Softcover. NY, New York Museum of the American Indian, 1st, 1926, Book: Very Good, Dust Jacket: None, Softcover, leaflet of the Museum of the American Indian, account of a rare blanket, thought to be woven of dog hair, of the Salish Indians along with discussion of technique. Very good condition, bound between stiff card wraps.
Hardcover. New York , Thomas Y. Crowell Company, reprint, 1974, Book: Very Good, Dust Jacket: Good, Hardcover, 274 pages. Blue cloth cover, minor wear to corners and edges of spine. Inside is bright and clean, with many b&w illustrations throughout. A nice copy in a lightly worn dust jacket.
Hardcover. Athens, Georgia, The University of Georgia Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, 246 pages, b&w illustrations throughout. AN important study of early gravestone carvers in Georgia and South Carolina and the influences of their likes from New England. Black cloth with silver lettering to spine. Gray pictorial dust jacket with minor wear to edges of spine, else like new.
Softcover. Washington DC, Smithsonian's National Museum of the American Indian, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 263 pages. Color plates throughout. Five essays by contributors. Clean copy.
Softcover. Colorado Springs, Colorado, Colorado Springs Fine Arts Center, 1st, 1977, Book: Good, Dust Jacket: None, Softcover. Exhibition catalogue featuring the Hispanic art of the American Southwest. 118 pages, 21 black/white plates, 105 other black/white illustrations of pieces, and 36 black/white photographs of featured artists. Good condition, some soiling/light discoloration on the cover, top right corner bent.
Softcover. New York, Christie's , 1st, 1989, Book: Very Good, Dust Jacket: None, 155 lots, illustrated in color. Softcover with minor wear to covers and spine else in very good condition.
Hardcover. Portland, Or., C. H. Belding, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 119 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. Chicago, A. C. McClurg and Co., reprint, 1934, Book: Very Good, Dust Jacket: None, 213 pages, 254 illustrations in color and b&w. First published in 1914, this is the 1934 reprint. Light yellow cloth with two-color design. Previous owner's signature, date on front fly leaf. Otherwise clean, very good.
Hardcover. New York, Harry N. Abrams, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. 330 illustrations, including 150 plates in full color. Black cloth, gilt lettering to spine. Beautiful pictorial dust jacket. A very clean, tight and crisp copy. Like New.
Hardcover. New York, Kodansha, 2nd, 1978, Book: Very Good, Dust Jacket: Good, 300 pages. SIGNED BY BY MARIA POVEKA (MARTINEZ) AND FAMILY ON FRONT ENDPAPER. Full color and black & white photographs and illustrations. Unclipped dust jacket has some minor moisture wrinkling on back. Book has faint damp smell. Clean, tight copy.
Hardcover. Harrison , Robert Alan Green, Reprint, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover, 179 pages. Illustrated with early American Silversmiths identification marks. This reprint edition limited to 1000 copies. Light wear to edges of dust jacket. Clean, tight copy.
Hardcover. New York , Rizzoli, 1st, 2008-10-14, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages, profusely illustrated in color. Like new in publisher's shrink-wrap. In the current world of twentieth-century design collecting, the trend has shifted away from accessible, mass-manufactured modernist furniture and toward designs that were custom-made or produced in very limited editions, with emphasis on American studio design of the 1940s to the 1990s. In contrast to the mass-produced mid-century furniture by Knoll and Herman Miller, American studio designs of the same period focused on novel forms and exquisite craftsmanship. Ranging from the organic shapes of George Nakashima and Vladimir Kagan to metalworks by Paul Evans, these limited production designs were highly sought after in their days by original tastemakers and movie stars. In the last decade, a revival for these rare designs began with connoisseurs such as Tom Ford. Modern Americana is the first full survey of the designs of this prolific but forgotten period, bringing to life again the works of Samuel Marx, Billy Haines, Wendell Castle, T.H. Robsjohn-Gibbings, Karl Springer, James Mont, and many others -- including J.B. Blunk, Michael Coffey, Wharton Esherick, Arthur Espenet Carpenter, Sam Maloof, Jack Rogers Hopkins, Paul Evans & Philip Lloyd Powell, Vladimir Kagan, George Nakashima, Silas Seandel, Charles Hollis Jones, Philip & Kevin LaVerne, Tommi Parzinger, Harvey Probber, Edward Wormley, John Dickinson, Arthur Elrod, and Paul Laszlo.
Softcover. Ketchikan AK, United States Indian School, 1st, 1950s, Book: Good, Dust Jacket: None, Softcover, stapled pictorial card covers. A chronicle of the Thlingets, Tsimpshean, and Haidias tribes of Ketchikan, Alaska with a map detailing their locations. Approx. 60 pages, line drawings and typewriiten text printed on one side of pages. Illustrated with black-and-white drawings of totem poles, basket designs, hats, fish, canoes, an Indian house, bowl, household box, etc. Topics include: various totem poles, a Legend of the Eagle Clan, tales, basketry, Indian fishing and rights, berries, canoes, gambling, houses, dances, seal and deerskin tanning, Potlatch, prayers, etc. Clear tape on edges of cover, bookplate on inside front cover.
Softcover. Boston, The Paul Revere Memorial Association, 1st pbk, 1988, Book: Very Good, Dust Jacket: None, Hardcover, pictorial black wrappers, 191 pages. Issued in conjunction with a 1988-1989 exhibition featuring the silver work of Paul Revere (1735-1818). With illustrated essays by Patrick M. Leehey, Janine E. Skerry, Deborah A. Federhen, Edgard Moreno, and Edith J. Steblecki. Includes a bibliography and many views of Revere's silversmithing capabilities. 236 b&w illustrations. Clean copy.
Softcover. New York, Museum of the American Indian, 1st, 1926, Book: Very Good, Dust Jacket: None, Softcover, 529 pages, illustrated in b&w, some fold-out plates. Light tan paper wraps, clean and tight. Light wear to cover edges and corners.
Softcover. New York, Hudson Hills, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 130 pages, color and b&w photographs. Exhibition catalogue dedicated to the contemporary Navajo artist and her weaving of Chant Rugs; a majority of the 83 textiles (shown in color plates) that have been selected are a well-balanced demonstration of the very finest weaving skills of any period in Navajo history.
Hardcover. NY, Rizzoli, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages. A survey of the most original Southwestern Indian jewelers -- from traditional and contemporary silversmiths to exquisite lapidary artists to metalsmiths who create wearable art and objects.. Color photos by Addison Doty.
Hardcover. New York, Artabras, 2nd Printing, 1990, Book: Very Good, Dust Jacket: Very Good, 252 pages. Hardcover. Red cloth boards with black printed rocking horse decoration to cover, black printed titles to spine. Profusely illustrated in full color & black & white, images beautifully interspersed throughout text. Bright dust jacket with sunfading to spine. Clean, unmarked copy.
Hardcover. Austin, TX, Texas Monthly Press, 1st, 1981, Book: Very Good, Dust Jacket: Good, A book devoted to the various forms of folk art that have developed in Texas. Includes over 200 illustrations, approximately half of which are in color. Also contains biographical notes on the various featured artists. Very good condition, some wear to the edges and spine of the dust jacket.
Softcover. Baltimore, Johns Hopkins University Press, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 155 pages. Thomas Dennis emigrated to America from England in 1663, settling in Ipswich, a Massachusetts village a long day's sail north of Boston. He had apprenticed in joinery, the most common method of making furniture in sixteenth- and seventeenth-century Britain, and he became Ipswich's second joiner, setting up shop in the heart of the village. During his lifetime, Dennis won wide renown as an artisan. Today, connoisseurs judge his elaborately carved furniture as among the best produced in seventeenth-century America. Robert Tarule, historian and accomplished craftsman, brilliantly recreates Dennis's world in recounting how he created a single oak chest. Writing as a woodworker himself, Tarule vividly portrays Dennis walking through the woods looking for the right trees; sawing and splitting the wood on site; and working in his shop on the chest-planing, joining, and carving. Dennis inherited a knowledge of wood and woodworking that dated back centuries before he was born, and Tarule traces this tradition from Old World to New. He also depicts the natural and social landscape in which Dennis operated, from the sights, sounds, and smells of colonial Ipswich and its surrounding countryside to the laws that governed his use of trees and his network of personal and professional relationships. Clean copy.
Hardcover. Seattle WA, Pacific Search Press, 1st, 1982, Book: Very Good, Dust Jacket: Good, Hardcover, burgundy boards stamped in gilt, in a lightly worn, price-clipped dust jacket. 234 pages, b&w illustrations. Describes the origin of the Chilkat or Dancing blanket and provides detailed information on materials, spinning, dyeing and weaving techniques. The Chilkat Dancing Blanket is the life story of a magnificent woven robe which graced the shoulders of Indian nobility from Yakutat, Alaska to Vancouver Island, British Columbia. From the legendary origins of this weaving, the story unfolds to tell of the women who wove it, of the source and inspiration for the designs which adorn it, and of the pride and esteem in which it was held by the society which gave it birth. The Dancing Blanket was a robe reserved for ceremony. The remarkable photographs of Tony Hunt performing the Headdress Dance afford a rare opportunity to see this blanket in its full glory, alive and dancing. No markings.
Softcover. Santa Fe, Museum of New Mexico Press, 1st revised, 2003, Book: Very Good, Dust Jacket: None, Softcover, pages. Maria, the potter of San Ildefonso (1887-1981), is not only the most famous of Pueblo Indian potters but ranks among the best of international potters. Her work Is collected and exhibited around the world, and more than any other artist, Maria Martinez brought "signatures" to Indian art. She and other members of her family revived a dying art form and kindled a renaissance in pottery for all the Pueblos. She raised this regional art to one of international acclaim. This lavishly illustrated book draws from Spivey's 1979 classic work. Featuring entirely new photography and 120 added pots as well as a significantly expanded text, this volume considers the entirety of this artist's immense oeuvre and important works and developments in her collaboration with Julian, and after his death, with her daughter-in-law Santana, son Popovi Da, and grandson Tony Da, bringing the legacy of Maria into the bright future of Pueblo ceramics.
Hardcover. Salt Lake City, Peregrine Smith, Inc, 1st US, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 218 pages. Green cloth cover with gilt lettering to spine, color illustrated dust jacket, 256 b&w plates, some in color. Light wear to dust jacket; overall a tight, clean copy.