaking the Dust of Ages: Gypsies and Wanderers of the Central Asian Steppe is the first book devoted to these pictures, for which Kuznetsova won the Mother Jones Leica Medal of Excellence and the Paris Grand Prix for Photography.Kuznetsova's photographs present rare, intimate portraits of gypsies-- whose freedom from the ties of civilization is reflected in the wild winds and unlimited vistas of the steppe landscape. As Kuznetsova traveled through Kazakhstan, Turkmenistan, Uzbekistan, and the Ukraine, the gypsies continually inspired her. She found in them a people without frontiers, living independent of politics, religious dispute, or social class. Though their presence on the steppe is becoming a thing of the past, Kuznetsova's cast of characters and their world seem timeless in these images.

Softcover. Sanbornton, Sant Bani Press, First Edition, 1984, Book: Very Good, Dust Jacket: None, 333 pages. Softcover. Full page, full color illustrations and a few in bw. Interviews & reflections with Kirpal Singh, Baba Sawan & Sant Ajaib. Light wear to spine edges, light sunfading to lower spine. Discolored smudge to top edge. Previous owner's signature to preliminary pages. Otherwise, clean & unmarked copy.

Hardcover. NY, Aperture, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Photographer Plachy proves you can go home again and again in this stunning photographic voyage to her native Hungary. Plachy weaves together contemporary and vintage photographs, mementos and pictures of movie sets (including several from her son Adrien Brody?s Oscar-winning turn in Roman Polanski?s The Pianist). Together, these pieces come together like a puzzle, recreating an Eastern Europe that has weathered dictatorships, two world wars and is now opening up, confusedly, to democracy. The images of stray shadows, apartment buildings studded with bullet holes, and eerie reflections are as evocative as they are subtle. They remind us that great photographs don?t have to rely on shock value to move or disturb. Plachy accents her work with memorable vignettes of her childhood in Communist Hungary as well as of her repeated journeys back east as an adult and an American citizen. One of the most touching of these small stories involves the photographer?s grief-stricken mother, inconsolable after the deaths of her parents in Auschwitz. One day, while her mother stared at a framed photo of her deceased parents, she saw a gold moth land on the glass. "From then on golden butterflies and moths were sacred," writes Plachy. As the book goes on, relative after relative surrounds herself with images to bring back lost loved ones. By the book?s end, we see Plachy herself doing the same thing and realize that through this book she has invited us on a private tour of a lost world, a journey that?s as poignant as it is unforgettable. 22 four-color and 98 duotone images.

Softcover. London, IISL/KPI, 1st Thus, 1986, Book: Very Good, Dust Jacket: None, 413 pages. Softcover. Light rubbing to covers. Clean, unmarked text.

York Beach ME, Weiser Books, Revised Ed., 1989, Book: Very Good, Dust Jacket: None, Softcover, 296 pages. Clean copy. Until the publication of the Zohar, the Bahir was the most widely quoted primary source of Kabbalistic teachings. The Bahir is quoted in every major book on Kabbalah, the earliest being the Raavad's commentary on Sefer Yetzirah, and it is cited numerous times by Rabbi Moshe ben Nachman (Ramban) in his commentary on the Torah. It is also quoted many times in the Zohar. It was first published around 1176 by the Provence school of Kabbalists; the first printed edition appeared in Amsterdam in 1651. The name Bahir is derived from the first verse quoted in the text (Job 37:21), "And now they do not see light, it is brilliant (Bahir) in the skies." It is also called the "Midrash of Rabbi Nehuniah ben HaKana," particularly by the Ramban. The reason might be that Rabbi Nehuniah's name is at the very beginning of the book, but most Kabbalists actually attribute the Bahir to him and his school. Some consider it the oldest kabbalistic text ever written.

Hardcover. New York , Penguin Putnam Inc, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 158 pages, illustrated throughout with photos in b&w. Clean, unmarked copy with only minor wear to dust jacket. Elie Wiesel provides the preface to a master photographer's record of eastern Europe's Jewish communities in the years just before World War II with 160 photographs that capture the ordinary lives of Jews before the Holocaust.

Hardcover. New York , Farrar Straus Giroux , 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Theft protection sticker on front fly leaf. Clean, tight copy otherwise. Color illustrations by Sis.

Hardcover. Barnsley UK, Pen & Sword Books, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 155 pages., b/w plates., maps, index, This remarkable account describes the open warfare Polish Underground fighters waged against the Nazi occupiers of their city-with a shortage of arms, ammunition, and medical support-in the expectation of Soviet assistance that came too late to help the precipitous uprising.

Hardcover. NY, Thames & Hudson, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, 208 pages, 174 color plates. Window-Shopping through the Iron Curtain presents a selection of more than 100 images of shop windows shot by David Hlynsky during four trips taken between 1986 and 1990 to Poland, Czechoslovakia, Hungary, Yugoslavia, Bulgaria, East Germany, and Moscow. Using a Hasselblad camera, Hlynsky captured the slow, routine moments of daily life on the streets and in the shop windows of crumbling Communist countries.The resulting images could be still-lifes representing the intersection of a Communist ideology and a consumerist, Capitalist tool-the shop window-with the consumer stuck in the middle. Devoid of overt branding or calculated seduction, the shop windows were typically adorned with traditional yet incongruous symbols of cheer: homey lace curtains, paper flowers, painted butterflies, and pictures of happy children. Some windows were humble in their simple offerings of loaves and tinned fishes; others were zanily artistic, as in the modular display of military shirts in a Moscow storefront; and some illustrated intense professional pride, such as a sign in a Prague beauty salon depicting a pedicurist smiling fiendishly over an imperfect sole. The photographs are accompanied by essays by art historian Martha Langford and cultural studies specialist Jody Berland, as well as Hlynsky's own account of his time as a flaneur in the shopping plazas of the collapsing Soviet empire-"a vast ad-hoc museum of a failing utopia" that in 1989 began to close forever. No dj issued.

Hardcover. NY, Thames & Hudson, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, 208 pages, 174 color plates. Window-Shopping through the Iron Curtain presents a selection of more than 100 images of shop windows shot by David Hlynsky during four trips taken between 1986 and 1990 to Poland, Czechoslovakia, Hungary, Yugoslavia, Bulgaria, East Germany, and Moscow. Using a Hasselblad camera, Hlynsky captured the slow, routine moments of daily life on the streets and in the shop windows of crumbling Communist countries.The resulting images could be still-lifes representing the intersection of a Communist ideology and a consumerist, Capitalist tool-the shop window-with the consumer stuck in the middle. Devoid of overt branding or calculated seduction, the shop windows were typically adorned with traditional yet incongruous symbols of cheer: homey lace curtains, paper flowers, painted butterflies, and pictures of happy children. Some windows were humble in their simple offerings of loaves and tinned fishes; others were zanily artistic, as in the modular display of military shirts in a Moscow storefront; and some illustrated intense professional pride, such as a sign in a Prague beauty salon depicting a pedicurist smiling fiendishly over an imperfect sole. The photographs are accompanied by essays by art historian Martha Langford and cultural studies specialist Jody Berland, as well as Hlynsky's own account of his time as a flaneur in the shopping plazas of the collapsing Soviet empire-"a vast ad-hoc museum of a failing utopia" that in 1989 began to close forever. No dj issued.

Hardcover. NY, Grosset & Dunlap, reprint, 1916, Book: Very Good, Dust Jacket: None, Hardcover, 385 pages, illustrated with b&w photos. Tan cloth stamped in red and dark green on front and spine. No D.J.

Hardcover. New York , Negro Universities Press , reprint, 1969, Book: Very Good, Dust Jacket: None, Hardcover, 328 pages, b&w illustrations. Brown cloth with gilt titles. Light edgewear to boards, else a clean, tight copy.

Hardcover. New York, William Morrow & Co, 1st, 1974, Book: Very Good, Dust Jacket: Fair, 414 pages. .Hardcover with dust jacket. Dust jacket has small tears and fraying overall. Now protected with plastic sleeve. Previous owner's name and address on end paper. Pages lightly darkened but clean, tight copy.