Hardcover. Mountain Sports Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 180 pages. Since the 1950's, Stowe has been called the "Ski Capital of the East." Peter Oliver's stunning coffee-table book is the story of Stowe's past and present, the mountain, the village, and the people who helped it grow and made it famous.
Hardcover. New York, HarperCollins , reprint, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 81 pages illustrated with color woodcuts by Bowen. SIGNED BY BOWEN opposite the title page. Publisher's promo sheet laid in. Clean, bright copy.
Hardcover. NY, Lothrop, Lee & Shepard, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, library edition (NOT ex-lib). B&w illustrations by William Sauts Bock. Tales of the Fox sisters and horses that wore charms. This collection of true tales of spiritualism in America is a rare read. The stories are as entertaining as Sleepy Hollo, the only difference is that many of these strange tales are thought to be true. Clean copy.
Hardcover. NY, McGraw-Hill, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The story of one remarkable summer when Joe DiMaggio's 56-game hitting streak captured the imagination and attention of the country. 260 pages, b&w illustrations.
Hardcover. Harrisburg, Stackpole Company, 1st, 1961, Book: Good, Dust Jacket: None, 322 pages. Hardcover. Features 16 pages of black & white photographs. Notations in red pencil on 2 maps - pages 92 and 97. Light wear to yellow cloth covers. No dust jacket.
Hardcover. Baltimore, The John Hopkins Press, 3rd pr., 1969, Book: Very Good, Dust Jacket: None, Hardcover, turquoise cloth with gilt lettering on spine. No dust jacket, clean copy.
Hardcover. Chicago, Art Institute of Chicago, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 199 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. This catalogue presents 59 masterful Italian drawings from the late 15th, 16th, and 17th centuries: working drawings, preparatory sketches, and finished compositions that have been added in recent years to the private collection of Jean and Steven Goldman. In her essays, Jean Goldman assesses the collection within the context of Mannerism and the role of drawing in the business of art. She and Nicolas Schwed coauthor detailed entries on the works' attributions, subjects, and functions, complete with documentation including provenance, bibliography, exhibition history, and comparative illustrations. The catalogue presents the work of more than forty artists, some of whom, such as Giorgio Vasari and Pietro da Cortona, were major figures, and others who were virtually unknown. Together, these magnificent works trace the rise and evolution of Mannerism in Italy.
Hardcover. New York , D. Appleton and Company, 3rd, 1901, Book: Very Good, Dust Jacket: None, Hardcover, 366 pages, fold-out maps. Red cloth with gilt titles to spine. Light wear and tearing to maps. Light edgewear and rubbing to covers with slight bumping to corners. Clean, tight copy.
Hardcover. Cambridge, The MIT Press, 1st Edition, 1977, Book: Very Good, Dust Jacket: Very Good, 220 pages. Hardcover. Black & white illustrations throughout.Light foxing to edges, pen markings on a couple pages. Dust jacket with shelf wear, small tears to edges. Previous owner's signature to front flyleaf. Otherwise clean, tight copy.
Hardcover. Seattle, Fantagrahics, 1st thus, 2003, Book: Very Good, Dust Jacket: None, Hardcover, glazed pictorial boards, 202 pages. Book presented in both English and French in a collaboration between Fantagraphics and Editions de l'An 2. Preface by Thierry Smolderen. A. B. Frost born in 1851. An anthology of Frost's works Stuff and Nonsense (1884), The Bull Calf and Other Tales (1892), and Carlo (1913). Comics in B/W. Most have both English and French translations. No DJ (as issued).
Hardcover. New York, Harper Design, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 251 pages. Hardcover. Extensive color photographs throughout. Silver gilt titles on spine. Clean, unmarked copy with only minor wear to dust jacket. A stunning anthology of the work of visionary stylist Lori Goldstein, whose interpretations of fashion and beauty have produced some of the most groundbreaking and iconic images in fashion and popular culture.Lori Goldstein: Style Is Instinct publishes for the first time in book form the work of one of the world's most highly regarded stylists. With a foreword by Steven Meisel, it features more than eighty astounding images that she created in collaboration with the world's finest photographers--including Annie Leibovitz, Mario Testino, Bruce Weber, Meisel, and many others--for fashion editorials, renowned advertising campaigns, and award-winning music videos. This striking volume captures Goldstein's personal credo, which has come to define her work--"everything goes with anything"--and displays her signature style, from her unique way of mixing and matching print and color to how she uses clothes to create images that go beyond glamour to the metaphysical, spiritual, and natural worlds.Four distinctive chapters--"The Sickness," "The Divine," "Harmonious Discord," and "Pop"--present these imaginative realms in alluring visual detail, accompanied by numerous personal anecdotes that provide insight into Goldstein's process of styling and her creative power, as well as the worlds of fashion, celebrity, and advertising. They highlight her talent for pushing beyond the edge of convention to create moments of individuality that transcend the norm as well as influence and transform our views on fashion, beauty, and popular culture. The publication of this extraordinary collection is a landmark in fashion and image making.
Hardcover. NY, Clarkson Potter, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. In celebration of the New York City subway system?s 100th birthday, Diehl offers up this easy-to-read, informative history. From its beginnings as an underground amusement ride, to the development of the IRT, BMT and IND rail systems, to its crime-ridden and graffiti-covered fall in the 70?s and, finally, to its current revival, the system has had a more colorful history than most straphangers and tourists realize. Diehl?s well-pitched nostalgia leads readers to appreciate the wonder of the subway?s nascent period and to imagine how incalculably different New York would be today had the transit option that is so taken for granted not been created how and when it was. As Diehl shows, the subway and the cities of New York and Brooklyn grew up together and gave each other character. Tracks weren?t always laid to reach existing neighborhoods. Often neighborhoods sprung up as subway service pushed out farther from the city, while the areas below the elevateds (now long gone) developed a reputation for shadiness in every sense of the word. Those familiar with the layout of the city will most appreciate the implied differences between then and now but any fan of trains, history, New York or grand public works will enjoy the ride. Although Diehl?s tribute is not the definitive work on the subject, this book passes on enough fascinating tidbits, evocative depictions and serious history to have wide appeal. 60 b/w and 20 color photos.
Hardcover. Brattleboro VT, Stephen Greene Press, 1, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 99 pages. A collection of colonial, pioneer, and frontier American tombstone inscriptions. Previous owners name at top right corner of front end paper. Clean, tight copy.
Hardcover. London, Argus Books, 1st, 1930, Book: Very Good, Dust Jacket: Good, 391 pages. Hardcover with dust jacket. B&w illustrations by Frank Pape. Dust jacket faded on spine, chipped. Cover boards have minor wear to black covers. Gilt lettering. Numbered 1490/1500 American copies. Internally good, and over all clean tight copy.
Hardcover. New Haven CT, Yale University Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 179 pages, b&w photos. In the Dominican Republic baseball is not only a game but a national obsession. Exported from the United States and still controlled by it, the game is also a crucial arena of intercultural relations. Sugarball describes how Dominican baseball fosters national pride and competition with the United States while at the same time promoting acceptance of the North American presence in the country. Clean copy.
Hardcover. London, John Murray, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 248 pages with index. This text sets out to explore the sexual motives of travel. It argues that the British have inherited from the 19th century three main versions of the tourist - the connoisseur, pilgrim or rebel - these identities having both a sexual as well as a cultural life. Clean copy.
Hardcover. St. Louis, J.W. Henry, reprint, 1893, Book: Good, Hardcover, 416 pages, dark blue cloth w/gilt lettering. (C) 1891, so second edition, with illustrations from photographs and sketches. Light rubbing, shelf wear, a good plus copy of this narrative of a 1200 miles raft trip. Previous owner's bookplate paste down. wear to top & bottom spine.
Softcover. Portand ME, Maine Citizens For Historic Preservation, 1st, 1993.00, Book: Very Good, Dust Jacket: None, Softcover, 104 pages, oblong format, b&w photos. Scarce monograph on the historical architecture of the reclusive summer colony on the Maine coast. Prominent families such as the Cabots, Saltonstalls, the Lamonts and the Morrows transformed the small fishing village into an exclusive summer retreat and the homes erected for these "rusticators" are examined in detail. Clean, bright copy.
Softcover. NY, Hans P. Kraus, Jr., 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 115 pages. Black and white reproductions of photos throughout. A catalog of early photographs offered for sale by Hans P. Kraus, Jr., focusing on the work of photographer William Henry Fox Talbot. This includes scholarship on his life, work and associates. Clean copy.
Hardcover. Berkeley, University of California Press, 2nd pr., 1970, Book: Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on spine, 412 pages with index. Frontis. map. Ex-lib with stamping to edges and endpapers, name on front fly leaf.
Hardcover. New York , DC Comics, 1st thus, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Light edgewear to dust jacket, else a clean, tight copy. Reprints early Superman stories in which the Man of Steel deals with corrupt officials, black-marketeers, and costumed villains with occasional help from Lois Lane. Color illustrations.
Hardcover. New York , DC Comics, 1st thus, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Light edgewear to dust jacket, else a clean, tight copy. Reprints early Superman stories in which the Man of Steel deals with corrupt officials, black-marketeers, and costumed villains with occasional help from Lois Lane. Issues 5-8 of Superman comics. Color illustrations. Still in publisher's shrinkwrap.
Hardcover. New York , Random House, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 409 pages, illustrations in color and b&w. Remainder mark to bottom edge. Light edgewear to dust jacket, else a clean, tight copy.
Softcover. Seattle, Fantagraphics Books, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. The enduring cultural phenomenon of comic book heroes was invented in the late 1930s by a talented and hungry group of artists and writers barely out of their teens, flying by the seat of their pants to create something new, exciting, and above all profitable. The iconography and mythology they created flourishes to this day in comic books, video, movies, fine art, advertising, and practically all other media. Supermen! collects the best and the brightest of this first generation, including Jack Cole, Will Eisner, Bill Everett, Lou Fine, Fletcher Hanks, Jack Kirby, Jerry Siegel, Joe Shuster, and Basil Wolverton. If the reader is expecting to find an All-American group of altruistic do-gooders, he in for quite a jolt. As Jonathan Lethem writes in his Foreword, "A collection like Supermen! works like a reverse-neutron bomb to assumptions about the birth of the superhero image: it tears down the orderly structures of theory and history and leaves the figures standing in full view, staring back at us in all their defiant disorienting particularity, their blazing strangeness." Beautifully designed and produced in full color, Supermen! contains twenty full-length stories, ten full- sized covers, and a generous selection of vintage promotional ads, and is indispensable to anyone interested in the origins of superheroes and the history of the comic book form.
Hardcover. NY, W W Norton & Co., 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 287 pages. Since its inception in 1970, MX has been fiercely debated in the White House, the Pentagon, and on Capitol Hill. President Jimmy Carter called it, initially, "the craziest thing I ever heard," and yet only two years later, caught up in the implacable logic of the nuclear arms race, he would approve an expanded budget for its development. John Edwards interviewed all the major actors in this drama, and through his incisive portraits of the scientists, politicians and generals who control the weapons community, he shows how policy grows out of their personal and ideological conflicts. INSCRIBED BY AUTHOR on front fly leaf. Clean copy.
Softcover. Sanbornton, Sant Bani Press, First Edition, 1984, Book: Very Good, Dust Jacket: None, 333 pages. Softcover. Full page, full color illustrations and a few in bw. Interviews & reflections with Kirpal Singh, Baba Sawan & Sant Ajaib. Light wear to spine edges, light sunfading to lower spine. Discolored smudge to top edge. Previous owner's signature to preliminary pages. Otherwise, clean & unmarked copy.
Hardcover. New York, Thames & Hudson, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. This intellectual tour de force draws on interviews with such key artists as Jean-Jacques Lebel, Mimi Parent, and Jean Benoit, and uses primary sources to advance our knowledge of the work of the better-known Surrealists, from Hans Bellmer to Meret Oppenheim. The Second World War, the Algerian War, and May 1968 are related in new ways to surrealism as a major countercultural force throughout this critical period in French history. By documenting the ways in which the Surrealists used sound, lighting, special effects, and performance art to create a living, theatrical environment, Dr. Mahon sheds new light on topics central to understanding art in our time.
Softcover. London, Tate Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrink-wrap. 224 pages, b&w illustrations. Provides new Latin American-centric scholarship, not only about surrealism's impact on the region but also about the region's impact on surrealism. It reconsiders the relation between art and anthropology, casts new light on the aesthetics of 'primitivism,' and makes a strong case for Latin American artists and writers as the inheritors of a movement that effectively went underground after World War II.
Hardcover. San Diego, Gulliver Books, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover. Designed and illustrated (in color) by Paul Bacon. Nice, clean condition. Bright, unclipped dust jacket. Relates the experiences of the Texas woman who, along with her baby, survived the 1836 massacre at the Alamo.
Hardcover. US, GILES, 1st, 2012-09-26, Book: Very Good, Dust Jacket: Very Good, 176 pages, 80 color, 35 B&W plates. 'Swing Time: Reginald Marsh and Thirties New York' is the first major assessment of the work of 'American Scene' artist Reginald Marsh (1898-1954). Like new in publisher's shrink-wrap.
Hardcover. San Francisco, CA, Weldonowen, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Switched On takes you back to a time of looming social and cultural upheaval, when a cadre of energetic, creative, forward-thinking women explored undiscovered fashion terrain, and painted the backdrop for a transformative ten years. Lavishly illustrated with more than 250 photographs from the likes of David Bailey, Bert Stern, Milton H. Greene, Patrick Lichfield, Gianni Penati, Sam Levin, Arthur Evans, Loomis Dean, Susan Wood, Veronique Bucossi, David Hurn, Alan Pappe, Bud Fraker, and Malcolm Bulloch.
Hardcover. New York, Weidenfeld & Nicolson, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket. Clean, tight copy. A comprehensive guide to nearly 4000 years of sword making from all over the world. Written by a distinguished team of experts and scholars, it provides an expert appraisal of the weapons themselves and is rich in historical and background detail. Fully illustrated throughout with photographs and art reproductions, this is a unique survey of a vast body of superb craftsmanship. It is an essential reference work for weapons enthusiasts, collectors and lovers of military history and fine art.
Hardcover. Santa Monica, CA, Hennessey & Ingalls, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 162 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor edgewear to dust jacket. Marston was instrumental in establishing Pasadena as a winter resort and then as a thriving community. He and his firm designed 1000 projects, many of which still survive, including cottages and additions to resort hotels, notable commercial and civic buildings such as the Pacific Asia Museum, and the earliest bungalow court. His residential designs span the range of styles from the Arts and Crafts through English Tudor and Monterey Colonial to, most importantly, Mediterranean Revival. This is an important addition to the literature of California's Golden Age of architecture.
Softcover. NY, W. W. Norton & Company, reprint, 1985, Book: Very Good, Dust Jacket: None, Softcover, 447 pages, b&w illustrations. Sylvia Beach ran a bookshop in Paris in the 1920s and 30s and was at the heart of the literary world there which also included Hemingway, Pound, Flanner, Gide, and of course Joyce whose novel "Ulysses" she published. Clean, bright copy.
Hardcover. New York, Cambridge University Press, 1st US, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 190 pages. Illustrated with black & white photographs. Clean, tight copy. The documentary style that dominates American photography had its origins in the social reform publicity campaigns of the turn of the century. This book traces the history of this genre and its main participants, including Jacob Riis, Lewis Hine, Walker Evans, Dorothea Lange, Ben Shahn, and Russell Lee. Clean copy.
Hardcover. Somerville MA, Candlewick, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 456 pages, SIGNED BY AUTHOR on the title page. In September 1941, Adolf Hitlers Wehrmacht surrounded Leningrad in what was to become one of the longest and most destructive sieges in Western history-almost three years of bombardment and starvation. Trapped between the Nazi invading force and the Soviet government itself was composer Dmitri Shostakovich, writing a symphony to rouse, rally, eulogize, and commemorate his fellow citizens: the Leningrad Symphony. This is the true story of a city under siege, the triumph of bravery and defiance in the face of terrifying odds. It is also a look at the power-and layered meaning-of music in beleaguered lives. Symphony for the City of the Dead is a masterwork thrillingly told and impeccably researched by National Book Award-winning author M. T. Anderson. Signed copy sticker on front cover, otherwise like new.
Hardcover. NY, Oxford University Press, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. Suleiman presents numerous corrections to the standard view of Lawrence and MidEast history. Also describes what happened after the Arabs had aided the British to win the war. At that point the Arabs effectively had lost because the territory was divided between the British and the French - during which T.E. Lawrence showed his true colors by advising the Arabs to sign. A valuable addition to the literature surrounding T. E. Lawrence and the Arab Revolt, bringing to light the actual extent of Lawrence's involvement, and how many texts fail to do justice to the Arabs themselves. 'Mr Mousa's obvious concern to be fair-minded and the weight of the evidence he produces make his book one that must be studied by all who are interested in 'Lawrence of Arabia' (front flap). Clean copy.
Softcover. London, England, Phaidon Press, Reprint, 2000, Book: Very Good, Dust Jacket: None, 524 pages. Softcover, French flaps. Color and b/w illustrations throughout. Wrapper very good, has a few scratches on spine (see image), otherwise great. Pages and edges clean and bright. Binding tight. In beautiful condition. A comprehensive monograph of Ando's work, this book examines over one hundred buildings and projects designed between 1969-94.
Hardcover. London, Transaction Publishers, 2nd Ed., 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The late twentieth century witnessed rapid changes not only in Taiwan's economy, but also in its identity. Both economic as well as ideological restructuring have been basic elements in the transformation of postwar Taiwan, as rapid democratization opened a Pandora's Box, and stirred a whirlwind of social discord. This volume considers such important questions as whether the old Taiwanese work ethic is a relic of the past, and whether Taiwan is likely to become a battleground of ideological wars.The book addresses Taiwanese nostalgia for Chinese culture; the rise and fall of postwar Taiwanese agrarian culture; the transformation of farmers' social consciousness in the period 1950-1970; the place of Confucianism in postwar Taiwan; and the awakening of the "self" and the development of a Taiwanese national identity in the post-World War II period. Finally, it considers whether "mutual historical understanding" may be the basis for Taiwan-Mainland relations in the twenty-first century. This second edition includes a new chapter on the history of Taiwan after World War II, incorporating additional developments in Taiwan in the past decade.
Hardcover. Chicago, University of Chicago Press;, 1st, 2002, Book: Very Good, Dust Jacket: None, Hardcover, 272 pages. One of Chicago's great cultural achievements, the Institute of Design was among the most important schools of photography in twentieth-century America. It began as an outpost of experimental Bauhaus education and was home to an astonishing group of influential teachers and students, including Lazlo Moholy-Nagy, Harry Callahan, and Aaron Siskind. To date, however, the ID's enormous contributions to the art and practice of photography have gone largely unexplored. Taken by Design is the first publication to examine thoroughly this remarkable institution and its lasting impact. With nearly 300 illustrations, including many never-before published photographs, Taken by Design examines the changing nature of photography over this critical period in America's midcentury. It starts by documenting the experimental nature of Moholy's Bauhaus approach and photography's new and enhanced role in training the "complete designer." Next it traces the formal and abstract camera experiments under Harry Callahan and Aaron Siskind, which aimed at achieving a new kind of photographic subjectivity. Finally, it highlights the ID's focus on conscious references to the processes of the photographic medium itself. In addition to photographs by Moholy, Callahan, and Siskind, the book showcases works by Barbara Crane, Yasuhiro Ishimoto, Joseph Jachna, Kenneth Josephson, Gyorgy Kepes, Nathan Lerner, Ray K. Metzker, Richard Nickel, Arthur Siegel, Art Sinsabaugh, and many others. Major essays from experts in the field, biographies, a chronology, and reprints of critical essays are also included, making Taken by Design an essential work for anyone interested in the history of American photography.
Hardcover. NY, Free Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 219 pages. B&W photos. The twentieth-century rise of the automobile collided head on with Victorian prescriptions for the proper role and place of women in society. Gender conventions cast women as too weak, dependent, and flighty to manage the fiery motored beast. Overcoming that stereotype was as difficult for women as gaining access to the vote, the professions, and education, yet their personal feats of driving in both war and peace demolished the gender barriers against their taking the road. After women proved once and for all that they could drive under the worst conditions in World War I, they adapted the automobile to their domestic roles in urban society during the 1920s. Written with flair and verve, this volume displays Scharff's erudition in social, cultural, gender, and technological history.
Softcover. NY, Harmony Books, 1st, 1974, Book: Very Good, Oblong softcover, 182 pages. A wonderful photographic documentary of the era: daily life, workers, the rich and/or famous, the military, public schools, etc.
Hardcover. NY, Century Co., 1st, 1918, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with black lettering and decoration on spine and front board. The author's reminiscences of time in the trenches during World War I. An American serving at the time with British 'Tommies', he also wrote 'Over the Top' and other books about his experiences. Front fly leaf missing, book opens to half title page, otherwise a clean, tight copy.
Hardcover. Philadelphia, PA, Carey, Lea & Carey, Second series, 1829, Book: Very Good, Dust Jacket: None, Vol 1: 296 pages. Vol 2: 286 pagesHardcovers. Brown boards, paste down title on spine in black. Original owner inscription on front flyleaf of both books, original owner's signature on back pages. Pages untrimmed, rough edged, tanning and foxing to pages. Binding very good, spine straight. Agewear throughout, in very good condition for its age. Good solid volumes of Sir Walter Scott's tales as told to his grandson.
Hardcover. New York, Bloomsbury USA, 1st US, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 296 pages. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. New York, Bloomsbury , 1st US, 2004-07-02, Book: Very Good, Dust Jacket: Very Good, Hardcover, 296 pages. Clean, unmarked copy with only minor wear to dust jacket.
Softcover. US, Pillsbury Institute of Flour Milling History, 1st, 1945, Book: Good, Dust Jacket: None, 78 pages. Softcover with light wear to edges and paper wrappers. Illustrated in black and white by Henry C. Pitz. Clean, tight copy.
Hardcover. College Station TX, Texas A&M University Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket, 232 pages. Like new in publisher's shrink-wrap. A postcard craze gripped the nation from 1905 to 1920, as the rise of outdoor photography coincided with a wave of settlement and prosperity in Texas. "Taming the Land" presents, in a large, detailed format, photographic postcards from twenty-four counties in the booming Texas Panhandle. Each entry includes this historical context of the photo.
Softcover. Cambridge UK, Cambridge University Press, reprint, 2010, Book: Very Good, Dust Jacket: None, Softcover, 449 pages. Thomas Hobbes is widely acknowledged as the most important political philosopher to have written in English. Originally published in 2007, Taming the Leviathan is a wide-ranging study of the English reception of Hobbes's ideas. In the first book-length treatment of the topic for over forty years, Jon Parkin follows the fate of Hobbes's texts (particularly Leviathan) and the development of his controversial reputation during the seventeenth century, revealing the stakes in the critical discussion of the philosopher and his ideas. Revising the traditional view that Hobbes was simply rejected by his contemporaries, Parkin demonstrates that Hobbes's work was too useful for them to ignore, but too radical to leave unchallenged. His texts therefore had to be controlled, their lessons absorbed and their author discredited. In other words the Leviathan had to be tamed. Taming the Leviathan significantly revised our understanding of the role of Hobbes and Hobbism in seventeenth-century England. Clean copy.