Softcover. Milan, Stanza del Borgo, limited, 1973, Book: Very Good, Dust Jacket: None, Softcover. Number 966 of 1000 copies. 142 pages, b&w illustrations throughout. Edge wear, rubbing to wrappers; spine slightly yellowed. Previous owner's signature on front fly leaf. Light smudges on top edge. Internally a very clean, tight copy.
Hardcover. Nevada Publications, 1st, June 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. SIGNED BY AUTHOR. 208 pages, b&w photographs and maps throughout. A very clean, tight copy.
Hardcover. Baton Rouge, Louisiana State University , 1st, 1989, Book: Very Good, Dust Jacket: Good, Hardcover, sticker residue on front of dust jacket. 392 pages. Written in the 1840's these are Thomas Bang Thorpe's sketches of the old Southwest, Edited, with a Critical Introduction and Textual Commentary, by David C. Estes .
Softcover. Boston, Museum of Fine Arts Boston , 1st, 1982, Book: Good, Dust Jacket: None, 3 Softcover Volumes. Volume 1 - 94 pages. Features:Introduction/Migration and Settlement. Many illustrations in black & white and 8 pages in full color. Covers show light/moderate wear with some soiling to rear cover. Clean, tight copy. Volume 2 - 260 pages. Features: Mentality and Environment. Many illustrations in black & white and 8 pages in full color. Light/moderate wear. Clean, tight copy. Volume 3 - 209 pages. Features: Style. Many illustrations in black & white and 16 pages in full color. Light/moderate wear. Clean, tight copy. All 3 Volumes: Good+ condition.
Hardcover. Salem MA, Peabody Museum, 1st, 1939, Book: Very Good, Dust Jacket: Good, Hardcover, 88 pages, 8 b&w illustration, fold-out chart. Blue cloth with gilt lettering, top edge gilt, dust jacket edgewear, small clear tape repair to top of spine. Previous owner's inscription on front fly leaf.
Hardcover. NY, Norton, 1st, 1961, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. Memories of growing up in Hancock, New Hampshire. B&w illustrations by Leonard Vosburgh. Clean copy.
Hardcover. New York, Harry N. Abrams, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Unpaginated. Hardcover with dust jacket. Black and white photographs throughout. Clean, toght copy with only light edge wear to dut jacket and cover boards.
Hardcover. Woodstock, Elm Tree Press, 1st Thus, 1926, Book: Very Good, Dust Jacket: None, 44 pages. INSCRIBED BY MARY M. BILLINGS FRENCH TO HERBERT H. HINES, WHO WROTE THE INTRODUCTION. Black & white tipped-in photographic illustrations. Covers show light wear. Clean, tight copy.
Softcover. self-published, 1st, circa 1990, Book: Very Good, Dust Jacket: None, Softcover, 48 pages. The author was a traveling salesman and railroad buff. In the course of his work in the 1930s, he had the opportunity to photograph many of the trains he traveled on. The variety of locomotives and the trackside structures captured should make this invaluable to historians and railroad fans.. Also includes 2 carefully drawn maps. Clean copy.
Hardcover. UK, Cambridge University Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 366 pages. INSCRIBED BY AUTHOR on the front fly leaf. From the dust jacket back cover: "John McWilliams winnows through the history and myth of New England to recover the past on its own terms while simultaneously tracing its later refractions. The combination, across nine pivotal events in colonial and early republican history, gives us the changing face of New England through as never before." Clean copy.
Softcover. East Greenwich RI, Society of Colonial Wars in the State of Rhode Island, reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover, red card stock with black lettering on the front cover. Book is clean, tight and bright. With Introductory Notes and a Biographical Index By Bruce Campbell MacGunnigle, Editor and Historian of the Society. 70 pages with 36 pages reproduced in facsimile. Clean.
Softcover. Baltimore, Walters Art Museum, 1st, 2013, Book: Very Good, Dust Jacket: None, 144 pages. Softcover. Like new in publisher's shrink-wrap. 16 full-page color plates; many other illustrations. Short-lived mid-nineteenth-century Baltimore artist who painted interior and exterior scenes usually of two or more people in some sort of exchange. Critics praise his composition and use of color.
Softcover. Baltimore, Walters Art Museum, 1st, 2013, Book: Very Good, Dust Jacket: None, 144 pages. Softcover. Like new in publisher's shrink-wrap. 16 full-page color plates; many other illustrations. Short-lived mid-nineteenth-century Baltimore artist who painted interior and exterior scenes usually of two or more people in some sort of exchange. Critics praise his composition and use of color.
Hardcover. Boston, Little, Brown and Company, 4th pr., 1953, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine. Volume VIII in The History of United States Naval Operations in World War II. 435 pages, illustrated with maps (one fold-out) and b&w photos. Gilt on spine with light fading, lacks dust jacket, Dust jacket flaps pasted on front endpapers otherwise clean, tight copy.
Hardcover. Newport, Tony O'Connor Civil War Enterprises, Reprint, NA, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth with gilt lettering, 608 pages. Black & white illustrations. Clean, bright copy.
Hardcover. Peterborough NH, Noone House, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket. 282 pages. Fascinating stories behind the naming of New Hampshire's towns and cities. Front fly leaf with 3/4" bottom corner gone, otherwise clean, tight copy. Review slip laid in.
Softcover. Hanover PA, Privately Published, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 48 pages with photographs of various electric locomotives and cars, abbreviated rosters and index. A fine and bright copy.
Hardcover. US, Konemann, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 776 pages, illustrated throughout on sepia, b&w and color. Light edgewear and scratching to dust jacket, else a clean, tight copy. NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.
hardcover. NY, Macmillan , 1st, 1909, Book: Very Good, Dust Jacket: None, Red cloth hardcover with gilt lettering, 424 pages. 98 Black & white and 25 color illustrations by Joseph Pennell. Color illustrated frontispiece with tissue-guard. Light edgewear to covers. Rear and front hinge cracked.
Hardcover. San Francisco, Fine Arts Museum of San Francisco, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Two Volume Set. Volume I of the set, "Documentation: Reviews" is 485 pages in length and is divided into eight sections, one for each of the original impressionists. Volume II of the set, "Documentation: Exhibited Works" is 300 pages in length and consists of black and white photographic illustrations of the works that were presented at the eight exhibitions, along with annotations and references to the original reviews, as well as other sources of documentation.
Hardcover. New York , Skira, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Like new in publisher's shrink-wrap. The artists included: Victoria Miro or Maureen Paley, as well as in the collections of the Saatchi Gallery and the Tate Modernare Lucy Levene, Lisa Castagner, Sarah Pickering, Anne Hardy, Esther Teichmann, Gareth McConnell, Melissa Moore, Suzanne Mooney, Harold Offeh, Sophie Rickett, Annabel Elgar, Danny Treacy, Kirk Palmer, Becky Beasley, Bianca Brunner, Simon Cunningham, and Heiko Tieman.
Hardcover. New Haven, S. Converse, 4th Ed., 1823, Book: Good, Dust Jacket: None, 856 pages, the Fourth Edition, revised and corrected of this classic work. Bound in worn calf with an inch and a half tear to top of spine. Previous owners signatures on front fly leaf. Very good with light, scattered foxing. Issued with an separate atlas of maps which is missing.
Hardcover. Westport CT, Greenwood Press, 1st, 1986, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in gilt, 246 pages. A rich and stimulating collection of documents that reveals the texture, complexity, and diversity in the experiences of women in pre-industrial America. This collection goes far beyond sermons by men and diaries of elite women in its presentation of a remarkable range of documents that enable readers to examine experiences of white women of different classes, regions, and religions, and also the experiences of slave and Amerindian women. Clean copy, 10 dog-eared pages.
Hardcover. NY, Abrams, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover, 248 pages. b&w photos throughout. During his 50-year association with the Village Voice, Fred W. McDarrah (1926-2007) covered the city's downtown scenes, producing an unmatched and encyclopedic visual record of people, movements, and events. McDarrah frequented the bars, cafes, and galleries where writers, artists, and musicians gathered, and he was welcome in the apartments and lofts of the city's avant-garde cultural aristocracy. He captured every vital moment, from Jack Kerouac reading poetry, to Bob Dylan hanging out in Sheridan Square, to Andy Warhol filming in the Factory, to the Stonewall Riots. Through his lens, we see the legendary birth of ideas and attitudes that continue to shape the character and allure of New York today.
Hardcover. US, Schiffer Publishing, Ltd., 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 176 pages, illustrated throughout in color and b&w. Light edgewear to dust jacket, else a clean, tight copy. Roy Kemp's previously unpublished burlesque portfolio presents thirty-nine dancers performing in authentic clubs and backstage settings in 1950s New York. This nostalgic collection includes nearly 250 never-before-seen black and white and color photographs of well-known dancers, including Tempest Storm, Liz O'Leyar, Murine, Rita Gable, and Princess Domay, as well as other sultry performers, quite famous in their heyday. Kemp's talents as a photojournalist provide a fresh perspective on the lives of burlesque performers in this golden era. An artist as well as an investigator, Kemp created striptease photo montages and composed biographies for several dancers, giving the reader an intimate feel for the campy burlesque culture. This time capsule depicts live performances and peeps into club dressing rooms, and offers unedited material from pin-up photo sessions. It is a must-have for aspiring dancers, aficionados, or any modern-day guy or gal who appreciates the style and grit of this fabulous art form.
Hardcover. Albany, J.B. Lyon Co., 1904, Book: Good, Dust Jacket: None, Two large hardcover volumes. Vol. 1: 534 pages w/ index. Brown cloth w/ color decorative soldier design on front cover. Front and rear interior hinges cracked, but holding. Spine cloth chipped and missing 1/2" at top and bottom of spine. Cloth along spine with tears and some separations. Beginning of Separation at 2nd signature. Cover corners lightly bumped and rubbed. Gilt top edge. Interior clean,and unmarked. Vol. 2: 336 pages w/ index. Brown cloth w/ gilt lettering. Front interior hinge cracked, but holding. Rear interior hinge loose, but holding. Spine cloth chipped and missing 1/2" at top and bottom of spine. Cloth along spine with tears and some separations and narrow strips of cloth missing. Cover corners rubbed and bumped. Interior clean, and unmarked.
Hardcover. New York, NY, powerHouse Books, 1st, September 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 163 pages, b&w and color photographs throughout. A very clean, tight copy.
Hardcover. New York, W. W. Norton & Company, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 223 pages, illustrated in color and b&w. What Pennsylvania Station was, is, and might be in the future, through knowledgeable text and excellent pictures and drawings. A good read for those who want a detailed look at one of New York City's most famous architectural treasures, how it was lost, and how it might be reborn once again. The section on its rebirth in the Farley Post Office building was written before work was delayed on the project. Clean copy.
Hardcover. NY, Distributed by E.P. Dutton, 1st, 1982, Book: Good, Dust Jacket: Good, Large format hardcover, 423 pages, illustrated throughout in b&w. Light edgewear, rubbing and sun-fade to price clipped dust jacket. Light staining to end papers from red flaps, else a clean, tight copy.
Hardcover. NY, Doubleday, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with minor edgewear. Illustrated throughout by black and white photographs, including frontispiece, title and contents pages. decorated by half title vignette. An early 1960s portrait of New York City and some of its inhabitants going about their daily business in words and evocative photographs. By journalist, Gilbert Millstein and photojournalist and street photographer, Austrian born Sam Falk (1901-91).
Newport RI, Redwood Library and Athenaeum, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. No. 65 of 500 copies SIGNED BY AUTHOR on a tipped in subscriber page. 510 pages, illustrated in color and black & white throughout; original blue cloth stamped in gilt on spine. Ribbon marker. Enclosed in a blue cloth slipcase with a pictorial label. All clean, very good plus.
Hardcover. NY, powerHouse Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 127 pages, illustrated throughout in color and b&w. SIGNED/INSCRIBED BY STANLEY BURNS on title page. Clean, unmarked copy with only minor wear to dust jacket. An unexplored visual history of the melding of art, photography and journalism, takes the reader back to the days before Photoshop and reveals how newspaper editors would doctor images for effect and intent. These images, from 1900-1960 illustrate the range of art enhancement, from outlining and airbrushing to complete overpainting with subjects ranging from crime scenes, world events and social personalities.
Hardcover. New York , powerHouse Books, 1st, 2008, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 127 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. An unexplored visual history of the melding of art, photography and journalism, takes the reader back to the days before Photoshop abd reveals how newspaper editors would doctor images for effect and intent. These images, from 1900-1960 illustrate the range of art enhancement, from outlining and airbrushing to complete overpainting with subjects ranging from crime scenes, world events and social personalities.
Hardcover. New York , powerHouse Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 127 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. An unexplored visual history of the melding of art, photography and journalism, takes the reader back to the days before Photoshop abd reveals how newspaper editors would doctor images for effect and intent. These images, from 1900-1960 illustrate the range of art enhancement, from outlining and airbrushing to complete overpainting with subjects ranging from crime scenes, world events and social personalities.
Softcover. Bowie MD, Heritage Books, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 375 pages. This collection of articles from thirty-four different newspapers begins with the "alarming intelligence" of the shots fired at Lexington and Concord, followed by the Battle of Bunker Hill and other skirmishes, military affairs and the siege of St. John's. The source of these articles include letters smuggled out of Boston by terrified colonists, proclamations, speeches, affidavts as well as unconfirmed reports and fabrications. Clean copy.
Globe Pequot Press , 1ST, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. INSCRIBED BY AUTHOR on the front fly leaf. In a series of colorful vignettes, a veteran newspaperman recreates a madcap era during which more than a dozen newspapers lived and died in 'the Row' on Boston's Washington Street. This is a story of fierce circulation competition and the often-outrageous journalism it inspired. Clean copy.
Hardcover. Chicago, University Of Chicago Press , 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 330 pages with index. At the close of the nineteenth century, new printing and paper technologies fueled an expansion of the newspaper business and publishers were soon reeling off as many copies as Americans could be convinced to buy. Newspapers quickly saturated the United States, especially its cities, which were often home to more than a dozen daily papers apiece. Using New York, Philadelphia, Milwaukee, and Chicago as case studies, Julia Guarneri shows how city dailies became active agents in creating metropolitan spaces and distinctive urban cultures. Newsprint Metropolis offers a vivid tour of these papers, from the front to the back pages. Paying attention to much-loved features, including comic strips, sports pages, advice columns, and Sunday magazines, she tells the linked histories of newspapers and the cities they served. Themed sections for women, businessmen, sports fans, and suburbanites illustrated entire ways of life built around consumer products. Guarneri also argues that while papers provided a guide to individual upward mobility, they also fostered a climate of civic concern and responsibility. Charity campaigns and metropolitan sections painted portraits of distinctive, cohesive urban communities. Real estate sections and classified ads boosted the profile of the suburbs, expanding metropolitan areas while maintaining cities' roles as economic and information hubs. Clean, like new.
Niagarail Publications, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 144 pages. INSCRIBED by both authors and stamped "Author's Proof Copy" on the front fly leaf. Clean copy.
Hardcover. London, C. Kegan Paul & Co., 1st, 1878/1883, Book: Very Good, Dust Jacket: None, Four volume set complete, 3/4 calf dyed blue with blue cloth bindings. Spines stamped in gilt with ornate decorations, raised bands, top edge gilt. Translated by Linda Villari. 353, 389, 424, 445 pages, marbled endpapers. Volumes 1 and 2 were published in 1878, volumes 3 and 4 were published in 1883, but it is a matching set. Bright, unmarked set with tight bindings. Due to size and weight, DOMESTIC SHIPPING ONLY.
Softcover. Amherst MA, White River Press , 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 462 pages, b&w illustrations. A study of the impact and consequences caused by the use of inflammatory racially-related language during a police investigation conducted by the Vermont State Police. Beginning in 1968 with the Irasburg Affair when a White man fired shotgun blasts into a home occupied by a Black family, the story describes in detail the course of the investigation. Adverse publicity about the Vermont State Police's work alleging racism within its ranks ensued resulting in its managers withdrawing from public view and refusing to work with the legislature in the next years causing significant internal problems. They finally came to the forefront in 1979 when a despondent trooper committed suicide at the state house in Montpelier in an event called the Router Bit Affair that led to significant reforms beginning in1980. Includes bibliographical references and an index. Clean copy.
Softcover. New York, Denniston and Cheetham, 1803, Book: Very Good, Dust Jacket: None, 139 pages, original softcover pamphlet here bound in archival cardboard folder with cloth spine minus outer wrappers. Some small ink numbers on title page, small stickers on spine and front of folder. Gutter cracked between pages 64 and 65, otherwise very good. No foxing.
Hardcover. Seattle, Fantagraphics, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. This is an essential purchase for fans of Felix the Cat. As all true fans know, Felix's real glory days were in the silent era, when Pat Sullivan's animation studio produced over a 100 ingenious short cartoons featurng the protean ebony feline. Though Sullivan hogged all the credit, the artist behind the series was Otto Messmer, who also worked on Felix's spin-off newspaper comic strip. He continued with that strip after the cartoons ended in 1930 (due to Sullivan's incompetent management). Editor David Gerstein has compiled a sampling of strips from the early 1920s to the 1930s. It's fascinating to see how Felix changed over a decade, moving from a blocky, snout-nosed design to a sleek look with rubber hose limbs and circular head and torso. Comic-strip Felix is of naturally talkier than his film self, and Messmer's sight gags flow less smoothly when broken up by panels and dialogue, but these strips remain a delight, especially since a couple stories are adaptations of now-lost cartoons (and even re-use art from them). As for the original stories, they take advantage of the format to tell longer tales, often in the sort of gently humorous adventure genre later used by Floyd Gottfredson's Mickey Mouse and Carl Bark's Donald Duck comics. Sadly, Felix's comic strip adventures remain far more obscure than those Disney productions.
Hardcover. Alexandria VA, Cypress Communications, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 295 pages. The charm and diversity of lighthouses are captured in this elegant pictorial history. W&w photos throughout. Clean copy.
Hardcover. London, Hutchinson, 1st, 1967, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with gilt lettering on spine. 246 pages, b&w plates. Very good, clean. No dust jacket.
Softcover. New York, Oxford University Press, 1st paperback, 1968, Book: Very Good, Dust Jacket: None, 355 pages. Softcover. Light pencil underlining in a few places. Wrapper good, with a touch of agewear, no tears, some slight moisture damage at the bottom of the back cover.
Softcover. Manchester, VT, Friends of Hildene, Inc., 1st, 2004, Book: Very Good, Dust Jacket: None, 280 pages. Softcover. "Vermont and the North Shire in the Civil War". B/w illustrations throughout. Very clean inside and out. From the back cover: "This is the story of the Equinox Guards, who joined to fight for the Union cause in the fall of 1861."
 "New Collection of Thomas Bangs Thorpe's Sketches of the Old Southwestby: Estes, David C. (Ed)")
 "New England Past: Photographs 1880-1915by: Sugden (editor), Jane")
 "New History of Photography, Aby: Frizot, Michel")
 "New New York, Theby: Van Dyke, John C. and Joseph Pennell")
 "New World Immigrants: Volume 1: A Consolidation of Ship Passenger Lists and Associated Data from Periodical Literatureby: Michael Tepper (Ed.)")
 "New Yok Scenesby: McDarrah and Sean Wilentz, Fred W.")
 "New York Burlesque: Photographs by Roy Kempby: Kemp, Roy")
 "News Art: Manipulated Photographs from the Burns Archiveby: Burns, Stanley B.")
 "News Art: Manipulated Photographs from the Burns Archiveby: Burns, Stanley B.")
 "Newspaper Datelines of the American Revolution, Vol. 1: April 18, 1775 to November 1, 1775 by: Lucier, Armand Francis")
 "Newsprint Metropolis City Papers and the Making of Modern Americans by: Guarneri, Julia")
 "Niagara, St. Catharines & Toronto Electric Railway in Pictures by: Panko, Andrew & Peter Bowen")
 "Ninth of Thermidor, The: The Fall of Robespierre (Problems in European History: A Documentary Collection)by: Bienvenu, Richard (Editor)")
 "No Braver Deeds: The Story of the Equinox Guardsby: Knight, Brian L.")