Hardcover. NY, Orchard Books, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. SIGNED BY BOTH author and illustrator with a sketch by Ajhar. Can Edith the tooth fairy help Bernice the godmother of all fairies find her magical powers again, or is Bernice doomed to live out the rest of her fairy life wand-less? "If yours truly, Edith Molarnari, tooth fairy second class, hadn't seen it with my own two peepers, I wouldn't have believed it myself --- Bernice Sparklestein, once the best fairy godmother in the biz, having a bad wand day. A very bad wand day." Margie Palatini's heartwarmingly hilarious story about helping friends and finding your place in life along the way, and Brian Ajhar's beautifully fun illustrations will have both children and adults giggling out loud.

Hardcover. New York, Limited Editions Club, 1st thus, 1968, Book: Very Good, Dust Jacket: None, Two oversized volumes with blue slipcase, SIGNED BY ILLUSTRATOR, John Groth in rear of volume 2. Blue and gray cloth boards with gilt titles on spine, illustrations throughout, very clean and tight copy.

Hardcover. New York, Greenwillow Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Non-paginated. SIGNED BY KEVIN HENKES ON TITLE PAGE. Full color illustrations. Clean, bright copy.

Softcover. NY, HarperCollins, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, publisher's uncorrected proof, color illustrated wrappers. SIGNED BY THE AUTHOR on title page. Like new. Richard Bausch "tells the heartwarming and riotously funny coming-of-age story of Walter Marshall, whose fumblings toward manhood coincide with cataclysmic change in the country."

Hardcover. NY, Harcourt Brace , 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Color illustrations by David Christiana. SIGNED BY BOTH YOLEN AND CHRISTIANA on bookplate pasted to front end paper. Like new in dust jacket.

Hardcover. New York, Hyperion, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Color illustrated by Dan Yaccarino and SIGNED BY YACCARINO.

Hardcover. Chapel Hill, N.C., Algonquin Books, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 299 pages, SIGNED BY AUTHOR on title page. Spotless and tight copy in a bright dust jacket. The year is 1963, and young Denise Palms has rejoined her family in Detroit where she must work to make a place for herself and prepare for the arrival of her mother's new baby. The baby will mean the end of Denise's afterschool lessons with a stern teacher who insists that Denise learn to speak "proper" English to make herself heard. Verdelle's intuition and ear allow her to dramatize precise moments of Denise's self-recognition and, in the process, offer an inside look at a maturing intelligence. The Good Negress marks the arrival of an original voice in contemporary fiction.

Hardcover. New York, Other Press, 1st US, 2002, Book: Very Good, Dust Jacket: Very Good, 584 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. SIGNED BY AUTHOR ON TITLE PAGE. Publishers note within. A tight copy.

Softcover. Columbia, University of Missouri Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 176 pages, SIGNED BY AUTHOR on title page. Very clean and tight copy.

New York, North-South Books, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Color illustrations by Ashley Wolff and SIGNED BY WOLFF with a SKETCH OF A ROOSTER on half-title page.

Softcover. Pittsburgh PA, Museum of Art/Carnegie Institute, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 53 pages, 5 color plates, many b&w illustrations. A complete catalogue of his graphic prints selected by Gene Baro. SIGNED BY HOUSE in pencil on front cover. Exhibition catalog.

Hardcover. Lewisburg, PA, Appletree Allley, 1st, 1982, Book: Very Good, Dust Jacket: None, 32 pages. Hardcover with no dust jacket. Numbered and signed by author #18/55. Linoleum engravings by Barnard Taylor. Tight copy.

Hardcover. New York, Norton, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 274 pages, in a bright unclipped dust jacket. Like new and SIGNED BY MICHAELS at the 2003 Breadloaf Writer's Conference.

Hardcover. Roaring Brook Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages illustrated in color by Lane and SIGNED BY LANE. From the creator of the national bestseller It's a Book comes a timeless story of family history, legacy, and love. Grandpa Green wasn't always a gardener. He was a farmboy and a kid with chickenpox and a soldier and, most of all, an artist. In this captivating new picture book, readers follow Grandpa Green's great-grandson into a garden he created, a fantastic world where memories are handed down in the fanciful shapes of topiary trees and imagination recreates things forgotten. In his most enigmatic and beautiful work to date, Lane Smith explores aging, memory, and the bonds of family history and love; by turns touching and whimsical, it's a stunning picture book that parents and grandparents will be sharing with children for years to come.

Hardcover. Roaring Brook Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages illustrated in color by Lane and SIGNED BY LANE. From the creator of the national bestseller It's a Book comes a timeless story of family history, legacy, and love. Grandpa Green wasn't always a gardener. He was a farmboy and a kid with chickenpox and a soldier and, most of all, an artist. In this captivating new picture book, readers follow Grandpa Green's great-grandson into a garden he created, a fantastic world where memories are handed down in the fanciful shapes of topiary trees and imagination recreates things forgotten. In his most enigmatic and beautiful work to date, Lane Smith explores aging, memory, and the bonds of family history and love; by turns touching and whimsical, it's a stunning picture book that parents and grandparents will be sharing with children for years to come.

Hardcover. Thistle Hill Publications & Vermont Folklife Center, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 108 pages, 68 b&w photographs. SIGNED BY BOTH MOSHER AND MILLER on the half-title page. Granite and Cedar represents an unusual collaboration between a documentary photographer and a writer of fiction to produce a haunting portrait of the people and the land of Vermont's most rural area, often referred to as the "Northeast Kingdom." Veteran photographer JOHN M. MILLER uses his brilliant collection of elegiac, but unsentimental, images dating from the 1970s to evoke the disappearing folkways, the rugged people, and the desolate and abandoned landscape of his native corner of the Green Mountain State. Miller's austere, black-and-white photos richly detail the erosion and the breakup of the small farms of the region and of the families who worked those farms. While they emphasize the stark beauty of the land, they also pay homage to the innate dignity and fierce pride of the people who live in such hardscrabble circumstances.

Hardcover. New York, Harcourt Brace, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. SIGNED BY MINOR ON half title-page. Color illustrations by Wendell Minor.

Hardcover. US, Roaring Brook Press, 1st, 2014-04-29, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages. SIGNED BY AUTHOR/ILLUSTRATOR. Clean, unmarked copy with only minor wear to dust jacket. How do we stay put on our planet and not float away into outer space? What makes things fall to the ground from high places? Chin introduces youngsters to the concept of gravity, presenting the information in highly understandable language and in captivating paintings that will delight young readers. Deceptively simple large print text describe how gravity affects all things on Earth as well as in outer space. Colorful and incredibly detailed watercolor landscapes and close-up illustrations keep readers' attention, and certain objects are repeated throughout the pages. Although Gravity is set up like a fictional text, the information necessary to understand the basics of gravity are present.

Hardcover. NY, Oxford University Press, 1st, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped ($4.00) dust jacket, full yellow cloth, black titling. INSCRIBED BY EBERHART and dated on the front fly leaf.

Hardcover. New York , Harcourt Children's Books, 1st thus, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. SIGNED by illustrator Kellogg.

Hardcover. US, W. W. Norton & Company, 1st, 1996-04-01, Book: Very Good, Dust Jacket: Very Good, Hardcover, 61 pages. SIGNED BY AUTHOR on title page. Remainder dot to bottom edge, else a clean, tight copy.

Hardcover. Portland, OR, Nazraeli Press, 1st, 2010, Book: Very Good, Dust Jacket: None, 108 pages. This printing limited to 1000 copies. Hardcover with no dust jacket. Creasing to a few pages. An otherwise clean, unmarked copy with only minor edgewear. In the mid-1980s, Stu Levy began making 'grid-portraits' in order to overcome his his frustration with traditional portraiture's limited point of view. These constructs of photographs, consisting of twelve to twenty-five individual images, scan the architecture and flow of time in a subject's living or working environment. The resulting portraits, usually of artists, craftspeople and musicians, are made in the subjects' studios or living spaces and serve as a backstage tour of the artist s mind and creative process. Levy is fascinated by the artifacts that fill these spaces the possessions by which the subjects are themselves possessed. Rather than confining himself to a single 'decisive' moment, Levy explore its antithesis, a maze of scrambled time. These are made with a view camera using 4 x 5-inch negatives to allow for precision of detail. The sections are printed together to form the illusion of glancing through a window at a 'snapshot' of an event, which in reality might consist of fragmentary views made months apart and in totally separate rooms or environments. Among the subjects included in this important new monograph are Dr. Stanley Burns, Linda Connor, Barbara Crane, Jay Dusard, David Hockney, Graham Nash, and Jerry Uelsmann. Beautifully printed in duotone on matt art paper and bound in black Japanese cloth, this first printing of Grid-Portraits is limited to 1,000 copies.

Hardcover. Woodstock, VT, Countryman Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, SIGNED BY JACKSON ON HALF-TITLE PAGE. Black boards with cloth spine, color illustrated dust jacket. Slight rubbing to dust jacket, spine stiff and tight, crisp pages; a very clean, tight copy in great condition. Grootka, retired from the Detroit Police Department, returns as a mentor to Fang Mulheisen, and the two lives become dangerously entwined in a thirty-year-old unsolved case of rape and murder.

Hardcover. New York , Random House , 1st, 1963, Book: Very Good, Dust Jacket: None, Hardcover, 79 pages. INSCRIBED BY AUTHOR on front end paper, with signed poem laid in. Black cloth, gilt title to spine, no dust jacket. Clean, tight copy.