Hardcover. London, E. & S. Livingstone, Ltd., 1st, 1961, Book: Very Good, Dust Jacket: None, 153 pages. Light brown faux leather covers with gilt titles to front and spine. Slight sunning to spine, previous owner's signature on front fly leaf. clean, tight copy.
Hardcover. New York, G.P. Putnam's Sons, 1st Edition, 1920, Book: Very Good, Dust Jacket: None, 580 pages. Hardcover. 24 b/w illustrations throughout including frontispiece with tissue guard and 6 maps (fold out). Blue cover boards, gilt title on spine (slightly faded) and front cover, some moisture damage to front cover, bump to bottom right corner of board. Tanning to pages and edges, pages otherwise unmarked.
Hardcover. Long Beach, CA, Safari Press, Inc., 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 281 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy.
Hardcover. New York, Skyhorse, 2nd, 2008, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy.
Hardcover. london, Reaktion Books, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 444 pages, b&w illustrations. Show People offers a comprehensive history of the idea of the film star from Mary Pickford to Andy Serkis, traversing more than one hundred years and drawing on examples from America, Britain, Europe, and Asia. Renowned film writer Michael Newton explores our enduring love affair with fame, glamour, and the cinematic image. Newton builds up an expansive picture of movie stardom through explorations of striking and diverse figures such as Ingrid Bergman and John Wayne, Anna Karina and Sidney Poitier, Maggie Cheung, and Raj Kapoor. He celebrates the great performers of the past, and he looks forward to developments in the future, while also illuminating the inner workings of the movie industry and what moves us in a film and in an actor's performance. An encyclopedic, illustrated history of film idols ready for their close-ups, Show People is ultimately a book about cinephilia, the love of cinema, and our complex connection to that celebrated and beleaguered figure, the movie star. Clean, like new.
Hardcover. Metuchen NJ, Scarecrow Press], 1st, 1984, Book: Very Good, Dust Jacket: None, Hardcover, brick-red cloth with white lettering, no dust jacket issued. 508 pages. Text illustrations. Study covers period between Dziga Vertov's Man with a Movie Camera and documentary-movement associated with the Sandanista Revolution. This anthology of 25 articles is both historical and cross- cultural, covering the pioneering period of the twenties and thirties and the dynamic growth of committed documentary since the sixties; recent feminist initiatives in North America and Britain; committed documentary in the Third World over the last 25 years; the use of film within the American 'New Left;' and the particular problematic of radical film distribution. Contributors include such well-known activists and scholars as Joan Braderman, Julianne Burton, Guy Hennebelle, John Hess, Claire Johnstone, E. Ann Kaplan, Chuck Kleinhans, Julia Lesage, Steve Neale, Bill Nichols, Anand Patwardhan, and Paul Willemen. Filmmakers and collectives discussed include Dziga Vertov, Joris Ivens, Jean Renoir, Frontier Films, Newsreel, Chris Marker, Barbara Kopple, JoAnn Elam, Michelle Citron, Shinsuke Ogawa, Fernando Birri, Patricio Guzman, Santiago Alvarez, Fernando Solanas, Jean-Luc Godard, Anand Patwardhan, and the Nicaraguan Studio 'Incine.'Clean copy.
Hardcover. NY, W. W. Norton, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This stimulating and comprehensive collection of original essays on twentieth-century Japan's history and culture provides a unique mix of American and Japanese perspectives on Showa. With an important, substantial Introduction by Carol Gluck, the volume explores the strengths of the Japanese economy, the issue of democracy and Japan's political culture, Japan's achievements in technology and the arts, and its relations with other Asian nations and the United States. Name on front fly leaf, otherwise clean.
Hardcover. NY, Simon & Schuster, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, A sociological look at the influence of Shakespeare's Shylock on world mythology describes the character's creation and his evolution on the stage, and presents writing about him by Proust, James, T. S. Eliot, and others. Amazingly, Shylock is in only five scenes in the Merchant of Venice. Yet, as pointed out by Gross, the theater critic for the London Sunday Telegraph , his impact and significance transcend his physical presence, so much so that his name and "pound of flesh" idea are almost universally known. In the first part of this character/cultural study, Gross examines the antecedents of Shylock and the play, and his development within the play. The second part considers "interpretations" both theatrical and literary in England and America until World War II; the third part considers Shylock more broadly as a touchstone (e.g., how his "type" is used by the Victorians--Trollope's Lopez, Dickens's Riah, Ruskin's use of him in Munera Pulveris ). Clean copy.
Hardcover. Boston, Little, Brown and Company, reprint, 1957, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine. Volume IX in The History of United States Naval Operations in World War II. 413 pages, illustrated with maps (one fold-out) and b&w photos. Gilt on spine with light fading, lacks dust jacket, otherwise clean, tight copy.
Softcover. Cambridge UK, Cambridge University Press, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 216 pages. This remarkable expression of republican thought has never before been published. Algernon Sidney was among the most unrelenting republican partisans of the seventeenth century, and was executed for his opposition to Charles II. Written during Sidney's continental exile, the vivid Court Maxims was only recently rediscovered. The work presents a lively discussion about the principles of government and the practice of politics, articulating a vital tradition of republicanism in an absolutist age.
Hardcover. NY, Ungar Publishing, 1st US, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The early years of film, followed by a year by year account from 1920-29, 208 pages with many b&w photos. Foreword by Kevin Brownlow. Clean copy.
Hardcover. Baltimore, John Hopkins University Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Starkly beautiful photos of abandoned and converted movie theaters with new essays by Peter Bogdanovich, Molly Haskell, Andrew Sarris, and Chester H. Liebs. The single-screen movie theaters that punctuated small-town America's main streets and city neighborhoods since the 1920s are all but gone. The well-dressed throng of moviegoers has vanished; the facades are boarded. In Silent Screens, photographer Michael Putnam captures these once prominent cinemas in decline and transformation. His photographs of abandoned movie houses and forlorn marquees are an elegy to this disappearing cultural icon.
Hardcover. New York, D. Appleton and Co, 1st, 1893, Dust Jacket: Very Good, Hardcover, 311 pages, frontispiece, dozens of b&w illustrations, bound in green cloth, gilt lettering and design embossed on front cover and spine. Name plate on front endpaper, spine slightly cocked, light wear to cover, previous owner's signature to blank preview page; overall, a very neat, tight copy.
Softcover. Caldwell, Idaho, Caxton Printers , 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 144 pages, b&w illustrations. A history of the circus parade and the beautifully decorated wagons that were a part of them. Clean copy.
Softcover. Medford OR, Webb Research Group, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 127 pages, b&w illustrations. Fascinating history of the Rogue River Valley Railway which connected Jacksonville and Medford, Oregon and the Southern Oregon Traction Co., an electric street railway that served Medford. Illustrated throughout with black and white photos. With maps, locomotive roster, timetables, and bibliography. 127 pages with index. Clean copy.
Hardcover. Boston, Gambit , 1st, 1973, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. Emissar of Charles the First, second governor of Massachusetts, pillar of the Protectorate, and victim of Charles the Second, atypical Puritan and passionate lover, Sir Harry Vane was a man of peace who initiated genocide in the New World and found martyrdom in the Old. His experience reaches from Indian wigwam to royal palace. This is an unparalleled picture of a formative age which is with us yet. Clean copy.
Hardcover. London, Longman, Orme, Green & Longmans, 1st, 1841, Book: Very Good, Dust Jacket: None, Hardcover, leather bound, two volumes in one: 631 plus 480 pages. All edges gilt, ribbon marker, spine has black calf label with gilt lettering, raised bands with gilt decoration. Both covers with gilt design around edges, elaborate bookplate on inside front cover. A small notation dated 1854 on last page states the publication of the work was discontinued. So never a Volume 2. Covers with light scars, some discoloration to rear board, otherwise a spectacular copy of a very scarce book.
Hardcover. Cambridge, Cambridge University Press, 1st, 2000, Book: Very Good, Dust Jacket: None, 328 pages with bibliography and index. A revised and abridged version of Watkins earlier work on Soane (1753-1837), concentrating on the twelve lectures the eminent architect gave to the Royal Academy between 1810 and 1820, dealing with the huge scope of the lessons to be gained from world architecture.
Hardcover. London, Hamish Hamilton Ltd, First Edition, 1991, Book: Very Good, Dust Jacket: Very Good, 350 pages. Hardcover. Black cloth boards with silver titles to spine. Previous owner's signature to front flyleaf. Black & white illustrations throughout. Bright dust jacket with light marginal wear. Clean & unmarked text. A nice copy.
Hardcover. NY, Thames & Hudson, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher's shrink wrap. Celebrates the height of Weimar cinema through images and commentaries on more than seventy of its finest filmsBetween the First and Second World Wars, Germany under the Weimar Republic was the scene of one of the most creative periods in film history. Through the silent era to the early years of sound, the visual flair and technical innovation of its filmmakers set an international standard for the powerful possibilities of cinema as an art form, with movies such as The Cabinet of Dr. Caligari, Nosferatu, Metropolis, and M building a legacy that shaped the world of film.Here is a showcase of more than seventy films, selected to give a wide-ranging overview of Weimar cinema at its finest. Every genre is represented, from escapist comedies and musicals to gritty depictions of contemporary city life, from period dramas to fantastical visions of the future, with themes such as sexuality and social issues tackled by iconic stars like Marlene Dietrich and Louise Brooks. A wealth of film stills captures the bold vision of great directors like Fritz Lang and Ernst Lubitsch, while the text sets the historical scene and gives intriguing insights into what the films meant to the society that created them.
Hardcover. New York, Harper Collins, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good dust jacket. Non-paginated. SIGNED BY ILLUSTRATOR WENDELL MINOR ON TITLE PAGE. Full color illustrations. Clean, bright copy.
Hardcover. Edmonton CA, Hurtig , 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover, 221 pages, b&w photographs, map end papers. Edge wear, rubbing, small tears to dust jacket. Else a clean, tight copy.
Hardcover. Cambridge MA, The MIT Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 232 pages, b&w illustrations. Light edgewear to dust jacket. A clean, tight copy.
Hardcover. New York, Doubleday, 1st, 1962, Book: Very Good, Dust Jacket: Good, Hardcover, 460 pages, gray cloth covers. Dust jacket with light edgewear, chipping. SIGNED BY NIXON on tipped-in page. Xerox of dealer's letter laid in on the authenticity of Nixon's autograph. (He suggests it's authentic).
Hardcover. NY, Hurd and Houghton, 1st, 1866, Book: Very Good, Dust Jacket: None, Hardcover, 359 pages including index. Burgundy cloth with embossed rules front and back, with faded gilt lettering on spine. Name on front fly leaf (dated 1866) and title page. A clean, tight copy. Carpenter's memoir of Lincoln's tenure was written out of great admiration for Lincoln and his political platforms, in particular the Emancipation Proclamation.
Hardcover. NY, Knopf, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 418 pages, b&w illustrations. From the author of the best-selling One Minute to Midnight, a riveting account of the pivotal six-month period spanning the end of World War II, the dawn of the nuclear age, and the beginning of the Cold War. When Roosevelt, Stalin, and Churchill met in Yalta in February 1945, Hitler's armies were on the run and victory was imminent. The Big Three wanted to draft a blueprint for a lasting peace--but instead set the stage for a forty-four-year division of Europe into Soviet and western spheres of influence. After fighting side by side for nearly four years, their political alliance was rapidly fracturing. By the time the leaders met again in Potsdam in July 1945, Russians and Americans were squabbling over the future of Germany and Churchill was warning about an "iron curtain" being drawn down over the Continent. These six months witnessed some of the most dramatic moments of the twentieth century: the cataclysmic battle for Berlin, the death of Franklin Roosevelt, the discovery of the Nazi concentration camps, Churchill's electoral defeat, and the dropping of atomic bombs on Japan. While their armies linked up in the heart of Europe, the political leaders maneuvered for leverage: Stalin using his nation's wartime sacrifices to claim spoils, Churchill doing his best to halt Britain's waning influence, FDR trying to charm Stalin, Truman determined to stand up to an increasingly assertive Soviet superpower.
Hardcover. London, Chatto & Windus/Hogarth Press, 1st, 1985, Book: Very Good, Dust Jacket: None, 69 pages. hardcover with laminated boards. Clean, tight copy with little to no wear to edges.
Hardcover. London, Thames & Hudson, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and black and white pictures throughout. In the 1960s, fashion changed dramatically. At the end of the 1950s, Yves Saint Laurent was starting to look for new ways to define the female form; by the 1970s, styles, markets, materials, demographics, inspirations, and the very definition of fashion had been utterly transformed. Richly illustrated with contemporary imagery, including fashion shots, advertising, and magazine features, this is an essential sourcebook. The story begins with the new internationalism that changed the fashion landscape as New York, San Francisco, Florence, London, Madrid, Rome, and Hong Kong challenged the dominance of Paris haute couture. 306 illustrations, 176 in color.
Hardcover. London, Thames & Hudson, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and black and white pictures throughout. In the 1960s, fashion changed dramatically. At the end of the 1950s, Yves Saint Laurent was starting to look for new ways to define the female form; by the 1970s, styles, markets, materials, demographics, inspirations, and the very definition of fashion had been utterly transformed. Richly illustrated with contemporary imagery, including fashion shots, advertising, and magazine features, this is an essential sourcebook. The story begins with the new internationalism that changed the fashion landscape as New York, San Francisco, Florence, London, Madrid, Rome, and Hong Kong challenged the dominance of Paris haute couture. 306 illustrations, 176 in color.
Hardcover. Bradford VT, privately printed/Green Mountain Press, 1st, 1929, Book: Very Good, Dust Jacket: None, 198 pages, Hardcover with no dust jacket. B&w illustrations, brown board covers with label on front panel. Bright, clean copy.
Softcover. Gwinn MI, Avery Color Studios, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 201 pages, b&w illustrations. The Reverend Law was in peril on the Great Lakes and was rescued by a U.S. Life-Saving Service Station crew. As a result of that rescue, seeing their heroic efforts first hand, Reverend Law dedicated the rest of his life to the men and women stationed at Light and Life-Saving stations throughout the United States. Whether it was bringing his "Floating Library" to stations located on the Great Lakes, regular correspondence with the crews of stations far too remote for a personal visit, or his relentless pursuit of Congress to approve a bill to provide better pay and pensions, Reverend Law became a fast friend to those serving in the Lighthouse and Life-Saving services. "Sky Pilot" was sailors' slang for a chaplain. To the men and women he served, Reverend Law was lovingly known as "The Sky Pilot of the Great Lakes." A true tale of unconquerable optimism,
Hardcover. Middletown, Connecticut, Wesleyan University Press, 1st, 1975, Book: Very Good, Dust Jacket: None, Study of American artists influenced by Dada and their relationship with American avant-garde. 283 pages, 94 black/white illustrations. Cloth bound book in near fine condition, only sign of wear is slight discoloration to the top edges of pages (light spotting), not visible when reading the book.
Hardcover. Middletown Conn. , Wesleyan University Press, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 283 pages, 94 black/white illustrations. Study of American artists influenced by Dada and their relationship with American avant-garde. Orange cloth, gilt lettering to spine. Pictorial dust jacket shows light wear and rubbing along edges and faded spine, else a very nice, tight, clean copy.
Hardcover. Middletown Conn. , Wesleyan University Press, 1st, 1975, Book: Very Good, Dust Jacket: None, Hardcover, 283 pages, 94 black/white illustrations. Study of American artists influenced by Dada and their relationship with American avant-garde. Orange cloth, gilt lettering to spine. A very nice, tight, clean copy.
Hardcover. Chicago, University of Chicago Press, 2nd pr., 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 233 pages, b&w illustrations. From the minute it opened--on Christmas Day in 1865--it was Chicago's must-see tourist attraction, drawing more than half a million visitors each year. Families, visiting dignitaries, even school groups all made trips to the South Side to tour the Union Stock Yard. There they got a firsthand look at the city's industrial prowess as they witnessed cattle, hogs, and sheep disassembled with breathtaking efficiency. At their height, the kill floors employed 50,000 workers and processed six hundred animals an hour, an astonishing spectacle of industrialized death. Slaughterhouse tells the story of the Union Stock Yard, chronicling the rise and fall of an industrial district that, for better or worse, served as the public face of Chicago for decades. Dominic A. Pacyga is a guide like no other--he grew up in the shadow of the stockyards, spent summers in their hog house and cattle yards, and maintains a long-standing connection with the working-class neighborhoods around them. Pacyga takes readers through the packinghouses as only an insider can, covering the rough and toxic life inside the plants and their lasting effects on the world outside. He shows how the yards shaped the surrounding neighborhoods and controlled the livelihoods of thousands of families. He looks at the Union Stock Yard's political and economic power and its sometimes volatile role in the city's race and labor relations. And he traces its decades of mechanized innovations, which introduced millions of consumers across the country to an industrialized food system. Clean copy.
Softcover. Baton Rouge, Louisiana State University Press, reprint, 1997, Book: Very Good, Dust Jacket: None, Softcover, 777 pages. The largest collection of annotated and authenticated accounts of slaves ever published in one volume. In them, the slaves of Thomas Jefferson, Robert E. Lee, Henry Clay, and others speak for themselves about their culture, plantation life, the adequacy of their food, clothing, and shelter, the sexual exploitation of black women, and the psychological response to bondage. The views given are those of house servants and field hands, docile slaves and rebels, urban slaves and rural slaves, slaves with kind masters and those with cruel ones. These wide-ranging documents, together with annotations, notes, an index, dozens of illustrations, and an incisive introduction, form a volume of unusual scope and character. Clean copy.
Softcover. UK, Cambridge University Press, Reprint, 2004, Book: Very Good, Dust Jacket: None, 236 pages. Softcover. Binding tight. Some underlining in pencil on a few pages, otherwise clean inside. A touch of foxing to top edge. Wrapper in great shape. Looks great.
Hardcover. Urbana IL, University of Illinois Press, 1st, 1964, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket with two small holes to front cover, 227 pages with index. "Slavery was a social and an economic institution of such power that it sustained and extended an economic system whose demands went far to determine the domestic and foreign policy of the "agrarian" party in our early history. For the agrarian politics of Jefferson, while possibly benefiting the small freeholder, very closely served the interests of the plantation system, at least as the planters conceived their interests." Name on front fly leaf, otherwise clean.
Softcover. Montgomery AL, Equal Justice Initiative, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 58 pages. Slavery in America: The Montgomery Slave Trade documents American slavery and Montgomery's prominent role in the domestic slave trade. The report is part of a project focused on developing a more informed understanding of America's racial history and how it relates to contemporary challenges.
Softcover. NY, The New Press, 1st, Book: Very Good, Dust Jacket: None, Softcover, 403 pages. Edited by Ira Berlin, the Bancroft Prize-winning author of Many Thousands Gone, and Leslie Harris, Slavery in New York brings together twelve new contributions by leading historians of slavery and African American life in New York. Published to accompany a major exhibit at the New York Historical Society, the book demonstrates how slavery shaped the day-to-day experience of New Yorkers, black and white, and how, as a way of doing business, it propelled New York to become the commercial and financial power it is today. Powerfully illustrated with images from the New York Historical Society exhibit, Slavery and the Making of New York will be the definitive account of New York's slave past.
Hardcover. NY, Farrar, Straus & Giroux, 3rd pr., 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 290 pages. This book about slavery and the southern plantation system includes writings by Nat Turner, Frederick Douglass, Thomas Jefferson, and many others. Name on a blank prelim page, otherwise clean.
Hardcover. New York, John S. Taylor, 2nd pr., 1837, Book: Good, Dust Jacket: None, Hardcover, leather bound with gilt design on front and rear covers, spine also with gilt design with the title Cabinet of Freedom (the series under which the publisher issued this narrative). 517 pages with an extra illustrated title page dated 1836, the regular title page dated 1837. All edges gilt. First published by John Shugert in Lewistown PA a year earlier. Written with the help of Isaac Fisher, a white Philadelphia lawyer, who declares in his preface that he has edited the oral narrative Ball had dictated to him to omit any beliefs or feelings Ball may have expressed about slavery. This declaration of significant editing has led scholars to debate the authenticity of Ball's narrative, but most agree that it represents a true story. Ball describes his experiences as a slave, including the uncertainty of slave life and the ways in which the slaves are forced to suffer harsh and inhumane conditions. In particular, he recounts the qualities of his various masters, and the ways in which his fortune depended on their temperament. The leather has separated from the spine of the book but appears to be very repairable. The first 3 pages loose (a blank leaf and the two title pages), there is a light stain to the illustrated one and light foxing. The interior of the book is clean, tight with minimal foxing throughout.
Hardcover. Oxford UK, Clarendon Press, 1st, 1975, Book: Good, Dust Jacket: Very Good, Hardcover, 609 pages, translated by Hilda Andrews-Rusiecka. Blue cloth covers with gilt lettering on spine. Yellow dust jacket with slight fading to spine. Approximately 30 pages with ink marking, mostly underlining. Otherwise this scarce volume is in very good condition.
Softcover. New York , Random House, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 279 pages, b&w photos. Clean, unmarked copy with only minor wear to wrappers. This book exposes Chanel's anti-Semitism and her long affair with 'Spatz' Baron von Dincklage, a Nazi spy who ran an intelligence ring and reported to Goebbels. It explains how she became a German intelligence operative, how she lived in exile, how Winston Churchill supported her and how she reinvented herself in the early 1950s.
Hardcover. Pittsburgh PA, Bissell Block Publishing, 1st, 1905, Book: Very Good, Dust Jacket: None, Hardcover in tan cloth with gilt lettering. SIGNED BY AUTHOR in pencil, dated 1913 on a prelim page. 192 pages, 29 illustrations: halftone plates of river, scenery, oil, rigs, glass-making, bridges, mills, comic drawings, few signed Syd Smith.
Softcover. NY, American Italian Historical Assoc., 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 248 pages. This volume consists of a selection of 14 scholarly works examining the urban experience of Italian Americans in small towns and big cities, out of the approximately 60 stimulating papers presented at the 41st annual Conference of the American Italian Historical Association, held in 2008. Clean copy.