Softcover. Germany, Steidl, 1st, 2015, Book: Very Good, Dust Jacket: None, 224 pages. Softcover. Very clean, unmarked copy still in publishers shrink-wrap. Adieu Saigon covers a varied range of imagery from Saigon, where Depardon photographed two wars and, on visits as recent as 2014, the unrecognizable, globalized city now called Ho Chi Minh. Depardon's work bears witness to a city in transition.

Softcover. Germany, Steidl, 1st, 2015, Book: Very Good, Dust Jacket: None, 224 pages. Softcover. Very clean, unmarked copy still in publishers shrink-wrap. Adieu Saigon covers a varied range of imagery from Saigon, where Depardon photographed two wars and, on visits as recent as 2014, the unrecognizable, globalized city now called Ho Chi Minh. Depardon's work bears witness to a city in transition.

Hardcover. Boston, Houghton Mifflin, 1st, 1954, Book: Very Good, Dust Jacket: Good, Hardcover, 272 pages, b&w illustrations. Kirkland was a photographer for Life magazine when it started in 1937. Dust jacket with edge wear, chipping.

Hardcover. NY, Thames & Hudson, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 249 pages. Marking the fiftieth anniversary of the October 1956 Hungarian revolt against Soviet domination after World War II, this imposing volume contains powerful black-and-white photographs taken during the years preceding as well as the outbreak and crushing of the uprising by a German member of the international photojournalist cooperative Magnum. Introduced by Lessing's recollections and Hungarian French historian Francois Fejto's precis of the momentous events, the pictures appear in three chapters, "Communist Hungary," "The Revolution," and "The Failure." Hungarian novelist George Konrad's intense impressions of the time, during which he carried a rifle as a revolutionary young intellectual, follow the first chapter, and French political scientist Nicolas Bauquet's assessment of the revolt's impact on Western Europe's Communist parties, the USSR, and subsequent European history follows the third. Views of the cemetery in which the uprising's martyrs are now buried conclude the book elegiacally, and brief last words by Lessing and the director of Hungary's Institute 56 indicate who may forget what happened and why the rest of us should always remember. An extraordinary document.

Hardcover. London/NY, Phaidon, 1st, 2001, Book: Very Good, Dust Jacket: None, Hardcover, square format. Original photo-illustrated cover and spine, back cover black cloth, with white and black lettering on cover and spine. Contains nine hundred and thirty-seven photographs selected by Capa's brother Cornell Capa and Richard Whelan, Capa's biographer. The chronologically arranged photographs constitute a documentation of twenty-two years (1932-1954) of Capa's work, featuring many catastrophic and dramatic events with brief commentaries. Risking his life over and over again Robert Capa is considered the greatest combat and adventure photographer in history. He was the cofounder of Magnum Photos in 1947, an international photographic cooperative, and was awarded the Medal of Freedom by Dwight D. Eisenhower in 1947 for his work recording World War II. No dust jacket issued. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Aperture Foundation , 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, navy blue cloth cover, silver lettering on spine, 156 pages. Features essays by Eduardo Galeano and Fred Ritchin. Includes over 100 duotones taken from throughout the early years of Salgado's career. From a Brazilian mine where 50,000 mud-covered men haul heavy bags of dirt up and down slippery ladders in search of a stray nugget of gold, to a former lake in western Africa now swallowed by the encroaching desert, where emaciated, starving people walk over its surface of sand, photographer Sebastiao Salgado explores the live of the planet's often ignored people with a critical eye and an empathetic heart. 'Published on the occasion of a major exhibition presented by the San Francisco Museum of Modern Art, Oct. 4-December 2, 1990.'/ Includes bibliographical references (page 156). VG, dj has some edge wear, cover and pages clean and tight. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Aperture, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 168 pages. A native of Kazakhstan, Ljalja Kuznetsova traversed the expanses of the Central Asian steppe to photograph the gypsies, or Roma people, whose mysterious comings and goings have fascinated her since she was a child. Shaking the Dust of Ages: Gypsies and Wanderers of the Central Asian Steppe is the first book devoted to these pictures, for which Kuznetsova won the Mother Jones Leica Medal of Excellence and the Paris Grand Prix for Photography.Kuznetsova's photographs present rare, intimate portraits of gypsies-- whose freedom from the ties of civilization is reflected in the wild winds and unlimited vistas of the steppe landscape. As Kuznetsova traveled through Kazakhstan, Turkmenistan, Uzbekistan, and the Ukraine, the gypsies continually inspired her. She found in them a people without frontiers, living independent of politics, religious dispute, or social class. Though their presence on the steppe is becoming a thing of the past, Kuznetsova's cast of characters and their world seem timeless in these images.

Hardcover. NY, Pharos Books , 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 220 pages, b&w photos. Examines the life of the photographer who has, during his career, captured such events as the Vietnam War, the killing fields of Cambodia, and the Iran-Iraq War. Clean copy.

Hardcover. New York , Aperture Book, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages, illustrated throughout in b&w. Light yellowing to edges and light shelf-wear to dust jacket, else a clean, tight copy. This book shows the life's work of one of the most brilliant photojournalists of our time, who raised the status of his craft to that of high art. In his bestselling autobiography, Unreasonable Behavior, Don McCullin told the extraordinary and sometimes harrowing story of how he grew up in north London's gangland and graduated from poverty to stardom as the most daring and self-sacrificing reporter of wars around the world - from Cyprus to Israel, the Congo and Biafra to Vietnam, Pakistan to Cambodia, Beirut to Iraq. But his interests go far beyond the battleground in all its degradation which he has captured so brilliantly. In this book he has collected some 200 of what he considers to be his best pictures. A few have become well-known icons, many have not been seen in a book before. They depict unemployed miners collecting coal from the beach at dawn, down-and-outs in the East End, the homeless in Bradford, but they also reveal a passion for landscape, especially in the mysterious light of India, and a moving contact between human beings in a harsh environment. DUE TO WEIGHT. DOMESTIC SHIPPING ONLY

Hardcover. NY, Abrams , 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, large format, blue cloth with color paste-downs on covers. 430 pages. The ultimate and most comprehensive collection of Slim Aarons photography ever released, featuring more than 100 previously unpublished images. This deluxe edition provides a deep and comprehensive look at the groundbreaking career of Slim Aarons, spanning five decades. The book begins with Slim's field work as an Army photographer and continues through his fledgling days in Hollywood, opening the LIFE bureau in Rome, fashion and travel shoots for Holiday, and finally traveling the world for Harper's Bazaar. With a new and definitive biographical essay, spotlights on key moments in his career, and exclusive insight from former associates, Slim Aarons: The Essential Collection gives readers an unprecedented look into Slim's private world. Author Shawn Waldron's text digs into Slim's biography in unprecedented detail and reveals new information, while award-winning journalist, historian, and New York Times bestselling author Lesley Blume provides historical context to Slim's career. Additionally, Slim's former assistant and author Laura Hawk reveals the intricacies of her and Slim's friendship, and historian, author, and Vanity Fair contributing editor Nick Foulkes explores Slim's influence on our current cultural moment. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Charles Scibner's Sons, 1st, 1956, Book: Very Good, Dust Jacket: Fair, Hardcover, color frontis, 82 black & white photos by Dan Weiner. Dust jacket with chunks gone from all edges, closed tears. Clean copy.

Hardcover. NY, Abrams, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, in a bright, unclipped dust jacket. Edward Steichen virtually created the world of high fashion and advertising photography, but his military coverage of two World Wars was equally remarkable. He received the Croix de Guerre for pioneering photoreconnaissance as part of Pershing's American Expeditionary Force in 1918, and his team's shots of the American Navy's advance across the Pacific from 1942 to 1945 form the visual core of our memory of that crucial period. Tragically, however, Steichen's thousands of incisive images of military action were dissolved into the morass of the National Archives, and attempts to retrieve specific subjects of his are often as effective as trying to taste fine brandy after pouring it into a swimming pool. Hence the value of retrospectives such as Christopher Phillips' hefty book on Steichen's coverage of the U.S. Navy in the Pacific War. Combining skillfully chosen anecdotes from Steichen's life with vivid evocation of the pioneering photographer's joy in capturing memorable images, Phillips gives us not only an unforgettable slice of Steichen's work but also enough historical background to let readers sense the excitement and drama of a nation's best young warriors fighting for freedom's sake. Lieutenant Commander Steichen's parade of images didn't begin until after the pivotal Battle of Midway in June 1942, but the ensuing carrier warfare and savage island fighting appear in unforgettable clarity. As in all great photographs, the humanity of the subjects shines through amid their triumph, or pain, or mere existence. Students of both military history and photography can spend days poring over these astonishingly revealing images. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Abrams, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, in a bright, unclipped dust jacket. Edward Steichen virtually created the world of high fashion and advertising photography, but his military coverage of two World Wars was equally remarkable. He received the Croix de Guerre for pioneering photoreconnaissance as part of Pershing's American Expeditionary Force in 1918, and his team's shots of the American Navy's advance across the Pacific from 1942 to 1945 form the visual core of our memory of that crucial period. Tragically, however, Steichen's thousands of incisive images of military action were dissolved into the morass of the National Archives, and attempts to retrieve specific subjects of his are often as effective as trying to taste fine brandy after pouring it into a swimming pool.Hence the value of retrospectives such as Christopher Phillips' hefty book on Steichen's coverage of the U.S. Navy in the Pacific War. Combining skillfully chosen anecdotes from Steichen's life with vivid evocation of the pioneering photographer's joy in capturing memorable images, Phillips gives us not only an unforgettable slice of Steichen's work but also enough historical background to let readers sense the excitement and drama of a nation's best young warriors fighting for freedom's sake. Lieutenant Commander Steichen's parade of images didn't begin until after the pivotal Battle of Midway in June 1942, but the ensuing carrier warfare and savage island fighting appear in unforgettable clarity. As in all great photographs, the humanity of the subjects shines through amid their triumph, or pain, or mere existence. Students of both military history and photography can spend days poring over these astonishingly revealing images.

Hardcover. New York, Aperture, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Stunning black and white photos by award winning photographer of the aftermath of the September 11 terrorist attack on NYC. These images are accompanied by Janine Altongy's dramatic interviews with family members who lost loved ones, with survivors, rescue workers, firefighters, a police officer, a funeral director, and other witnesses to September 11th.

Hardcover. New York, Aperture, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, b&w images. Like new in publisher's shrink-wrap. Richards' response to the trauma of September 11, 2001, with interviews with some of the families who lost sons, daughters, husbands, wives, mothers, and fathers. According to one reviewer: "It may be the best photo book yet on those hard days." Photographs and afterword by Eugene Richards; interviews by Janine Altongy.

Hardcover. New York, Aperture, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, b&w images. Like new in publisher's shrink-wrap. Richards' response to the trauma of September 11, 2001, with interviews with some of the families who lost sons, daughters, husbands, wives, mothers, and fathers. According to one reviewer: "It may be the best photo book yet on those hard days." Photographs and afterword by Eugene Richards; interviews by Janine Altongy.

Hardcover. Bologna, Damiani, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, 184 pages. This exhaustive monograph of Susan Meiselas will be released in occasion of the retrospective that will take place at Tapies Foundation in Barcelone, Jeu de Paume in Paris and SFMOMA in San Francisco. Mediations is published by Damiani/Jeu de Paume/Fondation Tapies. This exhibition and monograph propose a selection of works from the 1970s to today which reveal the particular approach of Susan Meiselas toward to the underlying reasons for making photographs, how the image concerns it's subject as much as the photographer and the role that these images can have at different levels in society and particularly in photojournalism. She questions the relationship between the image and the subject in such a way as to include the people portrayed in the image in the process of the making. There is nothing systematic in her approach: each work expresses in a very strong manner that context is vital to the understanding of photography. Therefore her work is specific to the persons portrayed, to the notion of community to which they belong and to the locality of the geographic and political territories that the artist addresses. The way of the showing the work is equally a part of the thought process. How does the spectator behold the artwork? It is often comprised of many parts, made in different media: each "layer" is used to document a level of meaning. For Meiselas one should be able to grasp why the image was taken. Both the subject of the image and the context in which the images are shown are taken into account in the elaboration of each project.

Hardcover. NY, Aperture, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Photographer Plachy proves you can go home again and again in this stunning photographic voyage to her native Hungary. Plachy weaves together contemporary and vintage photographs, mementos and pictures of movie sets (including several from her son Adrien Brody?s Oscar-winning turn in Roman Polanski?s The Pianist). Together, these pieces come together like a puzzle, recreating an Eastern Europe that has weathered dictatorships, two world wars and is now opening up, confusedly, to democracy. The images of stray shadows, apartment buildings studded with bullet holes, and eerie reflections are as evocative as they are subtle. They remind us that great photographs don?t have to rely on shock value to move or disturb. Plachy accents her work with memorable vignettes of her childhood in Communist Hungary as well as of her repeated journeys back east as an adult and an American citizen. One of the most touching of these small stories involves the photographer?s grief-stricken mother, inconsolable after the deaths of her parents in Auschwitz. One day, while her mother stared at a framed photo of her deceased parents, she saw a gold moth land on the glass. "From then on golden butterflies and moths were sacred," writes Plachy. As the book goes on, relative after relative surrounds herself with images to bring back lost loved ones. By the book?s end, we see Plachy herself doing the same thing and realize that through this book she has invited us on a private tour of a lost world, a journey that?s as poignant as it is unforgettable. 22 four-color and 98 duotone images.

Hardcover. Seattle, University of Washington Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 210 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. Stafford worked for Commerical Press in Shanghai and his photographs capture both sides of the revolutionary struggle in China.

Hardcover. London, Carpet Bombing Culture, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. 216 pages, b&w photos. A unique collection of portraits personally selected by one of the UKs foremost portrait photographers covering alternative London's unique counter-cultural history from Punks, New Romantics, Goths, Disco Queens, Soul Boys, Fetish Worshippers, Rockers, Cyberpunks, Ravers, Clubbers and Party Animals. Derek Ridgers has been a feature in the clubs and on the streets of the capital for over 50 years - indulging in his obsession for documenting the people dressed up for the glorious night.

Hardcover. NY, Epicenter Communications / Random House, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 272 pages. "contains over 230 of the most compelling photographs and images of healers in the battlefield, many of them in color, culled from over one hundred archives in more than a dozen countries... Beginning with Matthew Brady's photographs of surgery at Antietam during the Civil War... through two world wars, to Vietnam, the Gulf War, and regional struggles ongoing today." Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Thames & Hudson, 1st, 2001-12-01, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publishers shrink-wrap. Contains 136 illustrations, 126 in color. A collection of photographs of the ancient and spiritual lands of Indochina: Vietnam, Laos and Cambodia taken during a lifetime of traveling and living there by Tim Page. They provide an account of a deeply religious society whose age-old Buddhist principles have endured to this day. The book also represents a personal passage for Page himself, drawing a line beneath the loss of many friends and colleagues in the Vietnam War.

Hardcover. New York, Thames & Hudson, 1st, 2001-12-01, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publishers shrink-wrap. Contains 136 illustrations, 126 in color. A collection of photographs of the ancient and spiritual lands of Indochina: Vietnam, Laos and Cambodia taken during a lifetime of traveling and living there by Tim Page. They provide an account of a deeply religious society whose age-old Buddhist principles have endured to this day. The book also represents a personal passage for Page himself, drawing a line beneath the loss of many friends and colleagues in the Vietnam War.

Softcover. New York, Holt, Rinehart & Winston, 1st pbk, 1981, Book: Very Good, Dust Jacket: None, Softcover, 154 pages. Michael Harrington was a political scientist and activist best known for The Other America, an examination of poverty in the midst of affluence in the U.S. Here, he reexamines the state of the U.S. twenty years after his landmark book. Bob Adelman is a respected photojournalist, b&w photos throughout; 11 x 8.5 inches. SIGNED BY ADELMAN. "Adelman has moved beyond the familiar cliches of most documentary photography into that rare sphere wherein technical ability and social vision combine to create a great work of art." Quote by Ralph Ellison.

Hardcover. Greenwich CT, New York Graphic Society, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Margaret Bourke-White was "a war correspondent, a compassionate witness of famine in India, a dedicated seeker of the truth, whether it be among sharecroppers, South African goldminers, American GI's or Jesuits. . All of her important work is shown in this major retrospective of her career." Tan cloth binding, illustrated dust jacket.

Softcover. Buffalo NY, Buffalo Fine Arts Academy, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 278 pages. Illustrated throughout with 195 b/w plates. Clean, unmarked copy with only minor wear to wrappers. The Cold War, Sputnik, Joseph McCarthy, Fidel Castro, the Rosenbergs, Marilyn Monroe, Rosa Parks, Father Knows Best and Rebel Without a Cause are just a few of the events, people, and cultural phenomena that marked the decade of the 1950s. This stunning book, a collection of two hundred large-scale duotone photographs of the 1950s culled from the New York Times photo archives, brings this watershed period to life and examines who and what was important and why.

NY, Alfred A. Knopf, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover, 198 pages. Shows unknown women and celebrities in spontaneous everyday moments. The photos were deliberately not retouched or staged and offer a nuanced vision of women far from the glamor of glossy magazines.

Hardcover. Boston MA, Boston Globe, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 122 pages, b&w plates. A collection of over 100 b&w photographs about various subjects & impressions by a German immigrant who became a staff photographer on 'The Boston Globe'. SIGNED, inscribed & dated in year of publication by the Author on copyright page. Previous owner's name in bold letters on front fly leaf, otherwise clean.

Softcover. NY, Knopf, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 117 pages. Introduction by William Shawcross. Text and photographs by Tim Page, a photo-journalist. Cover is a photograph of soldier with rifle in a rice paddy with yellow lettering. Rear cover is white with black lettering, states price of $14.95, and shows date of 3/83. Last page of book has list of photographs. Almost all photographs are in color. Book is square and tight.

Hardcover. St. Ann's Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 172 pages. On May 25, 1961, Bruce Davison joined a group of Freedom Riders traveling by bus from Montgomery, Alabama to Jackson, Mississippi. The actions of these youths challenged and disobeyed federal laws allowing for integrated interstate bus travel. These historic episodes, which ended in violence and arrests, marked the beginning of Davidson's exploration into the heart and soul of the civil rights movement in the United States during the years 1961-1965. In 1962, Davidson received a Guggenheim Fellowship and continued documenting the era, including an early Malcolm X rally in Harlem, steel workers in Chicago, a Ku Klux Klan cross burning near Atlanta, farm migrant camps in South Carolina, cotton picking in Mississippi, protest demonstrations in Birmingham, and the heroic Selma March that led to the Voting Rights Act of 1965, which was instrumental in changing the political power base in the segregated Southern states. In the 140 photographs collected here, many of which have never before been published, we see intimate and revealing portraits of Dr. Martin Luther King Jr., John Lewis, and other leaders made by Davidson during those turbulent times. These images describe the mood that prevailed during the civil rights movement with a lyrical imagery that is both poignant and profound. As Davidson bears witness to these historical events, and documents the degradation and segregation that were endured, he gives testimony to the struggle for freedom, equality, justice, and human dignity.

Hardcover. Stockbridge MA, Prospecta Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, pictorial boards, 144 pages. INSCRIBED BY PHOTOGRAPHER on title page. Essay by Anna Gyorgy. This collection of vivid photographs tells the story of citizens who spoke up against the nuclear power industry, who refused to be nuclear neighbors, and who fought for years to stop construction or to close reactors in their backyards. The photographs also introduce us to the victims of nuclear power, among them the children who developed cancer and other grave health problems, even generations after the 1986 explosion at Chernobyl. Through Lionel Delevingne's record, we can see for ourselves the tragedies of the worst accident sites: Three Mile Island in the United States, Chernobyl in Russia, and Fukushima in Japan.

Hardcover. NY, Knopf, 1st US, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 287 pages, b&w illustrations. From the construction of the Berlin Wall through every major conflict of his adult lifetime up to the Syrian Civil War, photographer Don McCullin has left a trail of iconic images. Unreasonable Behavior traces the life and career of one of the top photojournalists of the twentieth century and beyond. Born in London in 1935, McCullin worked as a photographer's assistant in the RAF during the Suez Crisis. His early association with a North London gang led to the first publication of his pictures. As an overseas correspondent for the Sunday Times Magazine beginning in 1966, McCullin soon became a new kind of hero, taking a generation of readers beyond the insularity of post-war domestic life through the lens of his Nikon camera. He captured the realities of war in Biafra, the Congo, Vietnam, Cambodia, and the human tragedy of famine and cholera on the Bangladesh border and later, the AIDs epidemic in Sub-Saharan Africa. McCullin now spends his days in a Somerset village, where he photographs the landscape and arranges still-lifes. Harrowing and poignant, Unreasonable Behavior is an extraordinary account of a witness who triumphed over the memories that could have destroyed him.

Softcover. NY, Colliers, 1st, 1971, Book: Very Good, Dust Jacket: None, Softcover, 224 pages, 266 black and white photographs. Philip Jones Griffiths' classic account of the Vietnamese War was the outcome of three years' reporting and is a detailed survey of the conflict. Showing us the true horrors of the war as well as offering a study of Vietnamese folk life, the author argues against the de-humanizing power of technology and highlights the arrogance and hypocrisy of American imperialistic attitudes.

Hardcover. New York, St. Martin's Press, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, large square quarto; 309 pages; afterword; index; photographs in black and white (some full-page) on virtually every page; fine in ivory cloth; hinges tight; pages crisp and unmarked; in very good dust jacket, rubbed along top and bottom edges, and light chipping to corners. Classic survey of photographs made for the Farm Security Administration of the 1930's, a chronicle of small-town and rural America produced by 11 gifted photographers, including Walker Evans, Dorothea Lange, Ben Shahn and Carl Mydans; O'Neal's text introduces each of the photographers, followed by generous samples of their work, many never before published, accompanied in most cases by each photographer's own commentary; with a concluding essay by O'Neal and an afterword by Paul S.Taylor, who as a young economist during the New Deal was involved with and gave strong support to the photographic work of his wife, Dorothea Lange.

London, Hardie Grant, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, embossed black boards stamped in white, 250 pages, color photos. Wanting You to Want Me is a collection of anonymous stories from the world of London strip clubs, documented by the women themselves. The stories range from behind-the-scenes conversations in the changing rooms, to dancefloor and private room etiquette, from emotional and intellectual connections between dancer and client, to the often-blurred boundaries that exist in between.Journalist Emily Dinsdale and filmmaker Bronwen Parker-Rhodes have collected images and stories from the women working in the London strip clubs over several years. Having been part of the industry themselves, they have a unique and intimate access to the seldom-heard stories, giving voice to an age-old industry, from the perspective of the traditionally voiceless workers. Supported by original, behind the scenes photography from the authors, these narratives express vulnerability, empowerment, curiosity and the complexity and duplicity of relationships--in short, what it is to be human.

Hardcover. Brooklyn, NY, PowerHouse Books, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color pictures throughout. Bestselling author David Shields analyzed over a decade's worth of front-page war photographs from The New York Times and came to a shocking conclusion: the photo-editing process of the 'paper of record,' by way of pretty, heroic, and lavishly aesthetic image selection, pulls the wool over the eyes of its readers; Shields forces us to face not only the the media's complicity in dubious and catastrophic military campaigns but our own as well.

Hardcover. Mechanicsburg PA, Stackpole Books, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 227 pages, b&w photos. Light scratching to dust jacket front cover. Clean, tight copy. They shot some of the most iconic footage of World War II while risking their lives, yet the stories--and sheer guts--of the U.S. Marine Corps combat cameramen have been overshadowed by the heroism of the men with the rifles. War Shots brings these photographers into sharp focus through the career of Norm Hatch, a true American character whose skill with a camera and knack for being in the right place at the right time thrust him to the fore of the effort to record the Marines at war in the Pacific.

Hardcover. Mechanicsburg PA, Stackpole Books, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 227 pages, b&w photos. Light scratching to dust jacket front cover. Clean, tight copy. They shot some of the most iconic footage of World War II while risking their lives, yet the stories--and sheer guts--of the U.S. Marine Corps combat cameramen have been overshadowed by the heroism of the men with the rifles. War Shots brings these photographers into sharp focus through the career of Norm Hatch, a true American character whose skill with a camera and knack for being in the right place at the right time thrust him to the fore of the effort to record the Marines at war in the Pacific.

Hardcover. Brooklyn NY, powerHouse Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, Clean copy in a bright dust jacket. Edited by Stephen Daiter. Introduction by Fred Ritchin. Essay by Kerry Tremain. A wide ranging collection of 190 duotone images. Miller's work always contained a peculiar empathy, whether he was photographing American servicemen, Italian street urchins, or Japanese survivors of the atomic bomb, and that ethos extends to his subsequent landmark studies of the famous Bronzeville neighborhood in postwar Chicago.

Hardcover. Brooklyn NY, powerHouse Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, Clean copy in a bright dust jacket. Edited by Stephen Daiter. Introduction by Fred Ritchin. Essay by Kerry Tremain. A wide ranging collection of 190 duotone images. Miller's work always contained a peculiar empathy, whether he was photographing American servicemen, Italian street urchins, or Japanese survivors of the atomic bomb, and that ethos extends to his subsequent landmark studies of the famous Bronzeville neighborhood in postwar Chicago.

Softcover. Boston, Bulfinch Press, 1st pbk., 2000, Book: Very Good, Dust Jacket: None, Softcover, 262 pages. Essays by Miles Barth, Alain Bergala and Ellen Handy. Includes 265 duotones. A very near fine copy in a French style wrappers. One of the best monographs on Weegee.

Hardcover. New York, Farrar, Straus, Giroux, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover. Non-paginated. Illustrated with full color photographs of group portraits. Dust jacket with a few small chips along edges - dust jacket now protected with clear plastic cover. Clean, tight copy.

Softcover. NY, Noonday Press, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 148 pages, b&w photographs. Introduction by Ron Kovic. Durrance served in Vietnam and kept a photographic journal; this book is a selection of his photographs. Captures the range of emotions and realities of the American experience in Vietnam in the years 1966-1968, describing how young American boys became part of the military machine . Clean copy.

Hardcover. Chicago, University Of Chicago Press, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 260 pages.Whiskey Tango Foxtrot gathers the best of Gilbertson's photographs, chronicling America's early battles in Iraq, the initial occupation of Baghdad, the insurgency that erupted shortly afterward, the dramatic battle to overtake Falluja, and ultimately, the country's first national elections. No Western photojournalist has done as much sustained work in occupied Iraq as Gilbertson, and this wide-ranging treatment of the war from the viewpoint of a photographer is the first of its kind. Accompanying each section of the book is a personal account of Gilbertson's experiences covering the conflict. Throughout, he conveys the exhilaration and terror of photographing war, as well as the challenges of photojournalism in our age of embedded reporting. But ultimately, and just as importantly, Whiskey Tango Foxtrot tells the story of Gilbertson's own journey from hard-drinking bravado to the grave realism of a scarred survivor. Here he struggles with guilt over the death of a marine escort, tells candidly of his own experience with post-traumatic stress, and grapples with the reality that Iraq--despite the sacrifice in Iraqi and American lives--has descended into a civil war with no end in sight.

Hardcover. Chicago, University Of Chicago Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 260 pages.Whiskey Tango Foxtrot gathers the best of Gilbertson's photographs, chronicling America's early battles in Iraq, the initial occupation of Baghdad, the insurgency that erupted shortly afterward, the dramatic battle to overtake Falluja, and ultimately, the country's first national elections. No Western photojournalist has done as much sustained work in occupied Iraq as Gilbertson, and this wide-ranging treatment of the war from the viewpoint of a photographer is the first of its kind. Accompanying each section of the book is a personal account of Gilbertson's experiences covering the conflict. Throughout, he conveys the exhilaration and terror of photographing war, as well as the challenges of photojournalism in our age of embedded reporting. But ultimately, and just as importantly, Whiskey Tango Foxtrot tells the story of Gilbertson's own journey from hard-drinking bravado to the grave realism of a scarred survivor. Here he struggles with guilt over the death of a marine escort, tells candidly of his own experience with post-traumatic stress, and grapples with the reality that Iraq--despite the sacrifice in Iraqi and American lives--has descended into a civil war with no end in sight.

Hardcover. New York, Knopf, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover, 329 pages, color and b&w illustrations. The first book to show the range, cultural importance, and aesthetics of sports photography through the work of 165 extraordinary photographers-- some heralded, many unknown. Here in almost 300 spectacular images--more than 120 in full color--are great action photographs; portraits of athletes, famous and unknown; behind the scenes, athletes off the field; athletes practicing, working out.

Hardcover. New Haven, Yale University Art Gallery, 1st, 2015, Book: Very Good, Dust Jacket: None, New Haven, Connecticut Yale University Art Gallery 2015 Hardcover, illustrated photographic boards with white lettering. 140 pages with bw photos throughout. Published in conjunction with the exhibition Donald Blumberg Photographs: Selections from the Master Sets at Yale University Art Gallery, August to November 2015. With an introduction by Jock Reynolds. "Words and Images from the American Media gathers over 162 images that Donald Blumberg has photographed directly from newspapers and television screens since the 1960s.